Dissertations / Theses on the topic 'Japanese periodicals History 20th century'
To see the other types of publications on this topic, follow the link: Japanese periodicals History 20th century.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 39 dissertations / theses for your research on the topic 'Japanese periodicals History 20th century.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Ellis, Toshiko 1956. "The modernist dilemma in Japanese poetry." Monash University, School of Asian Languages and Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8720.
Full text
2
Grace, Elizabeth Ellen. "Women, nation, narration : a comparative study of Japanese and Korean proletarian women's writing from the interwar years (1918-1941)." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709209.
Full text
3
Dawkins, Charlie. "Modernism in mainstream magazines, 1920-37." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:71ef5fb2-9a5a-4277-9b0d-edf307acd1e7.
Full textAbstract:
This thesis studies five mainstream British weekly magazines: 'Time and Tide', the 'Nation and Athenaeum', the 'Spectator', the 'Listener', and the 'New Statesman'. It explores how these magazines reviewed, discussed and analysed modernist literature over an eighteen-year span, 1920-37. Over this period, and in these magazines, the concept of modernism developed. Drawing on work by philosopher Ian Hacking, this research traces how the idea of modernism emerged into the public realm. It focuses largely on the book reviews printed in these magazines, texts that played an important and underappreciated role in negotiations between modernist texts and the audience of these magazines. Chapter 1, on 'Time and Tide', covers a period from the magazine's inception in 1920 to 1926, and draws particularly on Catherine Clay's work on this magazine. It discusses the genre of 'weekly review' that this new magazine attempted to join, and the cultural place of modernism in the early 1920s. Chapter 2, on the 'Nation and Athenaeum', covers Leonard Woolf's literary editorship (1923-30), under the ownership of J. M. Keynes, and makes use of Keynes's archive at King's College, Cambridge, and Woolf's at the University of Sussex. Chapter 3, on the 'Spectator', covers Evelyn Wrench's editorship (1925-32), and explores the relationship between this magazine, ideologies of conservatism, and modernism. Chapter 4, on the 'Listener', focuses on the magazine's publication of new poetry, including an extraordinary 1933 supplement that printed W. H. Auden's 'The Witnesses'. This work revolves around Janet Adam Smith, literary editor in these years, and draws on Smith's archive at the National Library of Scotland as well as the BBC archives at Caversham. Chapter 5, on the 'New Statesman' in the 1930s under new editor Kingsley Martin, explores a period when modernism was more widely recognized, and pays particular attention to a short text by James Joyce printed in 1932, 'From a Banned Writer to a Banned Singer'.
4
Willems, Nadine. "The agrarian foundations of early twentieth-century Japanese anarchism : Ishikawa Sanshirō's revolutionary practices of everyday life, 1903-1945." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:25f7fd44-e2c2-4a71-a9f6-b922b0bc3936.
Full textAbstract:
This dissertation examines the link between anarchism and agrarian thought in modern Japan through the investigation of the life and ideas of radical intellectual Ishikawa Sanshiro (1876-1956). I track its emergence from the time of Ishikawa's involvement in the socialist movement in the early 1900s to its development during his exile years in Europe between 1913 and 1920 and then after his return home through to the end of the Pacific War. I show how concern for the traditions and condition of farming communities informed a certain strand of non-violent anarchism premised on environmental awareness and cooperative principles fostered through the practices of everyday life. By rescuing from near historiographical oblivion a major dissenting figure of modern Japan, this study gives prominence to a distinctive anarchist intellectual contribution. I examine both the theoretical premises and related socio-political applications, highlighting Ishikawa's role for over five decades as a creative force of social change and a bulwark against authoritarianism. Thus, this work puts forward a more nuanced understanding of the movement of popular agrarianism that marked the interwar period, often pigeon-holed by historians as an adjunct of radical nationalism. I also probe the ecological critique embedded in Ishikawa's vision of the man-nature interaction, which remained vital over the decades and has direct relevance to presentday concerns. The tracing of Ishikawa's connections, both transnational and within Japan, provides the main methodological axis of this study. It appraises dissenting politics through the lens of actual praxis rather than categorization of ideological differences. Likewise, transnational connections are given agency as a mutually creative process rather than as a unidirectional transmission of ideas and values from West to East.
5
LeStage, Gregory. "Forces in the development of the British short story, 1930-1970 : some writers, editors, and periodicals." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670227.
Full text
6
Spell, Sabine. "Japanese automobile lobbying in Brussels : the role of the Japanese motor car industry in EU policy networks." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/2390.
Full textAbstract:
This study examines the lobbying by the Japanese automobile industry in the European Union. It investigates how the Japanese automobile industry interacts with the decision-making authorities in Brussels in its attempts to influence the policy process of the European Union. In the post-war period the Japanese automobile industry has expanded into all major world markets and plays an important economic and political role in these. However, until the 1990s, the Japanese automobile industry enjoyed hardly any interaction with the policy making institutions of the European Union. This has changed dramatically in the last decade but, thus far, the process has not been subject to any empirical investigation. This study, which is largely based upon interviews with the major actors in the process of interaction between the governing institutions and the automobile industry in the EU, aims to correct this deficiency. This thesis employed the policy network concept as a framework to develop an understanding of this particular case of government-interest group interaction. The thesis investigated whether the Western concept of policy networks could successfully be applied to the Japanese automobile industry as a non-western actor in the unique system of governance of the EU. By doing so, the thesis has demonstrated that the policy network concept is not a purely Western construct, but can be applied with equal validity to the case of Japan. Therefore, this thesis has taken an importani. a step towards proving the universal applicability of the policy network concept.
7
Handa, Atsuko. "Bridging Sōseki and Murakami : the modernity of Japan through modernist and postmodern prose." Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5230.
Full text
8
Kim, Jong-Geun. "Colonial modernity and the colonial city : Seoul during the Japanese occupation, 1910-1945." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708085.
Full text
9
Koo, Siu-sun, and 古兆申. "Shanghai literature in the last stage of the Sino-Japanese War (1942-1945) =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B29711393.
Full text
10
Gagle, Michael Todd. "A Bridge Across the Pacific: A Study of the Shifting Relationship Between Portland and the Far East." PDXScholar, 2016. https://pdxscholar.library.pdx.edu/open_access_etds/2655.
