Relevant bibliographies by topics / Italy – Church history – 16th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Italy – Church history – 16th century'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Italy – Church history – 16th century"

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Meister, Maureen. "In Pursuit of an American Image: A History of the Italian Renaissance for Harvard Architecture Students at the Turn of the Twentieth Century." Prospects 28 (October 2004): 185–202. http://dx.doi.org/10.1017/s0361233300001472.

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After a five-month sojourn in Rome, the author Henry James departed with “an acquired passion for the place.” The year was 1873, and he wrote eloquently of his ardor, expressing appreciation for the beauty in the “solemn vistas” of the Vatican, the “gorgeous” Gesù church, and the “wondrous” Villa Madama. Such were the impressions of a Bostonian who spent much of his adult life in Europe. By contrast, in June of 1885, the young Boston architect Herbert Langford Warren wrote to his brother about how he was “glad to be out of Italy.” He had just concluded a four-month tour there. He had also visited England and France, and he was convinced that the architecture and sculpture of those countries were superior to what he had seen in Italy, although he admired Italian Renaissance painting. When still in Rome, he told his brother how disagreeable he found the “Renaissance architecture in Italy contemporary with Michael Angelo and later under Palladio and Vignola,” preferring the work of English architects Inigo Jones and Wren. Warren appreciated some aspects of the Italian buildings of the 15th and early 16th centuries, but he considered the grandeur and opulence of later Renaissance architecture especially distasteful.
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Lehmann, L. Th. "Underwater archaeology in 15th and 16th-century Italy." International Journal of Nautical Archaeology 20, no. 1 (February 1991): 9–11. http://dx.doi.org/10.1111/j.1095-9270.1991.tb00290.x.

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Rodari, Paola. "Education and science museums. Reflections in Italy and on Italy." Journal of Science Communication 07, no. 03 (September 19, 2008): R01. http://dx.doi.org/10.22323/2.07030701.

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The educational function of science museums was born with the first naturalistic collections ever, flourished in 16th-century Italy. The pedagogic thought and the educational experimentations carried out in approximately five century of history have allowed the educational mission of museums to acquire many different facets, drawing a task having an increasingly higher and complex social value. Recent publications explore these new meanings of an old role.
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Borghese, A. "THE LIPIZZANER IN ITALY." Animal Genetic Resources Information 10 (April 1992): 67–73. http://dx.doi.org/10.1017/s1014233900003308.

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SUMMARYThe Lipizzaner is one of Europe's most ancient breeds; its history goes back to the early 16th century The original stock came from the North of Italy and Spain; six male lines introduced in the second half of the 18th century and the early 19th century, from Naples, the Austro-Hungarian empire, Denmark and Arabia upgraded the breed to its actual standard. The Italian national stud of Montemaggiore is perpetrating the Lipizzaner tradition. The horses are kept under extensive grazing conditions and all six “families” (Napolitano,Conversaro, Favory, Pluto, Maestoso and Siglavy) are present.
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Morucci, Valerio. "Music, patronage and reform in 16th-century Italy: new light on Cardinal Carlo Borromeo." Early Music 47, no. 4 (November 2019): 499–513. http://dx.doi.org/10.1093/em/caz071.

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Abstract Music historians are certainly familiar with the figure of Cardinal Carlo Borromeo. Important research has illuminated his association with the composer Vincenzo Ruffo, his reform of female convents, and, more generally, his influence over the musical life of Milan, including local churches and confraternities; more recently, Borromeo’s relationship with the musician Tomás Luis de Victoria has been closely examined. However, our knowledge of his role as a promoter of the so-called ‘Counter-Reformation’ in music is fragmentary. In particular, a comprehensive investigation of Borromeo’s private correspondence is lacking. In order to fill this lacuna, this article uses newly discovered letters (housed in the Biblioteca Ambrosiana, Milan) to illuminate several interrelated aspects of Borromeo’s activity as a patron and reformer in the aftermath of the Council of Trent: firstly, his support for musicians and the much discussed issue of textual intelligibility, and secondly, the prohibition of musical instruments in church and his directives against public musical entertainments.
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Медведь, А. Н. "WOOD AND EARTH FORTIFICATIONS IN 16th-CENTURY ITALY -ESTABLISHMENT OF THE TRADITION)." Краткие сообщения Института археологии (КСИА), no. 267 (October 4, 2022): 396–409. http://dx.doi.org/10.25681/iaras.0130-2620.267.396-409.

