Relevant bibliographies by topics / Janet Frame

Academic literature on the topic 'Janet Frame'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Janet Frame"

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Cenni, Roberto. "Janet Frame." Pro-Posições 19, no. 1 (April 2008): 63–65. http://dx.doi.org/10.1590/s0103-73072008000100011.

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Dvorak, Marta. "Janet Frame: Foreword." Commonwealth Essays and Studies 33, no. 2 (April 1, 2011): 5. http://dx.doi.org/10.4000/ces.7994.

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Dvorak, Marta, and Christine Lorre. "Janet Frame: Introduction." Commonwealth Essays and Studies 33, no. 2 (April 1, 2011): 6–9. http://dx.doi.org/10.4000/ces.7999.

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Michell, Isabel. "Janet Frame: short fiction." Journal of Postcolonial Writing 49, no. 1 (February 2013): 118–19. http://dx.doi.org/10.1080/17449855.2012.718515.

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Williams, Mark. "Janet Frame (1924-2004)." Journal of Commonwealth Literature 39, no. 2 (June 2004): 121–24. http://dx.doi.org/10.1177/0021989404044742.

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Wilson, Janet. "Janet Frame: Ten years on." Journal of Postcolonial Writing 51, no. 5 (September 3, 2015): 574–78. http://dx.doi.org/10.1080/17449855.2015.1074775.

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Henke, Suzette A. "Jane Campion Frames Janet Frame: A Portrait of the Artist as a Young New Zealand Poet." Biography 23, no. 4 (2000): 651–69. http://dx.doi.org/10.1353/bio.2000.0048.

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Nicholson, Colin, and Lorna M. Irvine. "Critical Spaces: Margaret Laurence and Janet Frame." Modern Language Review 93, no. 3 (July 1998): 820. http://dx.doi.org/10.2307/3736545.

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Wilson, Janet. "In memoriam: Janet Frame and Michael King." World Literature Written in English 39, no. 2 (January 2002): 151–53. http://dx.doi.org/10.1080/17449850208589367.

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Jenni Moody. "Janet Frame, In the Memorial Room." Antipodes 29, no. 1 (2015): 229. http://dx.doi.org/10.13110/antipodes.29.1.0229.

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Dissertations / Theses on the topic "Janet Frame"

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Braun, Alice. "Janet Frame : le féminin et la marge." Paris 10, 2008. http://www.theses.fr/2008PA100147.

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Il s’agira dans cette thèse d’observer l’articulation entre centre et marge qui est centrale à tous les romans de Janet Frame, et de démontrer comment la marge est, chez elle, le lieu privilégié de l’émergence d’une alternative au langage dominant. On verra comment cette alternative prend la forme d’une pratique du langage qu’on nommera « féminine », au sens où l’entendent des théoriciennes comme Cixous ou Irigaray, c’est-à-dire plus souple, plus fluide, et dont la coexistence des contraires est l’un des principes fondamentaux. Cette alternative se compose à la fois d’une déconstruction du langage dominant, mais également de la tentative de définition d’un nouveau langage. Quant à la marge, Frame l’envisage essentiellement comme espace : de l’hôpital psychiatrique où se déroulent ses premiers romans, aux espaces qu’habitent les différentes figures d’artistes qui apparaissent dans la dernière partie de son œuvre (le « Maniototo », « Mirror City »), on verra comment évolue la condition marginale, ainsi que les différentes modalités de subversion qu’elle propose
The purpose of this dissertation is to focus on the relationship between centre and margin which is at the heart of Janet Frame’s novels, and to show how, in her works, the margin is the locus where an alternative to dominant language can emerge. I will see how this alternative manifests itself as the use of a language that can be referred to as « feminine », as the term is understood by such theorists as Cixous and Irigaray, meaning a more flexible and fluid form of language, with the coexistence of contraries as one of its main principles. This alternative both takes the shape of a deconstruction of dominant language, as well as an attempt to define a new language altogether. Frame conceives of the margin essentially as a space. By looking at the development of this space, from the psychiatric hospitals where her first novels are set, to the spaces inhabited by the different artist figures who appear in her later works (such as the « Maniototo » or « Mirror City »), I’ll study the evolution of the marginal condition, as well as the different forms of subversion that are displayed in her works
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Cowman, Colleen Jean. "Poetry and style in works by Janet Frame." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22938.pdf.