Full textAbstract:
After Japan invaded Manchuria in 1931, both Japan and China sought the support of America. There has been a historical assumption that, starting with the hostilities in 1931, the Japanese were maligned in American public opinion. Consequently, the assumption has been made that Americans supported the Chinese without reserve during their conflict with Japan in the 1930s.
The aim of this study is to question the accuracy of that assumption in the case of Portland, Oregon. An analysis of newspapers and print material specifically focusing on Japan and China from before the conflict reveal that the general American opinion of Japan by 1931 had shifted from admiration to suspicion and fear. The American view of China, meanwhile, had shifted from contempt to pity. When Japan invaded China, both countries lobbied for support via books, articles, and public speakers. By analyzing the speeches and publications available, this study finds that the Japanese argued for security and economic benefit, while the Chinese argued for liberty and justice.
In Portland, the public opinion was strongly supportive of Japan before the 1930s, and Japan's hostilities toward China did not immediately change the opinion. Instead, an analysis of The Oregonian, the Portland City Club, and a student summit at Reed college reveal that the opinion in Portland was far more forgiving of Japan than the general American outlook. Portlanders focused on how to ease the tensions between Japan and America, even supporting Japanese calls for an Asian League of Nations headed by Japan.
Further complicating the discourse in Portland was the issue of communism. Portland -- and the Pacific Northwest in general -- had been very involved with socialism in the period before the First World War. After the war, support for socialism had diverged into support for communism, for those who remained radicals, and vehement distrust of communism, for those who did not. The tension between these two groups led to outbursts of violence that left a mark on the memories of the people of the Northwest. Those who supported communism remembered the slights, which would lead them to support the Bolsheviks in the 1930s. Those who distrusted communism remembered the real threat that communism represented.
When the Japanese began their propaganda against China, one of their strongest claims was that the Chinese could not hold back the tide of communism, and that only Japan was properly prepared to do so in East Asia. This claim brought up old fears in the Portland populace, most of whom did not support communism. Thus, Japanese claims of working to prevent the communist threat, coupled with the assertion of an economic boon, helped maintain a more favorable view of Japan in Portland. Following the 1937 attack on Nanking, however, Japanese action was deemed reprehensible and Portland began to turn against Japan.
By profiling the public opinion of Portland toward Japan in the 1930s, this study adds to the growing body of research on the complexities of the relationship between America and Japan during the twentieth century.
11
Sewell, William Shaw. "Japanese imperialism and civic construction in Manchuria, Changchun, 1905--1945." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ48709.pdf.
Full text
12
Chiu, Ming-wah, and 趙明華. "Resistance, peace and war: the Central China Daily News, the South China Daily News and the Wang Jingwei Cliqueduring the Sino-Japanese War, 1937-1945." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B3624689X.
Full text
13
Horikawa, Nobuko. "Not Just Child's Play| Neo-Romantic Humanism in Ogawa Mimei's Stories." Thesis, Portland State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10285140.
Full textAbstract:
During the early twentieth century, Japan was modernizing in all areas of science and art, including children’s literature. Ogawa Mimei (1882-1961) was a prolific writer who advanced various literary forms such as short stories, poems, essays, children’s stories, and children’s songs. As a writer, he was most active during the late Meiji (1868-1912) to Taishō (1912-1926) periods when he was a socialist. During that time, he penned many socialist short stories and children’s stories that were filtered through his humanistic, anarchistic, and romanticist ideals. In this thesis, I analyze Mimei’s socialist short stories and children’s stories written in the 1910s and 1920s. I identify both the characteristics of his writing style and the themes so we can probe Mimei’s ideological and aesthetic ideas, which have been discounted by contemporary critics. His socialist short stories challenged the dogmatic literary approach of Japanese proletarian literature during its golden age of the late 1920s and early 1930s. His socialist children’s stories also deviated from the standard of Japanese children’s literature in the 1950s and 1960s. In this thesis, I break away from the narrow views that confined Mimei to certain literary standards. This thesis is a reevaluation of Mimei’s literature on his own terms from a holistic perspective.
14
Morrison, Matthew E. "The Church of Jesus Christ of Latter-Day Saints in National Periodicals, 1982-1990." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/4964.
Full textAbstract:
The Church of Jesus Christ of Latter-day Saints has continued to receive exposure in national periodicals. This thesis will explore that image from 1982 to 1990. During those years, the church continued to grow in membership and expand its existing programs. National periodicals can assist in assessing the public image of the Church because they help "mould public attitudes by presenting facts and views on issues in exactly the same way at the same time throughout the entire country." In this manner, they help to form the public opinion about the Church. They also reflect existing opinions because magazine publishers cater to what the public is interested in. This study will enhance the reader's understanding of this image by discussing the topics that received the greatest emphasis during that time period. This study is preceded by two theses, one by Adam H. Nielson covering the Church's image from 1970-1981, and the other by Dale P. Pelo, which studied the image of the Church from 1961-1970. Richard O. Cowan presented a doctoral dissertation which covered 1850-1961. This thesis is a continuation of those studies, and implements the same research procedures and methods.
15
Nagae, Neide Hissae. "De Katai a Dazai: apontamentos para uma morfologia do romance do eu." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-14052007-151503/.
