Relevant bibliographies by topics / Jaguar en el arte

Academic literature on the topic 'Jaguar en el arte'

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Published: 27 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "Jaguar en el arte"

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Berto, Flávia De Freitas, Guilherme Ramos Cardoso, Hajkaramykỹ A. Awa Guajá, Ytatxĩ Guajá, Manatxika Guajá, and Tatuxa’a Awa Guajá. "Guajá - Kamixatuhujaxa’amỹ jawajaxa’amỹ hajkaminũ ta xi haraka - O finado dono do jabuti queria transar com o finado dono do jaguar." Revista Linguíʃtica 15, no. 1 (May 23, 2019): 131–74. http://dx.doi.org/10.31513/linguistica.2019.v15n1a25565.

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A narrativa foi registrada em 2016 na aldeia Awa, Terra Indígena Caru (Maranhão), e é contada por Hajkaramykỹa Awa Guajá. Trata-se de um dos episódios do mito que tem como personagem principal Kamixatuhujaxa’amỹna, o dono do jabuti, e se passa em um tempo em que os animais eram “gente” e os jabutis podiam correr. Nesse mito, o jabuti e o jaguar se encontram, e o jaguar acaba enganado e morto. No episódio transcrito, o jaguar morre após ter uma relação sexual com o jabuti. Esta é uma narrativa cômica e é um exemplo de arte verbal dos Awa Guajá.
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Gómez Sánchez, Javier. "Serpientes Jaguar en el arte iconográfico Mochica. Criaturas de la muerte y de la vida." Ñawi 8, no. 1 (January 15, 2024): 99–116. http://dx.doi.org/10.37785/nw.v8n1.a6.

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El arte pictórico mochica, pese a su simplicidad de estilo, revela contener múltiples significados místicos. Sobre sus figuras y formas narrativas recaen siglos de herencia cultural y pensamiento filosófico. Así, comprendida sus técnicas más elementales, puede estudiarse el sentido narrativo y metafórico que encierran. Una de las más recurrentes de esas figuras y metáforas fue la referida al híbrido animal serpiente-jaguar, una criatura mitológica referida a la renovación. Su imagen de regeneración hacía hincapié, en su interpretación más profunda, en el círculo inagotable de la vida tras la muerte; aplicado con especial interés a la agricultura y al sostenimiento del orden humano. La otra visión, la más profana, hacía referencia a la renovación necesaria del poder político; a la muerte y renacimiento de la autoridad de los gobernantes Moche. La estrategia de la élite gobernante mochica pasó por momentos diversos de angustia, especialmente debido a los desastres climatológicos provocados por los aluviones y torrentes no esperados o recibidos sin la debida preparación, lo que ponía a las autoridades, encargadas de tratar con las divinidades y rogar por un clima sin sorpresas, directamente en la diana. Por ello, la regeneración, esto es, la muerte y renacimiento de la cúpula gobernante, resultaba necesaria. A través de ella se hacía constar que las nuevas autoridades habían superado sus flaquezas y volvían, esta vez más fuertes, para seguir ocupando su puesto. El icono con que los mochicas expresaban este fenómeno de agotamiento de la autoridad y su ulterior reforzamiento, fue el de las serpientes con cabeza de jaguar.
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Bertet, Denis, Loida Ángel Ruiz, and Eulalia Ángel Ruiz. "Tikuna - Fènǖèkǖ rǜ âi - El Cazador y el Tigre." Revista Linguíʃtica 15, no. 1 (May 23, 2019): 88–130. http://dx.doi.org/10.31513/linguistica.2019.v15n1a25564.

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El Cazador y el Tigre, o cómo un hombre se salvó de un jaguar... clavándole su fl auta en el ano. Desde una perspectiva antropológica, este pequeño cuento para niños narrado por Loida Ángel Ruiz constituye una muestra algo atípica del arte verbal de los tikunas, más rico en mitos y leyendas que en fi cciones carentes de enseñanza como ésta. A nivel discursivo, en cambio, este cuento ilustra de forma muy representativa los principales recursos gramaticales y estilísticos a los que recurre la narración en tikuna, un idioma posiblemente aislado del noroeste amazónico.
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Doane, Molly. "A Distant Jaguar." Critique of Anthropology 21, no. 4 (December 2001): 361–82. http://dx.doi.org/10.1177/0308275x0102100402.

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Prinz, Ulrike. "El arte de convertirse en un jaguar, o la realidad virtual no es un juego." AIBR. Revista de Antropología Iberoamericana 14, no. 2 (May 1, 2019): 205–29. http://dx.doi.org/10.11156/aibr.v14i2.72612.

