Relevant bibliographies by topics / Jekyll and Hyde : a modern tale

Academic literature on the topic 'Jekyll and Hyde : a modern tale'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Jekyll and Hyde : a modern tale"

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Camacho Delgado, José Manuel. "Una biblioteca para la locura y el mal. El viaje del Loco Tafur y los universos plutonianos de Mario Mendoza." Estudios de Literatura Colombiana, no. 16 (November 1, 2013): 35–49. http://dx.doi.org/10.17533/udea.elc.17348.

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El viaje del loco Tafur, la tercera novela del colombiano Mario Mendoza, es una trilogía sobre la locura y el mal en la sociedad moderna en la que Mendoza reflexiona acerca del lado oscuro del ser humano siguiendo textos clásicos del género, tales como Wakefield de Nathaniel Hawthorne, "Berenice" y "William Wilson" de E. A. Poe y El túnel de Ernesto Sábato. Este artículo da una mirada a la importancia de las perversiones, la locura, la urgencia de destrucción del hombre moderno, la importancia de la ciudad, vista como el hogar de Satanás, como una superación del realismo mágico. Descriptores: Mario Mendoza, El viaje del Loco Tafur; Hawthorne; Poe; Stevenson; Sábato; Bibliotecas; Locura; Violencia; Ciudad; Satanás. Abstract: El viaje del loco Tafur (The Journey of Tafur the Crazy), the third novel by the Colombian writer Mario Mendoza, is a narrative trilogy about madness and evil in modern society. The author exposes how Mendoza meditates on man's dark side following classic texts by Nathaniel Hawthorne ("Wakefield"), E. A. Poe ("Berenice" and "William Wilson"), Robert Louis Stevenson (The Strange Case of Doctor Jekyll and Mr. Hyde) and Ernesto Sábato (El túnel) (The Tunnel). This article approaches topics like the importance of perversions, madness, the destructive urge of modern man, the importance of the city (seen as Satan's dwelling), and all of it as an overcoming of magical realism. Key words: Mendoza, Mario; El viaje del Loco Tafur; Hawthorne; Poe; Stevenson; Sábato; Library; Madness; Violence; Damned city; Satan.
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Jackson, Kimberly. "NON-EVOLUTIONARY DEGENERATION IN ARTHUR MACHEN'S SUPERNATURAL TALES." Victorian Literature and Culture 41, no. 1 (March 2013): 125–35. http://dx.doi.org/10.1017/s1060150312000253.

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Welsh author Arthur Machen (1863–1947) wrote his most popular supernatural tales between 1890 and 1900, a period in which European culture felt itself to be on the decline and in which “decadent” art and literature rose up both as a reflection of and a contribution to this perceived cultural deterioration. While Machen's works have received little critical attention, a recent revival of interest in fin-de-siècle decadence has brought his supernatural tales into the literary limelight. Noteworthy examples of this interest include Julian North's treatment of The Great God Pan in Michael St. John's Romancing Decay: Ideas of Decadence in European Culture and Christine Ferguson's analysis of the same work in her PMLA article “Decadence as Scientific Fulfillment.” Indeed, Machen's supernatural tales could enhance and complicate any exposition of decadent literature and culture; they offer a unique vision of descent into the primordial that differs from the moral and psychological treatment of decadence in other popular works of the time, such as Wilde's The Picture of Dorian Gray and Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde. Like Stevenson and Wilde, Machen employs themes of transgression and metamorphosis to illustrate his characters’ deviations from human nature. However, the forces at work in Machen's tales do not arise from the recesses of the human mind in its modern conception, nor do his protagonists sin primarily against society and the arbitrary nature of its morals and values. Instead, Machen locates mythic forces at work within his contemporary society to highlight a much older form of transgression and to challenge notions of degeneration that held currency at the end of the nineteenth century.
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Gowda, Karna, and Seppe Kuehn. "Microbial biofilms: An ecological tale of Jekyll and Hyde." Current Biology 32, no. 24 (December 2022): R1349—R1351. http://dx.doi.org/10.1016/j.cub.2022.10.068.

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Kim, Young-In. "Folate and cancer: a tale of Dr. Jekyll and Mr. Hyde?" American Journal of Clinical Nutrition 107, no. 2 (February 1, 2018): 139–42. http://dx.doi.org/10.1093/ajcn/nqx076.

