Dissertations / Theses on the topic 'Jewish chldren in the Holocaust'

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1

Goss, Nina Rochelle. "Reading is still life : how my journey to planet Auschwitz taught me the awful irresistible yes /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9451.

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2

Salner, Peter. "The Holocaust and the Jewish Identity in Slovakia." Universität Potsdam, 2010. http://opus.kobv.de/ubp/volltexte/2010/4350/.

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This study deals with the impacts of the Holocaust on the identity of the Jewish community in Slovakia. The author is interested in the question (whether and) in which form God remained among the survivors after Auschwitz. The available ethnological material has shown that suffering during the Holocaust often resulted into abandoning the religion, and particularly in Judaism. Many survivors broke up their contacts with Jewry. They often decided to join the communist party (either due to their conviction or opportunism.) Our research has indicated that for the majority of the Slovak Jews, God after the Holocaust is rather an abstract concept or non existing. However, he is definitely not the biblical God of the Tora and micvot, to which our ancestors used to pray.
In dieser Studie wird die Wirkung des Holocausts auf die Identität der jüdischen Gemeinschaft in der Slowakei thematisiert. Der Autor ist an der Frage interessiert, ob und falls ja in welcher Form der Glaube an die Existenz Gottes nach Auschwitz unter den Überlebenden fortbestand. Die verfügbaren ethnologischen Materialien haben gezeigt, dass das Leiden während des Holocausts oft das Ablegen der Religion, insbesondere der jüdischen, zur Folge hatte. Viele Überlebende brachen den Kontakt zum Judentum ab. Sie entschlossen sich oftmals, – entweder aus Überzeugung oder aus Opportunismus – der Kommunistischen Partei beizutreten. Die hier vorgestellte Forschungsarbeit weist darauf hin, dass für die Mehrheit der slowakischen Juden Gott nach dem Holocaust entweder ein abstraktes Konzept ist oder Gott nicht existiert. So ist er definitiv nicht der biblische Gott der Torah und der Mizwot, zu dem unsere Vorfahren gebetet haben.
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3

Garner, Daniel Osborn. "Antitheodicy, atheodicy and Jewish mysticism in Holocaust Theology." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515141.

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This thesis will contribute to the scholarly understanding of Jewish religious responses to the Holocaust in four ways. First, it will provide a constructive critique of Zachary Braiterman's analysis of Holocaust theology and his concept of antitheodicy in particular. It will expand his analysis by examining some Holocaust theologians he did not engage with in his original study. It will also narrow down his definition of antitheodicy in order to avoid the charge that it is too wide-ranging for effective use. Second, this thesis will introduce and define the concept of 'atheodicy'. A form of response centred upon divine mystery/inscrutability and consolatory ideas of divine co-suffering and recovery, 'atheodicy' will be identified as a significant religious response to suffering prominent within the context of Holocaust theology, especially within the thought of Kalonymous Shapira, Emil Fackenheim, Arthur Cohen and Melissa Raphael where it becomes a major element of their studies. Thirdly, this study will show that the Jewish mystical tradition of the Kabbalah, particularly in its theosophical-theurgic manifestation, has been a significant resource for Holocaust theologians in their efforts to respond meaningfully to the Holocaust - again particularly in the thought of Shapira, Fackenheim, Cohen and Raphael. Fourthly, the thesis will explore the relationship between antitheodicy, atheodicy and Jewish mysticism in the work of these four theologians. It will be argued that the presence of antitheodicy in these four thinkers often results in their adoption of atheodic approaches to the problem of suffering. It will also be argued that the recognition of atheodicy as a response provides one powerful (though certainly not the sole) reason for the presence of Jewish mysticism in Holocaust theology. This, it will be argued, is because the atheodic elements of the responses are often expressed via Kabbalistic concepts which, at least in isolation, provide Jewish symbols which encapsulate and express the atheodic approaches identified in the responses of Shapira, Fackenheim, Cohen and Raphael. Finally, the prospects for 'atheodic theology' will be briefly evaluated by providing a short critical appraisal of this theological mode. The discussion will develop a particular focus on notions of divine mystery and the limits of rational theology.
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4

Brodie, Mark Phillip. ""From Darwin to the death camps" : a collage of Holocaust representation focusing on perpetrator atrocity discourse in literature, drama, and film /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/07M%20Dissertations/BRODIE_MARK_43.pdf.

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5

Wirth, Ruth Margaret. "Orphaned Holocaust Teenagers and the Rhythms of Jewish Life." University of Sydney, 2008. http://hdl.handle.net/2123/3683.

