Academic literature on the topic 'Jean le notaire'
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Journal articles on the topic "Jean le notaire"
Lett, Didier. "Les noms des hommes, des filles et des épouses dans les Marches d’après le procès de canonisation de Nicolas de Tolentino (1325)." Mélanges de l École française de Rome Moyen Âge 119, no. 2 (2007): 401–13. http://dx.doi.org/10.3406/mefr.2007.9455.
Full textContamine, Philippe. "Maître Jean de Rinel (vers 1380-1449), notaire et secrétaire de Charles VI puis de Henry [VI] pour son royaume de France, l'une des « plumes » de l'« union des deux couronnes »." Cahier des Annales de Normandie 35, no. 1 (2009): 115–34. http://dx.doi.org/10.3406/annor.2009.2534.
Full textBiraben, Jean-Noël. "Jean Paul Poisson — Notaires et société." Population Vol. 46, no. 4 (April 1, 1991): 1014. http://dx.doi.org/10.3917/popu.p1991.46n4.1014.
Full textAzrin, N. H. "PIGEON LAB NOTABLE EXPERIENCE." Journal of the Experimental Analysis of Behavior 77, no. 3 (May 2002): 373. http://dx.doi.org/10.1901/jeab.2002.77-373a.
Full textRanum, Orest. "Notaires et societe: Travaux d'histoire et de sociologie notariales. Jean-Paul Poisson." Journal of Modern History 60, no. 2 (June 1988): 384–86. http://dx.doi.org/10.1086/600358.
Full textMcPartlan, Paul. "A Notable Anniversary: Sources chrétiennes and Roman Catholic – Orthodox Relations." Ecclesiology 18, no. 3 (November 9, 2022): 283–96. http://dx.doi.org/10.1163/17455316-18030003.
Full textIsmatuloh, Muhammad Aghni. "Jean Baudrillard's Hyperreal." Lakon : Jurnal Kajian Sastra dan Budaya 12, no. 2 (November 30, 2023): 129–42. http://dx.doi.org/10.20473/lakon.v12i2.47118.
Full textLannoy, François de. "Un notable de la Manche juge la Révolution : Le mémoire de Jean Philippe d'Auxais." Annales de Normandie 46, no. 5 (1996): 723–30. http://dx.doi.org/10.3406/annor.1996.4746.
Full textMunakata, Kuniyodhi. "Noh Creation of Shakespeare." Multicultural Shakespeare: Translation, Appropriation and Performance 14, no. 29 (December 30, 2016): 87–106. http://dx.doi.org/10.1515/mstap-2016-0018.
Full textCandals, J. D. "Is Jean Senebier an Archaeologist?" Archives Des Sciences 73, no. 1 (December 31, 2023): 42–44. http://dx.doi.org/10.62227/as/73011.
Full textDissertations / Theses on the topic "Jean le notaire"
Fortin, Georges. "Le notaire J.-Henri Fortin et les premiers habitants des basses terres du Lac Saint-Jean." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1993. http://theses.uqac.ca.
Full textNiquin, Diane. "La "vie" d'Eusèbe d'Alexandrie : historique d'un avatar littéraire et édition des textes." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAK002.
Full textIn spite of the vast diffusion of his production, little is known about Eusebius of Alexandria. Three Greek codices do compile his collection alongside three texts displaying more biographical details, but their counterfactual recollection of events quickly led historians to view them as fictional. Although it is signed by a man, John, asserting he was Eusebius’s notary, this biography turns the enigmatic writer into Cyril’s successor, colliding thus with the many historical sources that remembered Dioscorus, the so-called Heresiarch, as Cyril’s actual successor. No matter how fictional this biography can appear, it is clear that it tried to erase out a troubled period of time. If one wants to understand who Eusebius really was, one should then first start to consider John, the alleged writer of an impossible tale. This essay contains therefore a new critical edition of the three biographical texts, with a French translation and a commentary aiming at figuring out who wrote them, when, why and how
Hubert, Benoît. "Mémoires de Jean-Baptiste-Henri-Michel Leprince d'Ardenay (1737-1819) : approche d'un notable manceau au siècle des Lumières." Le Mans, 2006. http://cyberdoc.univ-lemans.fr/theses/2006/2006LEMA3006.pdf.