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Hjelmeland, Anita B., and Rakesh P. Patel. "SOD2 acetylation and deacetylation: Another tale of Jekyll and Hyde in cancer." Proceedings of the National Academy of Sciences 116, no. 47 (November 6, 2019): 23376–78. http://dx.doi.org/10.1073/pnas.1916214116.

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Launer, John. "Dr Jekyll and Mr Hyde: a tale of mystery, morality and medicine." Postgraduate Medical Journal 95, no. 1121 (March 2019): 178–80. http://dx.doi.org/10.1136/postgradmedj-2019-136613.

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Fatfouta, Ramzi. "Facets of narcissism and leadership: A tale of Dr. Jekyll and Mr. Hyde?" Human Resource Management Review 29, no. 4 (December 2019): 100669. http://dx.doi.org/10.1016/j.hrmr.2018.10.002.

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Sovová, Eliška, Samuel Genzor, Milan Sova, Markéta Sovová, Katarína Moravcová, Martin Šimek, and Lenka Obare Pyzsková. "COVID-19 and post-COVID - Jekyll and Hyde of modern medicine." Vnitřní lékařství 68, no. 4 (June 22, 2022): 208–11. http://dx.doi.org/10.36290/vnl.2022.044.

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Herreros-Pomares, Alejandro, Cristóbal Aguilar-Gallardo, Silvia Calabuig-Fariñas, Rafael Sirera, Eloísa Jantus-Lewintre, and Carlos Camps. "EpCAM duality becomes this molecule in a new Dr. Jekyll and Mr. Hyde tale." Critical Reviews in Oncology/Hematology 126 (June 2018): 52–63. http://dx.doi.org/10.1016/j.critrevonc.2018.03.006.

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Ilunina, Anna Aleksandrovna. "Transformation of the images of woman and child in the Neo-Victorian novel (based on the novels “Florence and Giles” John Harding and “The Trial of Elizabeth Cree” by Peter Ackroyd." Litera, no. 3 (March 2021): 93–101. http://dx.doi.org/10.25136/2409-8698.2021.3.35182.

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Neo-Victorian novel is one of the main trends in the development of modern British literature. This article traces the transformation of the images of woman and child in the Neo-Victorian novel of the 1990 – 2010s in comparison with the Victorian pretext (the novels “The Turn of the Screw” by Henry James, “Jane Eyre” by Charlotte Brontë, “Oliver Twist”, “David Copperfield” by Charles Dickens). The research material includes the novels “Florence and Giles” John Harding and “The Trial of Elizabeth Cree” by Peter Ackroyd. It was determines that the Neo-Victorian novel fools with the audience’s perception of stereotypical gender concepts, as well as poetics of the Victorian novel, according to which the title character, namely a woman or a child, is the object of the author’s and reader’s affinity. The article examines the role of references in the aforementioned neo-Victorian novels to the “thrilling” stories of Edgar. Poe, “The Strange Case of Dr. Jekyll and Mr. Hyde” by Robert Louis Stevenson. It is revealed that the traditional “angel in the house” in the Neo-Victorian novel is transformed into the evil “Mrs. Hyde”, exacting vengeance on the world for the humiliations because of her gender and social status. The author reviews the role of intermedian references in the novel “Florence and Giles”. The conclusion is made that the dialogue with pretexts allows modern writers to touch on the topics of women's education and gender inequality in the past and present.
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Dissertations / Theses on the topic "Jekyll and Hyde : a modern tale"

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Syme, Neil. "Uncanny modalities in post-1970s Scottish fiction : realism, disruption, tradition." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21768.

