Journal articles on the topic 'Jean'

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1

Kawamura, Atsushi, Chunhong Zhu, Julie Peiffer, KyoungOk Kim, Yi Li, and Masayuki Takatera. "Relationship between the Physical Properties and Hand of Jean Fabric." Autex Research Journal 16, no. 3 (September 1, 2016): 138–45. http://dx.doi.org/10.1515/aut-2015-0043.

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Abstract We investigated the distinctive characteristics of jean fabrics (denim fabrics obtained from jeans) and compared the physical properties and the hand. We used 13 kinds of jean fabric from commercial jeans and 26 other fabric types. The physical properties were measured using the Kawabata evaluation system, and the fabric hand was evaluated by 20 subjects using a semantic differential method. To characterise the hand of jean fabrics compared with other fabrics, we used principal component analysis and obtained three principal components. We found that jean fabrics were characterised by the second principal component, which was affected by feelings of thickness and weight. We further characterised the jean fabrics according to ‘softness & smoothness’ and ‘non-fullness’, depending on country of origin and type of manufacturer. The three principal components were analysed using multiple linear regression to characterise the components according to the physical properties. We explained the hand of fabrics including jean fabrics using its association with physical properties.
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2

Mareschal, Geneviève. "Jean, Jeans ou Jean’s ?" Meta: Journal des traducteurs 31, no. 4 (1986): 403. http://dx.doi.org/10.7202/003570ar.

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Vasconcelos, Maurício Salles. "Câncer-Paisagem." Aletria: Revista de Estudos de Literatura 10 (December 31, 2003): 107–14. http://dx.doi.org/10.17851/2317-2096.10.0.107-114.

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Resumo: A imobilização do olhar panorâmico, em Week-End, de Jean-Luc Godard, é analisada neste artigo, sob o foco filosófico de Au fond des images, de Jean-Luc Nancy.Palavras-chave: Godard; Nancy; imagem.Abstract: The immobilization of the panoramical view, m Week-End, de Jean-Luc Godard, is analyzed in this article, under the philosophical approach of Jean­ Luc Nancy's Au fond des images.Keywords: Godard; Nancy; image.
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Vasconcelos, Maurício Salles. "Câncer-Paisagem." Aletria: Revista de Estudos de Literatura 11 (December 31, 2003): 107. http://dx.doi.org/10.17851/2317-2096.11.0.107-114.

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Resumo: A imobilização do olhar panorâmico, em Week-End, de Jean-Luc Godard, é analisada neste artigo, sob o foco filosófico de Au fond des images, de Jean-Luc Nancy.Palavras-chave: Godard; Nancy; imagem.Abstract: The immobilization of the panoramical view, m Week-End, de Jean-Luc Godard, is analyzed in this article, under the philosophical approach of Jean­ Luc Nancy's Au fond des images.Keywords: Godard; Nancy; image.
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5

Flinn, Margaret C. "Jean-Louis'sMomentsof Jean-Jacques." Studies in French Cinema 10, no. 2 (June 2010): 141–54. http://dx.doi.org/10.1386/sfc.10.2.141_1.

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6

IWATSUKI, Keiji. "Prof. Jean Kanitakis." Nishi Nihon Hifuka 75, no. 3 (2013): 245–46. http://dx.doi.org/10.2336/nishinihonhifu.75.245.

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MORITA, Akimichi. "Prof. Jean Krutmann." Nishi Nihon Hifuka 65, no. 3 (2003): 287–88. http://dx.doi.org/10.2336/nishinihonhifu.65.287.

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8

Privat, Jean-Marie. "Jean Bête et Jean Alphabète." Cahiers de littérature orale, no. 62 (January 1, 2007): 37–55. http://dx.doi.org/10.4000/clo.1214.

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9

Higaki, Yuko. "Prof. Jean-Hilaire Saurat." Nishi Nihon Hifuka 63, no. 1 (2001): 81–82. http://dx.doi.org/10.2336/nishinihonhifu.63.81.

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10

ARATA, Jiro. "Dr. Jean-Paul Ortonne." Nishi Nihon Hifuka 64, no. 1 (2002): 127–28. http://dx.doi.org/10.2336/nishinihonhifu.64.127.

