Relevant bibliographies by topics / Jaufré rudel

Academic literature on the topic 'Jaufré rudel'

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Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Jaufré rudel"

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Rosenwein, Barbara H. "Jaufre Rudel, Contrarian." Viator 47, no. 3 (September 2016): 129–47. http://dx.doi.org/10.1484/j.viator.5.112355.

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KAY. "CONTINUATION AS CRITICISM: THE CASE OF JAUFRE RUDEL." Medium Ævum 56, no. 1 (1987): 46. http://dx.doi.org/10.2307/43629059.

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Spillenger, Paul. "Memory and Distance in Dante and Jaufre Rudel." Tenso 5, no. 1 (1989): 11–32. http://dx.doi.org/10.1353/ten.1989.0012.

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Rosenstein, Roy. "Jaufre Rudel de Blaye à Florence : Dante, Pétrarque, Boccace." Revue des langues romanes CXX, no. 1 (January 1, 2016): 189–210. http://dx.doi.org/10.4000/rlr.379.

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Barbiellini Amidei, Beatrice. "Jaufre Rudel: Longinquus amor, amor de lonh, amors loingtaignes. Dallo spazio al tempo?" Carte Romanze. Rivista di Filologia e Linguistica Romanze dalle Origini al Rinascimento 11, no. 2 (December 28, 2023): 239–75. http://dx.doi.org/10.54103/2282-7447/21593.

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Il saggio si sofferma sulla celebre formula amor de lonh nel vers Lanquan li jorn di Jaufre Rudel. Il meccanismo strutturale del componimento appare costruito sul mot-refrain lonh e il sintagma amor de lonh utilizzati prima con aequivocatio e poi con ripresa anaforica, rispettivamente nelle coblas I-V e VI-VII. Tale dato e rimandi testuali quali il longinquus amor di Properzio – già additato da Roncaglia e Patrizia Onesta come vero e proprio topos letterario utilizzato nella lirica di Jaufre – e gli amors loingtaignes del Lai d'Aristote farebbero ipotizzare che Lanquan li jorn utilizzi il sintagma poi cristallizzatosi e di enorme e inuguagliato successo letterario nell'accezione temporale di "amore costante, durevole, di lungo corso".
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Rosenstein, Roy. "New Perspectives on Distant Love: Jaufre Rudel, Uc Bru, and Sarrazina." Modern Philology 87, no. 3 (February 1990): 225–38. http://dx.doi.org/10.1086/391781.

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Manzari, Francesca. "Amor maldito, motor da poesia: a Provença e a modernidade." Teresa, no. 15 (December 29, 2014): 130. http://dx.doi.org/10.11606/issn.2447-8997.teresa.2014.98600.

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É a composição das vidas dos trovadores que confere ao Grand Chant a dimensão romanesca e ficcional que permitiu a construção de figuras “malditas” como Jaufre Rudel, Bertrand de Born, Raimon Jordan... Do amor cantado pelo trobar nasce o seu oposto destruidor: a melancolia, decorrente da ausência da dama, espreita o trovador, acenando-lhe o risco de não mais compor. tal reflexão vai conduzir autores como Ezra pound, Haroldo e Augusto de Campos a reconhecer na provence dos séculos XII a XIII o lugar original, o topos outopos da poesia.
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Fratta, Aniello. "Una possibile parabola corellana: dal paradosso amoroso rivisitato alla poesia religiosa." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 14 (December 26, 2019): 229. http://dx.doi.org/10.7203/scripta.0.16367.