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This thesis addresses critical conceptions of Scottish literary development in the twentieth-century which inscribe realism as both the authenticating tradition and necessary telos of modern Scottish writing. To this end I identify and explore a Scottish ‘counter-tradition’ of modern uncanny fiction. Drawing critical attention to techniques of modal disruption in the works of a number of post-1970s Scottish writers gives cause to reconsider that realist teleology while positing a range of other continuities and tensions across modern Scottish literary history. The thesis initially defines the critical context for the project, considering how realism has come to be regarded as a medium of national literary representation. I go on to explore techniques of modal disruption and uncanny in texts by five Scottish writers, contesting ways in which habitual recourse to the realist tradition has obscured important aspects of their work. Chapter One investigates Ali Smith’s reimagining of ‘the uncanny guest’. While this trope has been employed by earlier Scottish writers, Smith redesigns it as part of a wider interrogation of the hyperreal twenty-first-century. Chapter Two considers two texts by James Robertson, each of which, I argue, invokes uncanny techniques familiar to readers of James Hogg and Robert Louis Stevenson in a way intended specifically to suggest concepts of national continuity and literary inheritance. Chapter Three argues that James Kelman’s political stance necessitates modal disruption as a means of relating intimate individual experience. Re-envisaging Kelman as a writer of the uncanny makes his central assimilation into the teleology of Scottish realism untenable, complicating the way his work has been positioned in the Scottish canon. Chapter Four analyses A.L. Kennedy’s So I Am Glad, delineating a similarity in the processes of repetition which result in both uncanny effects and the phenomenon of tradition, leading to Kennedy’s identification of an uncanny dimension in the concept of national tradition itself. Chapter Five considers the work of Alan Warner, in which the uncanny appears as an unsettling sense of significance embedded within the banal everyday, reflecting an existentialism which reaches beyond the national. In this way, I argue that habitual recourse to an inscribed realist tradition tends to obscure the range, complexity and instability of the realist techniques employed by the writers at issue, demonstrating how national continuities can be productively accommodated within wider, pluralistic analytical approaches.
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Books on the topic "Jekyll and Hyde : a modern tale"

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The strange case of Dr. Jekyll and Mr. Hyde. Harmondsworth, Middlesex, England: Penguin Books, 1994.

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Williamson, Kevin. The tale of two halves. [S.l.]: [s.n.], 2000.

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Robert Louis Stevenson. Dr. Jekyll and Mr. Hyde (Modern English Translation). Independently Published, 2019.

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Stevenson, Robert Louis, and Tomasz Ferdynand Goetel. Strange Case of Dr. Jekyll and Mr. Hyde (Modern Edition). Independently Published, 2019.

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Man He Never Was: A Modern Reimagining of Jekyll and Hyde. Cengage Gale, 2018.

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Rubart, James L. The Man He Never Was: A Modern Reimagining of Jekyll & Hyde. Thomas Nelson on Brilliance Audio, 2018.

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Haworth, Peter. A TALE OF TWO HALVES: Burnley FC - 2018/19 - A Strange Case of Jekyll and Hyde. Independently Published, 2019.

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8

Stevenson, Robert Louis. Strange Case of Dr Jekyll and Mr Hyde and Other Tales. Edited by Roger Luckhurst. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536221.001.0001.

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Instantly the spirit of hell awoke in me and raged…I was suddenly struck through the heart by a cold thrill of terror.’ Stevenson’s short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor’s mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: ’The Body Snatcher’, ’Markheim’, and ’Olalla’ feature grave-robbing, a sinister double, and degeneracy, while ’A Chapter on Dreams’ and ’A Gossip on Romance’ discuss artistic creation and the ’romance’ form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson’s tale in its full historical context.
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New, Classics Made. The Strange Case of Dr. Jekyll and Mr. Hyde: A Modern English Retelling of Robert Louis Stevenson's Classic Gothic Story. Independently Published, 2019.

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Milbank, Alison. Truly Two. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.003.0008.

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Chapter 7 outlines the nature of Reformation anthropology as Gothic in the sense of being under the power of the usurper, Satan, and in seeing God as wrathful enemy before justification by faith. It examines Marlowe’s Doctor Faustus in relation to the Lutheran Faustbook, and as an example of a character who wishes to escape the ambiguities of election in favour of a settled reprobation. Calvinist double predestination is shown to produce a dualist subjectivity, and this is then explored in a series of Scottish Presbyterian Gothic fictions: James Hogg’s Memoirs and Confessions of a Justified Sinner, Stevenson’s Jekyll and Hyde and Markheim, and John Buchan’s historical tale of demon-worshipping Covenanters, Witch Wood. It is argued that the protagonists’ problem is not duality as such but an attempt to circumvent it, and that the Calvinist anthropology is not itself the problem, although it requires ‘Anglican’ mediation.
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Book chapters on the topic "Jekyll and Hyde : a modern tale"

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Lightner, David A. "A Modern Proof of Bilirubin Structure Emerges." In Bilirubin: Jekyll and Hyde Pigment of Life, 235–306. Vienna: Springer Vienna, 2013. http://dx.doi.org/10.1007/978-3-7091-1637-1_4.