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Sumergirse en realidades virtuales, tal como lo podemos experimentar en los videojuegos de modo cada vez más sofisticado, ha sido y sigue siendo una técnica cultural amazónica muy extendida. Pero, mientras nosotros seguimos sin llegar a una conclusión sobre lo que significa la realidad virtual (RV) y no nos ponemos de acuerdo sobre el concepto mismo de realidad y qué es lo que pasa en nuestro cerebro mientras estamos jugando, los pueblos indígenas amazónicos siempre han sido y son conscientes del riesgo que pueden implicar similares procesos de inmersión.
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Freibert, Finley. "Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s." JCMS: Journal of Cinema and Media Studies 62, no. 5 (2022): 168–91. http://dx.doi.org/10.1353/cj.2022.a907196.

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abstract: The largest non-filmic archives of the Los Angeles–based gay pornography studio Jaguar Productions are records of the company's policing under anti-gay legal regimes outlawing sodomy and obscenity. Given that such archives hold the bulk of extant records on Jaguar, state abuse not only affected the history of Jaguar but now also affects the historiographic process for making sense of what happened to the company. Archives of policing incriminate law enforcement in the production of anti-gay visual records. These law enforcement records were ultimately forged out of bigoted aims to destroy gay solidarity and community infrastructures.
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Cupul-Magaña, Fabio G., and Joseph B. Mountjoy. "Mamíferos en petroglifos del valle de Mascota, México." Mammalogy Notes 8, no. 1 (October 14, 2022): 308. http://dx.doi.org/10.47603/mano.v8n1.308.

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El valle de Mascota es una región del centro occidente de México, donde se han registrado 4.042 petroglifos individuales, de los que aproximadamente 305 han sido denominados genéricamente como “animales”. Los glifos datan del año 1 al 1.600 d.C. Se seleccionaron 38 petroglifos zoomorfos para, con base en sus características morfológicas, identificar las especies de mamíferos representadas. Se inventariaron al menos seis especies: coatí Nasua narica, venado cola blanca Odocoileus virginianus, felino (huellas de puma Puma concolor o jaguar Panthera onca), coyote Canis latrans, perro doméstico Canis lupus familiaris, zorra gris Urocyon cinereoargenteus y armadillo de nueve bandas Dasypus novemcinctus. Se comenta el significado etnográfico de los mamíferos representados en el arte rupestre del valle de Mascota (presas, deidades, como parte de ritos). Asimismo, algunos petroglifos probablemente representen eventos específicos de comportamiento e historia natural de los mamíferos de la región.
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McCafferty, Sharisse D., and Geoffrey G. McCafferty. "The Conquered Women of Cacaxtla." Ancient Mesoamerica 5, no. 2 (1994): 159–72. http://dx.doi.org/10.1017/s0956536100001127.

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AbstractThe vividly painted “Battle Mural” of Cacaxtla (Tlaxcala, Mexico) depicts the gory results of a battle between racially distinct factions, characterized by their opposing jaguar and bird insignia. The two central Bird figures that remain standing are shown as captives, and in both cases they are attired in elaborate costumes that include diagnostic items of female clothing, including thequechquemitlcape and long skirt. Other figures are nude or are shown in simple male costumes, including themaxtlatlloincloth. This paper considers arguments of whether the two central figures were biological females, or rather, that the presence of female apparel on male actors was used within a context of conquest, symbolically transmitted through a gender ideology of male dominance and female subordination. While the evidence is inconclusive, we employ a contextual analysis of pre-Columbian pictorial manuscripts and Mexican cosmology to argue that these individuals were female. Furthermore, we suggest that the elaborate costume elements associated with these female figures, and their recurrence with the Jaguar Lord 3 Deer Antler “Tlaloc mask,” indicates that this was a noblewoman destined for marriage as a means of binding the Jaguar and Bird dynasties. Thus the Battle Mural depicts the capture of the “founding queen,” with the subsequent union demonstrated by the complementary depictions of Jaguar and Bird lords on Building A.
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Cipolletti, Maria Susana. "El surgimiento de un shamán." Anthropos 118, no. 1 (2023): 99–114. http://dx.doi.org/10.5771/0257-9774-2023-1-99.

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– In the focus of this collaboration are two stories by the same narrator about the emergence of his shamanic vocation (Secoya, Ecuadorian Amazon). Told a few years apart, the stories show how the process of moving away from the influences of an American missionary institution and returning to one’s own traditions was accompanied by distressing existential processes, which included the suicide attempt. The question is posed about the silence of the speaker regarding two constitutive features of both Secoya shamanism and most Amazonian shamanisms: that of its specific power (rawē), the transformation into a jaguar, and the alliance with jaguars. The question is raised about the influences exerted by discourses outside the indigenous society, which only make the beneficial aspect of shamanism prevail, thus destroying the constitutive ambiguity of this phenomenon. [Ecuador, Amazonia, Secoya, shamanism, life history]
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Sarmiento Barletti, Juan Pablo. "Julián's Choice: Of Jaguar-Shamans and the Sacrifices Made for Progreso in Peru's Extractive Frontier." Journal of Latin American Studies 54, no. 1 (January 13, 2022): 103–24. http://dx.doi.org/10.1017/s0022216x21001036.

