Books on the topic 'Janet Frame'

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1

Frame, Janet. The Janet Frame reader. London: Women's Press, 1995.

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2

Frame, Janet. Janet Frame, stories & poems. Auckland, N.Z: Vintage, Random House New Zealand, 2004.

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3

Janet Frame: Subversive fictions. St. Lucia, Qld: University of Queensland Press, 1994.

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4

Frame, Janet. Janet Frame in her own words. North Shore, N.Z: Penguin Books, 2011.

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5

Frameworks: Contemporary criticism on Janet Frame. Amsterdam: Rodopi, 2009.

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6

Delrez, Marc. Manifold utopia: The novels of Janet Frame. Amsterdam: Rodopi, 2001.

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7

Frame, Janet. Prizes: The selected stories of Janet Frame. Berkeley, CA: Counterpoint, 2009.

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8

Irvine, Lorna. Critical spaces: Margaret Laurence and Janet Frame. Columbia, SC, USA: Camden House, 1995.

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9

Frame, Janet. Prizes: The selected stories of Janet Frame. Berkeley, CA: Counterpoint, 2009.

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10

Manifold utopia: The novels of Janet Frame. Amsterdam: Rodopi, 2002.

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11

An inward sun: The world of Janet Frame. Auckland, N.Z: Penguin Books (NZ), 2002.

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12

Michael, King. Wrestling with the angel: A life of Janet Frame. London: Picador, 2001.

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13

Michael, King. Wrestling with the angel: A life of Janet Frame. Washington, D.C: Counterpoint, 2000.

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14

Janet Frame: Semiotics and biosemiotics in her early fiction. Madison, NJ: Rowman & Litterfield Publishers, 2011.

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15

Michael, King. Wrestling with the angel: A life of Janet Frame. Auckland, N.Z: Viking/Penguin Books (NZ), 2000.

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16

Panny, Judith Dell. I have what I gave: The fiction of Janet Frame. Wellington, New Zealand: Daphne Brasell Associates Press, 1992.

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17

I have what I gave: The fiction of Janet Frame. New York: G. Braziller, 1993.

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18

Panny, Judith Dell. I have what I gave: The fiction of Janet Frame. Palmerston North [N.Z.]: Dunmore Press with Whitireia Pub., 2002.

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19

Delden, Simone Oettli-van. Surfaces of strangeness: Janet Frame and the rhetoric of madness. Wellington: Victoria University Press, 2003.

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20

Mattei, Anna Grazia. Lo specchio infranto: "Scented Gardens for the Blind" di Janet Frame. Pisa: ETS, 1985.

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21

Dangerous writing: The autobiographies of Willa Muir, Margaret Laurence, and Janet Frame. Amsterdam: Rodopi, 2013.

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22

Jones, Laura. An angel at my table: The screenplay from the three volume autobiography of Janet Frame. London: Pandora, 1990.

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23

Jones, Laura. An angel at my table: The screenplay from the three volume autobiography of Janet Frame. London: Pandora, 1990.

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24

Gendered reistance: The autobiographies of Simone de Beauvoir, Maya Angelou, Janet Frame and Marguerite Duras. Amsterdam: Rodopi, 1997.

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25

Laura, Jones. An angel at my table: The screenplay : from the three volume autobiography of Janet Frame. Auckland, New Zealand: Random Century, 1990.

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26

Frame, Janet. Janet Frame. Women's Press Ltd,The, 1999.

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27

Janet Frame. Northcote House Publishers, 2011.

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28

Janet Frame. Northcote House Publishers, Limited, 2004.

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29

Ferrier, Carole. Janet Frame Reader. Women's Press, Limited, The, 2000.

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30

Frame, Janet. Janet Frame: An Autobiography. The Women's press, 1995.

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31

Janet Frame: Subversive Fictions. University of Otago Press, 1996.

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32

Janet Frame: An Autobiography. Random Century, 1991.

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33

Frame, Janet. Janet Frame: The Complete Autobiography. Womens Pr Ltd, 1998.

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34

Frame, Janet. Prizes: The Selected Stories of Janet Frame. Counterpoint Press, 2010.

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35

The Ring of fire: Essays on Janet Frame. Sydney, N.S.W: Dangaroo Press, 1992.

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36

Jones, Lawrence. Major Authors: Janet Frame, Maurice Gee, Patricia Grace. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0029.

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This chapter discusses the work of three New Zealand novelists: Janet Frame, Maurice Gee, and Patricia Grace. Frame began to publish in the late 1940s, Gee in the mid-1950s, and Grace in the early 1960s — they all started with short stories on ground that had been cleared by Frank Sargeson in his fiction of the 1930s and 1940s. All three writers have been, like Sargeson, critical of a conformist social pattern from a liberal humanist perspective, and sympathetic with its outsiders and victims. The chapter first provides a background on the careers of Frame, Gee, and Grace before considering some of their novels, including Frame's The Rainbirds (1968) and The Carpathians (1988), Gee's Plum trilogy (1978–83), and Grace's Maōri narratives Mutuwhenua: The Moon Sleeps (1978), Potiki (1986), and Tu (2004).
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37

Wrestling with the Angel: A Life of Janet Frame. Counterpoint, 2002.

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38

Pierre, St Matthew. Janet Frame: Semiotics and Biosemiotics in Her Early Fiction. Fairleigh Dickinson University Press, 2011.

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39

King, Michael. Wrestling With the Angel: A Life of Janet Frame. Picador, 2002.