Full textAbstract:
O presente trabalho constitui um estudo sobre um conjunto de obras pertencentes ao gênero japonês de cunho autobiográfico denominado Romance do Eu, com o intuito de traçar características comuns a essas obras que sirvam como apontamentos para uma morfologia desse gênero surgido no início do século XX. Num primeiro momento, situamos o Romance do Eu no contexto histórico-literário do Japão e apresentamos as discussões de estudiosos japoneses na fase inicial de desenvolvimento dessa forma literária, além da visão de dois estudiosos estrangeiros sobre o gênero. Nesse percurso, traçamos ligações entre as obras estudadas com a repressão ideológica e o exercício da liberdade de expressão na postura acuada e resignada dos protagonistas, encontradas num conjunto de obras analisadas num segundo momento, que vão desde 1906, com a obra Futon (Acolchoado), de Tayama Katai, até o final da Segunda Guerra Mundial. Tais obras revelaram uma sensível e rica diversidade quando analisadas pelos elementos da narrativa que estruturam o texto, mas não foi possível encontrar textualmente aspectos que identificassem o protagonista da obra com seu autor. Na realidade, elas se mostraram uma forma velada de contestação ao sistema autoritário do Japão ao centrarem seu conteúdo em fatos da vida pessoal do autor e parodiarem os romances europeus introduzidos na época. Esse dialogismo do Romance do Eu desenvolve-se também no nível textual da obra de Dazai Osamu, intitulada Pôr-do-Sol, escrita em 1947, logo após a rendição do Japão e ainda sob a ocupação das tropas norte-americanas, incumbidas de iniciar a democratização do país. O estudo desenvolvido nesse terceiro momento mostra que o autor utiliza, ainda, outras formas literárias que privilegiaram a ficção na literatura japonesa, elabora personagens que são desdobramentos de si mesmo e que dialogam entre si e faz uso de diferentes formas narrativas, que se mesclam à intertextualidade de obras japonesas e ocidentais, criando, assim, uma obra que dispensa o rótulo de Romance do Eu e assegura a sobrevivência dessa forma narrativa na prosa moderna do Japão.ABSTRACT From Katai to Dazai: Notes for Morphology of the Novel of the Self consists of a study on a set of literary works belonging to the autobiographical character Japanese genre denominated Novel of the Self, aiming at outlining common characteristics to these works that serve as notes for a morphology of this genre started in the beginning of the XX century. In a first instance the Novel of the Self is placed in the Japanese historical-literary context and the discussions of Japanese scholars in the initial development phase of this literary form are presented, as well as the vision of two foreign scholars about the genre. In this trajectory are outlined connections of the works studied with the ideological repression and the exercise of the freedom of expression in the cornered and acquiescent posture of protagonists, being these connections found in a set of works analyzed in a second instance, comprehending 1906 with the work of Futon (Quilt) by Tayama Katai, up to the end of the Second World War. Such works have revealed an insightful and rich diversity when analyzed by the elements of the narrative which structure the text, but aspects that could identify the work?s protagonist with its author have not been possible to find textually. As a matter of fact, they have revealed a veiled way of contest to the Japan?s authoritative way as they have focused their content on facts of the author?s personal life and parodied the European novels introduced at that time. This dialogism in the Novel of the Self is also developed on the textual level of the work of Dazai Osamu entitled Sunset, written in 1947, right after the surrender of Japan while under the occupation of the American troops charged with the task of beginning the country?s democratization. The study developed in this third instance reveals that the author uses, in addition, other literary forms that benefit the fiction in the Japanese literature, makes up characters that are developments of himself and that also talk among themselves, and makes use of different forms of narratives that merge to the intertextuality of Japanese and Western works, creating, as a result, a work that excuses the label of Novel of the Self and, assures the endurance of this narrative form in the Japans modern prose.
16
Shimazu, Naoko. "The racial equality proposal at the 1919 Paris Peace Conference : Japanese motivations and Anglo-American responses." Thesis, University of Oxford, 1995. http://ora.ox.ac.uk/objects/uuid:8fd0f80b-a0be-42df-a1a0-7441fb27616b.
Full textAbstract:
This thesis is a study of the racial equality proposal at the Paris Peace Conference. It explores Japanese motivations for submitting the proposal, and the responses of the British and American governments which eventually defeated it. The thesis uses an analytical framework based on five categories of possible explanations for the proposal: immigration, universal principle, great power status, peace conference politics and bargaining, and domestic politics. The thrust of the analysis contained in the thesis is as follows. For Japan, the proposal meant three things: a means of reaffirming its great power status by securing racial equality with the western great powers in the League of Nations; a justification for Prime Minister Hara whose pro- League position was maintained by a fragile domestic consensus against sceptics in the government and the wider public; and a means of resolving Japanese immigration problems in the United States and British Dominions. But for Japan the proposal was not originally intended as a demand for universal racial equality. For Britain, the proposal was unacceptable because it meant "free immigration" of non-white immigrants into the Dominions. In particular, Australia adamantly opposed it also because of its political significance for Australian public opinion. For the United States, Wilson's determination to create the League of Nations at almost any cost led him to impose a unanimity ruling at the crucial vote on llth April 1919. Other explanations worked in the background. The proposal highlighted the importance of the link between race and great power status for Japan, Japan's insecurity concerning the League of Nations and the West, and Japan's different approach to international relations. Moreover, the failure of the proposal revealed the limits of Wilsonian idealism in that neither Britain nor the United States at that time seriously considered the possibility of universal racial equality.
17
Price, Ann Mereryd. "Alienation, trains and the journey of life in four modern Japanese novels." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26903.
Full textAbstract:
This thesis examines the theme of alienation along with the train motif in the life journeys of the protagonists in four modern Japanese novels. Each chapter is devoted to an individual novel and explores its hero's feelings of socio-psychological estrangement on personal and interpersonal levels as well as the role of the train journey which serves to arouse, create or alleviate such feelings.
Chapter One deals with Sanshiro (Sanshiro. 1908) by Natsume Soseki and follows the hero on his long train journey from backward Kyushu to progressive Tokyo. The people he meets on the train foreshadow the feelings of uneasiness and estrangement he will encounter in the capital. For Sanshiro, the noisy, crowded streetcars initially represent the "real world," constantly reminding him of his alienation from it. Once over his culture shock the hero's sense of not belonging shifts to his relationships with his friends. Gradually he begins to feel more comfortable with himself and the world around him.
Chapter Two examines A Dark Night's Passing (An'ya Koro, 1921-37) by Shiga Naoya. In his search to resolve feelings of unacceptability arising from his childhood experiences, Kensaku takes a series of journeys, many by train, "backward" in time. The train thus serves as an agent which can transcend the barriers of both time and space, separating or reuniting people and creating or breaking down distances between places. It can arouse feelings of happiness, excitement, sadness or loneliness in its passengers or simply provide him with a place to relax and dream about a brighter future.
Chapter Three focuses on Snow Country (Yukiguni. 1934-1947) by Kawabata Yasunari. Shimamura's purpose in visiting the snow country is two-fold -- he both desires to escape from and needs to confront the reality of the wasted effort in his life and resulting sense of alienation from humanity. The train complies. As it brings him into this region of Japan it completely loses any connection with reality, creating a void in which weirdly beautiful apparitions float up before our hero's very eyes. Once in this fantasy land our hero is taught to see his own coldness and how to become more human by two beautiful women. It is then left up to Shimamura to put what he has learned into action when he returns to Tokyo by the train which, heading away from the snow country, takes on very real qualities.
