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Books on the topic 'Jewelry making Australia Technique'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Felt, fiber and stone: Creative jewelry designs & techniques. Atglen, PA: Schiffer Pub. Ltd., 2011.

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2

Fitzgerald, Diane. Beads and threads: A new technique for fiber jewelry. Rockville, MD: Flower Valley Press, 1993.

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3

Metal clay for jewelry makers: The complete technique guide. Loveland, CO: Interweave Press, 2012.

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4

Tim, McCreight, ed. Metals technic: A collection of techniques for metalsmiths. Cape Elizabeth, Me: Brynmorgen Press, 1992.

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5

Creative silver chains: 20 dazzling designs. New York: Lark Books, 2005.

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6

Creative silver chains: 20 dazzling designs. New York: Lark/Sterling Pub., 2009.

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7

Hellenistic gold Eros jewellery: Technique, style and chronology. Oxford, England: Archaeopress, 2006.

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8

Dierks, Leslie. Creative clay jewelry: Extraordinary, colorful, fun designs to make from polymer clay. Asheville, NC: Lark Books, 1994.

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9

Hornstein, Leon. A modern method of creating enameled filigree jewelry: With added instructions for making the wire and the tools. Baltimore, Md: L. Hornstein, 2000.

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10

Galli, Maurice P. Designing jewelry: Brooches, bracelets, necklaces & accessories. Atglen, PA: Schiffer Pub., 1994.

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11

Hoàng, Đăng Nhơn. Cách trang trí và làm đso trang swuc. [San Jose, CA: The Author, 1998.

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12

Practical casting: A studio reference. Boylston, Mass: Brynmorgen Press, 1986.

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13

Galli, Maurice P. The art of jewelry design: Principles of design, rings and earrings. Atglen, PA: Schiffer Pub., 1994.

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14

Beaded Animals in Jewelry. Lacis Publications, 1994.

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15

Hackett, Brian. Beginning Jewelry Making Book: Bracelet, Earring, Necklace Making Guide-Bead Jewelry Books on Technique. Independently Published, 2020.

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16

Simple metalwork jewelry. Kalmbach Books, 2016.

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17

The Complete Jewellerymaker. A&C; Black, 2012.

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18

Campbell, Jean. Art of Beaded Beads: Exploring Design, Color and Technique. Lark Books, 2010.

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19

The Art of Beaded Beads: Exploring Design, Color & Technique. Lark Books, 2006.

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20

Konstantinov, Varvara. Coraling Technique: Step-by-Step Instructions For Making Ten Original Design Necklaces, Bracelets And Earrings In The Most Popular Russian Beading Technique. Jewelry By Varvara, 2003.

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21

Marcia Decoster Presents Interviews With 30 Beaders On Inspiration And Technique. Lark Books,U.S., 2014.

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22

Meyerowitz, Patricia, and Jacob Meyerowitz. Jewelry and Sculpture Through Unit Construction. Jonti Marks, 2015.

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23

Plumlee, Scott David. Silver Soldering Simplified: A New Jewelry Technique You Can Do at Home. Potter Craft, 2013.

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24

Plumlee, Scott David. Silver soldering simplified: A new jewelry technique you can do at home. 2013.

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25

Small Beads Big Jewellery. Search Press Ltd, 2014.

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26

Rae, Ruth, and Kristen Robinson. Making Etched Metal Jewelry: Techniques and Projects, Step by Step. F&W Media, Incorporated, 2013.

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27

marshal, Samantha. Diy Beaded Kumihimo Jewelry: Beginners Guide to Kumihimo Braiding in Jewelry Making with Simple Technique and Pattern. Independently Published, 2021.

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28

Mosaics for the first time (For The First Time). Sterling/Chapelle, 2004.

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29

Mosaics for the first time (For the First Time). Sterling/Chapelle, 2005.

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30

Zeiter, Linda K. Formal, technical and conceptual relationships in jewelry and metalsmithing: A personal view. 1987.

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31

The art of beadweaving: Exquisite beaded jewellery. 2013.

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32

Wood, Dorothy. Beader's Bible: A Comprehensive Guide to Beading Techniques. David & Charles Publishers, 2010.

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33

Wood, Dorothy. The Beader's Bible. David & Charles, 2008.

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34

Rubber Band Jewelry All Grown Up: Learn to Make Stylish Bracelets, Rings, Necklaces, Earrings, and More. Design Originals, 2014.

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35

O'Brien, Roxan. Colored pencil on copper jewelry: Enhance your metalwork the easy way. 2017.

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36

Practical Casting: A Studio Reference, Revised Edition. 2nd ed. Brynmorgen Press, 1994.

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37

Riviere, Dominique, Fanfan Li, and Maurice P. Galli. Designing Jewelry: Brooches, Bracelets, Necklaces and Accessories. Schiffer Publishing, 1997.

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38

Design Make Coloured Aluminium Jewellery. A&C; Black, 2010.

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39

PARMAE, Davidson. Diy Wire Wrapped Jewelry Pendant Technique: The Absolute Step by Step Guide to Becoming an Expert in the Art of Making Wire Wrapped Jewelry Pendant. Independently Published, 2021.

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40

Giambelli, Nina, Dominique Riviere, Fanfan Li, and Maurice P. Galli. The Art of Jewelry Design: Principles of Design, Rings and Earrings. Schiffer Publishing, 1999.

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41

Heaser, Sue. Encyclopedia of Polymer Clay Techniques: A Comprehensive Directory of Polymer Clay Techniques Covering a Panoramic Range of Exciting Applications. Running Press Book Publishers, 2007.

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42

Friendship bracelets: Beyond the basics. Maumelle, AR: Leisure Arts, 2014.

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43

FitzGerald, David Scott. Refuge beyond Reach. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190874155.001.0001.

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The core of the asylum regime is the principle of non-refoulement that prohibits governments from sending refugees back to their persecutors. Governments attempt to evade this legal obligation to which they have explicitly agreed by manipulating territoriality. A remote control strategy of “extraterritorialization” pushes border control functions hundreds or even thousands of kilometers beyond the state’s territory. Simultaneously, states restrict access to asylum and other rights enjoyed by virtue of presence on a state’s territory, by making micro-distinctions down to the meter at the borderline in a process of “hyper-territorialization.” This study analyzes remote controls since the 1930s in Palestine, North America, Europe, and Australia to identify the origins of different forms of remote control, explain how they work together as a system of control, and establish the conditions that enable or constrain them in practice. It argues that foreign policy issue linkages and transnational advocacy networks promoting a humanitarian norm that is less susceptible to the legal manipulation of territoriality constrains remote controls more than the law itself. The degree of constraint varies widely by the technique of remote control.

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44

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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Abstract:

This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique, and creating a useful warm-up routine. The oboists discuss their ideals in reed making, articulation, and vibrato. They also share stories from their lives and careers. The oboists and English hornists profiled from North America are Pedro Diaz, Elaine Douvas, and Nathan Hughes (Metropolitan Opera Orchestra); John Ferrillo (Boston Symphony Orchestra); Carolyn Hove (Los Angeles Philharmonic); Richard Killmer (Eastman School); Nancy Ambrose King (University of Michigan); Frank Rosenwein and Robert Walters (Cleveland Orchestra); Humbert Lucarelli (soloist); Grover Schiltz (formerly Chicago Symphony); Eugene Izotov (San Francisco Symphony, originally from Russia); Allan Vogel (Los Angeles Chamber Orchestra retired); David Weiss (formerly Los Angeles Philharmonic); Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra); Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, Canada); and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra.

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