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Статья посвящена истории развития древо-земляной фортификации в Европе второй половины XVI в. Рассматриваются два трактата, посвященные созданию древо-земляных укреплений, - Дж. Лантьери «Duo libri del modo di fare le fortificazioni di terra» (1550-е гг.) и Г. Галилея «Breve Instruzione all’architettura militare» (1590-е гг.). Анализируются особенности создания укреплений, изложенные в этих трактатах, сравниваются технологические приемы, описанные авторами. Проводится сравнение с более ранними итальянскими произведениями на аналогичную тематику. Делается вывод о том, что во второй половине XVI в. в Италии сформировалась и получила свое дальнейшее развитие технологическая традиция создания земляных фортификаций. The article is devoted to the history of the development of wooden and earth fortification in Europe in the 2nd half of the 16th century. We consider two treatises devoted to the creation of wooden and earth fortifications - G. Lantieri «Duo libri del modo di fare le fortificazioni di terra» (1550s) and G. Galileo «Breve Instruzione all’architettura militare» (1590s). We analyze the peculiarities of building fortifications described in these treatises and compare the technological methods described by the authors. A comparison is made with earlier Italian works on the same subject. The conclusion is made that in the second half of the 16th century in Italy was formed and further developed the technological tradition of building earth fortifications.
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Rampazzi, Laura, Cristina Corti, Ludovico Geminiani, and Sandro Recchia. "Unexpected Findings in 16th Century Wall Paintings: Identification of Aragonite and Unusual Pigments." Heritage 4, no. 3 (September 15, 2021): 2431–48. http://dx.doi.org/10.3390/heritage4030137.

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Sixteenth century wall paintings were analyzed from a church in an advanced state of decay in the Apennines of central Italy, now a remote area but once located along the salt routes from the Po Valley to the Ligurian Sea. Infrared spectroscopy (FTIR-ATR), X-ray diffraction (XRD) and scanning electron microscopy (SEM) with a microprobe were used to identify the painting materials, as input for possible future restoration. Together with the pigments traditionally used for wall painting, such as ochre, ultramarine blue, bianco di Sangiovanni, cinnabar/vermilion, azurite, some colors were also found to have only been used since the 18th century. This thus suggests that a series of decorative cycles occurred after the church was built, confirmed by the multilayer stratigraphy of the fragments. Some of these colors were also unusual, such as clinochlore, Brunswick green, and ultramarine yellow. The most notable result of the analytical campaign however, was the ubiquitous determination of aragonite, the mineralogical form of calcium carbonate, mainly of biogenic origin. Sources report its use in Roman times as an aggregate in mortars, and in the literature it has only been shown in Roman wall paintings. Its use in 16th century wall paintings is thus surprising.
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Стасюк, И. В. "St. Paraskeve's (St. Michael's) church in Pyatnitsky monastery on the Ivangorod road: the outcomes of the 2018-2019 archaeological studies." Architectural archeology, no. 2 (December 20, 2020): 215–26. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-327-5.215-226.

