Academic literature on the topic 'Jaina literature, Apabhraṃśa'

Folklore in Buddhist and Jaina Literatures. An account of the life of the common people as reflected in Pali, Prakrit and Apabhramsa works. Sures Chandra Banerji. Bibliotheca, Indo-Buddhica 37 (Sri Satguru Publications), Delhi 1987. xv, 120 pp. Rs 130.

Jain narrative literature in Sanskrit, Prakrit, and Apabhraṃśa is rightly recognised as one of South Asia’s great cultural heritages and a vital source of material for insight into premodern Jain teachings, practices, and everyday life. However, Jain studies is yet to fully engage with the rich archive of Jain narrative literature in Brajbhāṣā, and a wealth of untapped manuscript material is waiting to be explored. In this article, I argue that by going beyond the too-broad moniker of “Jain Hindī literature” to recognise Jain narrative literature in Brajbhāṣā as a distinct category, we may better understand the Jains of early modern North India as partakers of a wider literary and religious culture. More particularly, by comparing the form and religious outlook of Rāmcand Bālak’s Sītācarit, a seventeenth-century Rāmāyaṇa treatment, with the works of the more well-known Banārsīdās, we see that even amongst the Jains who used Brajbhāṣā, considerable variety of outlooks and approaches existed.

Indian literary traditions, both religious and non-religious, have dealt with literature in a fluid way, repeating and reusing narrative motifs, stories and characters over and over again. In recognition of this, the current paper will focus on one particular textual tradition within Jainism of works titled Dharmaparīkṣā and will trace its circulation. This didactic narrative, designed to convince a Jain audience of the correctness of Jainism over other traditions, was first composed in the tenth century in Apabhraṃśa and is best known in its eleventh-century Sanskrit version by the Digambara author Amitagati. Tracing it from a tenth-century context into modernity, across both classical and vernacular languages, will demonstrate the popularity of this narrative genre within Jain circles. The paper will focus on the materiality of manuscripts, looking at language and form, place of preservation, affiliation of the authors and/or scribe, and patronage. Next to highlighting a previously underestimated category of texts, such a historical overview of a particular literary circulation will prove illuminating on broader levels: it will show networks of transmission within the Jain community, illustrate different types of mediation of one literary tradition, and overall, enrich our knowledge of Jain literary culture.