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40

Pierre, Paul Matthew St. Janet Frame: Semiotics and Biosemiotics in Her Early Fiction. Fairleigh Dickinson University Press, 2011.

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41

Panny, Judith Dell. I Have What I Give: The Fiction of Janet Frame. 2nd ed. Daphne Brasell & Assoc, 2002.

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42

The Inward Sun: Celebrating the Life and Work of Janet Frame. Allen & Unwin (Australia) Pty Ltd, 1994.

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43

Elizabeth, Alley, ed. The inward sun: Celebrating the life and work of Janet Frame. Wellington, N.Z: Daphne Brasell Associates Press, 1994.

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44

Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer. McFarland, 2018.

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45

Animal Crackers, by Jane Dyer [PICTURE FRAME]. Peaceable Kingdom Press, 2002.

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46

Dean, Andrew. Metafiction and the Postwar Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871408.001.0001.

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This book examines the origins, poetics, and capacities of self-reflexive fiction across the globe after World War II. Focusing on three authors’ careers—J. M. Coetzee, Janet Frame, and Philip Roth—it seeks to circumvent the large-scale theoretical paradigms (such as ‘postmodernism’) that have long been deployed to describe this writing. The book does so by developing new terms for discussing the intimacies of metafictional writing, derived from the writing of Miguel de Cervantes and J. L. Borges. The ‘self of writing’ refers to the figure of the author that a writer may imagine exists independently from discourse. The ‘public author as signature’ represents the public understandings of an author that emerge from biography and the author’s corpus itself. The book shows how these figures of authorship are handled by authors, as they draw on the materials offered by their own corpora and communities of readers. Sometimes, this book shows, authors invent distinctively literary ways of adjudicating enduring political debates: the responsibility of a novelist to the political aspirations of a community, the ability of the novel to pursue justice on behalf of others, and the public good that literature serves. Yet this is not a story of unmitigated success: the book also demonstrates how metafiction can be used as a way to close down interpretive schemes and to avoid contributing to public value. Through a close focus on literary environments, the book ultimately gives a finer-grained account of the history of postwar metafiction, and offers new ways of theorizing the relationship between fiction, life-writing, and literary institutions.
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47

Tuschke, Luise. Fair Janet und Kong Valdemar Og Hans Søster: Ein Beitrag Zur Frage der Beziehungen Zwischen Englisch-Schottischen und Skandinavischen Volksballaden. De Gruyter, Inc., 2020.

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48

Halliday, Paul D. Legal History. Edited by Markus D. Dubber and Christopher Tomlins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198794356.013.17.

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This chapter discusses the meaning of taking a long view of the law. Artists and writers in Jane Austen’s England thought a lot about perspective and the picturesque: about what it means to choose one position instead of another from which to observe landscapes or human relationships, and thus about what it means to frame and thereby take a view. In legal history, taking a long view shows us that forces that appear motionless were not and are not. By placing previously undetected or unconnected objects—events, texts—in long flows of time, we see when and how human choices redirected those flows. As we do, we appreciate how our law has been and remains a result of conscious efforts to articulate the good and to fashion practices for obtaining it.
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49

Haugeberg, Karissa. Women and Lethal Violence in the Antiabortion Movement. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040962.003.0006.

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The chapter traces the career of Shelley Shannon, whose work in the far right wing of the prolife movement reached its apex when she shot Dr. George Tiller in 1993, outside his Wichita clinic. Like many women who joined grassroots antiabortion groups, Shannon was energized by the immediacy of direct action protest. But Shannon’s particular circumstances, including her troubled childhood, her proximity to white supremacists activists near Grants Pass, Oregon, and her membership in conservative evangelical Christian Church framed her choice of tactics. While the Reagan and Bush administrations had refused to authorize the FBI to investigate whether anti-abortion extremists were part of an organized effort to terrorize abortion providers, President Clinton authorized Attorney General Janet Reno to protect the nation’s abortion clinics. But Shannon’s plan to shoot Dr. Tiller, designed with the assistance of the cryptic prolife extremist group Army of God, had been carefully planned before Clinton took office.
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50

Harris, Emma Jane, Victoria Bisset, and Paul Weller. Violent Extremism. Dialogue Society, 2015. http://dx.doi.org/10.55207/sups8994.

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The report broaches the difficulties in naming ‘violent extremism’, offering examples of problematic language use and drawing on relevant work in the field of cognitive linguistics. This work reflects the Dialogue Society’s ongoing commitment to encouraging sensitive, reflective and reflexive dialogue. Violent extremism undertaken in the name of religion threatens the basic premises of dialogue. In understanding the causes of this phenomenon, with a view ultimately to tackling them, we must first consider the ways that we communicate about and around the subject. This report aims to show how certain language frames can cause and reinforce major misunderstandings. It explains how terms such as ‘Islamism’ and ‘Islamist’ should not be used without first considering their etymological roots, and that the use of such terms can convey and conflate concepts distinct from their intended meaning. Alternatives are provided to currently used linguistic frameworks that are often used in discussing violent extremism, and commends some alternative narratives and approaches that can contribute to bringing about positive change in relation to this phenomenon. The issue of demands for Muslims to denounce acts of terror is then addressed and shown to be connected to the misuse of linguistic frames and terms. The publication was co-authored by Emma Jane Harris and Victoria Bisset, Research Fellows at the Dialogue Society and Paul Weller, Professor of Inter-Religious Relations at the University of Derby.
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