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Пятницкий монастырь располагался в конце XVI - XVII в. на дороге между крепостями Ям и Ивангород. Каменный монастырский храм, выстроенный между 1577 и 1581 гг., был заброшен в XVII в., в 1780 г. восстановлен и освящен в честь Архистратига Михаила. Функционировал в качестве приходского до 1938 г., разрушен в ходе боевых действий и немецкой оккупации в 1941 г. В 2018-2019 гг. раскопками исследованы фундаменты сохранившейся северной части храма. Южная часть полностью уничтожена карьером. Реконструирована строительная история храма в конце XVI - начале XX в. Раскрыты очертания древнего каменного трехапсидного четырех-столпного храма, фундаменты которого сложены из плиты на растворе. Этот храм последней трети XVI в. предположительно построен псковскими мастерами. In late 16th and 17th centuries, Pyatnitsky (St. Paraskeve's) monastery was located on the road between fortresses Yam and Ivangorod. The stone monastery church was built between 1577 and 1581, then abandoned in the 17th century and restored and reconsecrated to St. Archangel Michael in 1780. Until 1938, it was a parish church, then was destroyed during the war and the German occupation in 1941. In 2018 and 2019, the fragments of the surviving northern wall of the church were excavated and studied. The southern part of the church has been obliterated and gave way to a sand pit. After the excavation, it has become possible to reconstruct the building history of the church from late 16th to early 20th century. Outlines of the old stone three-apse and four-column church have been traced, with its surviving fragments made of plinthiform bricks bound together by mortar. This church must have been build by a Pskov team of masons in the last decades of the 16th century.
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Медведь, А. Н. "GIOVAN BATTISTA BELLUZZI AND HIS «TREATISE ON FORTIFICATIONS OF EARTH»." Краткие сообщения Института археологии (КСИА), no. 264 (December 3, 2021): 376–87. http://dx.doi.org/10.25681/iaras.0130-2620.264.376-387.

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Статья посвящена «Трактату о земляных укреплениях» (1554 г.) итальянского фортификатора XVI в. Джамбаттисты Белуцци. Описываются разделы трактата, отмечаются особенности создания земляных укреплений в Италии XVI в. Высказывается гипотеза о связи технологий создания итальянских земляных укреплений и подобных крепостей в Московском великом княжестве. The article is devoted to the «Treatise on earth Fortifications» (1554) written by the military architect of the 16th century Giovan Battista Belluzzi. It describes sections of the treatise, and highlights distinctive features of earthwork fortifications in Italy in the 16th century. According to the hypothesis presented in the paper, there is a link between the technology of building Italian earth fortifications and that of similar fortresses in the Grand Duchy of Moscow.
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Vojvodic, Dragan. "The icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren." Zograf, no. 40 (2016): 95–116. http://dx.doi.org/10.2298/zog1640095v.

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Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko?s Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Pec. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutic Church) is not acceptable. Furthermore, comparison of wall paintings in these and other contemporaneous churches in the area of Prizren, as well as the local icon paintings, does not substantiate the suggestion that an urban painting workshop operated in 14th-century Prizren.
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Dissertations / Theses on the topic "Italy – Church history – 16th century"

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Giselbrecht, Elisabeth Anna. "Crossing boundaries : the printed dissemination of Italian sacred music in German-speaking areas (1580-1620)." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283907.

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Hammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.

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This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery's relationship to the Carmelite liturgy, religious function and later interpretations of art works. Santa Maria dei Carmini was amongst the largest basilicas in Venice when it was completed and the Carmelites were a major international order with a strong literary tradition. Their church in Venice contained a wealth of art works produced by one of the most restlessly inventive generations in the Western European tradition. Chapter 1 outlines a history of the Carmelites, their hagiography and devotions, which inform much of the discussion in later chapters. The second Chapter discusses the early history of the Carmelite church in Venice, establishing when it was founded, and examining the decorative aspects before 1500. It demonstrates how the tramezzo and choir-stalls compartmentalised the nave and how these different spaces within the church were used. Chapter 3 studies two commissions for the decoration of the tramezzo, that span the central period of this thesis, c. 1500-1560. There it is shown that subjects relevant to the Carmelite Order, and the expected public on different sides of the tramezzo were chosen and reinterpreted over time as devotions changed. Cima da Conegliano's Adoration of the Shepherds (c. 1511) is discussed in Chapter 4, where the dedication of the altar is definitively proven and the respective liturgy is expanded upon. The tradition of votive images is shown to have influenced Cima's representation of the donor. In Chapter 5 Cima's altarpiece for the Scuola di Sant'Alberto's altar is shown to have been replaced because of the increasing ambiguity over the identification of the titulus after the introduction of new Carmelite saints at the beginning of the century. Its compositional relationship to the vesperbild tradition is also examined and shown to assist the faithful in important aspects of religious faith. The sixth chapter examines the composition of Lorenzo Lotto's St Nicholas in Glory (1527-29) and how it dramatises the relationship between the devoted, the interceding saints and heaven. It further hypothesises that the inclusion of St Lucy is a corroboration of the roles performed by St Nicholas and related to the confraternity's annual celebrations in December. The authorship, date and iconography of Tintoretto's Presentation of Christ (c. 1545) is analysed in Chapter 7, which also demonstrates how the altarpiece responds to the particular liturgical circumstances on the feast of Candlemas. The final chapter discusses the church as a whole, providing the first narrative of the movement of altars and development of the decorative schemes. The Conclusion highlights the important themes that have developed from this study and provides a verdict on the role of ‘Carmelite art' in the Venice Carmini.
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Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.