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Hammond, Michael. "Dangerously Modern: Shakespeare, Voice, and the “New Psychology” in John Barrymore’s “Unstable” Characters." In Hamlet Lives in Hollywood, 22–34. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474411394.003.0003.

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John Barrymore’s 1922 Hamlet introduced Freudian interpretation as a means of character development into American acting. It also provided Barrymore with a screen star persona that based his acting virtuosity on portraying unstable characters. This chapter explores the way his star persona was articulated through the production and reception of Dr. Jekyll and Mr. Hyde (1920) and then in The Mad Genius (1931) a decade later.
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Weegmann, Martin. "A modern monster? The Strange Case of Dr Jekyll and Mr Hyde." In The World within the Group, 119–34. Routledge, 2018. http://dx.doi.org/10.4324/9780429483820-7.

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Verrips, Jojada. "NINE Dr. Jekyll and Mr. Hyde: Modern Medicine Between Magic and Science." In Magic and Modernity, 223–40. Stanford University Press, 2003. http://dx.doi.org/10.1515/9781503620056-011.

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Rodríguez-Arnáiz, Laura. "Entertaining the Audience: A Contemporary Audio-visual Portrayal of the Detective Tale through Stevenson’s Dr. Jekyll and Mr. Hyde and CBS’s C.S.I.: Crime Scene Investigation." In Revisiones posmodernas del gótico en la literatura y las artes visuales, 203–18. Ediciones Universidad de Salmanca, 2022. http://dx.doi.org/10.14201/0aq0322203218.

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The audio-visual industry offered a place for the detective story to continue increasing in popularity during the 20th and 21st centuries. Movies and TV shows ensured wider audiences had the privilege to be told stories than otherwise would be restricted to a more culturized public. The famous television production by CBS, C.S.I.: Crime Scene Investigation, brought a new way to tell detective stories to homes all around the glove, introducing a more scientific and resourceful police force that contrasted with the ineffectual 19th-century one. The tenth season of the series, however, evokes those old detective stories with its particular adaptation of Stevenson’s Dr. Jekyll and Mr. Hyde as not only one of the most outstanding gothic tales, but also a story of a crime.
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Hingston, Kylee-Anne. "Mysterious Bodies: Solving and De-Solving Disability in the Fin-de-Siècle Mystery." In Articulating Bodies, 161–92. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620757.003.0007.

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This chapter argues that disability becomes fully specimen in the fin-de-siècle mystery, which grants authority to the professional discourses of medicine, science, and law. Comparing Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde (1886) to Doyle’s ‘The Adventure of the Crooked Man’ (1893), the chapter illuminates the interplay between scientific discourse and narrative structure in fin-de-siècle mysteries, revealing the ambiguity with which late Victorians understood and criminalized disability. Despite Jekyll and Hyde’s modern Gothic, open narrative structure, the novella confirms the conservative disability stereotypes associated with late Victorian criminology and physiognomy, which placed anxieties of cultural deviance upon the disabled mind and body. In contrast, despite the conservative drive towards closure typical of detective fiction, ‘The Crooked Man’ undermines those stereotypes and the supposed criminality of the disabled body. However, when either narrative focalizes through characters with freakish bodies, that focalization troubles the professional authority of scientific discourse and denies the possibility of controlling deviance or separating it from imagined normalcy.
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Carruthers, Gerard. "The ‘nouveau frisson’: Muriel Spark’s Gothic Fiction." In Scottish Gothic, 168–80. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474408196.003.0013.

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If Muriel Spark has strong elements of Gothic apparatus in her work, then this is generally of the kind that works through urban rather than ‘wilder’ or more ‘sublime’ settings. Gothic, supernatural, uncanny elements are used in Spark’s fiction, most especially, to undermine and satirise the modern, material, town-based life of twentieth-century humanity and to signal an alternative immaterial, moral, spiritual reality in which, as a Christian, she believes. Alongside her crucial Catholicism, Spark’s Scottishness provides a particular Gothic accent to her work through a set of texts on which she frequently riffs. These include the Scottish Border Ballads, James Hogg’s The Private Memoirs and Confessions of a Justified Sinner (1824) and Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886). This set of texts does not make for any ‘essential’ Scottish Gothic canon, but rather relies on Hogg’s steepage in the Ballads, Stevenson’s knowledge of Hogg and Spark’s interest in all of these things.
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