Academic literature on the topic 'Jack Kerouac'
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Journal articles on the topic "Jack Kerouac"
Merrill, Robert, and Warren French. "Jack Kerouac." American Literature 59, no. 4 (December 1987): 687. http://dx.doi.org/10.2307/2926641.
Full textButterick, George F., and Tom Clark. "Jack Kerouac." New England Quarterly 58, no. 1 (March 1985): 152. http://dx.doi.org/10.2307/365282.
Full textBeards, R., and Tom Clark. "Jack Kerouac." World Literature Today 59, no. 2 (1985): 274. http://dx.doi.org/10.2307/40141558.
Full textSadr, Saman, and Fazel Asadi Amjad. "The Struggle between the Dharma Bums and the Police: A Foucauldian Reading of The Dharma Bums." Journal of Critical Studies in Language and Literature 3, no. 2 (January 22, 2022): 15–19. http://dx.doi.org/10.46809/jcsll.v3i2.131.
Full textAmjad, Fazel Asadi, Kamran Ahmadgoli, and Saman Sadr. "Representing the Zeitgeist: A Foucauldian Reading of Jack Kerouac’s The Subterraneans." International Journal of Linguistics, Literature and Translation 3, no. 10 (October 30, 2020): 148–54. http://dx.doi.org/10.32996/ijllt.2020.3.10.17.
Full textAnctil, Pierre. "Jack Kerouac anachronique." Voix et Images 13, no. 3 (1988): 408. http://dx.doi.org/10.7202/200729ar.
Full textWigand, Moritz E., Nicolas Rüsch, and Thomas Becker. "Jack Kerouac Revisited." Journal of Nervous and Mental Disease 204, no. 10 (October 2016): 728–35. http://dx.doi.org/10.1097/nmd.0000000000000520.
Full textMcMillan, Bo. "Food Is the New Jazz?: Jack Kerouac and Food Writing." Gastronomica 18, no. 4 (2018): 13–25. http://dx.doi.org/10.1525/gfc.2018.18.4.13.
Full textAnstee, Rod, Maurice Poteet, and Hélène Bédard. "Bibliographie de Jack Kerouac." Voix et Images 13, no. 3 (1988): 426. http://dx.doi.org/10.7202/200732ar.
Full textLititz, Jacob. "Jack Kerouac by Tom Clark." Western American Literature 21, no. 2 (1986): 151–52. http://dx.doi.org/10.1353/wal.1986.0019.
Full textDissertations / Theses on the topic "Jack Kerouac"
Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.
Full textShrader, Kyle. "Jack Kerouac Does Not Lie." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6224.
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Masters
English
Arts and Sciences
Lester, Malcolm Coltrane. "Jack Kerouac: The Quest for Thoreau's West." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625985.
Full textSerban, Sarah-Belle. "Jack Kerouac et la métaphore de la route." Paris 4, 1991. http://www.theses.fr/1991PA040318.
Full textRous, Jean-Marie. "Jack Kerouac mythes et culpabilités d'un écrivain américain /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37609532j.
Full textLaganière, Frédéric. "Sur la route de Jack Kérouac : un roman initiatique /." Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 1998. http://www.uqtr.ca/biblio/notice/tablemat/03-2192213TM.html.
Full textSilva, Junior Sávio Augusto Lopes da. "Contracultura e contramemória em Os Subterrâneos, de Jack Kerouac." reponame:Repositório Institucional da UFOP, 2014. http://www.repositorio.ufop.br/handle/123456789/3928.
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Este trabalho pretende analisar a obra literária Os subterrâneos, do autor norte-americano Jack Kerouac, tendo como base os termos contramemória e contracultura. A expressão contramemória foi cunhada por Aleida Assmann (2011), que observa a forma como a literatura constrói uma memória formada a partir de descartes dos arquivos da cultura oficial. Estes descartes nos remetem ao bebop, estilo de jazz muito presente na obra analisada e famoso por sua agilidade que destoa do jazz comercial. A corrente bebop, por muito tempo, foi apreciada por um público muito específico, criando assim uma forma de contracultura. O termo contracultura – cunhado por Theodore Roszak (1972) e, posteriormente, apropriado por diversas manifestações culturais – define culturas que vivem às margens da sociedade e que se opõem à cultura dominante, tida como opressora. O romance Os subterrâneos, publicado pela primeira vez em 1958, trata do envolvimento do narrador Leo Percepeid – codinome de Jack Kerouac – e Mardou Fox, integrante genuina da cultura do bebop jazz, marginalizada e de origens afro-americana. Em meio ao cenário boêmio de North Beach em São Francisco, Percepeid permeia uma cultura que lhe é estranha, visto que este é integrante da classe media branca norte-americana. As diferenças sociais e culturais do casal criam uma constante tensão, relacionada à marginalização vivida por Mardou Fox e a cultura a qual ela faz parte. Este trabalho também busca resgatar parte da herança literária de Jack Kerouac para observar a forma como o cânone se mistura à contracultura presente em seu romance. Acredita-se que essa mistura entre alta cultura e marginalização busque legitimar a contracultura, expandindo o cânone literário e inserindo-a no arquivo da contramemória. ____________________________________________________________________________________________
ABSTRACT: This study aims to analyze the literary work The Subterraneans, by the North American writer Jack Kerouac, basing on the terms countermemory and counterculture. The expression countermemory was coined by Aleida Assmann (2011), who observes how literature builds a memory containing discharges from the official culture archives. These discharges refer to bebop, a jazz style known by its agility that differs from commercial jazz and that was, for a long period, appreciated by a restrained public, so that created a counterculture form. The term counterculture – coined by Theodore Roszak (1972) and, later, suited to many culture expressions – defines cultures that exist at the margins of society and that are against the dominant culture, seen as oppressive. The novel The Subterraneans was published for the first time in 1958 and deals with the entanglement of the narrator Leo Percepeid – Jack Kerouac’s alias – and Mardou Fox, a genuine member of bebop jazz culture, marginalized and Afro-American rooted. Surrounded by the bohemian scenario of North Beach, San Francisco, Percepeid introduces himself in a culture that is strange to him, as he belongs to a North American white middle class. The couple’s social and cultural differences create a constant tension, related to Mardou Fox’s culture and marginalized lifestyle. This work also seeks to explore part of the literary heritage in Jack Kerouac and observe the way that the literary canon meddles to the counterculture. It is considered that the mixing of high and marginalized cultures aims to legitimate the counterculture, as it expands the literary canon and insert it in the countermemory archive.