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This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to correct scholarly neglect of this important church, and to restore context and meaning to these objects by reconstructing their original placement in the interest of a collective interpretation. Various types, patterns and phases of patronage at the church—monastic, private and corporate—are discussed to reveal interconnections between these groups, and to highlight to role of the Crociferi as architects of a sophisticated decorative programme that was designed to respond to the latest artistic trends, and to visually demonstrate their adherence to orthodoxy at a moment of religious upheaval and reform.
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Kim, Hae-Jeong. "Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.

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This dissertation describes the musical and religious support of the Medici family to the Medici Chapel in Florence and the historical role of the church of San Lorenzo in the liturgical development of the period. During the later Middle Ages polyphony was allowed in the Office services only at Matins and Lauds during the Tenebrae service, the last three days of Holy Week, and at Vespers anytime. This practice continued until the end of the sixteenth century when more polyphonic motets based on the Antiphon and Responsory began to be included in the various Office hours during feast days. This practice is documented by the increased number of pieces that appear in the manuscripts. Two of the transcriptions from the church of San Lorenzo included in the appendix are selected from this later repertoire.
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True, Thomas-Leo Richard. "Power and place : the Marchigian Cardinals of Sixtus V." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.

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Monette, Barbara. "The Anabaptist Contributions to the Idea of Religious Liberty." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/5060.

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The relationship between ideas and history is important in order to understand the past and the present. The idea of religious liberty and the realization of that ideal in sixteenth-century Europe by the Anabaptists in Switzerland and South Germany in the 1520s was considered to be revolutionary in a society characterized by the union of church and state. The main impetus of the idea of religious liberty for the Anabaptists was the application of the New Testament standard of the Christian church, which was an independent congregation of believers marked only by adult baptism. The purpose of the present study is to demonstrate the contributions of the Swiss Anabaptists to the idea of religious liberty by looking at the ministries and activities of three major leaders of the early Swiss movement: Conrad Grebel, Michael Sattler, and Balthasar Hubmaier. This thesis takes up the modern form of religious liberty as analyzed by twentieth-century authorities, as a framework for better understanding the contributions of the Anabaptists. My research then explores the establishment of the first Anabaptist church in history, the Zollikon church outside of Zurich, and examines its organization membership, motives, and strategies for evangelizing Switzerland. In all areas influenced by the Anabaptists, there was considerable acceptance of their doctrine of a separated church. Their teaching on liberty of conscience also influenced people in towns such as Zollikon and Waldshut. Possible historical links between the Anabaptist doctrines and establishment of later Baptist denominations are shown.
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Norris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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Hall, Matthew. "Lyon publishing in the age of Catholic revival, 1565-1600." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/16276.