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Riassunto: L’articolo, partendo dall’analisi dell’evoluzione della filoginia corellana, propone un possibile percorso poetico di Joan Roís de Corella: da una rivisitazione del paradosso amoroso di rudelliana memoria, che avrebbe potuto ispirare la sua concezione della ver’amor, alla poesia religiosa.Parole chiave: Joan Roís de Corella, filoginia, paradosso amoroso, ver’amor, poesia religiosa..Abstract: Moving from an analysis of the evolution of Joan Roís de Corella’s philogyny, this paper will attempt to trace the development of his poetry: from a return to the paradox of love as formulated by Jaufre Rudel, which could have inspired his conception of ver’amor, through to religious poetry.Keywords: Joan Roís de Corella, philogyny, paradox of love, ver’amor, religious poetry.
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Rosenstein, Roy. "Les années d'apprentissage du troubadour Jaufre Rudel : de l'escola n'eblo à la segura escola." Annales du Midi : revue archéologique, historique et philologique de la France méridionale 100, no. 181 (1988): 7–15. http://dx.doi.org/10.3406/anami.1988.2149.

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Bardin, Gay. "The Poetics of Nullity: “Nonsense” Verses of William of Aquitaine, Jaufre Rudel, and Raimbaut D’Orange." Comitatus: A Journal of Medieval and Renaissance Studies 34, no. 1 (2003): 1–23. http://dx.doi.org/10.1353/cjm.2003.0034.

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Dissertations / Theses on the topic "Jaufré rudel"

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Diz, Vidal Martin. "Liebe und Leid der Minnesänger : Figurationen von Männlichkeit bei Jaufré Rudel und Alfonso el Sabio." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2006/1059/.

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Books on the topic "Jaufré rudel"

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Giorgio, Chiarini, ed. Il canzoniere di Jaufre Rudel: Edizione critica, con introduzione, note e glossario. L'Aquila: Japadre, 1985.

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Rudel, Jaufré. Les cançons de l'amor de lluny de Jaufré Rudel. Barcelona: Columna, 1996.

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Wolf, George, and Roy Rosenstein. Poetry of Cercamon and Jaufre Rudel. Taylor & Francis Group, 2019.

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Wolf, George, and Roy Rosenstein. Poetry of Cercamon and Jaufre Rudel. Taylor & Francis Group, 2019.

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Wolf, George, and Roy Rosenstein. Poetry of Cercamon and Jaufre Rudel. Taylor & Francis Group, 2019.

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Wolf, George, and Roy Rosenstein. Poetry of Cercamon and Jaufre Rudel. Taylor & Francis Group, 2019.

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Rudel, Jaufré, Cercamon, George Wolf, and Roy Rosenstein. Poetry of Cercamon and Jaufre Rudel. Taylor & Francis Group, 2020.

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Wolf, George, and Roy Rosenstein, eds. The Poetry of Cercamon and Jaufre Rudel. Routledge, 2019. http://dx.doi.org/10.4324/9780429029844.

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Stimming, Albert. Troubadour Jaufre Rudel, Sein Leben und Seine Werke. Creative Media Partners, LLC, 2022.

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Stimming, Albert. Troubadour Jaufre Rudel, Sein Leben und Seine Werke. Creative Media Partners, LLC, 2018.

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Book chapters on the topic "Jaufré rudel"

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Wild, Gerhard. "Jaufré Rudel, Seigneur de Blaya." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4039-1.

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Rössig, Wolfgang. "Jaufré Rudel, Seigneur de Blaya: Die Lieder." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4040-1.

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Golden, Rachel May. "Introduction." In Mapping Medieval Identities in Occitanian Crusade Song, 1–7. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190948610.003.0008.

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Assatz i a portz e camis. / E per aisso no·n sui devis . . . [Many are the ports and roads, / And so I cannot prophesy . . .] (ll. 19–20) —Jaufre Rudel, Lanqan li jorn 1 In his song Lanqan li jorn, the early-twelfth-century troubadour Jaufre Rudel expresses a sense of wonder and uncertainty about the future, one that he maps onto his perception of geography as complex, interwoven, and often unknowable. The song proclaims Jaufre’s intention to travel eastward to the Crusade front as a Christian pilgrim, and to unite there with his beloved Lady (generally understood as the Countess of Tripoli), the object of his ...
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"The Poetry of Jaufre Rudel." In The Poetry of Cercamon and Jaufre Rudel, edited by George Wolf and Roy Rosenstein, 93–202. Routledge, 2019. http://dx.doi.org/10.4324/9780429029844-2.