The final chapter examines The Temple of the Golden Pavilion (Kinkakuii. 1956) by Mishima Yukio. This novel deals with Mizoguchi, a most frightening character whose mixed-up views of both himself and the world are but a thin disguise for insanity. The hero suffers terribly from the resulting feelings of not belonging as well as a great inferiority complex. The situation is complicated by his strange love-hate relationship with the Golden Temple to which he attributes human qualities. The train in this novel serves as the symbolic vehicle which transports the hero back and forth between the region of his birth and what he calls "the station of death" where he will eventually destroy both the temple and the hated half of his personality.
In the conclusion the relevance of alienation, trains and the journey of life in modern Japanese literature are discussed.Arts, Faculty of
Asian Studies, Department of
Graduate
18
Bond, Nathaniel Peter. "Lessons in Immorality: Mishima's Masterpiece of Humor and Social Satire." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/988.
Full textAbstract:
From 1958 to 1959, Mishima Yukio published a series of satirical essays titled Lessons in Immorality, in the magazine Weekly Morningstar. Lessons in Immorality was made into a television series, a stage play, and a film.
Famous in the West for writing serious novels, Mishima's work as a humor writer is largely unknown. In these essays Mishima writes in a very comic style, making liberal use of hyperbole, burlesque, and travesty, in order to parody and satirize contemporary Japanese morality. Mishima uses humor to create a world in which Mishima Yukio, iconoclastic author and pop-culture figure, is an arbiter of his own honest and just morality that runs counter to the norms that Japanese at that time considered to be honest and just.
Additionally, Mishima used Lessons in Immorality as a forum to discuss some of the serious concerns that are central to his famous novels. Because Mishima was writing for young men and women, he wrote about his complex philosophical and aesthetic ideals in a very humorous and accessible style. Thus, in addition to displaying Mishima's talent as a humor writer, these essays also give the reader fresh perspectives on Mishima's serious literature.
In this paper, I will present the writing styles, rhetorical tools, and philosophical discussions from Lessons in Immorality that I believe make the series essential reading for anyone interested in Mishima or postwar Japanese literature.
19
Jessie, Alison Leigh. "Questions of Citizenship: Oregonian Reactions to Japanese Immigrants' Quest for Naturalization Rights in the United States, 1894-1952." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2644.
Full textAbstract:
This study examines the discrimination against Japanese immigrants in U.S. naturalization law up to 1952 and how it was covered in the Oregonian newspaper, one of the oldest and most widely read newspapers on the West Coast. The anti-Japanese movement was much larger in California, but this paper focuses on the attitudes in Oregon, which at times echoed sentiments in California but at other times conveyed support for Japanese naturalization. Naturalization laws at the turn of the century were vague, leaving the task of defining who was white, and thus eligible for naturalization, to the courts. Japanese applicants were often denied, but until the federal government clarified which immigrants could or could not become citizens, the subject remained open to debate. "Ineligibility to naturalization" was often used as a code for "Japanese" in discriminatory land use laws and similar legislation at the state level in California and in other western states. This study highlights several factors which influenced Oregonian editorials on the subject.
First, the fear of offending Japan and provoking war with that empire was a foremost concern of Oregonian editors. California's moves to use naturalization law to prevent Japanese immigrants from owning land were seen as dangerous because they damaged relations with Japan and could lead to war. The Oregonian went so far as to recommend Japanese naturalization during the First World War. However, war and foreign relations were federal issues, thus the second theme seen throughout Oregonian editorials was deference to federal authority on questions related to naturalization. While suggesting that naturalization for existing immigrants might be good policy, the Oregonian urged the federal government to settle the matter. Once the Supreme Court ruled against Asian naturalization in 1922 and 1923, the Oregonian dropped its push for such rights. Nativism was another theme that influenced opinions at this time, and before 1923 the Oregonian generally opposed extreme nativist positions, while at the same time advocating for limits to Japanese immigration and against mixed marriages.
This paper does not deal with the incarceration of Japanese Americans during World War II because naturalization was not the issue for the anti-exclusion movement at the time. Citizenship did not give the Nisei, second generation Japanese American citizens, any protection against their wartime removal from the West Coast.
This study returns to the issue of naturalization for Japanese immigrants after the war, as a number of Issei, first generation Japanese immigrants, still lived in the United States but were denied citizenship, even though most had been in the country for decades at that point. There was less opposition to Japanese naturalization after the war due to the noted loyalty of the Japanese during the war, the focus on human rights as an issue promoted by the new United Nations, and Cold War politics which demanded better relations with Japan and thus fairer treatment of Japanese living in the United States. The Oregonian editorials reflected the shift in public opinion throughout the country in favor of lifting the racial bar to citizenship. Japanese Americans in Oregon were active in the campaign to change U.S. naturalization law. The issue was more important to the Japanese American community than it was to the Oregonian editorial board by then, as other Cold War events took precedence on the front and op-ed pages of the newspaper.
20
Nielson, Adam H. "Latter-Day Saints in Popular National Periodicals 1970-1981." CLICK HERE for online access, 2003. http://patriot.lib.byu.edu/u?/MTNZ,2362.
Full text
21
Hayashi, Mari. "Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.
Full textAbstract:
The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize\
Doctorat en sciences sociales, Orientation sociologie
info:eu-repo/semantics/nonPublished
22
Cox, Jamie Walden. "Dazai's Women: Dazai Osamu and his Female Narrators." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/132.
Full textAbstract:
Dazai Osamu (born Tsushima Shûji) was a post-WWII writer who wrote a number of works using a female narrator. This thesis research focused on the reasons as to why Dazai may have written using female narratives, taking into consideration the time period and social milieu in which he was writing, as well as his own personal history with women. In addition, the history of male authors utilizing female narratives was explored, as well as the ideas of gender in the Japanese arts. Dazai works were also compared with Tankizaki Junichirô's to see how the roles of women in their works differ. The four main Dazai works analyzed were "Magic Lanterns" ("Tôrô"), "The Schoolgirl" ("Joseito"), "December 8th" ("Jûnigatsu yôka"), and "Villon's Wife" ("Biyon no tsuma"). The conclusion was that Dazai was using female narrators as a different approach to further critiquing himself, with the female narrator being used to critique a Dazai-like persona in the works.
23
Chafaï, El Alaoui El Hassane. "Journaux et périodiques de langue française au Maroc à l'époque du Protectorat (1912-1956)." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211799.
