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Journal articles on the topic 'Jean Genet'

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Published: 4 June 2021

Last updated: 21 February 2023

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1

Marty, Éric. "Jean Genet, tabou." Les Temps Modernes 632-633-634, no. 4 (2005): 84. http://dx.doi.org/10.3917/ltm.632.0084.

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2

Creech, James. "Outing Jean Genet." Yale French Studies, no. 91 (1997): 117. http://dx.doi.org/10.2307/2930377.

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3

Marty, Éric. "Jean Genet à Chatila." Les Temps Modernes 622, no. 1 (2003): 2. http://dx.doi.org/10.3917/ltm.622.0002.

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4

KÜZECİ, Deniz. "Mécène de Jean Genet." International Journal of Languages' Education 1, Volume 6 Issue 1 (January 1, 2018): 154–62. http://dx.doi.org/10.18298/ijlet.2718.

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5

Thody, Philip, and Ian Magedera. "Jean Genet: 'Les Bonnes'." Modern Language Review 95, no. 2 (April 2000): 521. http://dx.doi.org/10.2307/3736199.

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6

Cliche, Anne Élaine. "L'atelier de Jean Genet." Tangence, no. 54 (1997): 41. http://dx.doi.org/10.7202/025936ar.

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7

Sandarg, Robert. "Jean Genet in Chicago." Romance Quarterly 38, no. 1 (February 1991): 39–47. http://dx.doi.org/10.1080/08831157.1991.11000512.

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8

Miller, Judith G. "Splendid’s by Jean Genet." L'Esprit Créateur 35, no. 1 (1995): 80. http://dx.doi.org/10.1353/esp.1995.0044.

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9

Richter, Florence. "Jean Genet, poète et voyou." Histoire de la justice 23, no. 1 (2013): 235. http://dx.doi.org/10.3917/rhj.023.0235.

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10

Corrado, Jean-Christophe. "Jean Genet et la trahison." Roman 20-50 65, no. 2 (2018): 175. http://dx.doi.org/10.3917/r2050.065.0175.

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11

Cinta, Marcela. "Jean Genet: comediante y mártir." Estudios: filosofía, historia, letras 11, no. 41 (1995): 107. http://dx.doi.org/10.5347/01856383.0041.000172793.

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12

Richter, Florence. "Jean Genet, poète et voyou." Revue interdisciplinaire d'études juridiques 61, no. 2 (2008): 73. http://dx.doi.org/10.3917/riej.061.0073.

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13

Durham, Scott. "The Deaths of Jean Genet." Yale French Studies, no. 91 (1997): 159. http://dx.doi.org/10.2307/2930379.

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14

de Grazia, Edward, and Jean Genet. "An Interview with Jean Genet." Cardozo Studies in Law and Literature 5, no. 2 (October 1993): 307–24. http://dx.doi.org/10.2307/743530.

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15

Grazia, Edward de, and Jean Genet. "An Interview with Jean Genet." Cardozo Studies in Law and Literature 5, no. 2 (October 1993): 307–24. http://dx.doi.org/10.1525/lal.1993.5.2.02a00050.

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16

Jannarone, Kimberly. "The Balcony by Jean Genet." Theatre Journal 67, no. 4 (2015): 729–31. http://dx.doi.org/10.1353/tj.2015.0145.

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17

Amsden, Robert. "The Maids by Jean Genet." Theatre Journal 70, no. 3 (2018): 401–3. http://dx.doi.org/10.1353/tj.2018.0069.

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18

Crockarell, Sarah. "The Maids by Jean Genet." Theatre Journal 71, no. 3 (2019): 386–88. http://dx.doi.org/10.1353/tj.2019.0062.

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19

De Gennaro, Mara. "What Remains of Jean Genet?" Yale Journal of Criticism 16, no. 1 (2003): 190–209. http://dx.doi.org/10.1353/yale.2003.0004.

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20

Lavery, Carl. "Jean Genet: Utopian or Deconstructionist?" New Theatre Quarterly 20, no. 2 (April 21, 2004): 192–94. http://dx.doi.org/10.1017/s0266464x04210089.

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21

Boyle, C. "Jean Genet: Performance and Politics." French Studies 65, no. 1 (December 17, 2010): 123–24. http://dx.doi.org/10.1093/fs/knq184.

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22

Davis, Oliver. "Jean Genet: ‘Journal du voleur’." French Studies 59, no. 3 (July 1, 2005): 426–27. http://dx.doi.org/10.1093/fs/kni192.

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23

Plunka, Gene A. "Jean Genet: Politics and Performance." SubStance 38, no. 1 (2009): 151–53. http://dx.doi.org/10.1353/sub.0.0028.

