Relevant bibliographies by topics / Jean-Paul Sartre

Academic literature on the topic 'Jean-Paul Sartre'

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Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Jean-Paul Sartre"

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Gilbert, Dennis A., and Diana L. Burgin. "Jean-Paul Sartre." Sartre Studies International 25, no. 2 (December 1, 2019): 1–17. http://dx.doi.org/10.3167/ssi.2019.250202.

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Sartre’s scattered commentaries and remarks on theater, published in a variety of media outlets, as well as in the most unlikely of essays (spanning philosophical texts, biographies, and literary criticism), were finally assembled late in Sartre’s career and published in one volume, Un Théâtre de situations (Sartre on Theater), put together by Michel Contat and Michel Rybalka in 1973. Inevitably, a number of later or missing theatrical documents then came to light, and an updated edition of Un Théâtre de situations appeared in 1992. There still remained, however, other documents on theater which for one reason or another were not included in the later volume. Two of these documents are published interviews that Sartre gave to the Russian theater journal, Teatr, in 1956 and 1962. It is those virtually unknown interviews by Sartre on theater that we are pleased to publish here for the first time in English translation.
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Santoni, Ronald E. "Jean-Paul Sartre." International Philosophical Quarterly 31, no. 4 (1991): 495–97. http://dx.doi.org/10.5840/ipq199131443.

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Keefe, Terry, and Philip Thody. "Jean-Paul Sartre." Modern Language Review 89, no. 4 (October 1994): 1020. http://dx.doi.org/10.2307/3733960.

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Cormann, Grégory. "Jean-Paul Sartre." Médium 50, no. 1 (2017): 122. http://dx.doi.org/10.3917/mediu.050.0122.

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Stone, Bob. "Jean Paul Sartre." Radical Philosophy Review of Books 2, no. 2 (1990): 47–49. http://dx.doi.org/10.5840/radphilrevbooks1990218.

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Stangroom, Jeremy. "Jean-Paul Sartre." Philosophers' Magazine, no. 17 (2002): 26. http://dx.doi.org/10.5840/tpm200217118.

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Baldwin, Thomas. "Jean-Paul Sartre." Royal Institute of Philosophy Lecture Series 20 (March 1986): 285. http://dx.doi.org/10.1017/s0957042x00004193.

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Jean-Paul Sartre (1905–1980), nephew of the Alsatian theologian, Albert Schweitzer, was born in Paris, passed his agrégation at the Ecole Normale Superieure in 1929, and was a lycée teacher between 1931 and 1945. He was called up to the French Army in 1939, captured by the Germans in 1940 and released after the armistice. In 1938 he published a novel, La Nausée, translated by Robert Baldick as Nausea (Harmondsworth: Penguin, 1965), and in 1940, L'Imaginaire: Psychologie phénoménologique de l'imagination, translated by Bernard Frechtman as The Psychology of Imagination (London: Methuen, 1972). His major philosophical work, L'Etre et le Neant, was published in 1943, and translated by Hazel E. Barnes as Being and Nothingness (London: Methuen, 1957). As a novelist he is best known for a trilogy, Chemins de la Liberté (Roads to Freedom), comprising L'Age de raison (1945) translated by E. Sutton as The Age of Reason (Harmondsworth: Penguin, 1961), Le Sursis (1945), translated by E. Sutton as The Reprieve (Harmondsworth: Penguin, 1963) and La Mort dans l'āme (1949), translated by G. Hopkins as Iron in the Soul (Harmondsworth: Penguin, 1965). His main work of literary criticism is Qu'est-ce que la littérature? (1947), translated by B. Frechtman as What is Literature? (London: Methuen, 1950). Plays includeLes Mouches (1943) and Huis Clos (1944), both translated by S. Gilbert and published in one volume, as The Flies and In Camera (London: Hamish Hamilton, 1965).
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Fell, A. S. "Jean-Paul Sartre." French Studies 61, no. 3 (July 1, 2007): 401–2. http://dx.doi.org/10.1093/fs/knm096.

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Gouin, Jean-Luc. "De Karl Heinrich Marx à Jean-Paul Sartre." Archiv fuer Rechts- und Sozialphilosophie 108, no. 1 (2022): 62. http://dx.doi.org/10.25162/arsp-2022-0004.

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Thody, Philip, and Philip R. Wood. "Understanding Jean-Paul Sartre." Modern Language Review 88, no. 2 (April 1993): 484. http://dx.doi.org/10.2307/3733845.