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11

Guillemin, Claude. "JEAN WYART (1902-1992)." European Journal of Mineralogy 4, no. 6 (December 15, 1992): 1435–36. http://dx.doi.org/10.1127/ejm/4/6/1435.

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12

Cvetnić, Sanja. "Između autografa i radionice: slika Poklonstvo kraljeva Jeana II. Restouta." Radovi Instituta za povijest umjetnosti, no. 46 (December 2022): 59–68. http://dx.doi.org/10.31664/ripu.2022.46.04.

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Slika Poklonstvo kraljeva nalazi se u zbirci biskupa Đure Kokše od početka osamdesetih godina 20. stoljeća s atribucijom Jeanu II. Restoutu, proslavljenom članu dinastije normandijskih slikara i jednoj od perjanica pariške slikarske scene. Članak analizira umjetničku praksu sakralnih narudžbi u kasnobaroknom slikarstvu u Parizu i u francuskoj provinciji te ističe izvorište rješenja Restoutova Poklonstva kraljeva u opusu njegova učitelja i ujaka Jeana Jouveneta. Usprkos potpisu »Restout« na slici iz zbirke biskupa Kokše, njezine likovne značajke i usporedba s potvrđenim Restoutovim autografima u Sèvresu kraj Pariza (1718.) i Saint-Jean-de-Luzu u Baskiji (1727.) upućuju na to da se radi o radioničkoj replici, koju je – prema starijoj radioničkoj praksi, a koja se tada postupno mijenjala uz uvođenje autorski isključivoga atributivnog pojma »autograf«, kako ga danas razumijemo – za potrebe tržišta bilo moguće autorizirati potpisom.
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13

de Goncourt, Edmond, and Jules de Goncourt. "Jean." Cahiers Edmond et Jules de Goncourt 1, no. 17 (2010): 135–41. http://dx.doi.org/10.3406/cejdg.2010.1039.

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14

Evdomikova, Ludmilla. "Jean de Vignay et Jean Lemoine." Romania 127, no. 505 (2009): 231–36. http://dx.doi.org/10.3406/roma.2009.7248.

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15

Dettwiler, Andreas. "Jean Zumstein, L'Évangile selon Saint Jean." Early Christianity 6, no. 1 (2015): 129. http://dx.doi.org/10.1628/186870315x14249569774995.

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16

Editors, The. "Jean-Marc Gabaude, Jean Jaurès philosophe." Journal of French and Francophone Philosophy 12, no. 1 (March 3, 2000): 97. http://dx.doi.org/10.5195/jffp.2000.434.

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17

WOOLLEN, C. G. "Review. Jean Rouaud. Lebrun, Jean-Claude." French Studies 52, no. 2 (April 1, 1998): 238. http://dx.doi.org/10.1093/fs/52.2.238.

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18

Williams, J. "Jean-Baptiste Lully; Jean-Joseph Mouret." Early Music XXI, no. 3 (August 1, 1993): 497–99. http://dx.doi.org/10.1093/em/xxi.3.497-a.

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19

Czerkies, Dorota. "La catégorie de la réticence et un retour au récit dans l’écriture de Jean-Philippe Toussaint. Une introduction." Studia Litteraria 16, no. 2 (2021): 105–22. http://dx.doi.org/10.4467/20843933st.21.009.13653.