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24

de Grazia, Edward. "An Interview with Jean Genet." Law & Literature 5, no. 2 (September 1993): 307–24. http://dx.doi.org/10.1080/1535685x.1993.11015739.

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25

Granier de Cassagnac, Serge. "L'image, Jean Genet, le dévoilement." Analyse Freudienne Presse 10, no. 2 (2004): 135. http://dx.doi.org/10.3917/afp.010.0135.

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26

Bargalló, J. "El tema del doble en el teatro de Jean Genet." Philologia Hispalensis 2, no. 4 (1989): 771–86. http://dx.doi.org/10.12795/ph.1989.v04.i02.26.

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27

Fredette, Nathalie. "Jean Genet : les pouvoirs de l’imposture." Études françaises 31, no. 3 (March 29, 2006): 87–101. http://dx.doi.org/10.7202/036000ar.

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Résumé À la faveur d'un premier déplacement des enjeux stylistiques vers une scène plus spécifiquement politique, Jean Genet explore dans Pompes funèbres les nombreux pouvoirs de l'imposture. Jouant de la collusion entre les codes sexuel et politique, l'écrivain entend opposer ainsi une mobilité extrême aux positions en apparence les plus immuables.

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28

Derrida, Jacques. "Fragments d’une lettre à Jean Genet." Lignes 47, no. 2 (2015): 87. http://dx.doi.org/10.3917/lignes.047.0087.

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29

WALKER, D. H. "Review. Jean Genet. Knapp, Bettina L." French Studies 44, no. 3 (July 1, 1990): 362. http://dx.doi.org/10.1093/fs/44.3.362.

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30

Plainemaison, Jacques. "La première œuvre de Jean Genet." Studi Francesi, no. 170 (LVII | II) (July 1, 2013): 335–46. http://dx.doi.org/10.4000/studifrancesi.2953.

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31

Amin, K. "Jean Genet: une ecriture des perversions." French Studies 66, no. 3 (July 1, 2012): 420–21. http://dx.doi.org/10.1093/fs/kns086.

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32

Krieger, Antoine. "On Jean-Luc Godard, Jean Genet and representing the Palestinians." Journal of European Studies 47, no. 1 (January 13, 2017): 54–66. http://dx.doi.org/10.1177/0047244116676672.

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In July 2014, the people who took part to the banned demonstration in Paris against the intervention of the Israeli Defence Forces in Gaza were expressing their support of a besieged people. However, this very support was also an excuse to demonstrate their religious and ethnic allegiances as well as their political opinions. The use of the Palestinian struggle for recognition as a tool in domestic political debates is not a recent trend in French political culture: it can be traced back to 1968 when the Palestinian cause was discovered in the aftermath of the Six-Day War. A pioneer of the Palestinian cause, Jean-Luc Godard, was recently accused of anti-Semitism when he was considered for a lifetime achievement award at the Oscars in 2010. The same year, in Marseille, a conference celebrating the hundredth anniversary of Jean Genet’s birth was almost cancelled because it could supposedly have caused problems of public safety. Long after their works on this topic came out, both authors’ positions regarding the Israeli–Palestinian conflict are still considered extremely controversial. This article explores the speeches of both men regarding movements of Palestinian resistance after they visited refugee camps in Jordan and Lebanon in the 1970s and the 1980s. It argues that, as fiery anti-Zionists, Jean Genet and Jean-Luc Godard unconsciously create a mythology of Palestinian struggle for recognition and independence in order to protest against its representation in the mass media of capitalistic societies.

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33

Ågerup, Karl. "Competing Images. The Posthumous Reception of Jean Genet." Moderna Språk 111, no. 2 (December 19, 2017): 1–14. http://dx.doi.org/10.58221/mosp.v111i2.7729.

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Since the death of Jean Genet, his name and oeuvre have been the subject of heated debate. Influential critics have argued that Genet was an aristocratic anti-Semite, rather than a revolutionary poet who took sides with the outcasts. In this article, I analyze the positions, patterns, and strategies of this multifaceted debate, suggesting that provocation and marginalization constitute an integral part of Genet’s aesthetics. In the act of judging Genet from historical, political, and ethical perspectives, the critics operate as executors of his literary project, confirming the paratopic position the writer presumably desired.

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34

Uvsløkk, Geir. "Om Georges Batailles lesninger av Jean Genet." Norsk litteraturvitenskapelig tidsskrift 11, no. 01 (February 27, 2008): 43–50. http://dx.doi.org/10.18261/issn1504-288x-2008-01-04.