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Dissertations / Theses on the topic "Jean-Paul Sartre"

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Töllner, Uwe. "Sartres Ontologie und die Frage einer Ethik : zur Vereinbarkeit einer normativen Ethik und/oder Metaethik mit der Ontologie non "L'étre et le néant /." Frankfurt am Main : P. Lang, Europäischer Verl. der Wissenschaften, 1996. http://catalogue.bnf.fr/ark:/12148/cb36187177k.

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Guigot, André. "L'ontologie politique de Jean-Paul Sartre." Paris 1, 1999. http://www.theses.fr/1999PA010704.

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Le but de ce travail est de proposer une introduction à la philosophie de l'histoire de Jean-Paul Sartre à partir d'une analyse précise de la critique de la raison dialectique. Aux impasses formelles des ouvrages de Sartre, à leur inachèvement correspondent précisément l'inachèvement revendique de l'histoire humaine et donc l'inachèvement ontologique des catégories mises en œuvre pour le penser. Ce triple inachèvement - la clôture - ferme la représentation de l'historicité sur l'irréductibilité et l'immanence de la rareté, négation intériorisée de l'homme par le besoin naturel historiquement déterminé. La première approche de Sartre concernant le rapport de l'homme au monde est la violence. L'homme socialise vit sa relation à la matière et aux autres sur le mode du besoin et du danger. L'enjeu de la réévaluation historique de la violence est de parvenir à intégrer l'inhumanité présente au cœur de l'action humaine a une authentique anthropologie historique. Cela conditionne le renouvellement sartrien de l'idée de rationalité qui s'exprime à travers sa lecture de la révolution française, ainsi que par son refus de toute naturalisation marxiste ou libérale de la violence. L'anti-juridisme sartrien n'est pas une conséquence extérieure au projet de l'ouvrage mais ce qui conditionne la nature conflictuelle et la représentation dialectique de la socialité. Si la critique du formalisme semble hériter de la critique marxiste du droit, l'analyse dialectique de la genèse du groupe place l'immanence, le tiers et le multiple comme facteurs déterminant le serment. Une comparaison de la raison juridique et de la raison dialectique en fait apparaitre les conditions et les limites. Enfin, la constitution d'un sens de l'histoire postule une épistème de la causalité négative et un statut particulier accorde à la causalité, à partir de laquelle la totalisation d'enveloppement prend toute son ampleur critique. Ainsi, les perspectives de l'anthropologie sartrienne dépassent le cadre d'une polémologie avec le marxisme, si l'on mesure la place qu'il convient d'accorder à l'entreprise de l'idiot de la famille : le prolongement herméneutique de la raison dialectique.
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Gray, Kevin. "Jean-Paul Sartre and neo-marxism." Master's thesis, Université Laval, 2005. http://hdl.handle.net/20.500.11794/43586.

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Between his first philosophical works and his last, Jean-Paul Sartre radically changed his philosophical outlook. The reasons for this change can be found in European history and Sartre's detailed study of twentieth-century protest movements. Between the end of the Second World War and the 1960s, French intellectuals began an intensive period of introspection, examining the complex relationship between History and social justice. Sartre and the group of intellectuals associated with him combined to fight against Stalinism while searching for a new theory of political action. This thesis discusses the abrupt termination of the ethical project that Sartre proposed to base on his original phenomenological examinations, and discusses his and Simone de Beauvoir's first attempts to construct an Existentialist ethic. Sartre changed from being an Existentialist to a Marxist to finally, late in life, abandoning Marxism in favour of a never well-defined philosophy. But in the Critique of Dialectical Reason, the last of his serious philosophical works, he responded to his ex-friends's critiques in the light of his study of Eastern European history, particularly, the Revolution in Hungary. (Abstract shortened by UMI.)
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Tognonato, Claudio. "Jean-Paul Sartre : conoscenza e metodologia /." Roma : Pontificia università laternense, 1990. http://catalogue.bnf.fr/ark:/12148/cb35724036n.

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Galster, Ingrid. "Le Théâtre de Jean-Paul Sartre devant ses premiers critiques. "Les Mouches" et "Huis clos /." Tübingen : Paris : G. Narr ; J.-M. Place, 1986. http://catalogue.bnf.fr/ark:/12148/cb36147597g.

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Bueno, Isaque Jos? "Liberdade e ?tica em Jean-Paul Sartre." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2007. http://tede2.pucrs.br/tede2/handle/tede/2957.