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Cronin, Jan S. "Attending and avoiding the 'explorations' of Janet Frame." Thesis, University of Leeds, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413920.

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Hawkey, M. C. "Imagination and empathy in the novels of Janet Frame." Thesis, University of Canterbury. English, 2000. http://hdl.handle.net/10092/6942.

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This thesis investigates the claims Janet Frame makes for the imagination in her novels and three volumes of autobiography. Proceeding from an outline of the Romantics' conception of the imagination, the thesis moves on to a discussion of the philosopher Immanuel Kant's theories of the imagination, and concludes that there are striking similarities in the arguments that both Kant and Frame make for the imagination. The argument of the thesis is structured along the development of Frame's oeuvre, and is discussed in terms of three broad phases which I have labelled romantic or modernist, apocalyptic postmodernist and finally transcendental postmodernist, and Ihab Hassan's writings on postmodernism have been used to outline the features of this third phase. A major feature of the first two of these phases is the narcissism of those characters that Frame deems imaginative, and the thesis demonstrates the attempts Frame makes to resolve the narcissism of her characters by reconciling them to their role in society, while allowing them to keep their artistic authenticity. The writings of psycho-analyst Heinz Kohut are used in the discussion of narcissism, and they complement Kant's writings on the imagination in their emphasis on the importance of empathy in maintaining worthwhile relationships. It is the emphasis that both these writers and Janet Frame herself place on empathy that motivates the changes she makes in her concept of the imagination, and which allows the possibility of 'immanence', glimpsed in the final phase of her writing to date. The final chapter of this thesis applies these phases and the conclusions drawn from Frame's novels to her autobiography, arguing that each volume of the autobiography represents one of those phases. I draw the conclusion that this is a conscious attempt by Frame to argue against the sometimes negative critical receptions of both her novels and particularly her personal decisions as a writer.
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Mortelette, Ivane. "Le temps et l'espace dans l'oeuvre de Janet Frame." Paris 10, 2004. http://www.theses.fr/2004PA100169.

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L'objectif de cette thèse est de considérer l'oeuvre de l'écrivain néo-zélandais Janet Frame (1924-2004) dans son ensemble, en s'appuyant sur une étude du temps et de l'espace. La première partie montre que le temps et l'espace sont les repères fondamentaux qui structurent ses ouvrages et la vie de ses personnages. A fin de mieux en comprendre la portée politique, la deuxième replace l'oeuvre de Frame dans son contexte historique, géographique et culturel. Après avoir analysé les problèmes théoriques liés à la perception et à la représentation du temps et de l'espace, la troisième partie met en relation l'écriture avec d'autres modes de représentation de l'espace, tels que peinture et photographie. La quatrième partie examine les rapports entre espace-temps social et espace-temps intérieur. Enfin, la dernière partie se concentre sur la mémoire et sur le rôle qu'elle joue dans la création littéraire
The object of this thesis is to consider the work of the New Zealand writer Janet Frame (1924-2004) as a whole, through an exploration of time and space. The first part shows that time and space are major structuring landmarks in both Frame's works and her characters' lives. In order to fully understand its political dimension, the second part sets Frame's work back into its historical, geographical and cultural context. After an analysis of the theoretical issues related to the perception and representation of time and space, the third part draws a parallel between writing and other ways of representing space, such as painting and photography. The fourth part examines the relationship between time and space in society and time and space on an individual level. Finally, the last part focuses on memory and on the role it plays in the process of literary creation
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Gorini, Andrea <1981&gt. "My Place. Luoghi, viaggi, identità nei romanzi di Janet Frame." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2423/.