Full text
24
Terry, Patrick Alan 1984. "Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.
Full textAbstract:
viii, 111 p. : ill. (some col.)During the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Daiei Studios' director, Masumura Yasuzo. Masumura signifies a "space in-between" the cultural elite represented by the New Wave and the box office focus of mass culture cinema. Utilizing available English language and rare Japanese sources, this thesis will re-examine Masumura's position on the periphery of film studies while highlighting the larger film environment of this dynamic period.
Committee in charge: Prof. Steven Brown, Chair; Dr. Daisuke Miyao, Advisor
25
Kim, Nam Sik. "The impact of Japanese colonial rule (1910-1945) upon the witness and growth of the Korean Presbyterian Church." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51981.
Full textAbstract:
Thesis (DTh)--Stellenbosch University, 2000ENGLISH ABSTRACT: Many people are taking a keen interest in the growth of the Korean Church, and many research results are appearing. However, when dealing with the growth of Korean churches, account should be taken of the fact that this growth can only be fully understood and explained when studied against the historical background of the church's suffering in Korea. The purpose of this dissertation is to examine the effect of the japanese colonial rule in Korea and in particular the impact caused by the introduction of a central element in japanese national religion, namely Shintoism. Resistance to the Shinto shrine ceremonies resulted in the church being persecuted in various ways, and this had an effect on the life as well as the growth of the Presbyterian Church in Korea. Chapter one of this dissertation compnses of the introduction, which deals with the research problem, purpose of the research, hypothesis, delimitations of the research, assumptions, definition of terms and proposed outline of the study. Chapter two provides a historical overview of the context of the Korean Presbyterian Church under japanese colonial rule (1910-1945), so as to gain an understanding of the historical background of the Korean Presbyterian Church. The history of the Korean Presbyterian Church up to 1945 can be divided into four different periods, according to certain significant events as phases in its life: the rise of the Church (1884-1907), the revival of the Church(1907-1912), growing confrontation (1912-1935), and persecution of the Church (1935-1945). These four periods are briefly described and analysed, paying particular attention to the Japanese period. Chapter three presents an analysis of the growth of the Presbyterian Church in Korea under Japanese colonial rule. This is done from a missiological perspective, in terms of the witness and growth of the church. The facts of church growth, the reasons for church growth and problems affecting church growth are discussed. The latter includes the problem of the influence of the traditional Shamanistic faith, the issue of the social involvement of the church and the problem of pro- Japanese attitudes in the church. Chapter four deals with the history and character of Shintoism and the Korean Christians' conflict with it. The first section discusses the types, standardization and liturgical structure of Shrine rites. The second part analyses the resistance of the Korean Presbyterian Church to the imposition of Shintoism which led, on the one hand, to a sharp division within the church, on the other hand, to conflict and subsequent persecution of those who chose to resist Shinto shrine obeisance. Chapter five deals with the witness of faith, on the part of those who resisted the shrine rites. This is done especially by presenting several studies of Korean Christian resistance leaders, and examines their ministry and views in order to determine reasons why they resisted Shintoism. The case studies represent both North and South Korea, as well as Manchuria. In conclusion, chapter SIX exammes the effects of Shinto persecution on the growth of Presbyterian Church in Korea, companng anti-Shinto with the pro-Shinto shrine groups. And the findings reveal that the Shinto shrine issue had certain specific long term effects on the Presbyterian Church in Korea, inter alia, in terms of growth patterns and membership trends.
AFRIKAANSE OPSOMMING: DIE IMPAK VAN DIE JAPANNESE KOLONIALE BEWIND OP DIE GETUIENIS EN GROEI VAN DIE KOREAANSE PRESBITERIAANSE KERK Daar heers vandag 'n wye en lewendige belangstelling in die groei van die Koreaanse kerk, met die gevolg dat baie navorsingsresultate nou die lig sien. Maar, wanneer die groei in die Koreaanse Kerke ondersoek word, moet rekening gehou word met die feit dat hierdie groei slegs volledig verstaan en gemterpreteer kan word teen die historiese agtergrond van die kerk se lyding in Korea. Die doel van hierdie verhandeling is om die effek van die Japannese koloniale bewind in Korea te ondersoek en, in besonder, die impak veroorsaak deur die invoer van 'n sentrale element in die Japannese nasionale geloof, naamlik Sjintoisrne. Die gevolg van verset teen die Sjinto - heiligdom seremonies was vervolging van die kerk op verskeie wyses, en dit het die lewe sowel as die groei van die Presbiteriaanse Kerk in Korea beinvloed. Hoofstuk 1 sluit in die inleiding wat handel oor die navorsingsprobleem, doel van hierdie navorsing, hipotese, afbakening van die navorsing, uitgangspunte, begripsomskrywing en voorgestelde inhoudsuitreensetting. Hoofstuk 2 bied 'n historiese oorsig oor die konteks van die Koreaanse Presbiteriaanse Kerk onder Japannese koloniale bewind (1910-1945), om sodoende 'n begrip van die historiese agtergrond van die Koreaanse Presbiteriaanse Kerk te bewerkstellig. Die geskiedenis van die Koreaanse Presbiteriaanse Kerk tot 1945 kan in vier verskillende periodes verdeel word volgens sekere betekenisvolle gebeure of stadiums in die lewe van die Kerk: die opkoms van die Kerk (1884-1907), die herlewing van die Kerk (1907-1912), groeiende konfrontasie (1912-1935) en vervolging van die Kerk (1935-1945). Hierdie vier peri odes word kortliks beskryf en ontleed, met besondere aandag aan die Japannese periode. Hoofstuk 3 bied 'n analise van die groei van die Presbiteriaanse Kerk in Korea onder Japannese koloniale bewind. Dit geskied vanuit 'n missiologiese perspektief met betrekking tot die getuienis en groei van die Kerk. Besonderhede oor kerkgroei, die redes hiervoor en probleme wat die groei beinvloed, word bespreek. Laasgenoemde sluit in die vraag na die invloed van die tradisionele Sjamanistiese geloof, die sosiale betrokkenheid van die Kerk en die probleem van pro-Japannese standpunte in die Kerk. Hoofstuk 4 handel oor die geskiedenis en karakter van Sjintoisme en die Koreaanse Christene se verset daarteen. Die eerste deel bespreek die tipes, standaardisering en liturgiese struktuur van die heiligdom rites. Die tweede deel ontleed die Koreaanse Presbiteriaanse Kerk se verset teen die afdwing van Sjintoisme wat, aan die een kant, lei tot 'n skerp verdeling binne die Kerk, en, aan die ander kant, tot konflik en die daaropvolgende vervolging van die mense wat gekies het om hul te verset teen eerbetoningsrites in Sjinto heiligdomme. Hoofstuk 5 behandel die geloofsgetuienis van die wat hul teen eerbetoningsrites verset het. Dit geskied veral deur verskeie gevallestudies van Koreaanse Christen versetleiers. Die bediening en die sienswyse van hierdie leiers word ondersoek om sodoende die redes vir hul verset teen Sjintoisme vas te stel. Die gevallestudies verteenwoordig sowel Noord- as Suid-Korea, asook Mantjoerye. Ten slotte ondersoek hoofstuk 6 die effek van Sjinto vervolging op die groei van die Presbiteriaanse Kerk in Korea, en vergelyk anti-Sjinto'istiese met die pro-Sjintoistiese groepe. Die bevindinge dui daarop dat die Sjinto heiligdom-geskilpunt sekere langtermyn gevolge vir die Presbiteriaanse Kerk in Korea gehad het, onder andere met betrekking tot groeipatrone en lidmaatskapstendense.