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Kulimann, D. "Giorgio Chiarini (Hrsg.) — II Canzoniere di Jaufre Rudel." In 1988, 214–18. De Gruyter, 1989. http://dx.doi.org/10.1515/9783112418369-038.

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"The Poetry of Cercamon." In The Poetry of Cercamon and Jaufre Rudel, edited by George Wolf and Roy Rosenstein, 1–92. Routledge, 2019. http://dx.doi.org/10.4324/9780429029844-1.

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Golden, Rachel May. "Locality, Distance, and Troubadour Song in the Second Crusade." In Mapping Medieval Identities in Occitanian Crusade Song, 188–224. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190948610.003.0006.

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Troubadour song has been explored as an expression of courtly love and early vernacular song creation, even mythologized as a brief flowering of a romanticized Occitanian golden age. However, troubadour songs also importantly act as expressions of place and provide indices of contemporaneous regional communities and identities. Contemporary with the Second Crusade, the troubadour songs Pax in nomine Domini by Marcabru and Lanqan li jorn by Jaufre Rudel employ circularity, dialectic, and movement as ways of expressing place and creating a sense of near versus far. These songs should not be understood as only fixed texts; rather in sounding, transmission, and the enacting of motion they move through new environments and assume new agency as they travel. Troubadour songs of the Second Crusade thus transcend the role of fixed musical object to mediate between the position of composer-poet, the voice of the performer, and the reception of distant listeners.
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"Text of the self: Guilhem IX and Jaufre Rudel, Bernart de Ventadorn and Raimbaut d'Aurenga." In Texts and the Self in the Twelfth Century, 85–118. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518805.004.

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Conference papers on the topic "Jaufré rudel"

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Kossakowski, Krzysztof. "Czy Hodierna z Trypolisu i Jaufré Rudel mogli się spotkać? Pieśni trubadura jako źródło do badań nad historią kobiet." In Ogólnopolska Konferencja Naukowa „Badania historii kobiet polskich na tle porównawczym. Kierunki, problematyka, perspektywy”, Białystok, 11–13 czerwca 2021. Instytut Badań nad Dziedzictwem Kulturowym Europy, 2021. http://dx.doi.org/10.15290/bhkpntp.2021.02.

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Konflikt hrabiego Trypolisu Rajmunda II z żoną Hodierną był jednym z najgłośniejszych, ale też najbardziej tajemniczych skandali obyczajowych w państwach krzyżowych w XII w. Kronika Wilhelma z Tyru informuje ogólnie o jego przebiegu, ale nie podaje przyczyn, wokół których już wówczas narosło wiele plotek. Jedynymi źródłami mogącymi rzucić więcej światła na tę sprawę są pieśni trubadura Jaufré Rudela. Zgodnie z romantyczną wersją wydarzeń zakochał się on w hrabinie Trypolisu, mimo że nigdy jej nie spotkał, i to na jej cześć tworzył swoje poematy. Specjalnie, aby ją poznać, wziął udział w drugiej wyprawie krzyżowej. Zachorował jednak w drodze i zmarł tuż po przybyciu do Ziemi Świętej w ramionach swojej pani. Zazwyczaj badacze jednoznacznie odrzucali tę relację. Większość logicznie zakładała, że trubadur po prostu zmarł podczas podróży morskiej i nigdy Hodierny nie spotkał. Pieśni autorstwa Rudela zdają się potwierdzać ten wniosek. Jednak warto zauważyć, że istotna może tutaj być kolejność chronologiczna owych poematów, które mimo ogólnej wymowy zawierają pewne zaskakujące sformułowania. Zazwyczaj przyjmuje się, że najwcześniej powstały pieśni, które zachowały się w najstarszych rękopisach, co jednak nie musi być kolejnością właściwą. Ułożenie ich w zależności od częstotliwości występowania w manuskryptach może prowadzić do bardzo interesujących, choć równie ryzykownych wniosków.
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