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Il lavoro si propone un’analisi dell’elemento spaziale e del movimento per ricostruire lo spazio della cultura neozelandese e lo spazio letterario di Janet Frame. La tesi si concentra in particolar modo sui romanzi con alcune incursioni nella fiction breve e nell’autobiografia. Si sviluppa in quattro capitoli nella forma di un itinerario attraverso la fiction dell'autrice preceduto da un capitolo che offre alcune coordinate teoriche e metodologiche sul concetto di spazio e la sua percezione. In particolare, una prospettiva fenomenologica e esistenziale alla questione appare congeniale all'analisi delle opere dell'autrice. Nell'ordine, quattro spazi concettuali si aprono a partire dai romanzi: linguaggio, etica, trascendenza e arte. Essi costituiscono i nuclei tematici e strutturali attorno ai quali si raccolgono i romanzi di Janet Frame e che consentono di analizzare i luoghi descritti nelle opere proponendo però una riflessione che va oltre la rappresentazione dello spazio per aprirsi sul retroterra culturale, intellettuale e filosofico dell'autrice. Emerge così l'originalità della sua posizione rispetto all'identità culturale del suo paese e alla relazioni che legano la Nuova Zelanda alla metropoli inglese e agli altri Paesi anglosassoni.
The thesis is an analysis of the concept of space and its representations in the novels of Janet Frame. Geography, movements, travels, places and dwellings are the basic elements that are examined in order to reveal the cultural and philosophical background of the author. In this perspective, both as an intellectual and as a fiction writer, Frame reveals her extremely original position in relation to some crucial issues such as New Zealand identity and the cross-cultural ties between the English-speaking countries.
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Barry, Brigitte. "De l'autobiographie à la fiction : la poétique de Janet Frame." Paris 10, 1999. http://www.theses.fr/1999PA100118.

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Qu'est-ce que raconter une vie ? c'est la question que pose l'etude de la trilogie autobiographique de janet frame, ecrivain neo-zelandais, et de son adaptation cinema♭ tographique. La premiere partie de ce travail etudie le lien entre biographie, autobiographie et roman autobiographique ; l'analyse des regles constitutives de la biographie permet d'interpreter le passage aux deux autres genres. Entre autobiographie et fiction, la trilogie est a la fois l'<< histoire d'une vie >> et la << vie d'une histoire >>. Construite par le langage et construisant son propre langage, l'auteur-narrateur-personnage tente de se dire et de dire je. Dans to the island, an angel at my table et the envoy from mirror city, janet frame associe a l'oubli et a la resurgence des souvenirs l'image de souvenirs << forever staying beneath the surface >> ou << rising to the surface at different times >>. Elle refute ainsi l'existence d'une autobiographie << 'pure' >> et confirme l'impossibilite d'un recit exhaustif qu'en est-il de l'ecriture de l'autobiographie ? comment souvenirs et oublis sont-ils faconnes pour (re)construire la trace ecrite de << l'histoire d'une vie >> ? si cette oeuvre utilise les techniques narratives propres a toute histoire, qu'en est-il du passage du recit ecrit au recit filmique dans an angel at my table, le film de jane campion ? comment envisager la representation du <> dans l'adaptation ainsi que l'inscription du sujet dans le temps et dans l'espace de l'image en mouvement ?
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Faith, Wendy. "Metaphor in the work of Janet Frame, an alter/native postcolonial perspective." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq30468.pdf.

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Finnie, Annabel Robin. "Framing the beast: human-animal narratives in selected works by Janet Frame." Thesis, University of Canterbury. Humanities, 2010. http://hdl.handle.net/10092/5676.

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This thesis explores the way Janet Frame uses animals to expose some of her primary concerns regarding the impact of modernity on the marginalised. Her work reveals scepticism towards modernity as progressive by exploring the underbelly of its so-called advancements. She questions the impact of capitalism, urbanisation, materialism, imperial expansion, agriculture, rational science and the clinical side of orthodox modern medicine by showing that these practices result in the dehumanisation of society. They ostracise certain groups as misfits and oddballs, or transform subjects into commodity goods. Many of the themes and ideas she tackles are retold through an animal framework which alludes to the plight of the real animal as well as using the figurative animal to discuss the predicament of the “other” in human terms. Animal representations appear in her work as allegories, metaphors and symbols. And yet there are also moments at which certain creatures emerge without the constrictions of a cultural affiliation and these animals are deemed authentic according to their apparent escape from the general project of modernity. In conjunction with these animal representations, Frame often uses the perspective of the child to defamiliarise taken-for-granted ideas of normality. I concentrate on those examples of Frame’s 6 writing which combine the child’s point of view with stories where animals predominate. But even the figure of the child – portrayed as bridging the gap between humanity and animality – proves limited as the violent hierarchies that exist between those deemed acceptable and those classified as marginalised are normalised through society’s collective amnesia. These distinctions are created by the divide between humanity and animality based on the concept of human dominion. Nonetheless, in certain works, Frame shows that these principles of dominance and control infiltrate the human sphere as well as the animal, and these points are played out through the animal narratives addressed in this thesis. It is important to make it clear that I am not suggesting Frame is a covert animal activist. But she clearly spells out that the horrors which manifest in modern western bourgeois societies have links to the horrors of current animal practices, whereby certain animals are imprisoned, tortured or slaughtered. References in Frame’s work to the treatment of animals in “advanced” societies operate as hints and evidence of the violence inherent in modernity.
Not available for download. Print copy available for consultation in the Macmillan Brown Library.
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Lawn, Jennifer. "Trauma and recovery in Janet Frame's fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25087.pdf.