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35

Genet, Jean, Ruediger Wischenbart, and Gitta Honegger. "Interview: Jean Genet. The Intellectual as Guerrilla." Performing Arts Journal 9, no. 1 (1985): 38. http://dx.doi.org/10.2307/3247810.

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36

Antle, Martine, and Laura Oswald. "Jean Genet and the Semiotics of Performance." South Atlantic Review 55, no. 2 (May 1990): 170. http://dx.doi.org/10.2307/3200280.

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37

Bradby, David, and Laura Oswald. "Jean Genet and the Semiotics of Performance." Modern Language Review 86, no. 3 (July 1991): 746. http://dx.doi.org/10.2307/3731094.

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38

Genet, Jean, Layla Shahid Barrada, and Rudiger Wischenbart. "Jean Genet: Affirmation of Existence Through Rebellion." Journal of Palestine Studies 16, no. 2 (January 1, 1987): 64–84. http://dx.doi.org/10.2307/2537088.

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39

Plunka, Gene, Albert Dichy, and Pascal Fouche. "Jean Genet, Essai de Chronologie, 1910-1944." Theatre Journal 43, no. 2 (May 1991): 265. http://dx.doi.org/10.2307/3208231.

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40

Silva, Pedro Henrique Rodrigues da. "A VIOLÊNCIA COMO DESTINO EM JEAN GENET." Revista de Estudos Acadêmicos de Letras 12, no. 01 (July 30, 2019): 162–70. http://dx.doi.org/10.30681/23588403v12i01162170.

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41

Rabaté, Jean-Michel. "Jean Genet: La position du Franc-tireur." L'Esprit Créateur 35, no. 1 (1995): 30–39. http://dx.doi.org/10.1353/esp.1995.0048.

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42

Ueda, Makiko. "Jean Genet: Prison, Homosexualité, Politique by Eurêka." L'Esprit Créateur 35, no. 1 (1995): 80–81. http://dx.doi.org/10.1353/esp.1995.0053.

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43

Sandarg, Robert. "Jean Genet and the Black Panther Party." Journal of Black Studies 16, no. 3 (March 1986): 269–82. http://dx.doi.org/10.1177/002193478601600303.

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44

Boulard, Stéphanie. "Jean Genet :Nouvelle perspective sur la guillotine." Contemporary French and Francophone Studies 14, no. 3 (June 2010): 299–306. http://dx.doi.org/10.1080/17409292.2010.484293.

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45

Perazzolo, Paola. "David Bradby and Clare Finburgh, Jean Genet." Studi Francesi, no. 171 (LVII | III) (December 1, 2013): 643–44. http://dx.doi.org/10.4000/studifrancesi.2872.

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46

Marty, Éric. "Jean Genet dramaturge ou l'expérience de l'Autre." Critique 671, no. 4 (2003): 252. http://dx.doi.org/10.3917/criti.671.0252.

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47

de Ceccatty, René. "Jean Genet antisémite ? Sur une tenace rumeur." Critique 714, no. 11 (2006): 895. http://dx.doi.org/10.3917/criti.714.0895.

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48

Genet, Jean, Layla Shahid Barrada, and Rudiger Wischenbart. "Jean Genet: Affirmation of Existence Through Rebellion." Journal of Palestine Studies 16, no. 2 (January 1987): 64–84. http://dx.doi.org/10.1525/jps.1987.16.2.00p0041n.

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49

Newman, T. "Toutes les images du langage: Jean Genet." French Studies 63, no. 4 (October 1, 2009): 492–93. http://dx.doi.org/10.1093/fs/knp169.

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50

Silva, Pedro Henrique Rodrigues da. "A violência como devir em Jean Genet." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 17, no. 27 (November 22, 2018): 416–27. http://dx.doi.org/10.12957/palimpsesto.2018.38356.

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Este artigo versa sobre a nossacompreensão da violência como devir, naescritura do poeta, escritor e dramaturgofrancês Jean Genet. Inicialmente,buscamos mostrar como a violência é umacondição da existência, refletida nosaspectos complexos e sutis dos escritos deGenet. Depois, procuramos indicar como odesejo de violência permeia a relaçãoentre o poeta e seus personagens,mostrando-se, assim, como força decriação. Em seguida, desnudamos o corpocomo possibilidade de experimentaçãoconstante, e, por vezes, extrema, seja nocrime, na reclusão, no sexo ou na miséria.Por fim, agregando todos esses aspectos,acreditamos que a escritura genetiana sedesvela como uma espécie de ‘alegriatrágica’, na qual, por meio de umaexcitação com a vida, há uma formaprópria de afirmação.

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