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AbstractIn May 2010, Julián Miranda, an Indigenous Asháninka shaman, died hours after killing a jaguar-shaman. Despite knowing that it could kill him, he killed a jaguar-shaman to protect his cows, an investment to support the much-desired progreso (‘progress’) of his children and grandchildren through education. Julián's choice was one of personal sacrifice driven by the hardships he experienced in the degraded forests of the Bajo Urubamba valley in the Peruvian Amazon. My examination of his decision to kill the jaguar-shaman engages with the multi-disciplinary literature on how local peoples engage with the expanding extractive frontier in Latin America. The emphasis most literature places on social movements and – to a lesser extent – on the ontological characteristics of these conflicts needs to be counterbalanced by individual experiences like Julián's for a deeper understanding of the multiple local experiences of large-scale resource extraction and the different strategies through which people pursue their desired futures.
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Dissertations / Theses on the topic "Jaguar en el arte"

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Ruiz, Jara María Eugenia. "El jaguar como símbolo político-sagrado: estudio iconográfico de las representaciones murales del jaguar relacionadas con un grupo de señores de alto rango de Teotihuacán, 350-650 d.C." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/138527.

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Tesis para optar al grado de Magíster en Estudios Latinoamericanos
La siguiente investigación lleva a cabo un análisis iconográfico de las representaciones murales datadas entre el 350-650 D.C. del Jaguar como Símbolo Político-Sagrado en relación a un grupo de elite y su complejo temático, planteando como hipótesis que dentro de las representaciones murales de Señores de Alto Rango en Teotihuacán datadas entre la fase Xolalpan (350-550 D.C.) y la fase Metepec (550-650 D.C.), aparecería un conjunto temático de elite que adoptaría al Jaguar en su condición de criatura mítica como símbolo político-sagrado para la definición y particularización de sus funciones estatales, al interior de un discurso de poder de Estado que se habría caracterizado por su naturaleza corporativa y la tutela sagrada del Dios de la Lluvia.
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Keener, Candis Michelle. "The Baby Jaguar Series a comparative analysis /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1259607927.

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Thesis (M.A.)--Kent State University, 2009.
Title from PDF t.p. (viewed April 22, 2010). Advisor: Fred Smith. Keywords: Baby Jaguar; Chaak; Maya ceramic painting; Yum Cimil; Codex Vessels. Includes bibliographical references (p. 86-90).
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Bardsley, Sandra Eleanor. "Inaugural art of Bird Jaguar IV : rewriting history at Yaxchilan." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26781.

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Monumental art of the Maya incorporates figural imagery and hieroglyphic texts to document dynastic and mythical history. One particular monument tells us that near the end of April in 752 A.D., Bird Jaguar IV was inaugurated as ruler of the Mayan city now known as Yaxchilan. Investigation of his sculptural programmes reveals a multiplicity of innovative solutions for Bird Jaguar's unparalleled problems in validating a tenuous claim to rulership of Yaxchilan. It appears that in order to compensate for his insufficient genealogical claim, Bird Jaguar fabricated a series of ritual events which proclaimed his political legitimacy. This study examines the intended integration of two parallel systems of communication: the visual and hieroglyphic languages of the Maya. Analysis shows how Bird Jaguar's artists presented symbolic references which manipulated the past history, justified the current history, and established the future political history of Yaxchilan.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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Almeida, Ana Maria de Gouveia. "A viagem da personagem Pierre Saint’Hilaire em O Rastro do Jaguar, de Murilo Carvalho." Universidade Federal de Viçosa, 2016. http://www.locus.ufv.br/handle/123456789/11672.