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Master of Philosophy (MPhil)
My thesis was designed to shed light on the numerous ways in which a small group of forty three orphaned Holocaust survivors adapted to their new lives in Australia, whilst keeping their preferred Jewish practices. I have attempted to explain the reasons for their choices in doing so. The majority abandoned their belief in the existence of God but felt obliged to keep, preserve and manifest a Jewish identity. This was achieved by celebrating some Jewish traditions. A few retained both belief in God and Jewish practices. All interviewees were born between 1927 and 1932. They originated from seven European countries and came from homes where the degree of Jewish observance varied. They survived the Holocaust whether incarcerated, in hiding or rescued by early Kindertransporte. The education and schooling of all the interviewees had been disrupted as a consequence of the Holocaust. A few continued their studies and completed tertiary education at university or technical college. The remainder embarked on acquiring various skills, which eventually assisted them in their occupation. My research demonstrates that the level of education or professional skills bear no correlation to the level of religiosity. The interviewees who came from acculturated backgrounds, continued with corresponding Jewish practices in their adult years. Belief in God had played no major role in the lives of their parents. However, practice of certain rituals had been integrated into their Jewish identity. Transporting these rhythms to Australia caused no difficulty for these interviewees in their post-war lives. A considerable transformation of Jewish rites and rituals occurred amongst the interviewees, who came from shtetls. Their previous unswerving belief in God had been challenged, so that it was either weakened or, in many cases, vanished. The adherence to Jewish traditions and laws had diminished. Many relinquished observation of the laws of kashrut. The Sabbath was no longer observed and revered as it had been in the pre-war years. The contrast of such entrenched Jewish traditions from shtetl lives to suburban life in Australia in the 1950s was too great. A significant difference emerged within the group of six interviewees, who kept their belief in God. Their backgrounds were Modern Orthodox. They came from larger towns or cities in three countries. Education had played a crucial part in their early life. Learning, in conjunction with adherence to religious traditions and laws had shaped their childhood and upbringing. The retention of faith and Orthodox traditions correlated with their love of learning. Modern Orthodox practices could be more easily maintained than the traditions followed in shtetls. All forty three interviewees kept their Jewish identity in one form or another. As Jewish identity can be explained in terms of religiosity, ethnicity, culture and nationalism, this continuity was possible. Survivors, who lost their belief in God, were able to continue with Jewish rituals, traditions and life cycle events as part of their ethnicity or culture. There is no doubt that for the large majority of the interviewees, the Holocaust affected their religious life. Losing their parents and siblings as a result of the Holocaust shattered their beliefs and resulted in an abandonment of their previously held beliefs and trust in God. As a consequence, changes occurred in their Jewish identity. They considered themselves as Jews, without adhering to any religious form. However, they were not prepared to relinquish all traces of Jewish identity. The memories of their lost families proved too treasured to allow them to abandon all Jewish ties. It is my conclusion that the rhythms of Jewish life constituted a defining factor in the re-building of their shattered lives after the Holocaust. They provided a framework which allowed and maintained the continuity of Jewish existence, their belief in God and Jewish rites and rituals. For those interviewees who abandoned their belief in God, Jewish rites and rituals served to provide identification with Jewish peoplehood and culture. However, many of the teenage survivors practised these rhythms and rituals in a secular/cultural manner, rather than emanating from a belief in God. These reactions reflect the complexity of Jewish identity in the modern and post modern world.
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6

Gordon, Vicki Chaya. "The experience of being a hidden child survivor of the holocaust /." Connect to thesis, 2002. http://eprints.unimelb.edu.au/archive/00000741.

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7

Pabel, Annemarie Luise. "Representing women's holocaust trauma across genres and eras." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/3245.