26
Sadoun, Clara. "Le roman de La Vie parisienne, 1863-1970: presse, genre, littérature et mondanité, 1863-1914." Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209915.
Full textAbstract:
Fondée en 1863,la Vie parisienne est une revue illustrée, galante et mondaine qui connut, jusqu'aux années 1930, un très grand succès. La thèse ici présentée s'attache à en retracer l'histoire, à en étudier le discours social, notamment sur les femmes, et son implication - problématique - dans le champ littéraire.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
27
Vanderpelen, Cécile. "Ecrire sous le regard de Dieu: le monde catholique et la littérature en Belgique francophone (1918-1939)." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211368.
Full text
28
Ivana, Ikonić. "Српска хумористичко-сатиричка периодика друге половине XIX и почетка XX века." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=97367&source=NDLTD&language=en.
Full textAbstract:
У дисертацији су проучени српски хумористичко-сатирички листови с краја XIX и почетка XX века, тачније из периода 1881–1903. године. Трагано је за хумористичко-сатиричким прилозима како би се они укључили у корпус српске књижевности тог периода. Истраживање је спроведено применом критичко-методичког апарата за изучавање књижевно-уметничких дела. Основна идеја била је да се покаже да раније маргинализована грађа завређује пажњу историчара српске књижевности, јер прилози који су анализирани у раду показују да су у њима коришћене стилске фигуре и поступци као и у другим родовима и жанровима који су били третирани као норма српске књижевности. Прилози у српској хумористичко-сатиричкој периодици овог времена могу да буду одлична грађа не само за књижевну историју, већ и за историјску, социолошку, психолошку, културолошку или родну анализу. То је важно, јер се кроз хумористичке прилоге проговарало о темама које су биле табуиране и цензурисане у озбиљним политичким листовима. У шаљивој периодици готово увек је постојао и ликовни део у виду карикатура које су пратиле текст. У раду се наглашава повезаност ликовног и текстуалног слоја тих прилога, тако да се помињу и неки од најзначајнијих твораца карикатуре код Срба из тог периода (Драгутин Дамјановић, Јосип Даниловац, Јован Јовановић Змај и други). Стога ови прилози могу да се проучавају и са аспекта ликовне уметности. Текстуални елемент карикатура имао је увек подтекст који је могао бити историјски, књижевни, па чак и религиозни, али који је обавезно био кључ за разумевање карикатуре. Данашњем читаоцу тај подтекст је далек и циљ рада био је да се он појасни и да се карикатура на прави начин протумачи. Показало се да су се аутори хумористичко-сатиричких прилога бавили пре свега политиком на микро и макро нивоу, црквеним темама, родним темама, путописним темама и другим. Рад показује велику актуелност хумористичко-сатиричке периодике у оно време и да су српски листови пратили трендове који су постојали у истоврсној литератури у Европи и шире.U disertaciji su proučeni srpski humorističko-satirički listovi s kraja XIX i početka XX veka, tačnije iz perioda 1881–1903. godine. Tragano je za humorističko-satiričkim prilozima kako bi se oni uključili u korpus srpske književnosti tog perioda. Istraživanje je sprovedeno primenom kritičko-metodičkog aparata za izučavanje književno-umetničkih dela. Osnovna ideja bila je da se pokaže da ranije marginalizovana građa zavređuje pažnju istoričara srpske književnosti, jer prilozi koji su analizirani u radu pokazuju da su u njima korišćene stilske figure i postupci kao i u drugim rodovima i žanrovima koji su bili tretirani kao norma srpske književnosti. Prilozi u srpskoj humorističko-satiričkoj periodici ovog vremena mogu da budu odlična građa ne samo za književnu istoriju, već i za istorijsku, sociološku, psihološku, kulturološku ili rodnu analizu. To je važno, jer se kroz humorističke priloge progovaralo o temama koje su bile tabuirane i cenzurisane u ozbiljnim političkim listovima. U šaljivoj periodici gotovo uvek je postojao i likovni deo u vidu karikatura koje su pratile tekst. U radu se naglašava povezanost likovnog i tekstualnog sloja tih priloga, tako da se pominju i neki od najznačajnijih tvoraca karikature kod Srba iz tog perioda (Dragutin Damjanović, Josip Danilovac, Jovan Jovanović Zmaj i drugi). Stoga ovi prilozi mogu da se proučavaju i sa aspekta likovne umetnosti. Tekstualni element karikatura imao je uvek podtekst koji je mogao biti istorijski, književni, pa čak i religiozni, ali koji je obavezno bio ključ za razumevanje karikature. Današnjem čitaocu taj podtekst je dalek i cilj rada bio je da se on pojasni i da se karikatura na pravi način protumači. Pokazalo se da su se autori humorističko-satiričkih priloga bavili pre svega politikom na mikro i makro nivou, crkvenim temama, rodnim temama, putopisnim temama i drugim. Rad pokazuje veliku aktuelnost humorističko-satiričke periodike u ono vreme i da su srpski listovi pratili trendove koji su postojali u istovrsnoj literaturi u Evropi i šire.