Full textVolume 1 is devoted to the edition of the memories complete and authentic of J. B. H. M. Leprince d'Ardenay. The 37 chapters of the text are commented on in biographical, genealogical, histories, vocabulary notes. The conditions and the political context of the first edition in 1880, by the abbot Esnault, priestmonarchist, are the subject of a thorough study. The many insults made with tests, by G. Esnault, are treated on a hierarchical basis and analyzed. Volume II introduces the character within his daily newspaper, its social background and its framework of life. It answers the question: "Is Leprince d'Ardenay a man of the Lights?" Several facets of the individual are successively presented : the trader, the man at his place, (materiallife, sociablitity, clothing, library, leisures), cultural influences and the place of the feeling
Hubert, Benoît Fillon Anne. "Mémoires de Jean-Baptiste-Henri-Michel Leprince d'Ardenay (1737-1819) approche d'un notable manceau au siècle des Lumières /." [S.l.] : [s.n.], 2006. http://cyberdoc.univ-lemans.fr/theses/2006/2006LEMA3006.pdf.
Full textChang, Chiao-yu, and 張鐈予. "Notable Symbols in Jean Rhys' Wide Sargasso Sea in Relation to the Victorian Setting." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50129351890511270960.
Full text高雄師範大學
英語教育研究所
98
Abstract This thesis focuses on the use of the Victorian elements as symbols in Jean Rhys’ Wide Sargasso Sea and discusses contemporary women’s suffering of colonialism, imperialism and men’s patriarchy. After reading Charlotte Brontë's masterpiece Jane Eyre, Rhys thinks there must be an unknown secret which entangles the main protagonists. Being also a Creole, Rhys thus decides to give a voice to the Creole lunatic in the story. In Wide Sargasso Sea, Rhys applies extensive symbolic skills to the story and displays the complicated inner emotions of the protagonists. She also puts the Victorian values in use to portray the features of the contemporary society and its profound influence on the protagonists. The thesis consists of five chapters. Chapter One emphasizes the importance of realizing the symbolic skills when appreciating literary works. In this chapter, an overview of the theories of symbolism is presented. Through the concepts of various literary theorists, critical analysts and writers, we can readily understand the crucial role of symbolism. Moreover, the characteristics of the Victorian period and the classification of the settings in the novel are also mentioned in this chapter. The second chapter aims to examine the symbols of the natural settings, including animals, plants and landscape settings. Rhys exquisitely describes the natural settings and provides the readers with special symbolic meanings to reflect the colonial intrusion on the female protagonists and to express their doomed and unescapable destinies. In the third chapter, manufactured settings which comprise the convent, England and the names of the locations in the West Indies as symbols are explored. Rhys uses manufactured settings to expound the phenomenon of Victorian men’s oppression of women. The males were influenced greatly by the climate of society and by repressing the opposite sex, the men could extend their national belief—colonialism. Chapter Four discusses the symbolic meanings of time as settings. We take the Victorian Period as the background to make a study of people’s values and the effects of the Emancipation Act. Also, the female protagonist Antoinette walks between day and night, dream and reality and every incident she experiences makes her and other protagonists trapped in a loveless and miserable life. Therefore, Rhys has used several settings as symbols to foreshadow the ending of the story. The conclusion is made in the fifth chapter. Through the analysis of the symbolic meanings of the natural settings, manufactured settings and time as settings, we can not only understand the messages that Jean Rhys attempts to express but capture the essence of Wide Sargasso Sea more.
Books on the topic "Jean le notaire"
Dewaldt, Sebastian C. Diskriminierung und Ausgrenzung per Gesetz: Schicksale jüdischer Notare und Konsulenten im OLG-Bezirk Jena zur Zeit des Nationalsozialismus. Jena: Societas, 2014.
Find full textGarfield, Simon, and Jean Lucey Pratt. Notable Woman: The Romantic Journals of Jean Lucey Pratt. Canongate Books, 2016.
Find full textGarfield, Simon, and Jean Lucey Pratt. Notable Woman: The Romantic Journals of Jean Lucey Pratt. Canongate Books, 2015.
Find full textGarfield, Simon, and Jean Lucey Pratt. Notable Woman: The Romantic Journals of Jean Lucey Pratt. Canongate Books, 2015.
Find full textSalata, Debra A., and Kathryn L. Reyerson. Medieval Notaries and Their Acts: The 1327-1328 Register of Jean Holanie. Medieval Institute Publications, 2004.
Find full text(Editor), Kathryn L. Reyerson, Debra A. Salata (Editor), and Jean Holanie (Editor), eds. Medieval Notaries and Their Acts: The 1327-1328 Register of Jean Holanie (Documents of Practice Series). Medieval Institute Publications, 2004.