Brophy, Mary-Beth. "Some lost bliss : tracing the dark night of the soul in Jack Kerouac's 'Visions of Gerard', 'The dharma bums', 'Desolation angels', and 'Big Sur' : and an excerpt from the novel 'Mayor of Hollywood'." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2132.
Full textJenkins, Barry S. "Jack Kerouac and the "Beat" sect of American Zen Buddhism /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ34189.pdf.
Full textMeyberg, Maíra Alcantara. "Movendo-se pelas estradas: a formação errante de Jack Kerouac." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7926.
Full textThis studys aim is to analyze the novel On the Road, by the Beat writer Jack Kerouac, in relation to Travel Literature tradition. The study is based in two specific perspectives: self-writing and writing about the Other. Concerning the latter, we focused on the nuances of ethnography and historiography that show up in the novel and might be linked to the tradition. About self-writing, we analyze the novels relation to the concept of Novel of Development, very common in travel writing. As a conclusion, we suggest that the book either follows the trends, or rebels, depending on the point of view. On the Road and its author could be considered, therefore, always on the move
Books on the topic "Jack Kerouac"
Jack Kerouac. Boston: Twayne Publishers, 1986.
Find full textBehnke, Alison. Jack Kerouac. Minneapolis, MN: Twenty-First Century Books, 2007.
Find full textMcKee, Jenn. Jack Kerouac. Philadelphia: Chelsea House Publishers, 2004.
Find full textWasch, K. Jack Kerouac. Assen: Servo, 2005.
Find full textUnderstanding Jack Kerouac. Columbia: University of South Carolina Press, 2000.
Find full textJack Kerouac: Essai. Montréal: Stanké, 1987, c1973, 1987.
Find full textTheado, Matt. Understanding Jack Kerouac. Columbia: University of South Carolina Press, 2000.
Find full textTom, Clark. Kerouac's last word: Jack Kerouac in Escapade. Sudbury, Mass: Water Row Press, 1986.
Find full textPasquereau, Daniel. Tombeau de Jack Kerouac. Paris: L'Incertain, 1994.
Find full textParker, Brad. Jack Kerouac: An introduction. Lowell, Mass. (243 Worthen St., Lowell 01852): Lowell Corp. for the Humanities, 1989.
Find full textBook chapters on the topic "Jack Kerouac"
von Gebsattel, Jerôme, and Henning Thies. "Jack Kerouac." In Kindler Kompakt: Reiseliteratur, 168–70. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04508-9_39.
Full textThies, Henning. "Kerouac, Jack." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5619-1.
Full textvon Gebsattel, Jerôme, and Henning Thies. "Jack Kerouac." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 128–30. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_27.
Full textLeypoldt, Günter. "Kerouac, Jack (eigentlich Jean Louis Lebris de Kerouac)." In Englischsprachige Autoren, 158–60. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_61.
Full textGebsattel, Jerôme von, and Henning Thies. "Kerouac, Jack: On the Road." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5620-1.
Full textThies, Henning. "Kerouac, Jack: The Dharma Bums." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5621-1.
Full textGrace, Nancy M. "Introduction." In Jack Kerouac and the Literary Imagination, 1–26. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_1.
Full textGrace, Nancy M. "A Creation Story." In Jack Kerouac and the Literary Imagination, 27–54. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_2.
Full textGrace, Nancy M. "The Novitiate: Journals, Letters, and Early Fiction." In Jack Kerouac and the Literary Imagination, 55–78. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_3.
Full textGrace, Nancy M. "The Quest—Part I: On the Road." In Jack Kerouac and the Literary Imagination, 79–100. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_4.
Full textConference papers on the topic "Jack Kerouac"
JUNIOR, Claudinei de Freitas, and Crislayne Fátidos dos ANJOS. "REBELDIA DE UMA GERAÇÃO: O ZEN-BEAT ATRAVÉS DA LITERATURA DE JACK KEROUC." In XI Seminário de Pesquisa em Ciencias Humanas. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/sosci-xisepech-gt21_259.
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