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Investigamos, neste trabalho, o romance O rastro do Jaguar (2009), do jornalista mineiro Murilo Carvalho, premiado pela editora portuguesa Leya, em 2008. Nosso objetivo foi investigar, na construção textual do romance, a viagem da personagem Pierre Saint'Hilaire em busca de sua identidade. O rastro do Jaguar é uma narrativa que se sobrepõe em dois tempos: o presente, em que o jornalista Pereira, às vésperas do ano 1900, rememora sua amizade com Pierre na França, e o segundo, que se dá no Brasil, nos contextos da guerra do Império brasileiro contra os índios Botocudos e da Guerra do Paraguai. A obra focaliza o indígena como elemento simultaneamente marginalizado pela História e agente do processo da colonização do país. À medida que Pierre vai se descobrindo como o “outro”, ao se identificar com suas raízes primitivas, ele passa de espectador a agente e assume o espírito do Jaguar, que conduzirá o povo Guarani em busca da Terra sem Males. Esta dissertação compõe-se de três capítulos. No primeiro, abordamos a relação entre Literatura e História (Antonio Esteves, Marilene Weinhardt, Linda Hutcheon e outros), enfatizando aspectos do romance histórico no Brasil e nos detendo em dois fatos históricos, muito representados na Literatura, revisitados em O rastro do Jaguar: a guerra de resistência dos Botocudos (Manuela C. Cunha, Márcia Amantino e outros) e a Guerra do Paraguai (Julio Chiavenato, Mary del Priore e outros). No segundo, fazemos considerações sobre Literatura e impressões de viagem (Fernando Cristóvão, Tzvetan Todorov e outros), enfocando aspectos dos tradicionais relatos de viagens dos exploradores europeus dos séculos XVI ao XIX e das impressões de viagens de autores contemporâneos. Enfim, no terceiro, analisamos a busca da personagem Pierre Saint’Hilaire pela sua identidade Guarani.
We investigated in this work, the novel O rastro do Jaguar (2009), by the Minas Gerais born journalist Murilo Carvalho, awarded by Leya, a Portuguese book publishing company, in 2008. Our objective was to investigate, in the textual construction of the novel, the journey of the character Pierre Saint'Hilaire in search for his identity. Rastro do Jaguar is a narrative that overlaps in two periods: the present, in which the journalist Pereira, on the eve of 1900, recalls his friendship with Pierre in France, and the second, which occurs in Brazil, in the contexts of War of the Brazilian Empire against the Botocudo Indians and the War of Paraguay. The work focuses on the indigenous as an element simultaneously marginalized by History and agent of the process of colonization of the country. As Pierre discovers himself as the "other," in identifying himself with his primitive roots, he passes from spectator to agent and assumes the spirit of the Jaguar, who will lead the Guarani people in search of the Earth without evils. This dissertation is composed of three chapters. In the first one, we discuss the relationship between Literature and History (Antonio Esteves, Marilene Weinhardt, Linda Hutcheon and others), emphasizing aspects of the historical novel in Brazil and tackling two historical facts, much represented in Literature, revisited in O rastro do Jaguar: Botocudos’ resistance war (Manuela C. Cunha, Márcia Amantino and others) and the War of Paraguay (Julio Chiavenato, Mary del Priore and others). In the second chapter, we make considerations about literature and impressions of the journey (Fernando Cristóvão, Tzvetan Todorov and others), focusing on aspects of the traditional journey accounts of European explorers from the 16 th to the 19 th century and the travel impressions of contemporary authors. Finally, in the third, we analyze the search of Pierre Saint'Hilaire for his Guarani identity.
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Adriano, Geisy Nunes. "Das sereias ao canto do jaguar em “Meu tio o Iauaretê”, de Guimarães Rosa." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20626.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation investigates the presence of the song of the sirens by Homer in "Meu tio o Iauaretê ", by Guimarães Rosa, using as theoretical reference the studies of Blanchot (2005), Oliveira (2008),), Agamben (2014) and Nogueira (2014), among others. In the wake of the interpretation of Blanchot, which traces an analogy between the song of the sirens and the literature making, every writer repeats the deed of Homeric’s character, since the narrative is an unpredictable and infinite searching movement, which makes present the navigation from the actual song to the imaginary song. We question whether there is a resumption of the song of the sirens in the studied narrative, with the goal of specifying how it happens and what its significance is, assuming that the jaguanhenhém song erupts from the threshold experience of metamorphosis between human and inhuman voice/song; portuguese, tupi and animal noise; articulated and unarticulated language. After analysis, we have come to the conclusion that this narrative stages the act of narrating itself, using a language between human-inhuman, in the process of enchantment, seduction and perdition of the triad author-narrator-reader
Esta dissertação investiga a presença do canto das sereias homéricas em “Meu Tio o Iauaretê”, de Guimarães Rosa, tendo como referencial teórico os estudos de Blanchot (2005), Oliveira (2008),), Agamben (2014) e Nogueira (2014), dentre outros. Na esteira da interpretação blanchotiana, que traça uma analogia entre o canto das sereias e o fazer literário, todo escritor repetiria o feito da personagem homérica, uma vez que a narrativa é um movimento imprevisível e infinito de busca, que presentifica a navegação do canto real ao canto imaginário. Questionamos se há uma retomada do canto das sereias na narrativa estudada, com o objetivo de elencar como isto se dá e qual o seu significado, partindo da hipótese de que o canto jaguanhenhém irrompe da experiência liminar de metamorfose entre voz/canto humano e inumano; português, tupi e ruído animal; língua articulada e não articulada. A conclusão a que chegamos, após a análise, é a de que, nesta narrativa roseana, encena-se o gesto do próprio ato de narrar, em uma linguagem entre humano-inumano, no processo de encantamento, sedução e perdição da tríade autor-narrador-leitor
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Bartolo, Bruno. "El Jaguar." Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/345923.

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Sanna, Domenica Angela. "Baj, Jaguer et le mouvement Phases." Paris 1, 2002. http://www.theses.fr/2002PA010555.