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A liberdade ? um tema fundamental da realidade humana. A ?tica ? condi??o para que possamos viver e conviver em sociedade, respeitando o diferente e nos responsabilizando por nossas pr?prias escolhas. Deste modo, Sartre faz uma reflex?o profunda sobre a liberdade humana, desde sua condi??o de exist?ncia at? a suas conseq??ncias diretas sobre a vida do indiv?duo. Assim do bin?mio liberdade-responsabilidade, conceitos indissoci?veis em Sartre, podemos inferir, uma proposta conseq?ente para uma conduta ?tica. Desta maneira, refletir sobre o sujeito livre em uma sociedade que coloca a liberdade como um valor central, ? pensar no fazer humano, nas suas rela??es, ou seja, no seu encontro com o outro, na possibilidade de respeitar ou n?o a liberdade do outro. Em s?ntese, procuramos demonstrar que a liberdade humana ? um aspecto constitucional da exist?ncia de cada indiv?duo, que n?o podemos pensar em um homem ora livre ora n?o, dispomos de uma liberdade fundante que nos compromete durante todo o nosso existir, e por essa raz?o somos chamados a assumir com responsabilidade as conseq??ncias de todas as nossas escolhas e a??es, n?o podendo delegar ou atribuir a responsabilidades a outros ou a for?as misteriosas, somos absolutamente respons?veis pelo homem que queremos ser.
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Gonçalves, Nádia Mariana Gomes. "Liberdade e escolha em Jean-Paul Sartre." Universidade Federal de Uberlândia, 2013. https://repositorio.ufu.br/handle/123456789/15563.

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This work intends to conduct a handling the concepts of Freedom, Choice and Others, from the perspective of the French existentialist philosopher Jean-Paul Sartre as having reference works Being and Nothingness, Existentialism is a Humanism and No Exit.The principle will be exposed to the theme of freedom is inseparably linked to the condition of man\'s choice to do so, leave the deep thinking that Sartrean man first exists, lives according to their freedom responsibly and choose what you want to be, not because there is no metaphysical being who can determine its path, so that later the man can attain its essence. However, during the search for the essence encounters freeman Other freemen taking ai to a series of conflicts. This question about the existence of other free subject is better explored in the second chapter, which is also seen in phenomenology, the existence and the problem of the existence of other free conscience, moreover, will be presented in the second chapter the question of looking relations and limited freedom for Others. And finally, the last chapter will be a detailed analysis of the play No Exit, about the prospect of the two previous chapters.
A presente dissertação pretende realizar uma abordagem dos conceitos de Liberdade, Escolha e os Outros, sob a ótica do filósofo existencialista francês Jean-Paul Sartre tendo como referencia as obras O Ser e o Nada, o Existencialismo é um Humanismo e Entre Quatro Paredes. A princípio será exposto o tema da liberdade que está indissociávelmente ligado à condição de escolha do homem, para isso, partiremos da profunda reflexão sartreana de que primeiro o homem existe, vive em função de sua liberdade e responsavelmente escolhe o que deseja ser, pois não existe nenhum ser metafísico que possa determinar o seu caminho, para que posteriormente o homem possa atingir sua essência. Porém, durante essa busca pela essência o homem livre se depara com Outros homens livres levando-o a uma série de conflitos. Essa questão sobre a existência de Outros sujeitos livres será mais bem explorada no segundo capítulo, em que serão visto também a fenomenologia, a existência e o problema da existência de outra consciência livre; além disso, será apresentada nesse segundo capítulo a questão do olhar, as relações e a liberdade limitada pelos Outros. E finalmente, no último capítulo será feita uma análise minuciosa da obra teatral Entre Quarto Paredes, sobre a perspectiva dos dois capítulos anteriores dessa dissertação.
Mestre em Filosofia
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Bueno, Isaque José. "Liberdade e ética em Jean-Paul Sartre." Pontifícia Universidade Católica do Rio Grande do Sul, 2007. http://hdl.handle.net/10923/3494.