The dissertation examines a set of Serbian humorous-satirical journals at the end of the 19th and the beginning of the 20th century, in the period between 1881 and 1903. It aimed at identifying the humorous-satirical articles in order to include them in the Serbian literature of that period. The research was carried out by using the critical and methodical apparatus for studying literary and artistic works. The main idea was to demonstrate that previously marginalized material deserved proper attention of literary historians, since the articles analyzed in the dissertation contained both the figures of speech and literary procedures seen in other works and genres treated as normative in the Serbian literature. Articles in the Serbian humorous-satirical periodicals of that time could be an excellent material not only for literary history, but also for historical, sociological, psychological, cultural and gender research. This is important, having in mind that the comical articles spoke about the topics that were forbidden or censored in serious political journals. In comic periodicals, there was almost always a segment of fine art, displayed through caricatures accompanying the text. The dissertation emphasises this connection between the caricatures and the text. Therefore, it references some of the most prominent Serbian caricature artists of that time (Dragutin Damjanović, Josip Danilovac, Jovan Jovanović Zmaj, etc.). Furthermore, these articles can be analysed from the point of view of fine arts. The textual element of caricatures always had the subtext which could be historical, literary, or even religious, and it was always the key to understaninding the caricature. To the contemporary reader, this subtext is out of reach. The dissertation aims at making it understandable so as to correctly interpret the caricature. It became obvious that the authors of humorous-satirical articles predominanty dealt with politics on the micro and macro levels, clerical topics, gender issues, travel literature, and so on. The dissertation shows that the humorous-satirical periodical was highly resonant of its time and that Serbian journals followed the trends of the same kind of literature in Europe and elsewhere.
29
"廣角鏡與萬花筒: 《良友畫報》研究(1926-1945)." Thesis, 2007. http://library.cuhk.edu.hk/record=b6074368.
Full textAbstract:
Apart from the introduction in the first chapter and the conclusion in the last chapter, this thesis consists of two parts. The first part comprises of Chapters Two and Three which deal with the history of the LiangYou Printing & Publishing Company and its pictorial magazine The Young Companion, putting mainly the progress of the Company and its magazine in the order of their establishment, development and extinction, and analyzing the Company's publications in order to show a full view of the magazine to the readers. The second part mainly explores the age and milieu as depicted in The Young Companion. This part is primarily a textual study, discussing the magazines views of China and the world through its news reports, special columns and serial features.The Young Companion, after its virgin publication in 1926 in Shanghai, China, rapidly became an influential and authoritative large-scale pictorial in the 1930s and 1940s on account of its correctness in widening knowledge, enriching common sense and exploring field of vision. The long period of its existence and the numerous issues published earned its uniqueness in China. As a large-scale pictorial magazine, The Young Companion created a new idea for magazine publication. The research done on the magazine will help us understand how a new cultural trend is formed in society.
This thesis focuses on the uniqueness of the coming and going of The Young Companion as a cultural pipeline facing the public in Shanghai which is a place of cosmopolitan population and a meeting point of China and the West; it also focuses on how the magazine regulated its position in the socio-cultural context of China as a new medium and cultural product.
王若梅.
論文(哲學博士)--香港中文大學, 2007.
參考文獻(p. 274-287).
Adviser: Yuen Sang Leung.
Source: Dissertation Abstracts International, Volume: 69-01, Section: A, page: 0339.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
School code: 1307.
Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2007.
Can kao wen xian (p. 274-287).
Wang Ruomei.
30
Stanton, Heather. "The Use and Treatment of Micronesian Labor Under the Japanese Empire, 1922-1945." 2001. http://hdl.handle.net/10125/21123.
Full text
31
Culy, Anna M. "Clothing their identities : competing ideas of masculinity and identity in Meiji Japanese culture." 2013. http://liblink.bsu.edu/uhtbin/catkey/1721294.
Full textAbstract:
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history through study of masculinity and identity. Through diaries, newspaper articles, and illustrations found in popular periodicals of the Meiji period, it is evident that there were two major groups who espoused very different sets of ideals competing for the favor of the masses and the control of Japanese progress in the modern world. Manner of dress, comportment, hygiene, and various other parts of outward appearance signified the mentality and ideology of the person in question. One group espoused traditional Japanese ideas of masculinity and dress while another advocated embracing Western dress and culture. This, in turn, explained their opinions on the direction they believed Japan should take. Throughout the Meiji period (1868-1912), the two ideas grew and competed for supremacy until the late Meiji period when they merged to form a traditional-minded modernity.Department of History
32
Ishihara, Tsuyoshi. "Mark Twain in Japan: Mark Twain's literature and 20th century Japanese juvenile literature and popular culture." Thesis, 2003. http://hdl.handle.net/2152/669.
Full text
33
McAlister, Susan Jean. "Japanese defence policy : the prewar origins of Japanese popular pacifism, and the influence of pacifism on Japan's postwar defence policy." Thesis, 1991. http://hdl.handle.net/1885/144254.
Full text
34
Dorman, Benjamin. "Covering the "rush hour of the gods" : the print media, the authorities and two Japanese new religions." Phd thesis, 2002. http://hdl.handle.net/1885/150022.
Full text
35
Keen, Rusti Leigh. ""Look West," Says the Post: The Promotion of the American Far West in the 1920s Saturday Evening Post." Thesis, 2012. http://hdl.handle.net/1805/3087.
Full textAbstract:
Indiana University-Purdue University Indianapolis (IUPUI)This thesis will look at the various images of the American Far West presented by the Saturday Evening Post during the 1920s under the editorship of George Horace Lorimer, and will examine his editorial strategy that promoted the Far West as a last land of opportunity while also recognizing and weighing in on the challenges of that region.
36
Conner, Nancy Nakano. "Forming a Japanese American Community in Indiana, 1941-1990." Thesis, 2005. http://hdl.handle.net/1805/4972.
Full text
37
"上海通俗文學雜誌的翻譯圖景(1912-1920s)." 2013. http://library.cuhk.edu.hk/record=b5549679.