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This dissertation situates itself within the problematic (mis)representation of women’s traumatic Holocaust experiences that are subjected to and underplayed by the patriarchal paradigm of Holocaust literature, in which male survivor-narratives constitute the norm. In using Holocaust texts from three different genres and periods, namely Anne Frank’s Diary of 1947, Ruth Klüger’s 2001 autobiography Still Alive: a Holocaust Girlhood Remembered, and Bernhard Schlink’s 1995 novel The Reader, this project approaches the role of genres in the re-articulation of traumatic experiences. It is the aim of this dissertation to explore the epistolary, autobiographic and fictional forms and their inherent conventions and to examine how they facilitate the articulation of women’s experiences that have long been underplayed and sanitized by rigid, patriarchal historical and literary discourses. In doing so, the project follows the structurally fragmenting impact of trauma on the mind and thus moves from short, fragmented forms, such as The Diary, to the more coherent autobiography, Still Alive, and eventually to the novel The Reader. In this analysis of the potential, conventions and complexities that each genre poses to the articulation of trauma, this project outlines and crosses boundaries of genre, gender, language and memory. In aiming at a comparative analysis of how different genres may facilitate the articulation of traumatic experiences differently, this project is based on the argument that the verbalization of trauma is essential for a person to regain control over their memories. This project is based on the different issues regarding the treatment of women, which arise in the selected texts. In selecting epistolary, autobiographic and fictional primary Holocaust texts, all of which address women’s trauma in various forms, I investigate the problematic and distorted representations of women’s experiences. These distortions of women’s traumatic experiences of the Holocaust undermine the validity of such experiences themselves. In order to show the extent of this misrepresentation across genres, I choose three very different primary texts. Firstly, a strong educational component has been ascribed to the diary of Anne Frank, which will be read as a subversive tool. Secondly, the autobiographic text chosen deals extensively with the issue of German/English translation and the representation of trauma that is affected by a bilingual condition. Thirdly, I select a postmodern novel that challenges conventional readings of Holocaust experiences through the use of very complex female characters. In approaching these issues, I will first identify such problematic distortions in the representations of women’s experiences in all three selected texts. I will then use the framework of literary theory as well as trauma and gender theorists to substantiate and evaluate my findings. In doing so, I seek to establish a comparative analysis of how the different forms allow women to re-articulate their traumatic experiences.
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8

Mosley, Paul David. "Frightful crimes : British press responses to the holocaust 1944-45 /." Connect to thesis, 2002. http://eprints.unimelb.edu.au/archive/00000552.

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9

Kadosh, Refael. "Jewish theodicy : reflections on the Holocaust and Zionism in rabbinical thought." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/3560.

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10

Sompolinsky, Meier. "Britain and the Holocaust : the failure of Anglo-Jewish leadership? /." Brighton ; Portland (Or.) : Sussex academic press, 1999. http://catalogue.bnf.fr/ark:/12148/cb37197195v.

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11

Caraveo, John D. "Refuse to go Quietly: Jewish Survival Tactics During the Holocaust." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3039.

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During World War Two, the European Jewish population was faced with this during Shoah (the Holocaust). From Kristallnacht in November 1938 to the collapse of the Nazi Regime in May 1945, they relied heavily on each other and their instincts to discover ways to survive while in the ghettos, labor camps, and partisan units, if they managed to escape and head for the forests. Even with some Jews turning on their own to help the Nazis, the vast majority stuck together and did everything they could to persist and survive. While only two uprisings were viewed as successes, the ghetto and camp revolts that failed still showed the Jewish people were not going to lie down to the Germans and that they were never going to give up. This thesis details some of the ways Jews fought for survival in the ghettos, concentration/extermination camps, and as partisan fighters.
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12

Pager, Chet Kelii-Wallraff. "Verses on Auschwitz : images of the Holocaust in modern American poetry." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/18875.

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This thesis examines how poetic responses to the Holocaust in America, when they emerged, have differed from the novels addressing the same subject; how the Second World War has challenged, in a way the First World War did not, basic humanistic assumptions regarding the image of man, the role of God, the benefits of civilisation & culture, and the humanising power of art or reason; and how this impact has influenced modern trends in poetry. After an extensive background section documenting the impact the Holocaust and Second World War have made upon the literary imagination, an extensive review is conducted of the varied critical positions and criteria, both aesthetic and ethical, from which American literary responses have been evaluated. Among the major critical positions is the belief that there should be no literary response to the Holocaust; that this literary response must primarily serve to document and testify; that the Holocaust should not be addressed imaginatively by non-victims; and that the Holocaust should not be used as a metaphor to convey some other subject or theme. These and other critical standpoints are discussed in relation to works by ten American poets whose poetry is representative of the ways in which the Holocaust has impacted on the poetic imagination, the breadth of poetic responses to this atrocity, and the range of difficulties and corresponding criticisms which are associated with almost all attempts to respond creatively to the Holocaust. The poets examined are Sylvia Plath, Anne Sexton, Maxine Kumin, Adrienne Rich, Denise Levertov, Stephen Berg, Van Brock, W.D. Snodgrass, William Heyen and Charles Reznikoff. Where illustrative, comparisons to relevant European poets have been made, including Nellie Sachs and Paul Celan. It was concluded that certain poets (Levertov, Rich, Heyen), as well as certain critical standpoints (Ezrahi, Langer, James Young) did more justice to the reality of the Holocaust and the challenges it poses to the literary and poetic imagination. Bibliography: p. 135-140.
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13

Liu, Dan. "Holocaust representation in Art Spiegelman's Maus." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456309.

