Relevant bibliographies by topics / Jacobean Drama

Academic literature on the topic 'Jacobean Drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Jacobean Drama"

1

Colley, Scott. "The Poetics of Jacobean Drama. Coburn Freer , Jacobean Drama." Modern Philology 82, no. 4 (May 1985): 422–24. http://dx.doi.org/10.1086/391412.

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OTA, Kazuaki. "Jacobean Drama and Censorship." Journal of UOEH 12, no. 2 (1990): 239–49. http://dx.doi.org/10.7888/juoeh.12.239.

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Culhane, Peter. "Livy in Early Jacobean Drama." Translation and Literature 14, no. 1 (March 2005): 21–44. http://dx.doi.org/10.3366/tal.2005.14.1.21.

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Davies, Callan. "Environmental Degradation in Jacobean Drama." European Legacy 21, no. 1 (October 26, 2015): 88–90. http://dx.doi.org/10.1080/10848770.2015.1097064.

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Stanivukovic, Goran. "Davies, Callan. Strangeness in Jacobean Drama." Renaissance and Reformation 44, no. 1 (July 22, 2021): 226–28. http://dx.doi.org/10.33137/rr.v44i1.37067.

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Howard, Jean E. "Recent Studies in Elizabethan and Jacobean Drama." Studies in English Literature, 1500-1900 27, no. 2 (1987): 321. http://dx.doi.org/10.2307/450469.

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Simmons, J. L. "Recent Studies in Elizabethan and Jacobean Drama." Studies in English Literature, 1500-1900 29, no. 2 (1989): 357. http://dx.doi.org/10.2307/450479.

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Frey, Charles. "Recent Studies in Elizabethan and Jacobean Drama." Studies in English Literature, 1500-1900 26, no. 2 (1986): 345. http://dx.doi.org/10.2307/450512.

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Kirsch, Arthur. "Recent Studies in Elizabethan and Jacobean Drama." Studies in English Literature, 1500-1900 30, no. 2 (1990): 335. http://dx.doi.org/10.2307/450521.

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Levenson, Jill L. "Recent Studies in Elizabethan and Jacobean Drama." Studies in English Literature, 1500-1900 28, no. 2 (1988): 331. http://dx.doi.org/10.2307/450556.

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Dissertations / Theses on the topic "Jacobean Drama"

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Oram, Yvonne. "Older women in Elizabethan and Jacobean drama." Thesis, University of Birmingham, 2002. http://etheses.bham.ac.uk//id/eprint/1778/.

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This thesis explores the presentation of older women on stage from 1558-1625, establishing that the character is predominantly pictured within the domestic sphere, as wife, mother, stepmother or widow. Specific dramatic stereotypes for these roles are identified, and compared and contrasted with historical material relating to older women. The few plays in which these stereotypes are subverted are fully examined. Stage nurse and bawd characters are also older women and this study reveals them to be imaged exclusively as matching stereotypes. Only four plays, Peele’s The Old Wives Tale, Fletcher’s Bonduca, and Antony and Cleopatra and The Winter’s Tale, by Shakespeare, reject stereotyping of the central older women. The Introduction sets out the methodology of this research, and Chapter 1 compares stage stereotyping of the older woman with evidence from contemporary sources. This research pattern is repeated in Chapters 2-4 on the older wife, mother and stepmother, and widow, and subversion of these stereotypes on stage is also considered. Chapter 5 reveals stereotypical stage presentation as our principal source of knowledge about the older nurse and bawd. Chapter 6 examines the subtle, yet comprehensive, rejection of the stereotypes. The Conclusion summarises the academic and ongoing cultural relevance of this thesis.
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Frost, C. M. "The problem of evil in Jacobean drama : Studies in the theological assumptions of select Jacobean dramatists." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372651.

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Oh, Seiwoong. "The Scholarly Trickster in Jacobean Drama: Characterology and Culture." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.