Full textAbstract:
本論文以民國初年六本通俗文學雜誌的翻譯文本為研究對象，首先根據雜誌翻譯文本及其歷史資料，勾勒雜誌翻譯活動的輪廓，繼而從雜誌翻譯追溯雜誌文人的思考與互動過程，展現當時文化場域的動態場景。論文嘗試回歸雜誌翻譯之歷史語境，從中觀察二十世紀初的中國文化圖景；研究的視野，與翻譯研究中以系統為研究對象的理論有共通之處。論文借助系統理論中「規範」、「經典」等概念來探討雜誌翻譯，同時亦注重文本與概念之歷史淵源；相關文本解讀與概念分析，皆以雜誌原始語境為背景。此外，論文以該時期新文化刊物的翻譯現象為參照，追溯通俗與精英文人通過翻譯而進行的對話與互動，藉此反思雜誌翻譯之於文化場域演變的作用。所涉之對比分析，有助把通俗文學雜誌的翻譯活動重置於民初文化版圖，既為近代翻譯史填補一點空白，亦可在目前以新文化精英為主線的現代文學史論之外，提供另一種敍述歷史的角度。Based on a historical study of the translation in six popular literary magazines published in early Republican Shanghai, the thesis attempts to explore dynamic cultural landscape of early modern China by reconstructing the ecology and patterns of magazine translation. In line with the perspectives of system theories in Translation Studies, translation is viewed as both functional constituent and shaping force in its cultural settings. With a keen interest in the historicity of texts and notions, the thesis examines magazine translation by analyzing key concepts in system theories such as ‘norm’ and ‘canon’ in the context of early Republican printed media. Translated texts in the magazines under study are also analyzed in comparison with those published in May-fourth journals in the same period. Magazine translation is then presented as a site of conversation, competition and mutual positioning between popular and elite intellectuals. Offering to fill a gap in Chinese translation history with its reconstructive efforts, the thesis proposes an alternative delineation of cultural history against the ‘grand narrative’ that dismisses the literary practices in Shanghai popular magazines as mere residues of the late Imperial era.
Detailed summary in vernacular field only.
叶嘉.
Thesis submitted: November 2012.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references (leaves 208-214).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
Ye Jia.
緒 論 --- p.1
Chapter 第一節 --- 課題緣起 --- p.1
Chapter 第二節 --- 理論架構 --- p.4
Chapter 第三節 --- 研究範圍 --- p.8
Chapter 第一章 --- 清末民初「通俗」的流變 --- p.13
Chapter 第一節 --- 「通俗」的定義 --- p.13
Chapter 第二節 --- 清末到民元：平民教育的初衷 --- p.16
Chapter 第三節 --- 袁世凱復辟：以「通俗」為名的言論控制 --- p.18
Chapter 第四節 --- 文學革命之後的「通俗」：从中性到貶義 --- p.20
Chapter 第五節 --- 上海雜誌界的「通俗」：從啓蒙到暢銷 --- p.22
Chapter 第六節 --- 解讀「精英」與「通俗」：從對立到互動 --- p.32
Chapter 第二章 --- 雜誌的外在環境 --- p.37
Chapter 第一節 --- 雜誌的出版環境 --- p.37
Chapter 第二節 --- 雜誌的文人圈子 --- p.45
Chapter 第三章 --- 從雜誌文本看翻譯規範：譯者形象 --- p.55
Chapter 第一節 --- 從譯書廣告看譯者 --- p.58
Chapter 第二節 --- 從譯作刊登格式看譯者 --- p.69
Chapter 第三節 --- 從譯序和譯後記看譯者 --- p.75
Chapter 第四節 --- 早期《新青年》的譯者形象及其啓示 --- p.82
Chapter 第四章 --- 從雜誌文本看翻譯規範：從「不忠」到「忠實」 --- p.87
Chapter 第一節 --- 1910年代：「不忠」為常 --- p.89
Chapter 第二節 --- 1910年代：抗拒「直譯」 --- p.94
Chapter 第三節 --- 《新青年》：「忠實」的提出 --- p.99
Chapter 第四節 --- 1920年代：「忠實」的流行 --- p.102
Chapter 第五章 --- 從雜誌文本看翻譯規範：「時效」與「實用」 --- p.109
Chapter 第一節 --- 緣起晚清 --- p.109
Chapter 第二節 --- 演入民初 --- p.112
Chapter 第三節 --- 譯叢：獵奇的「時效」與「實用」 --- p.115
Chapter 第四節 --- 西笑：諧趣的「時效」與「實用」 --- p.126
Chapter 第六章 --- 「時效」的延續：視覺文本的翻譯 --- p.135
Chapter 第一節 --- 雜誌插圖：西方世界視覺化 --- p.135
Chapter 第二節 --- 影戲小：電影時代的先聲 --- p.142
Chapter 第三節 --- 「雜誌翻譯」：規範與定義重構 --- p.153
Chapter 第七章 --- 翻譯規範及經典與文化場域之互動 --- p.159
Chapter 第一節 --- 不拒「經典」，不要「主義」 --- p.160
Chapter 第二節 --- 重釋林紓：「新」「舊」的對立 --- p.173
Chapter 第三節 --- 熱議《娜拉》：「新」「舊」的對話 --- p.190
結 語 --- p.197
後 記 --- p.202
徵引書目 --- p.208
38
Lesman, Robert St Clair. "Agendas of translation: Wallace Stevens, T. S. Eliot and Allen Tate in Origenes: Revista de arte y literatura (1944-56)." Thesis, 2005. http://hdl.handle.net/2152/1567.
Full text
39
Hojda, Ondřej. "JAPONSKO A MODERNÍ ARCHITEKTURA 1945-1970. Diskurs v Evropě poloviny 20. století." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-389638.
Full textAbstract:
The dissertation deals with ideas about Japanese architecture in the Western, namely European discourse between 1945 and 1970. Architects and critics identified striking similarities between the Modernist architectural principles and the Japanese tradition from the 1920s; after the World War II, these similarities sparked a wide interest among the architectural public, which led to numerous publications on Japan unprecedented in scope and depth when compared with any other non-Western culture. The goal of this work is to map the discourse that occurred this way, identify the main themes connected to Japan, and show their significance. The sources for the study are prevalently printed media: architectural magazines and books. The notion of 'image' of Japan proves useful since we study interpretations of a different culture; history of ideas as well as visual representation in photography. At the same time, work also follows the of general issues of understanding the 'other'. An analysis of these various representations of Japan in the printed architectural media makes up the main part of the research presented here. To examine the origins of these ideas we go back to the 1930 with architects-writers Tetsurō Yoshida and Bruno Taut, and subsequently look into of writings about Japan by architects who...