Find full textDavid, Deirdre. Haunted by the Thirties. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.003.0003.
Full textLester, Emile. Democracy, Religion, and American Education. Edited by Michael D. Waggoner and Nathan C. Walker. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199386819.013.6.
Full textDuncan, Joyce D. Shapers of the Great Debate on Women’s Rights. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216014249.
Full textLetherer, Jen. Remote Virtue. ABC-CLIO, LLC, 2015. http://dx.doi.org/10.5040/9798216007548.
Full textBook chapters on the topic "Jean le notaire"
Dumas, Geneviève. "Le livre de mémoires des notaires Bertrand Paul (1397-1400) et Jean du Pin (1401-1419) : gestion documentaire et mémoire urbaine." In Les identités urbaines au Moyen Âge. Regards sur les villes du Midi français, 81–92. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.seuh-eb.5.101523.
Full textLainé, Françoise, and Pierre Simon. "L’œuvre d’un notaire italien : le temps retrouvé en Agenais." In Bullaire de l’évêché d’Agen, compilé par Jean Valier vers 1520. Les cessions de dîmes à l’évêque d’Agen, c. 1240-1290, 15–24. Ausonius Éditions, 2023. http://dx.doi.org/10.46608/textesaquitains1.9782356135063.3.
Full textFirbas, Paul. "El cuerpo mutilado y el género épico en la Colonia." In Homenaje: Luis Jaime Cisneros, 831–46. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9789972424731.038.
Full textEllenzweig, Allen. "The Hôtel Welcome, Jean Cocteau, and the Return to Paris." In George Platt Lynes, 85–99. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0007.
Full textDirksen, Rebecca. "Wyclef’s Score." In After the Dance, the Drums Are Heavy, 77–102. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190928056.003.0003.
Full textHeadrick, Daniel R. "Storing Information : Dictionaries and Encyclopedias." In When Information Came of Age. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195135978.003.0007.
Full text"Marin Karmitz is a phenomenon: one of the most prolic French producers of his generation. Alongside his production activities, he has also set up MK2, a successful distribution, exhibition, and sales company. Louis Malle, Alain Resnais, Claude Chabrol, Jean-Luc Godard—he has worked with them all. Karmitz has also branched further aeld, producing movies by Iranian master Abbas Kiarostami, by great Polish director Krzysztof Kieslowski, and by American auteur Gus Van Sant. Notable lms on the producer’s lmography include the Three Colors trilogy with Kieslowski (1993 to 1994), Chabrol’s version of Madame Bovary (1991), Resnais’ Mélo (1986), Kiarostami’s The Wind Will Carry Us (1999), and Jonathan Nossiter’s Signs & Wonders (2000). He also co-produced Van Sant’s Paranoid Park (2007). He was associate producer on Godard’s Every Man for Himself (1980), and his company produced Malle’s classic, Au Revoir Les Enfants (1987). There are several paradoxes about Karmitz. He is a gure of the 1960s, a radical leftist who fell foul of the lmmaking establishment in the turbulent post-1968 years. His directorial career was stopped in its tracks in the early 1970s and he was blacklisted. At the same time, this idealistic lmmaker with close links to the revolutionary movement proved to be an astute cinema owner and businessman. To outsiders, his lmmaking model seems akin to that of the Hollywood studios. His company is vertically integrated, handling everything from production to exhibition. He suggests his business is more in the tradition of the Lumière brothers. There is, of course, one very big difference between Karmitz and the Hollywood majors. Karmitz only produces lms by auteurs. Karmitz is nothing if not international in outlook. He came to France as a refugee. Born in 1938, Karmitz spent his early years in Romania. Once established as a producer, he has worked with lmmakers all over the world, but that leads to another surprising fact about him. He doesn’t much like to travel. His passport, he says, is the cinema." In FilmCraft: Producing, 73–74. Routledge, 2013. http://dx.doi.org/10.4324/9780240823881-25.
Full textConference papers on the topic "Jean le notaire"
Ding, Liyang. "Jean Gebser’s Aperspectival Consciousness and Modern Architecture." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.45.
Full textJeans, Gus, Alfred R. Osborne, and Christopher R. Jackson. "The Quantification of Soliton Current Profiles for Offshore Engineering." In ASME 2018 37th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/omae2018-77863.
Full textXiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 2 Specialist Committee Reports." In 21st International Ship and Offshore Structures Congress, Volume 2. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-committee-vol-2.
Full textXiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions." In 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.
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