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This PhD dissertation focuses upon the role of Lyon's printing industry in the revival of Catholicism in the second half of the sixteenth century. Lyon was one of Europe's premier cities; booming trade and tolerant attitudes had been catalysts for its growth. It possessed one of the finest and most renowned printing industries on the continent. Reputations were turned upside down by the development of evangelical activism in the 1560s. By the late 1560s the city was once more firmly placed in the Roman Catholic camp. Lyon's presses joined in the newly found Catholic sentiment. Presses produced a vast range of texts necessary for the reconstruction of the Church. From the start, the commerce of the book and the fate of Catholic revival were closely bound together. Within a decade of the fall of the Protestant regime, Catholic authors and publishers produced steady streams of violent pamphlet literature aimed towards the eradication of the Huguenot. With a powerful combination of theological tomes and a flood of book and pamphlet literature addressed to a wider audience, Lyon's printing presses held an important role in the progress of Catholic revival. Chapter one sketches core aspects of the history of the printing industry in Lyon from its inception in the 1470s until 1600. Chapter two concentrates on the production of pamphlet literature between 1565 and 1588, the years of Catholic victory and the period leading up to the radical developments of the Holy Catholic League. Chapter three extends the survey of the period 1565 until 1588 by addressing the body of larger religious books published. Chapters four and five explore the role of pamphlet literature during Lyon's adherence to the Leaguer, and then Royalist movement. Chapter six examines the production of larger religious books throughout the years 1589 until 1600. This study of Lyon's place in print culture demonstrates that our preconceptions of the book culture - seen through the predominantly German model - cannot be accurately imposed across European printing centres. Contrary to the German experience print culture and the Counter-Reformation were inextricably linked. Moreover, French Catholic authors were prepared to confront the evangelical movement in the medium of print. By doing so Catholic authors and publishers fully utilised the weapons that had brought Protestantism so much success, making them their own.
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Nelson, Eric W. "The king, the Jesuits and the French Church, 1594-1615." Thesis, University of Oxford, 1998. http://ora.ox.ac.uk/objects/uuid:78447dd8-1dbb-4a2f-8aee-f964c293faa9.

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This thesis offers a re-examination of the expulsion, return and subsequent integration of the Jesuits into France during the reign of Henry IV and the regency of Marie de Medicis (1594- 1615). Drawing on archival material from Paris, Rome and London, it argues that in order to understand the Society of Jesus's role in seventeenth- and early eighteenth-century France one must understand the circumstances of their return. The critical moment for the Society in France, this study contends, was the promulgation of the Edict of Rouen in 1603, not their expulsion in 1594. The Edict and the royal goodwill which sanctioned it gave the Society a legal standing in France and established a set of conditions which formed the basis for a new Jesuit role in the French church and wider society. Moreover, the Edict of Rouen was more than just an attempt by Henry IV to bring peace to the Catholic church; it was also an important assertion of royal authority in the French church. Indeed, I argue that the return of the Society exclusively through royal clemency or grâce defined an important alliance between the monarchy and the Jesuits which was to be a significant feature of the French church for more than a century. Although numerous historians have already looked at various aspects of this important topic, this thesis is the first to argue that the most important development of this period for our understanding of the Society's position and role in France was the accommodation of the Society by the French church and French royal administrative structures after the king's will was expressed in 1603. It also asserts that it was the reality of compromise not the rhetoric of conflict which should shape our understanding of the Society's integration into France and their role in the French church in the seventeenth century.
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Pesuit, Margaret. "Representations of the courtesan in sixteenth-century Venice : sex, class, and power." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.

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Books on the topic "Italy – Church history – 16th century"

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The career of Cardinal Giovanni Morone (1509-1580): Between council and Inquisition. Farnham, Surrey, England: Ashgate, 2012.

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Terra d'Otranto nel Cinquecento: La visita pastorale dell'Archidiocesi di Otranto del 1522. Galatina: Congedo editore, 1990.

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Tallon, Alain. La France et le Concile de Trente, 1518-1563. [Rome]: École française de Rome, 1997.

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The Roman Inquisition: A papal bureaucracy and its laws in the age of Galileo. Philadelphia: University of Pennsylvania Press, 2012.

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Østrem, Eyolf. Medieval ritual and early modern music: The devotional practice of lauda singing in late-Renaissance Italy. Turnhout: Brepols, 2008.