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14

Konrad, Sandra. "Jeder hat seinen eigenen Holocaust : die Auswirkungen des Holocaust auf jüdische Frauen dreier Generationen : eine internationale psychologische Studie /." Gießen : Haland & Wirth im Psychosozial-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2996487&prov=M&dokv̲ar=1&doke̲xt=htm.

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15

Decoster, Charlotte. "Jewish Hidden Children in Belgium during the Holocaust: A Comparative Study of Their Hiding Places at Christian Establishments, Private Families, and Jewish Orphanages." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5468/.

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This thesis compares the different trauma received at the three major hiding places for Jewish children in Belgium during the Holocaust: Christian establishments, private families, and Jewish orphanages. Jewish children hidden at Christian establishments received mainly religious trauma and nutritional, sanitary, and medical neglect. Hiding with private families caused separation trauma and extreme hiding situations. Children staying at Jewish orphanages lived with a continuous fear of being deported, because these institutions were under constant supervision of the German occupiers. No Jewish child survived their hiding experience without receiving some major trauma that would affect them for the rest of their life. This thesis is based on video interviews at Shoah Visual History Foundation and Blum Archives, as well as autobiographies published by hidden children.
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16

Chalmers, Jason. "The Canadianisation of the Holocaust: Debating Canada's National Holocaust Monument." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26170.

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Holocaust monuments are often catalysts in the ‘nationalization’ of the Holocaust – the process by which Holocaust memory is shaped by its national milieu. Between 2009 and 2011, the Parliament of Canada debated a bill which set out the guidelines for the establishment of a National Holocaust Monument (NHM), which ultimately became a federal Act of Parliament in early 2011. I examine the discourse generated by this bill to understand how the memory of the Holocaust is being integrated into the Canadian identity, and argue that the debate surrounding the NHM has been instrumental in the ‘Canadianisation’ of the Holocaust. I summarise my findings by placing them into dialogue with other national memories of the Holocaust, and identify three distinct features of Holocaust memory in Canada: a centrifugal trajectory originating in the Jewish community, a particular-universal tension rooted in multiculturalism, and a multifaceted memory comprising several conflicting – though not competing – narratives. Monuments de l’Holocauste sont souvent des catalyseurs de la «nationalisation» de l'Holocauste – le processus par lequel mémoire de l'Holocauste est formé par son milieu national. Entre 2009 et 2011, le Parlement du Canada a débattre un projet de loi qui crée les lignes directrices pour la mise en place d'un Monument national de l'Holocauste (MNH), qui est finalement devenu une loi fédérale du Parlement au début de 2011. J'examine le discours généré par ce projet de loi pour comprendre comment la mémoire de l'Holocauste est intégrée dans l'identité canadienne, et soutien que le débat entourant le MNH a joué un rôle déterminant dans la «canadianisation» de l'Holocauste. Je résume mes conclusions en les plaçant dans le dialogue avec d'autres mémoires nationales de l'Holocauste, et d'identifier trois caractéristiques distinctes de mémoire de l'Holocauste au Canada: une trajectoire centrifuge d’origine dans la communauté juive, une tension particulière-universelle enracinée dans le multiculturalisme, et une mémoire à multiples facettes comprenant plusieurs récits contradictories – mais pas compétitifs.
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17

Dowling, Shannon. "Hitler on Lygon Street : Lily Brett and second generation Jewish suffering." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phd747.pdf.

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18

Stahman, Laura K. ""Degenerate" hope : philosophic and literary responses to antisemitism and the Holocaust /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9956.

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19

Wollaston, Isabel Louise. "A comparative study of Jewish and Christian responses to the Holocaust." Thesis, Online version, 1989. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.254180.

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20

Giberovitch, Myra. "The contributions of Montreal holocaust survivor organizations to Jewish communal life /." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61884.

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21

Cohen, Rose Lerer. "Resilience and achievement : the case of Jewish Lithuanian child holocaust survivors." Thesis, Anglia Ruskin University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409367.

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22

Gryta, Jan. "Remembering the Holocaust and the Jewish past in Kraków, 1980-2013." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/remembering-the-holocaust-and-the-jewish-past-in-krakow-19802013(20de4de5-c7de-48e1-9569-846420afcd0e).html.