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Books on the topic "Janet Frame"

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Frame, Janet. The Janet Frame reader. London: Women's Press, 1995.

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Frame, Janet. Janet Frame, stories & poems. Auckland, N.Z: Vintage, Random House New Zealand, 2004.

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Janet Frame: Subversive fictions. St. Lucia, Qld: University of Queensland Press, 1994.

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Frame, Janet. Janet Frame in her own words. North Shore, N.Z: Penguin Books, 2011.

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Frameworks: Contemporary criticism on Janet Frame. Amsterdam: Rodopi, 2009.

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Delrez, Marc. Manifold utopia: The novels of Janet Frame. Amsterdam: Rodopi, 2001.

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Frame, Janet. Prizes: The selected stories of Janet Frame. Berkeley, CA: Counterpoint, 2009.

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Irvine, Lorna. Critical spaces: Margaret Laurence and Janet Frame. Columbia, SC, USA: Camden House, 1995.

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Frame, Janet. Prizes: The selected stories of Janet Frame. Berkeley, CA: Counterpoint, 2009.

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Manifold utopia: The novels of Janet Frame. Amsterdam: Rodopi, 2002.

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Book chapters on the topic "Janet Frame"

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Kross, Meike. "Frame, Janet." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8556-1.

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Rika-Heke, Powhiri. "Frame, Janet." In Metzler Autorinnen Lexikon, 178–79. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_125.

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Böker, Uwe, and Suzanne Sullivan. "Frame, Janet: Autobiographische Romane." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8558-1.

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Luh, Katharina. "Frame, Janet: Owls Do Cry." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8557-1.

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Thompson, James. "Northanger Abbey, Sense and Sensibility, and Frame Analysis." In Jane Austen and Modernization, 133–67. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137491152_5.

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Pfandl-Buchegger, Ingrid, and Gudrun Rottensteiner. "»To be fond of dancing was a certain step towards falling in love.«." In Bewegungsszenarien der Moderne, 207–25. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-13.

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Focussing on the double meaning of the concept of »movement« as both physical and emotional movement within the interdisciplinary frame of literary and dance studies, this paper examines the complex connections between the representation of emotional and dance movements in Jane Austen’s novel ‚Pride and Prejudice‘ (1813) by tracing an aesthetics of restraint, reticence and control (in compliance with the code of conduct promoted by contemporary dance treatises) in Austen’s writing: in the depiction of emotions in her text, in (the delineation of) her characters’ physical and emotional behaviour, and in the almost complete absence of references to dance per se and to dancemovements in her dance scenes. Dance scenarios are mainly used to provide implicit kinetic and cultural information for the representation of her characters’ sentiments.
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Stead, C. K. "Janet Frame, In the Memorial Room." In Katherine Mansfield and World War One, 169–78. Edinburgh University Press, 2014. http://dx.doi.org/10.1515/9780748695355-017.

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"Beyond Analogy: Janet Frame and Existential Thought." In Frameworks, 67–88. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042026773_005.

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Skolasińska, Agnieszka. "Przypadek Janet Frame – pułapki autobiografizmu. Triumf autobiografii." In Biograficzne badania nad twórczością. Teoria i empiria. Wydawnictwo Uniwersytetu Łódzkiego, 2016. http://dx.doi.org/10.18778/8088-224-9.08.

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The article is an analysis of a three-volume autobiography of a New Zealand writer, Janet Frame (1924–2004). A literary description of life of a writer not well-known in Poland is taken as an example of an extraordinary triumph of literature. Thanks to Frame’s talent it becomes possible to transform the social stigma that is connected with schizophrenia into her individual mark of artistic independence. However, Frame’s trilogy is now read also as an example of a broader problem: mutual relations between social norms and human creativity.
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Froud, Mark. "From Control to Creativity: Teaching and Janet Frame." In Another Life, 237–54. Presses universitaires de la Méditerranée, 2012. http://dx.doi.org/10.4000/books.pulm.8793.

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