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Haasse, Hella S. The scarlet city: A novel of 16th-century Italy. Chicago, Ill: Academy Chicago Publishers, 1990.

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Italian architecture of the 16th century. New York, NY: Princeton Architectural Press, 2003.

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Pennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.

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Italy in the thirteenth century. Boston: Houghton Mifflin, 1990.

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The Protestant Reformation in sixteenth-century Italy. Kirksville, Mo: Thomas Jefferson University Press, 1998.

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Book chapters on the topic "Italy – Church history – 16th century"

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Izzo, Herbert J. "Phonetics in 16th-Century Italy: Giorgio Bartoli and John David Rhys." In The History of Linguistics in Italy, 121. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.07izz.

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Traetta, L. "Giuseppe Ceredi. A Hydraulic Engineer in 16th-Century Italy." In Explorations in the History and Heritage of Machines and Mechanisms, 17–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03538-9_2.

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Berardi, Riccardo. "Le reintegre o platee dei Sanseverino di Bisignano: diritti e prelievo signorile nella Calabria settentrionale (secolo XV - prima metà del XVI)." In La signoria rurale nell’Italia del tardo medioevo. 2 Archivi e poteri feudali nel Mezzogiorno (secoli XIV-XVI), 73–151. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-301-7.06.

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The aim of this paper is to reassess the history of the Sanseverino family, princes of Bisignano in Calabria in the Late Middle Ages; by focusing on a specific and unpublished source: the so-called “reintegre or platee” as written in the first half of the 16th century. These are public sources mostly enlisting properties and benefits; they serve the purpose of re-possessing the privileges taken from the princes themselves over the previous century. The paper will therefore focus not only on the management and character of the seigneurial landholdings but also on the reconstruction of both the local networks of power exerted on the population and the local political system. It will shed new light on the still debated historiographical issue centered on the seigneurial authority in southern Italy by assessing its local rooting and pervasiveness since the 14th century.
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Čale, Morana. "Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?)." In Biblioteca di Studi di Filologia Moderna, 61–79. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.
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Campbell, Gordon. "4. Italy." In Garden History: A Very Short Introduction, 50–62. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0004.

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‘Italy’ discusses the essential features of the 16th-century Italian Renaissance garden—terraces, symmetry, statues, water, and a balance between constructed and natural materials—that were to influence gardens all over the world both in layout and in content. The two best-known surviving gardens of 16th-century Italy are Villa d’Este in Tivoli and the Boboli Gardens in Florence. The design of Italian gardens through the 17th and 18th centuries is also considered, when there was a greater French influence. Many gardens became derelict during the political and economic difficulties of a fragmented Italy in the late 18th and early 19th centuries, but the past forty years have witnessed the restoration of many Renaissance gardens.
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Laird, Paul R. "Catholic church music in Italy, and the Spanish and Portuguese Empires." In The Cambridge History of Eighteenth-Century Music, 27–58. Cambridge University Press, 2009. http://dx.doi.org/10.1017/chol9780521663199.003.

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Villani, Stefano. "Conclusion." In Making Italy Anglican, 161–66. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197587737.003.0012.

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The history of Italian translations of the Book of Common Prayer is a story of failure—or rather, of a series of interconnected failures that stretched over a period of almost three hundred years, starting from the failure of Wotton and Bedell’s seventeenth-century project to foster a schism in the Venetian Church. The subsequent failure of the Anglican missionary societies in their nineteenth-century project to support the transformation of the Catholic Church in accordance with the Anglican model erased the memory of these attempts. These events serve, however, as an exemplary illustration of the nature of English relations with Italy and the Catholic world in general.
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Villani, Stefano. "The Book of Common Prayer for Immigrants in London and the United States." In Making Italy Anglican, 156–60. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197587737.003.0011.