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This thesis examines the ways in which the Holocaust and the Jewish past have been remembered in Kraków, investigates the impact local memory work has had on Polish collective memory, and problematises the importance of the 1989 threshold for that memory work. Looking at Kraków, an exceptional and exceptionally important case study, between 1980 and 2013, the thesis investigates heritage creations in Kazimierz, the old Jewish Town, and traces the genealogies of Holocaust exhibitions presented in Kraków. It also traces the emergence of urban critical narratives about the past, pertaining both to the city and to Poland as a whole. Created in opposition to the mainstream ethno-nationalist narrative, which was often supported by both the Communist and the democratic governments, the interpretation of the past laid out in Kraków gradually incorporated the Jewish past into the narrative on Polish history. The thesis demonstrates how, over the course of thirty years, Jews came to be presented as rightful members of the Polish national community, and the Holocaust as an integral part of Polish war history, albeit still distinct to other sufferings. At the forefront of the process of excavating and presenting Kraków’s Jewish past were local memory activists. In particular, this thesis highlights the pivotal role played by mid-ranking officials from municipal administration and by fictive kinships in the process of urbanisation of memory. These individuals and groups translated the ideas of critical engagement with the nation’s history, propagated by some sections of the national elite, into a form that could be consumed by a mass audience. In addition, the thesis demonstrates that memory work on a local level persisted almost uninterrupted through the transition to democracy. Activists responsible for the creation of inclusive narratives in the 1980s, and the Krakowian intelligentsia in general, carried those ideas forward through the collapse of Communism – no radical reformulation of representations of the Jewish past or the Holocaust took place in the early 1990s. The local narratives grew progressively more critical and increasingly more cosmopolitan from the 1980s onward, but this process only truly accelerated after 2010. The present thesis argues that this post-2010 intensification was only possible after local activists had embraced new forms of commemoration and new modes of authentication within museum exhibitions. In particular it points toward the espousal of ‘complementary authenticities,’ a mode of authentication of narratives strongly anchored in history that at the same time aimed to incite an emotional response. This incorporation of ‘complementary authenticities’ allowed for the creation of narratives that sensitised audiences to the suffering of Poles regardless of their ethnic background. Thus the thesis relates the developments of memory work in Kraków to broader changes in culture, rather than solely to changes in political life.
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23

Capage, Dana Lynne. "Die unbewältigte Vergangenheit: the Third Generation and the Holocaust in Recent Literature and Film." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2232.

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Processing the Holocaust and its disruption to society has emerged as a significant preoccupation, both privately and publicly, since the war ended almost seventy years ago. By taking up the topic, contemporary artists, often called the "third generation," die Enkel or die Dritten in German, argue that grappling with the past is a process that cannot yet be laid to rest. The cultural production of some of these artists is the focus of this study. Some, like German literary scholar Ernestine Schlant, have argued that past efforts to process history have been lacking. Her review of West German, post-war literature, The Language of Silence, is surveyed for the purpose of understanding how previous generations tackled the topic and how success in confronting the issues could be measured. Four artists represent their views on the burden of history in works produced in the first decade of the new century. In Schweigen die Täter, reden die Enkel, Claudia Brunner describes her efforts to recognize and deal with the feelings of Phantomschmerzen as a result of being a descendent of a Nazi perpetrator. Himmelskörper, by Tanja Dückers, portrays a new mother trying to discover the secrets her grandmother harbors; Uwe von Seltmann wrestles with the legacy of unpunished crimes in Karlebachs Vermächtnis; and, denial takes center stage as Jens Schanze documents his family's attempts to end the silence about a Nazi grandfather in the film Winterkinder. Lest it be thought contemporary artists saw no importance in the legacy of the Holocaust or were not inclined to tackle political issues, this study contends that modern artists are not only capable of confronting the past, but that they find the confrontation still necessary. Given their temporal distance to the era, they have an advantage over previous generations to approach the issues with more objectivity and composure. They do this work in service to others who seek to understand the pain and guilt they feel; to those who sense secrets in their family's history that remain buried and harmful; to those who were wronged; to those who suffer from long-suppressed conflict; and, to those who care deeply, also from afar, that German society successfully digest, but not forget, the history.
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Cady, Alyssa R. "Representing the Holocaust: German and American Museums in Comparative Perspective." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470051050.

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Wright, Katherine Ann. "The literature of second generation Holocaust survivors and the formation of a post-Holocaust Jewish identity in America." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Summer2009/K_Wright_062109.pdf.

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Martin, Michael John Harris Charles B. Goldfarb Alvin. "Struggling with the language of night the development and application of a postmodern lens for the teaching, reading, and interpretation of Holocaust literature /." Normal, Ill. Illinois State University, 2002. http://wwwlib.umi.com/cr/ilstu/fullcit?p3064519.