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La présente étude se place sous le signe de l'axe Milan-Paris, autour duquel, dans l'après- guerre, se tissent les relations entre Enrico Baj, Edouard Jaguer, et, aussi, entre le mouvement Phases et le movimento nucleare. Pour mieux appréhender ces échanges, qui constituent l'enjeu de notre recherche, nous avons subdivisé notre thèse en deux parties visant à définir les perspectives autonomes, mais complémentaires, dans lesquelles se développent les parcours culturels de Baj et de Jaguer. Aussi, avons-nous analysé, en un premier temps, le contexte artistique milanais (1938-1958), dans lequel se forme Baj, le movimento nucleare, dont l'Italien fut le fondateur avec Sergio Dangelo, ainsi que l'oeuvre de Baj, de 1938 à 1972. La seconde partie représente la contribution la plus significative et innovatrice du présent travail et porte, d'une part, sur l'étude de Phases d'un point de vue théorique et formel (relations avec Cobra, le surréalisme, Gaston Bachelard, les nucléaires, l'abstraction lyrique, l'informel, les recherches des années 60); de l'autre, elle porte sur l'analyse organique des rapports de collaboration qui se sont établis, à partir de 1954, entre Baj et le fondateur de Phases, Edouard Jaguer, desquels ressortent d'importantes problématiques autour d'expositions, manifestations, manifestes, activités communes. Dans cette même partie nous soulignons certains aspects inédits des liaisons Baj - surréalisme, notamment la communauté d'idées et, aussi, les différences d'orientation qui caractérisent la participation de l'artiste aux initiatives surréalistes. Cette succession nous a permis tout d'abord d'asseoir les grandes lignes directrices de Phases et, donc, de les lier, en un second temps, avec la coopération Baj-Jaguer. Celle-ci, pour son compte, constitue à la fois la partie finale de notre thèse et le "clou" de notre étude de la correspondance qui s'échangea entre les deux hommes de 1954 à la fin des années 80.
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Lebon, Alexis Ducos de Lahitte Jacques Lignereux Yves. "Atlas radiographique du squelette du jaguar (Panthera onca)." [S.l.] : [s.n.], 2008. http://oatao.univ-toulouse.fr/3065/2/Jan_3065.pdf.

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Morris, Megan Colleen. "Treatment Analysis of a Captive Male Jaguar (Panthera onca)." UNF Digital Commons, 2018. https://digitalcommons.unf.edu/etd/799.

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Large carnivores in human care have been reported to engage in stereotypic behaviors. Such behavior is thought to be correlated with high stress levels, in part, due to captive environments limiting opportunities for functional consequences and environmental stimuli. Moreover, there are several arguments stating that stereotypic behaviors can be indicative of poor welfare, as they can often have severe negative emotional and physical effects on the animal. The first portion of this study included a five-phase treatment analysis which evaluated whether environmental manipulations decrease the frequency of stereotypic behaviors including pacing, over-grooming and tail-sucking exhibited by a single male jaguar housed at Jacksonville Zoo and Gardens. The aim of the present study was to evaluate possible environmental variables that were reported by staff as likely variables maintaining or promoting stereotypic behavior. Data collection occurred during a 10-week evaluation and followed an ABCAD reversal design. Both behavioral data and fecal glucocorticoid metabolite levels were analyzed. The second portion of this analysis included a multi-institutional survey to assess the prevalence of the stereotypic behaviors exhibited by zoo-housed jaguars in North American AZA-accredited institutions. Results from the behavioral assessment revealed a decrease in stereotypic behaviors with the implementation of treatment conditions. Hormone analyses revealed that stereotypic pacing is not presently correlated with higher stress levels for this animal. Finally, survey results revealed that a significant portion of the North American jaguar population engages in stereotypic behaviors. Further analyses are necessary to identify potential patterns or environmental predictors for the development of stereotypic behaviors.
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Wetterholm, Carola. "Jagad : Operation Charlie." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95642.

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Books on the topic "Jaguar en el arte"

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Instituto Nacional de Antropología e Historia (Mexico), Museo de Historia Mexicana (Monterrey, Mexico), and Nuevo León (Mexico : State), eds. El jaguar prehispánico: Huellas de lo divino. México]: CONACULTA-INAH, 2005.

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Miranda, Evaristo Eduardo de. Jaguar: O rei das Américas = Jaguar : king of the Americas. São Paulo, SP: Metalivros, 2010.

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Cruz, Víctor de la, Miguel Briones-Salas, Antonio Sánchez Vásquez, Marco A. Huerta García, and Alfonso Aquino Mondragón. El jaguar en Oaxaca. Oaxaca de Juárez, Oax., México: Gobierno del Estado de Oaxaca, Secretaría de las Culturas de Oaxaca, 2013.