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Freedom is a fundamental theme of human reality. Ethics is the condition for which we can live and cohabit in a society respecting the differences in one and being responsible for our own choices. So that, Sartre makes a deep reflection about human freedom, from its condition of existence up to its direct consequences on the individual’s life. So, from the freedomresponsibility binomial - inseparable concepts in Sartre’s theory - we can infer a consequent proposition for an ethical conduct. So that, reflecting about the individual being free in a society that places freedom as a central value, is the same as thinking on human deeds, on human relations or, in other words, on the individual contact with each other, being responsible, and on respecting -or not - the other’s freedom. In brief, we try to demonstrate that human freedom is a constitutional aspect of each individual’s existence. We try to demonstrate, also, that we cannot think on a man first being free than not-free. Man disposes a freedom that compromises him during his whole existence and that’s why he must assume responsibility with all the consequences of his deeds and choices, not being able to delegate or attribute such responsibility on others or on mysterious powers. Man is absolutely responsible about the man he wish to be.
A liberdade é um tema fundamental da realidade humana. A ética é condição para que possamos viver e conviver em sociedade, respeitando o diferente e nos responsabilizando por nossas próprias escolhas. Deste modo, Sartre faz uma reflexão profunda sobre a liberdade humana, desde sua condição de existência até a suas conseqüências diretas sobre a vida do indivíduo. Assim do binômio liberdade-responsabilidade, conceitos indissociáveis em Sartre, podemos inferir, uma proposta conseqüente para uma conduta ética. Desta maneira, refletir sobre o sujeito livre em uma sociedade que coloca a liberdade como um valor central, é pensar no fazer humano, nas suas relações, ou seja, no seu encontro com o outro, na possibilidade de respeitar ou não a liberdade do outro. Em síntese, procuramos demonstrar que a liberdade humana é um aspecto constitucional da existência de cada indivíduo, que não podemos pensar em um homem ora livre ora não, dispomos de uma liberdade fundante que nos compromete durante todo o nosso existir, e por essa razão somos chamados a assumir com responsabilidade as conseqüências de todas as nossas escolhas e ações, não podendo delegar ou atribuir a responsabilidades a outros ou a forças misteriosas, somos absolutamente responsáveis pelo homem que queremos ser.
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Gaudeaux, Jean-François. "Engagements et marxismes chez Jean-Paul Sartre." Paris 1, 2000. http://www.theses.fr/2000PA010519.

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Cette thèse traite de la notion de totalité au travers de la totalité de l'œuvre de Sartre. Le fil conducteur en est les mots. Ce travail permet d'établir la continuité de la philosophie de Sartre, depuis La nausée jusqu'à L'idiot de la famille. Avec les mots, l'engagement de Sartre se révèle : faire une œuvre. Dès ses premiers écrits, le rapport à l'engagement passe par la philosophie à partir d'une réflexion sur la liberté. Une des caractéristiques de Sartre réside dans son écriture simultanée : la nausée en même temps que l'imaginaire, les carnets de la drôle de guerre en parallèle avec l'être et le néant, Saint Genet et le diable et le bon Dieu, la critique de la raison dialectique et les textes contre le colonialisme et les séquestrés d'Altona, ces exemples ne sont pas les seuls. L'engagement dans l'œuvre se fait sous l'égide de la philosophie, il précède l'engagement politique et le conditionne. Il affirme la nécessité de penser par soi-même (et contre soi-même) comme moyen de comprendre et de transformer le monde. Aussi, le marxisme pour Sartre s'inscrit dans cette même démarche. Très tôt, nous l'établissons, avant la guerre de 1939, Sartre conçoit l'importance de l'histoire et du marxisme. Cela ne remet pas en cause l'importance de la philosophie, mais l'engage davantage. Pour Sartre, le rapport philosophie/histoire/marxisme/liberté est indissociable : c'est par la prise de conscience individuelle de la liberté que la liberté se réalise dans l'histoire et les luttes de classe. Ainsi, si Jean-Paul Sartre reste l'archétype de l'intellectuel engagé, il l'est au nom de la philosophie et par la philosophie. La philosophie de Sartre se donne à lire à travers toute l'œuvre de Sartre, la philosophie excède largement les classements thématiques habituels, on la trouve au centre des romans de Sartre, elle s'anime et s'illustre par son théâtre, elle s'affirme dans les polémiques avec les marxistes de son époque.
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Kim, Huilin. "Le langage dramatique de Jean-Paul Sartre." Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20011.

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Cette étude du langage dramatique de J. -P. Sartre est basée sur la double préoccupation. Si les oeuvres théatrales de Sartre témoignent de son assidue pratique de cet art, un abondant corpus d'entretiens affirme son souci d'établir une théorie dramatique qui le satisfasse. Or, l'importance et l'acuité du langage est remarquable dans le genre dramatique. Pour étudier tous les éléments théatraux, nous examinerons deux grandes questions. Les élements paraverbaux qui sont en dehors des paroles prononcées, comportent le décor, le geste, et la structure dramatique. Ensuite, pour les éléments verbaux, nous étudierons quelques rapports entre le langage et la vie, ainsi qu'entre le langage et sa fonction, et les différents registres du langage utilisés par Sartre. Cette recherche nous permet d'apprécier la vertu et la qualité du langage dramatique de Sartre
This essay on "the dramatic language of J. -P. Sartre" is based on the twofold preoccupation. Whereas Sartre's plays bear witness with his assiduous practing on this art, a corpus of numerous conversations assert his aim to set up a theory of drama, that would satisfy him, when the importance and the sharpness of this specific language is outstanding in this drama genre. In order to examine all the component of the play, we will study the subject in the two differents parts. Out of the words said, paraverbal elements including scenary, gesture and drama's structure. Verbal elements including the relationship between language and life, and the between language and its function, the various level of language used by sartre. This essay permit us to appreciate both the quality and the virtue of the dramatic language of Jean-Paul Sartre
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Books on the topic "Jean-Paul Sartre"

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Thody, Philip. Jean-Paul Sartre. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22053-3.