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Thesis (Ph. D.)--Illinois State University, 2002.
Title from title page screen, viewed February 23, 2006. Dissertation Committee: Charles B. Harris, Alvin Goldfarb (co-chairs), Rebecca Saunders, Roberta Seelinger Trites. Includes bibliographical references (leaves 294-304) and abstract. Also available in print.
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Köster, Juliane. "Archive der Zukunft der Beitrag des Literaturunterrichts zur Auseinandersetzung mit Auschwitz /." Augsburg : Wissner, 2001. http://catalog.hathitrust.org/api/volumes/oclc/50591175.html.

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Costa, Amanda Jean. "Accessory to genocide? : an exploration of America's response to the Holocaust /." Lynchburg, VA : Liberty University, 2007. http://digitalcommons.liberty.edu.

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Satov, Tauba. "Holocaust studies for moral and religious education." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60083.

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This thesis will present an account of the religious way of living drawn from the writings of selected authorities. It will consider how myths, rituals and religion can help humans reach moments of transcendence. These themes will be discussed further in reference to the pious Jews who originated from small towns in Eastern Europe and who lived in accordance with their religious values.
This thesis will give substance to the account of the religious way of living with specific reference to the experience of pious Eastern European Jews before, during and after the Holocaust. It will be proposed that Holocaust studies can offer students several messages that are of crucial importance.
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Németh-Jesurún, Nancy. "The third life sixteen Holocaust survivors in El Paso /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Berkovic, Miriam Scherer. "Through their daughters' eyes : Jewish mothers and daughters : a legacy from the Holocaust." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19511.

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This study examined the narratives and stories of 13 daughters of Jewish women Holocaust survivors. A qualitative multi-methodological integrative approach that incorporated feminist standpoint epistemologies and elements oF grounded theory was used. Mechanisms such as the use of an auditor and judges were utilized to address the researcher's reflexive stance and subjective frame. Participants' data were collected through semi-structured interviews. Interviews were subjected to extensive qualitative analyses and were compared to find recursive themes and sub-themes. The results oF this study indicated that Holocaust survivor mothers were conceptualized by their daughters as being either strong, challenged or both. Participants described the lessons they learned from their mothers' survivor narratives and stories in terms of strength, resilience, transcendency and Jewish identity. Participants considered these lessons to be vital aspects of their lives and strategies for living.
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Kuok, Chi Man. "Writing as resistance : Petr Ginz's Holocaust diary." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2456336.

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Kampmark, Binoy. "Victims and executioners : American political discourses on the holocaust from liberation to Bitburg /." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18428.pdf.

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MacGregor, Fianna Raven. "The Responsibilities and Limitations of Holocaust Storytelling: Understanding the Structure and Usage of the Master Narrative in Holocaust Film." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/150.

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When we speak of historical events, we do so with a certain amount of perceived knowledge; that is, we come to believe we know specific, individual 'truths' about the event. Since historical works are never unembellished lists of documented facts, the knowledge of how we conceive of factual events, how we document events we did not witness, is important in understanding the resulting storytelling process, not just in fictional literary constructs such as novels, short stories, poetry or film, but in the formulation of history itself. For written history must be seen, at least in part, as a constructed or representational reality and this construction generally takes place organically, that is, there are no architects of such histories. Instead, they come together as a result of public acceptance of the individual elements of the narrative. Over time, historical data and anecdotal narrative solidify into a cohesive whole made up of both hard fact and individual response to those facts, a blended whole that can be termed the master narrative of the historical event and which serves as the basis on which we construct the fictional narratives of literature and film.
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35

Gwyer, Kirstin. "Encrypting the past : the German-Jewish Holocaust novel of the first generation." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508422.

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36

Ifft, Leah M. "Youngstown, Ohio Responds to Holocaust Era Refugees." Youngstown State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1504792281469131.

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37

O'Donoghue, Leslie. "Holocaust, Memory, Second-Generation, and Conflict Resolution." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/3785.