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Piña, Amanda, Angela Vadori, and Christina Gillinger-Correa Vivar. The school of the jaguar. Wien: Bundesministerium für Bewegungsangelegenheiten, 2019.

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Herrera, Rogelio Ramírez. Humano-felino: Ensayos de arqueología veracruzana. Veracruz, Veracruz, México: Instituto Veracruzano de Cultura, 1997.

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Instituto Colombiano de Antropología e Historia. El jaguar y la mariposa: Chiribiquete patrimonio natural y cultural de la humanidad. Bogotá: Museo Nacional de Colombia, 2020.

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Nuño, Rubén Bonifaz. Hombres y serpientes: Iconografía olmeca. México: Coordinación de Humanidades, Seminario de Estudios Prehispánicos para la Descolonización de México, Universidad Nacional Autónoma de México, 1989.

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Harvey, Chris. Jaguar. London: Cathay, 1989.

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Bradley, Michael. Jaguar. New York: Marshall Cavendish Benchmark, 2010.

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Montagu of Beaulieu, Edward John Barrington Douglas-Scott-Montagu. Jaguar. 6th ed. London: Quiller, 1990.

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Book chapters on the topic "Jaguar en el arte"

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Beck-Burridge, Martin, and Jeremy Walton. "Jaguar, Jaguar Sport and Le Mans." In Sports Sponsorship and Brand Development, 93–102. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230508224_7.

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Fields, Mark. "Jaguar Cars." In Markenmanagement in der Automobilindustrie, 247–64. Wiesbaden: Gabler Verlag, 2005. http://dx.doi.org/10.1007/978-3-322-90755-4_11.

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Dover, Robert A. Bob, Oliver Nickel, and Udo Gock. "Jaguar Cars." In Markenmanagement in der Automobilindustrie, 297–321. Wiesbaden: Gabler Verlag, 2003. http://dx.doi.org/10.1007/978-3-322-92081-2_13.

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Eisenberg, Cristina. "Jaguar (Panthera onca)." In The Carnivore Way, 217–40. Washington, DC: Island Press/Center for Resource Economics, 2014. http://dx.doi.org/10.5822/978-1-61091-208-2_10.

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Paashuis, Victor. "Jaguar Cars Case Study." In The Organisation of Integrated Product Development, 105–40. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3615-6_5.

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Rabinowitz, Alan. "The Pleistocene Jaguar Corridor." In An Indomitable Beast, 9–22. Washington, DC: Island Press/Center for Resource Economics, 2014. http://dx.doi.org/10.5822/978-1-61091-227-3_2.

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Calvino, Italo. "Under the Jaguar Sun." In Empire of the Senses, 304–17. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003230700-26.

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da Paz, Regina Celia Rodrigues, Lindsey M. Vansandt, William F. Swanson, and Cristina Harumi Adania. "The Jaguar: Panthera onca." In Assisted Reproduction in Wild Mammals of South America, 70–83. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.1201/9781003231691-7.

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Dinerstein, Eric. "A Jaguar on the Beach." In The Kingdom of Rarities, 49–81. Washington, DC: Island Press/Center for Resource Economics, 2013. http://dx.doi.org/10.5822/978-1-61091-207-5_3.

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Rabinowitz, Alan. "The Conquest of Jaguar Land." In An Indomitable Beast, 53–66. Washington, DC: Island Press/Center for Resource Economics, 2014. http://dx.doi.org/10.5822/978-1-61091-227-3_5.

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Conference papers on the topic "Jaguar en el arte"

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Pereira da Silva, Fabio. "A study based on TAM model about debugging tools." In Computer on the Beach. São José: Universidade do Vale do Itajaí, 2021. http://dx.doi.org/10.14210/cotb.v12.p020-026.

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Debugging is the task of locating and fixing defects in a program.Despite the increase of its importance in last decades, debuggingis responsible for a large part of costs in a software project by organizations.Among the techniques proposed to minimize thesedifficulties, Spectrum-Based Fault Localization (SFL) is a promisingdebugging technique due to it is relative low execution cost.Recently, visualization tools have been proposed to represent thesuspicious values of program elements with SFL techniques in differentmetaphors. Some tools use textual representation and others avisual representation. In this paper, we compare two SFL debuggingtools. Jaguar presents the most suspicious elements of a programin a list sorted by suspicious values. CodeForest represents the programin a three dimensional cacti forest. In this article are presentedthe results of an evaluation with 119 students to assess the usabilityperception of these tools to the fault localization by TechnologyAcceptance Model (TAM). This model aims to help organizationsduring the evaluation of new technologies. The results of studyshow that Jaguar has greater usability than CodeForest; however,the statistical effect size observed is low between them.
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Pacheco, Fernanda Grecco. "A guerra está sobre nós: mudanças sociais e política na pintura mural de Bonampak e Chichén Itzá." In Encontro de História da Arte. Universidade Estadual de Campinas, 2015. http://dx.doi.org/10.20396/eha.11.2015.4263.

