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Books on the topic 'Jane Harper'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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Consult the top 21 books for your research on the topic 'Jane Harper.'

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1

Bishop, Jeremy. The sentinel: A Jane Harper horror novel. Las Vegas, NV: 47 North, 2012.

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2

Duey, Kathleen. Janey G. Blue, Pearl Harbor, 1941. New York: Aladdin Paperbacks, 2001.

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3

Duey, Kathleen. Janey G. Blue, Pearl Harbor, 1941. New York: Aladdin Paperbacks, 2001.

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4

Duey, Kathleen. Janey G. Blue, Pearl Harbor, 1941. New York: Aladdin Paperbacks, 2001.

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5

Armstrong, Donald G. Bradfield genealogy: Descendants of John and Jane (Harmer) Bradfield of Bucks County, Pennsylvania, with notes on Zachariah Bradfield of Prince William County, Virginia, and other miscellaneous Bradfields. Boston, Mass: Newbury Street Press, 2000.

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6

Christie, Agatha. Masterpieces in miniature: The detectives : stories. New York: St. Martin's Minotaur, 2005.

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7

Christie, Agatha. Masterpieces in miniature: The detectives. [Garden City, N.Y.]: Mystery Guild, 2005.

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8

Harper, Jane. Jane Harper Collection 4 Books Set. Abacus Books Pvt Ltd, 2021.

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9

Clare, Churchouse, and South Hill Park Arts Centre., eds. Clare Churchouse, Sara Jane Harper, Laragh Gale Pittman, Morgaine Warrior. Bracknell: the arts centre, 1987.

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10

Gerlach, Sharon. The Secret Dreams of Sarah-Jane Quinn: A Harper & Lyttle novel. Running Ink Press, LLC, 2012.

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11

BookNation. Summary of Force of Nature : a Novel by Jane Harper: Conversation Starters. Independently Published, 2021.

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12

Burr, Shelley. Wake: An Extraordinarily Powerful Debut Thriller about a Missing Persons Case, for Fans of Jane Harper. Hodder & Stoughton, 2023.

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13

Riker, Leigh. Tears of Jade (Harper Monogram). Harpercollins (Mm), 1993.

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14

Riker, Leigh. Tears of Jade (Harper Monogram). Harpercollins (Mm), 1993.

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15

Hack, Daniel. Reaping Something New. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691196930.001.0001.

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Tackling fraught but fascinating issues of cultural borrowing and appropriation, this book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing “The Charge of the Light Brigade” in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history—including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W. E. B. Du Bois—leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Alfred, Lord Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, the book changes our understanding of both fields and rewrites an important chapter of literary history.

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16

Duey, Kathleen. Janey G. Blue: Pearl Harbor, 1941 (American Diaries). Perfection Learning Prebound, 2002.

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17

Gabbard, Krin. The Vanishing Love Song in Film Noir. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038594.003.0004.

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This chapter examines the racial contradictions engendered by the presence of African American musicians in Jacques Tourneur's Out of the Past (1947) and Fritz Lang's The Blue Gardenia (1953). The title song in The Blue Gardenia sheds light on a problem common to Tourneur's and Lang's film: the subtextual association of black musical performance with the dark side of the human psyche. In other words, if the Harlem jazz scene in Out of the Past presages the materialization of the “black widow,” Kathie Moffat (Jane Greer), Nat King Cole's rendition of “Blue Gardenia” musically implicates the “wrong woman,” Norah Larkin (Anne Baxter), and, by extension, the real culprit, Rose Miller (Ruth Storey). Thus, diegetic black music in both films acts as the clue to the “mystery,” a stereotypical one that speaks volumes about the intimate, fraught connection between classic noir and black popular-musical performance.

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18

Zukin, Sharon. Naked City. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195382853.001.0001.

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As cities have gentrified, educated urbanites have come to prize what they regard as "authentic" urban life: aging buildings, art galleries, small boutiques, upscale food markets, neighborhood old-timers, funky ethnic restaurants, and old, family-owned shops. These signify a place's authenticity, in contrast to the bland standardization of the suburbs and exurbs. But as Sharon Zukin shows in Naked City, the rapid and pervasive demand for authenticity--evident in escalating real estate prices, expensive stores, and closely monitored urban streetscapes--has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists. Zukin traces this economic and social evolution in six archetypal New York areas--Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city's community gardens--and travels to both the city's first IKEA store and the World Trade Center site. She shows that for followers of Jane Jacobs, this transformation is a perversion of what was supposed to happen. Indeed, Naked City is a sobering update of Jacobs' legendary 1961 book, The Death and Life of Great American Cities. Like Jacobs, Zukin looks at what gives neighborhoods a sense of place, but argues that over time, the emphasis on neighborhood distinctiveness has become a tool of economic elites to drive up real estate values and effectively force out the neighborhood "characters" that Jacobs so evocatively idealized.

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19

Lambert, Erin. Everywhere in Our Sight. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661649.003.0005.

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This chapter focuses on the liturgy and psalm singing of a group of Dutch Reformed exiles known as the Stranger church, who found safe harbor under the leadership of Johannes a Lasco in London in the 1550s only to face expulsion after the accession of Mary I. By singing the metrical psalms of Jan Utenhove, the exiles envisioned a community that could be enacted in any place and redefined their relationship to a world in which they had no sanctioned place. Thus the Stranger church reimagined the entire earth as a place of exile and looked to heaven as their home when their bodies rose from the earth. The story of the Dutch Strangers thus separates belief from the political geography of sixteenth-century Europe, and it reveals how the turmoil of the era transformed the relationship between belief and the physical world.

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20

Masterpieces in Miniature: The Detectives. St. Martin's Minotaur, 2005.

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21

(Foreword), Margaret Brantley, and Anne Marie Hacht (Editor), eds. Literary Themes for Students: Race and Prejudice : Examining Diverse Literature to Understand and Compare Universal Themes (Literary Themes for Students). Gale Cengage, 2006.

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