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Scriven, Michael. Jean-Paul Sartre. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27564-9.

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Sartre, Jean Paul. Jean-Paul Sartre. London: Taylor & Francis Group Plc, 2004.

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Daigle, Christine. Jean-Paul Sartre. New York: Routledge, 2009.

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Zimmermann, Rainer E., ed. Jean-Paul Sartre. Cuxhaven, Germany: Junghans, 1989.

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Jean-Paul Sartre. Basingstoke: Macmillan Education, 1992.

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Jean-Paul Sartre. New York, USA: St. Martin's Press, 1992.

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Cohen-Solal, Annie. Jean-Paul Sartre. Paris: Presses universitaires de France, 2005.

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Noudelmann, François. Jean-Paul Sartre. Paris: ADPF-Publications, 2005.

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Jean-Paul Sartre. Paris: ADPF, Association pour la diffusion de la pensée française, 2005.

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Book chapters on the topic "Jean-Paul Sartre"

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Bedorf, Thomas. "Jean-Paul Sartre." In Husserl-Handbuch, 268–72. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05417-3_38.

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Henschen, Hans-Horst, and Rainer E. Zimmermann. "Jean-Paul Sartre." In 439094, 187–89. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04506-5_40.

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KLL. "Jean-Paul Sartre." In Kindler Kompakt: Drama des 20. Jahrhunderts, 117–18. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_22.

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Holmes, Richard. "Jean-Paul Sartre." In Contributions to Phenomenology, 620–23. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_139.

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König, Traugott. "Sartre, Jean-Paul." In Metzler Philosophen Lexikon, 774–81. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_250.

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Danzer, Gerhard. "Jean-Paul Sartre." In Wer sind wir? – Auf der Suche nach der Formel des Menschen, 73–85. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-16993-9_6.

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Teichman, Jenny. "Jean-Paul Sartre." In An Introduction to Modern European Philosophy, 133–44. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26651-7_11.

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Sherman, David. "Jean-Paul Sartre." In The Blackwell Guide to Continental Philosophy, 163–87. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997093.ch9.

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Wild, Gerhard. "Sartre, Jean-Paul." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17842-1.

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Teichman, Jenny. "Jean-Paul Sartre." In An Introduction to Modern European Philosophy, 120–31. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24232-0_10.

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Conference papers on the topic "Jean-Paul Sartre"

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Coşkuner, Ceylan. "The Impacts of Jean Paul Sartre on Simone De Beauvoir." In Annual International Conference on Philosophy: Yesterday, Today & Tomorrow. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2382-5677_pytt14.39.

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ANDRONE, Mihai. "The Influence of Jean Paul Sartre s Philosophy on Peter Singer s Ethics." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.5.

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Junior Forlin, Eneias, and Barbara Santos Wegher. "A identificação e desenvolvimento do conceito de contingência em A Náusea de Jean-Paul Sartre." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37052.

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Carvalho, Bruno Silva de. "O conceito de liberdade em Jean-Paul Sartre: seu aspecto filosófico e sua inserção na literatura romanesca." In Anais do Encontro Nacional de Pós-graduação em Filosofia da UnB. Recife, Brasil: Even3, 2022. http://dx.doi.org/10.29327/162322.1-2.

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Kurniawati, Fauziyah, and Siti Masithoh. "Human Spiritual Journey in Movie Muhammad: The Messenger of God Based on Jean-Paul Sartre's Perspective." In Proceedings of the 2019 Ahmad Dahlan International Conference Series on Education & Learning, Social Science & Humanities (ADICS-ELSSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/adics-elssh-19.2019.25.

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Boddie, Susan. "FREEDOM AND RESPONSIBILITY IN THE STUDENT-TEACHER RELATIONSHIP IN HIGHER EDUCATION TRANSITIONED TO ONLINE VOICE INSTRUCTION: CONSIDERATION OF THE INFLUENCE OF JEAN-PAUL SARTRE’S PRINCIPLES." In 12th International Conference on Education and New Learning Technologies. IATED, 2020. http://dx.doi.org/10.21125/edulearn.2020.1772.

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