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Este artigo tem por objetivo apresentar uma discussão de mudanças sociais ocorridas na área maia e na Mesoamérica por volta do século X d.C. a partir da análise de duas manifestações artísticas de duas diferentes cidades. Os murais encontrados na cidade de Bonampak, localizada no sul do atual México, no Estado de Chiapas, e os murais do Templo dos Jaguares de Chichén Itzá, localizada na Península de Iucatã. As duas cidades floresceram em temporalidades e espacialidades diferentes. Bonampak foi uma cidade localizada próximo ao rio Usumacinta, importante rota de comércio e transporte no período pré-hispânico, com um período de esplendor entre 650 e 800 d.C., no qual exerceu um importante papel estratégico politica e economicamente na região. Já Chichén Itzá foi o sítio mais proeminente das terras maias do norte no período Clássico Terminal (800-1050 d.C.). Este assentamento foi um destacado centro regional, estabeleceu o controle de rotas comerciais e de bens de consumo de luxo, além de desempenhar uma posição de coletor de impostos a sítios menores subjugados ao seu poder (COBOS, 2001) (NAVARRO, 2012).
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Fenton, Marcus B. M., and Ali Veshagh. "Fluid Flow Modelling of an Automotive Engine Lubrication System." In ASME 1993 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/cie1993-0024.

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Abstract A computer model has been developed to provide a design analysis tool for assessing the flow characteristics of an engine lubrication system. Parametric studies can be conducted to predict the pressure and flow of oil throughout the lubrication system and to study the effects of various design parameters and operating conditions. This paper reports on the development of the engine lubrication system flow model at the Advanced Technology Centre in collaboration with Jaguar Cars. The results of the simulation model are assessed and its future potential as a computer aided analysis tool for engine development programmes is examined.
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Mastoadji, Erry. "Improving the Quality of Water Saturation Calculation Based on Resistivity Logs for Field Under Steam Injection - Jaguar Field." In International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-23392-ea.

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Abstract Jaguar field is one of the largest oil field producers in the Central Sumatra Basin. Currently, there are more than 11,000 wells drilled in the field and it has been developed by steam flood enhanced oil recovery since the 1980s. Steam flood injection and production performance are being monitored through regular cased hole reservoir surveillance acquired from around 900 Temperature Observation Wells (TOWs). Dynamic reservoir properties of temperature, gas/steam saturation and remaining oil saturation monitored through these TOWs. In reservoir under steam injection, water saturation calculation based on open hole log (resistivity) will be very challenging. Because the presence of steam in reservoir which makes temperature higher, will affect resistivity value in reservoir, either resistivity log from wire line acquisition or water resistivity (Rw). Resistivity of a saline solution measured at two different temperatures reads differently: it will read lower in high temperatures; higher in low temperatures. The accuracy of resistivity value later will affect water saturation result. Currently we used formation temperature in Jaguar field based on Gradient Geothermal based on internal study (2004). The formation temperature from this equation gives low temperature, even lower than maximum reading temperature from open hole log. This will make Rw value in the reservoir is higher than it should be. With Rw value higher, oil saturation calculation result will be more pessimistic. To get the more reliable oil saturation calculation result, we need to get information of temperature that is closer to the actual formation temperature in the reservoir. Several alternative temperatures can be obtained and used to replace the formation temperature of the geothermal gradient.
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Dutta, Nilabza, David Evans, and Atharva sapte. "A Percipient Analysis of Jaguar I-PACE Electric Vehicle Energy Consumption Using Big Data Analytics." In WCX SAE World Congress Experience. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2024. http://dx.doi.org/10.4271/2024-01-2879.

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<div class="section abstract"><div class="htmlview paragraph">Vehicle efficiency and range, along with the DC charging speed, are deemed as the most important criteria for an electric vehicle currently. The electric vehicle energy consumption is impacted by the change in temperature along with the driving style and average speed of a customer, all other factors being constant. Hence understanding the patterns and impact of different aspects of an EV range &amp; charging speed is crucial in delivering an electric vehicle with robust efficiency across all weather conditions. In this paper we have analysed vehicle parameters of global Jaguar I-PACE customer data. We present and analyse the collated big data of around 50,000+ unique vehicles with a data aggregate of well over 482 million km. In moderate ambient conditions the analysis indicated a good correlation with 50<sup>th</sup> to 75<sup>th</sup> percentile drivers’ energy consumption to the EPA label figure. The EPA hot and cold ambient tests also compare well but the correlation is sensitive to long and short trip distances. The cumulative data of the global fleet, for 75<sup>th</sup> percentile customers, shows that the total consumption of the vehicle increases by 81% and 47%, from the median energy consumption at 20°C, at -10°C and 0°C respectively. Similarly, the global fleet energy consumption, for 75<sup>th</sup> percentile customers, increased by 7% and 31% respectively, from the median energy consumption at 20°C, at 30°C and 40°C respectively. The paper then deep dives into data bins analysing the consumption sources for certain key drive and ambient scenarios.</div></div>
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Han, Youngsun, Seokjoong Hwang, and Seon Wook Kim. "Jaguar." In the internation symposium. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1117201.1117246.