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The Category of Reticence and a Return to the Story in Jean-Philippe Toussaint’s Writing. An Introduction The article presents the function of reticence in Jean-Philippe Toussaint’s writing in the context of the return to the story in francophone literature, initiated in the 80s of the 20th c. Jean-Philippe Toussaint is a contemporary Belgian writer, photographer and film-maker. He has written twelve novels and short stories, as well as authored films and installations. Belonging to the generation of minimalist writers, Toussaint sets his use of reticence in the context of the tendency to return to Genette’s category of story (récit). Since the publication of his novel La Réticence (1991) reticence has become the key category of his écriture. In his books, it shapes the form, the narration and the plot, the construction of characters, temporality, and space. Thus, its function in Toussaint’s writing enables us to observe idiosyncratic aspects of his “infinitesimalist” texts which play with the canonical, realistic model of the novel. Kategoria „powściągliwości” (réticence) i powrót do opowieści w pisarstwie Jeana-Philippe’a Toussainta. Wprowadzenie Artykuł stanowi próbę omówienia kategorii powściągliwości (fr. réticence) w prozie Jeana-Philippe’a Toussainta w kontekście powrotu do opowieści w literaturze frankofońskiej, zapoczątkowanego w latach 80. XX wieku. Jean-Philippe Toussaint to współczesny belgijski pisarz, fotograf i filmowiec. Napisał m.in. dwanaście powieści i kilka zbiorów krótkich form, jest także autorem filmów i instalacji. Jako przedstawiciel pokolenia pisarzy minimalistycznych Toussaint osadza wykorzystanie powściągliwości w kontekście zjawiska powrotu do genette’owskiej kategorii opowiadania (fr. récit). Od czasu publikacji powieści La Réticence (1991) powściągliwość stała się kluczową kategorią Toussaintowskiego pisarstwa. W jego utworach kształtuje formę, narrację i fabułę, ale także konstrukcję postaci, czasowość i przestrzeń. W ten sposób status omawianej kategorii w twórczości Toussainta umożliwia analizę poszczególnych, a zarazem charakterystycznych dla tego twórcy aspektów textes infinitésimalistes, które podejmują grę z modelem balzakowskiej powieści realistycznej.
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20

Rigat, Françoise. "Jean Pruvost, Jean-François Sablayrolles, Les néologismes." Studi Francesi, no. 144 (XLVIII | III) (December 15, 2004): 674–75. http://dx.doi.org/10.4000/studifrancesi.38567.

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21

Bretèque, François Amy de la. "Jean-Max Méjean, L’Atalante de Jean Vigo." 1895, no. 84 (April 1, 2018): 221–22. http://dx.doi.org/10.4000/1895.6236.

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22

Vinolo, Stéphane, and Brian Becker. "Jean-Paul Sartre and Jean-Luc Marion." Journal for Continental Philosophy of Religion 4, no. 1 (April 8, 2022): 25–40. http://dx.doi.org/10.1163/25889613-bja10023.

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Abstract Jean-Paul Sartre is not an influential author in the work of Jean-Luc Marion. Yet, as is the case for the phenomenology of givenness, Sartre thinks love in terms of God. However, for Marion, Sartre is exemplary of those authors who have remained prisoner to metaphysics and to thinking God as the causa sui. By comparing the Sartrean and Marionian conceptions of love, the author shows that both are based on radically different conceptions of divinity, demonstrating at the same time how the link between God and being determines human love.
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23

Grimshaw, Anna. "Ciné-Ethnography: Jean Rouch:Ciné-Ethnography: Jean Rouch." Film Quarterly 59, no. 2 (December 2005): 58–59. http://dx.doi.org/10.1525/fq.2005.59.2.58.

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24

Uetani, Toshinori, and Henri Zerner. "Jean Martin et Jean Goujon en 1545." Revue de l'art N° 149, no. 3 (March 1, 2005): 27–32. http://dx.doi.org/10.3917/rda.149.0027.

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25

Bermúdez Medina, Dolores, and Carmen Camero Pérez. "Retratos de mujeres: Jean Lorrain." Philologia Hispalensis 1, no. 7 (1992): 177–92. http://dx.doi.org/10.12795/ph.1992.v07.i01.15.

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26

FURUE, Masutaka. "Prof. Jean François Stalder." Nishi Nihon Hifuka 74, no. 1 (2012): 97–98. http://dx.doi.org/10.2336/nishinihonhifu.74.97.

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27

Smith, Pauline M., and Jennifer Britnell. "Jean Bouchet." Modern Language Review 83, no. 4 (October 1988): 1005. http://dx.doi.org/10.2307/3730961.

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28

Laks, André. "Jean Bollack." Philosophie antique, no. 13 (November 1, 2013): 5–7. http://dx.doi.org/10.4000/philosant.895.

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29

Modéran, Y. "Jean Troglita." Encyclopédie berbère, no. 25 (September 1, 2003): 3866–70. http://dx.doi.org/10.4000/encyclopedieberbere.1490.