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Ten Jewish second-generation men and women from metro Portland, Oregon were interviewed regarding growing up in the aftermath of the Holocaust. The American-born participants ranged in age from fifty-one to sixty-four years of age at the time of the interviews. Though the parents were deceased at the time of this study the working definition of a Holocaust survivor parent included those individuals who had been refugees or interned in a ghetto, labor camp, concentration camp, or extermination camp as a direct result of the Nazi Regime in Europe from 1933 to 1945. A descriptive phenomenological approach was utilized. Eight open-ended questions yielded ten unique perspectives. Most second-generation do not habitually inform others of their second-generation status. This is significant to conflict resolution as the effects of the Holocaust are trans-generational. The second-generation embody resilience and their combined emphasis was for all people to become as educated as possible.
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38

Cooke, Steven John. "The hidden landscapes of the Holocaust in late twentieth century Britain." Thesis, University of Bristol, 1998. http://hdl.handle.net/1983/32115594-2a5e-425c-9f95-5a49a0d0050a.

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This thesis investigates the memorial landscapes of the Holocaust in late twentieth century Britain. By using a variety of methodological and theoretical techniques it reconstructs the biography of the mnemonic sites that seek to represent the Holocaust in the British landscape. It argues that these landscapes are structured by a number of discourses which construct the Holocaust as apart from the histories and the geographies of British people. The first is the heroic myths that pervade British society about the role of Britain during the Second World War. The second in the ontologies of Anglo-Jewry within the assimilationist framework of British society. This has produced landscapes which can be described as 'hidden'. The mnemonic sites in Britain that commemorate the Holocaust are in 'out-of-the-way' places and spaces which in turn reinforces the notion that the Holocaust is not something that the people of Britain need to consider as relevant to contemporary society. It also examines the way in which the memorial's relationship with its surrounding location is crucially important in the making of meaning, both for the memorial itself and for the surrounding rural or urban fabric. It argues that an active engagement with the landscape can be used to reconnect the spatial and temporal histories of particular mnemonic sites to explore the way in which the Holocaust is relevant to past and contemporary British social relations.
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39

Faber, Jennifer A. "HOLOCAUST MEMORY AND MUSEUMS IN THE UNITED STATES: PROBLEMS OF REPRESENTATION." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1114120239.

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40

Tillman, Aaron. "Magical American Jew : the enigma of difference in contemporary Jewish American short fiction and film /." View online ; access limited to URI, 2009. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3368007.

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41

Werle, Isabel. "Retrospektiven (üb)erlebten Tötens : autobiographische Zeugenschaft von Opfern und Tätern des Holocaust /." Hamburg : Kovač, 2010. http://d-nb.info/998409731/04.

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42

Sahlström, Julia. "Trials and Social Memory : Swedish-Jewish reactions to justice, retribution and the Holocaust." Thesis, Uppsala universitet, Hugo Valentin-centrum, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-352838.

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43

Walters, Kathryn Perry. "20,000 Fewer: The Wagner-Rogers Bill and the Jewish Refugee Crisis." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/91429.

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In the fall of 1938, Marion Kenworthy, child psychologist, and Clarence Pickett, director of the American Friends Service Committee, began designing a bill that would challenge the United States's government's strict immigration laws and allow persecuted children to come to the United States and live in American homes. The Wagner-Rogers Bill, named for Senator Robert Wagner of New York and Representative Edith Rogers of Massachusetts and introduced in February 1939, sought to allow the entry of 20,000 refugee children from Germany. At the time, multiple domestic factors limited the willingness of American politicians to meet this problem head on: high unemployment rates after the stock market crash in 1929, an isolationist sentiment after the impact of World War I, and xenophobia. These factors discouraged the lawmakers from revising the quota limit set on obtainable visas established by the 1924 Immigration Act and allow outsiders into the United States. These few actors who supported the Wagner-Rogers Bill reflect a hidden minority of the American public and political body that fought to help Jewish refugees by standing up to the majority of citizens and politicians against higher immigration into the United States, and the story of the this Bill demonstrates what might have been possible and illuminates 20th century models of American humanitarianism and its role in creating international refugee protection.
Master of Arts
In the fall of 1938, Marion Kenworthy, child psychologist, and Clarence Pickett, director of the American Friends Service Committee, began designing a bill that would challenge the United States’s government’s strict immigration laws and allow persecuted children to come to the United States and live in American homes. The Wagner-Rogers Bill, named for Senator Robert Wagner of New York and Representative Edith Rogers of Massachusetts and introduced in February 1939, would allow the entry of 20,000 refugee children from Germany. At the time, multiple domestic factors limited the willingness of American politicians to meet this problem head on: high unemployment rates after the stock market crash in 1929, an isolationist sentiment after the impact of World War I, and xenophobia. These factors discouraged the lawmakers from reforming pre-existing immigration policies to allow more outsiders into the United States. These few actors who supported the Wagner-Rogers Bill reflect a hidden minority of the American public and political body that fought to help Jewish refugees by standing up to the majority of citizens and politicians against higher immigration into the United States, and the story of the this Bill illuminates 20th century models of American humanitarianism and its role in creating international refugee protection.
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44

Frahm, Ole. "Genealogie des Holocaust : Art Spiegelmans Maus - a survivor's tale /." München [u.a.] : Fink, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2637876&prov=M&dok_var=1&dok_ext=htm.