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Whereas scholarly malcontents and naifs in late Renaissance drama represent the actual notion of university graduates during the time period, scholarly tricksters have an obscure social origin. Moreover, their lack of motive in participating in the plays' events, their ambivalent value structures, and their conflicting dramatic roles as tricksters, reformers, justices, and heroes pose a serious diffculty to literary critics who attempt to define them. By examining the Western dramatic tradition, this study first proposes that the scholarly tricksters have their origins in both the Vice in early Tudor plays and the witty slave in classical comedy. By incorporating historical, cultural, anthropological, and psychological studies, this essay also demonstrates that the scholarly tricksters are each a Jacobean version of the archetypal trickster, who is usually associated with solitary habits, motiveless intrusion, and a double function as selfish buffoon and cultural hero. Finally, this study shows that their ambivalent value structures reflect the nature of rhetorical training in Renaissance schools.
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Ward, T. "Compound magic : Virtuosity, theatricality and the experience of theatre in the Jacobean Period." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235190.

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Grimmett, Roxanne. "Staging silence : the adulteress in Jacobean drama and morality literature." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445445.

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McCarthy, Jeanne Helen. "The children's companies Elizabethan aesthetics and Jacobean reactions /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983291.

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González-Medina, José Luis. "The London setting of Jacobean city comedy : a chorographical study." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670278.

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Rigali, Amanda. "The plays of Fulke Greville in context." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325814.

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Hiscock, Andrew William. "Problems of authority and the state in seventeenth century drama : Shakespeare and Racine considered." Thesis, University of Bristol, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285898.

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Marshall, Tristan Scott. "The idea of the British Empire in the Jacobean public theatre, 1603-c1614." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307910.

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Books on the topic "Jacobean Drama"

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Aebischer, Pascale. Jacobean Drama. Edited by Nicolas Tredell. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5.

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Farley-Hills, David. Jacobean Drama. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19197-0.

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1912-2005, Evans G. Blakemore, ed. Elizabethan-Jacobean drama. London: A & C Black, 1989.

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Moral experiment in Jacobean drama. Basingstoke: Macmillan, 1988.

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Wharton, T. F. Moral Experiment in Jacobean Drama. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19152-9.

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Wharton, T. F. Moral experiment in Jacobean drama. New York: St. Martin's Press, 1988.

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Four Jacobean sex tragedies. Oxford: Oxford University Press, 2009.

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Peter, Corbin, Sedge Douglas, Marston John 1575?-1634, Middleton Thomas d. 1627, and Dekker Thomas ca 1572-1632, eds. Three Jacobean witchcraft plays. Manchester, UK: Manchester University Press, 1986.

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9

Wymer, Rowland. Suicide and despairin the Jacobean drama. New York: St. Martin's Press, 1986.

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10

Jacobean private theatre. London: Routledge & K. Paul, 1987.

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Book chapters on the topic "Jacobean Drama"

1

Grantley, Darryll. "Jacobean Drama." In London in Early Modern English Drama, 91–140. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583764_4.

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Aebischer, Pascale, and Nicolas Tredell. "Introduction: Defining ‘Jacobean Drama’." In Jacobean Drama, 1–6. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_1.

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Aebischer, Pascale, and Nicolas Tredell. "Conclusion." In Jacobean Drama, 158–61. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_10.

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Aebischer, Pascale, and Nicolas Tredell. "The Critical Trail — Early Views to the Twentieth Century." In Jacobean Drama, 7–25. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_2.

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Aebischer, Pascale, and Nicolas Tredell. "Theatre History." In Jacobean Drama, 26–39. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_3.

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Aebischer, Pascale, and Nicolas Tredell. "Textual Transmission." In Jacobean Drama, 40–52. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_4.

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Aebischer, Pascale, and Nicolas Tredell. "Historical Contexts." In Jacobean Drama, 53–72. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_5.

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Aebischer, Pascale, and Nicolas Tredell. "The Genres of Jacobean Drama." In Jacobean Drama, 73–99. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_6.

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Aebischer, Pascale, and Nicolas Tredell. "Body and Race Scholarship." In Jacobean Drama, 100–118. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_7.

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Aebischer, Pascale, and Nicolas Tredell. "Gender and Sexuality." In Jacobean Drama, 119–39. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_8.

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