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30

Bohl, Catherine. "Jean Noël." Spirale 28, no. 4 (2003): 117. http://dx.doi.org/10.3917/spi.028.0117.

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31

Smith, Angela, and Coral Ann Howells. "Jean Rhys." Yearbook of English Studies 24 (1994): 341. http://dx.doi.org/10.2307/3507945.

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32

Lévi-Strauss, Claude. "Jean Pouillon." Les Temps Modernes 620-621, no. 4 (2002): 8. http://dx.doi.org/10.3917/ltm.620.0008.

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33

Phillips, Henry, and Georges Forestier. "Jean Racine." Modern Language Review 103, no. 2 (April 1, 2008): 536. http://dx.doi.org/10.2307/20467828.

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34

Melman, Charles. "Jean Bergès." Journal français de psychiatrie 21, no. 1 (2004): 56. http://dx.doi.org/10.3917/jfp.021.0057.

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35

Martinot-Lagarde, Pierre. "Jean Weydert." Projet 297, no. 2 (2007): 76. http://dx.doi.org/10.3917/pro.297.0076.

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36

Carpentier, Jean. "Jean Carpentier." Raison présente 89, no. 1 (1989): 27–29. http://dx.doi.org/10.3406/raipr.1989.2733.

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37

Seay, Joan, Carole Angier, and Arnold E. Davidson. "Jean Rhys." Tulsa Studies in Women's Literature 5, no. 2 (1986): 324. http://dx.doi.org/10.2307/464008.

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38

Glass, Erlis, and Gerd Ueding. "Jean Paul." German Studies Review 18, no. 2 (May 1995): 345. http://dx.doi.org/10.2307/1431861.

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39

Alary, Eric. "Jean Moulin." Vingtième Siècle, revue d'histoire 65, no. 1 (2000): 137–39. http://dx.doi.org/10.3406/xxs.2000.2880.

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40

Paganini, Andrea. "Jean Rouch." L'Homme, no. 175-176 (October 15, 2005): 482–85. http://dx.doi.org/10.4000/lhomme.2040.

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41

Clastres, Patrick, and Cécile Méadel. "Jean Lacouture." Le Temps des médias 9, no. 2 (2007): 209. http://dx.doi.org/10.3917/tdm.009.0209.

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42

Méadel, Cécile, and Isabelle Veyrat-Masson. "Jean Offredo." Le Temps des médias 17, no. 2 (2011): 197. http://dx.doi.org/10.3917/tdm.017.0197.

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43

Mioche, Philippe, and Eric Roussel. "Jean Monnet." Vingtième Siècle. Revue d'histoire, no. 53 (January 1997): 183. http://dx.doi.org/10.2307/3770503.

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44

Alary, Eric. "Jean Moulin." Vingtième Siècle. Revue d'histoire, no. 65 (January 2000): 137. http://dx.doi.org/10.2307/3770767.

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45

Pham-Carsillo, Teresa. "Cher Jean." Minnesota review 2022, no. 98 (May 1, 2022): 24–25. http://dx.doi.org/10.1215/00265667-9563695.

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46

Piaget, Jean. "Jean Piaget." GZ - Psychologie 14, no. 5 (October 2022): 18–19. http://dx.doi.org/10.1007/s41480-022-1422-6.

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47

Fellous, M. "Jean Tavlitzki." médecine/sciences 11, no. 5 (1995): V. http://dx.doi.org/10.4267/10608/2289.

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48

Mounolou JC and A. Sarr. "Jean PERNES." médecine/sciences 6, no. 7 (1990): X. http://dx.doi.org/10.4267/10608/4228.

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49

Daniel, Sophie, and Milivoj Srebro. "Jean Descat." Revue des études slaves 90, no. 3 (October 15, 2019): 499–503. http://dx.doi.org/10.4000/res.3092.

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50

André, Jacques. "Jean Laplanche." Revista Latinoamericana de Psicopatologia Fundamental 15, no. 4 (December 2012): 761–65. http://dx.doi.org/10.1590/s1415-47142012000400001.

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