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45

Witt, Joyce Arlene McBride Lawrence W. "A humanities approach to the study of the Holocaust a curriculum for grades 7-12 /." Normal, Ill. Illinois State University, 2000. http://wwwlib.umi.com/cr/ilstu/fullcit?p9995671.

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Thesis (D.A.)--Illinois State University, 2000.
Title from title page screen, viewed May 2, 2006. Dissertation Committee: Lawrence McBride (chair), Donald E. Davis, Niles Holt, Alvin Goldfarb. Includes bibliographical references (leaves 291-296) and abstract. Also available in print.
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46

Stenekes, Willem Jacob. "History denied a study of David Irving and Holocaust denial /." Sydney : UWS, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030704.164555/.

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47

Le, Vaul-Grimwood Marita. "The Holocaust as family history : beyond the second generation in North American Jewish writing." Thesis, University of Newcastle Upon Tyne, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399541.

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48

Parsons, Jennifer Anne. "Living with threads : modern Jewish attempts at theodicy with particular reference to the Holocaust." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292176.

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49

Nesfield, Victoria Lee. "Enduring identities : Jewish identity in the Holocaust literature of Primo Levi and Elie Wiesel." Thesis, University of Leeds, 2011. http://etheses.whiterose.ac.uk/21116/.

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'Enduring Identities' is a comparison of the Holocaust literature of Primo Levi and Elie Wiesel, debating the cultural divide between Jewish communities in the East and West of Europe. Beginning with a historical and theological context, the thesis explores the establishment of the Jewish people, their movement into the Diaspora, the changes of Modernity and the ensuing dichotomy between East and West which created divided Jewish identities. There follows an identification and analysis of a literary lineage between the East and West of Europe, identifying a divide in cultural trajectories and situating Levi and Wiesel as Jewish authors within Western and Eastern literary paradigms. Identifying four conceptual frameworks through which to compare the written works of Levi and Wiesel, the study takes as its central focus the Holocaust and discusses the representation of Jewish identity through the literary lineage of modern Jewish authorship and the East/West divide. The theme of 'otherness' is a central point of contention, identified through the work of Zygmunt Bauman on Modernity and Edward Said's work on theories of Orientalism, discussing the construction of 'the Jew' and Jewish identity as 'other' in Europe. Finally 'Enduring Identities' uses the Holocaust literature of Levi and Wiesel to discuss the identification of 'the Jew' from 'within and without', how Jewish communities perceived each other as different, across the East and West of Europe, from 'within' and how Jewish communities were perceived by the Gentile majority, from 'without'. The study identifies how the divided Jewish communities of Europe had their identities deconstructed by the Nazi anti-Semitic persecution to the point of convergence in the concentration and extermination camps. The primary question the study aims to identify is whether the Holocaust united divided Jewish identity, or whether the cultural separations between the Eastern and Western Jewish identities endured. The study concludes that although the Jewish identities of Levi and Wiesel necessarily changed through the Holocaust, as a metaphor for an East/West dichotomy, the literature of Levi and Wiesel represents the continuing divide between European Jewry.
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50

Green, Deborah. "Jewish Holocaust Survivors Suffering from Trauma and Mental Illness: Approaches in Post War Sydney." Thesis, University of Sydney, 2019. https://hdl.handle.net/2123/23103.

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Between 1938 and 1960, over 31,000 Jewish refugees found a new home in Australia, at no cost to government for a period of five years after arrival. After surviving the Holocaust, some few arrived with extreme trauma. PTSD was only recognised as a diagnosis in 1980, and the study of Holocaust trauma only matured in the last 30 years. The lives of these survivors and those who helped them has not been explored although in 1955 over ninety were mental hospital patients. In 1938 the government did not have a genuine refugee policy and Rutland confirmed that responsibility for survivors was delegated to the Australian Jewish Welfare Society (AJWS) for five years. Case studies of these survivors are reviewed to help understand and explain what happened to this group by studying the role of the AJWS and a number of doctors. Jewish refugees embodied the dominant narrative of successful migration, but this is not true for all arrivals. This thesis aims to show that understanding those who suffered extreme trauma is important as evidence of how genocide affects survivors and how they were treated in Sydney in the 1950s
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