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Zhang, Wenxiao, Bo Han, and Pan Hui. "Jaguar." In MM '18: ACM Multimedia Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3240508.3240561.

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Dalton, Brandon, Chen-Hsiang Yu, and Mira Yun. "Jaguar." In UIST '17: The 30th Annual ACM Symposium on User Interface Software and Technology. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3131785.3131826.

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Dupplaw, David, David Brunson, Anna-Jane E. Vine, Colin P. Please, Susan M. Lewis, Angela M. Dean, Andy J. Keane, and Marcus J. Tindall. "Web-Based Knowledge Elicitation and Application to Planned Experiments for Product Development." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/cie-48275.

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When planning experiments to examine how product performance depends on the design, manufacture and environment of use, there are invariably too few resources to enable a complete investigation of all possible variables (factors). Here we describe a web-based system for eliciting company knowledge into an efficient two-stage group screening method. The method investigates the effect of a large number of factors by grouping them in a first stage experiment whose results identify factors to be further investigated in a second stage. Central to the success of the procedure is ensuring that the factors considered, and their grouping, are based on the best available knowledge of the product. We present a web-based software system that allows information and ideas to be contributed by engineers at different sites and uses these expert opinions to guide decisions on the planning of group screening experiments. The software includes elements that predict the total resource needed for the experiment It also simulates the results of the experiment and estimates the likely percentage of important or active factors that fail to be detected. The approach is illustrated through the planning of an experiment on engine cold start optimization at Jaguar Cars.
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Diamond, Sara, Jorge Gutierrez, David Eisenmann, John Anderholm, Cassidy Curtis, and Kirk Bodyfelt. "Son Of Jaguar." In SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3078280.3105236.

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Reports on the topic "Jaguar en el arte"

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Chan, Ethan. JAGUAR developer's manual. Office of Scientific and Technical Information (OSTI), June 2011. http://dx.doi.org/10.2172/1021696.

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Adams, Brian M., Lara E. Bauman, Ethan Chan, Sophia Lefantzi, and Joseph Ruthruff. DAKOTA JAGUAR 3.0 user's manual. Office of Scientific and Technical Information (OSTI), May 2013. http://dx.doi.org/10.2172/1088053.

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Adams, Brian M., Sophia Lefantzi, Ethan Chan, and Joseph R. Ruthruff. DAKOTA JAGUAR 2.1 user's Manual. Office of Scientific and Technical Information (OSTI), June 2011. http://dx.doi.org/10.2172/1021697.

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Barbosa Ortiz, Sonia Alexandra. Arte y Escuela. Universidad Nacional Abierta y a Distancia, 2017. http://dx.doi.org/10.22490/ecsah.2107.

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Acero Galindo, Olga Marlén. Comienzos del arte digital. Universidad Nacional Abierta y a Distancia, 2018. http://dx.doi.org/10.22490/ecsah.2851.

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Bonnet, Philippe, and Johannes Gehrke. Jaguar: Extending the Predator Database System with JAVA. Fort Belvoir, VA: Defense Technical Information Center, October 2001. http://dx.doi.org/10.21236/ada399529.

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Guaca, Nancy Amparo, Yudith Caicedo, and Juan Carlos Díaz Dávila. Estado del arte de Teletrabajo. Universidad Nacional Abierta y a Distancia, 2018. http://dx.doi.org/10.22490/ecacen.2568.

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Otero Cardona, Jesús Gilberto, Ana María Iregui-Bohórquez, Héctor Mauricio Núñez Amortegui, Carolina Monzón, and David Mayorga. El arte de ver el futuro. Universidad del Rosario, March 2024. http://dx.doi.org/10.12804/dvcn_10336.42361_num7.

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Desde hace 20 años, el Banco de la República viene consultando a los principales actores económicos sobre sus pronósticos frente a lo que ocurrirá con la economía colombiana. Estas predicciones se han convertido en un elemento clave para definir la política monetaria del país.
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Souza, Geysa G. R. de, and Américo Grisotto. QUANDO HÁ ARTE? APRENDIZADO ESTÉTICO EM WITTGENSTEIN. Editora Blucher, September 2016. http://dx.doi.org/10.5151/sosci-xisepech-gt18_249.

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Vanegas Lotero, Carmen Elisa, Javier Baena Espinel, Jorge Alberto Lozano Valencia, and María del Carmen Falcón Tomé. Maestría en Educación y Arte. Documento Maestro. Universidad Tecnológica de Pereira, 2019. http://dx.doi.org/10.22517/documentomaestro.

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