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This chapter reconstructs both the use of the Italian version of the Anglican liturgy in the short-lived nineteenth-century Italian congregations established in England to serve the growing number of Italian immigrants and the history of the Italian translations of the Book of Common Prayer of the Episcopal Church of the United States of America. In 1874 and in 1876 the Italian Costantino Stauder published a partial Italian version of the American Prayer Book for the first Italian-speaking Episcopal congregation in New York. The first complete Italian edition was published in Philadelphia in 1904 by Michele Zara, minister of the Italian Episcopal Church of the Emmanuello of that city. His successor, Tommaso Edmondo della Cioppa, published in 1922 a bilingual selection of the Book of Common Prayer.
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Rech, Walter. "International Law as a Political Language, 1600–1859." In A History of International Law in Italy, 48–78. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198842934.003.0003.

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By illustrating the history of Italian international law from the early seventeenth to the mid-nineteenth century, this chapter explores the question of whether and to what extent this period may have been characterized by a genuinely Italian ‘tradition’ or approach to international legal issues. The chapter questions the notion of a monolithic Italian tradition in international law and shows that the commonality of topics and interests among Italian lawyers can best be read as part of broader trends in the European ‘law of nations’. Although they were concerned with nationally important matters such as maritime trade, the sovereignty of smaller polities and the relationship between State and church, Italian lawyers constantly defended their claims by resorting to the common European vocabulary of the ius naturae and ius gentium.
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Sossai, Mirko. "Catholicism and the Evolution of International Law Studies in Italy." In A History of International Law in Italy, 215–33. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198842934.003.0009.

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Although there has been no Christian doctrine of international law in Italy, Catholicism still represented a source of inspiration for various scholars during the twentieth century when addressing the question of the foundations of international law. In a period of predominant positivism, alternative approaches, rooted in the universalistic view of the Catholic Church, sought to offer a narrative of the origins of international law, based on the idea of continuity with the ancient civitas christiana. This chapter seeks to assess how the scholarly debate took into account developments in the Catholic understanding of the role of law in the international community. Three key episodes are considered: the note of Pope Benedict XV qualifying the great war as ‘useless slaughter’; the ambivalent reaction of the Holy See to the birth of universal organizations; and the position of the Papacy vis-à-vis the Universal Declaration of Human Rights.
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Conference papers on the topic "Italy – Church history – 16th century"

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Balunov, Igor. "HISTORY OF THE TOBOLSK TRINITY CHURCH: FROM THE FIRST WOODEN TO THE SECOND CATHEDRAL (LATE 16th - LATE 18th CENTURY)." In Тобольск в веках: история, архитектура и культура. Киров: Межрегиональный центр инновационных технологий в образовании, 2022. http://dx.doi.org/10.52376/978-5-907623-13-2_043.

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Stasyuk, I., and A. Gorodilov. "Archaeological investigations of the foundations of the Church of St. Paraskeva-Pyatnitsa (Mikhaylovsky) of the 16th century near Kingisepp (Leningrad Oblast) in 2019." In Bulletin of the Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology). Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology), 2020. http://dx.doi.org/10.31600/978-5-907298-13-2-2020-120-127.

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Gugeanu, Mariana, and Doina Gugeanu. "Structuri textile provenite din necropola bisericii Adormirea Maicii Domnului, Mănăstirea Căpriana. Cercetare și conservare-restaurare." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-204-211.

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The archaeological research carried out at “The Assumption of the Virgin Mary” Church of Căpriana Monastery highlighted that starting with the 16th century a necropolis had been built in the pronaos and threshold of the church, including tombs of the boyar founders’ families. The archaeological inventory of the necropolis within “The Assumption of the Virgin Mary” Church contains also fragments of textile materials. The study of the archaeological textile materials of Căpriana Monastery, mainly the structure of the natural silk weavings and the chenille made by tablet weaving, respectively, led to the reconstitution of the techniques used to obtain these textile materials during the mediaeval period. This paper presents the research of several textile structures deriving from tomb no. 50, the Necropolis of “The Assumption of the Virgin Mary” Church, Căpriana Monastery. The paper also describes the process of conservation-restoration applied in the case of these textile structures. The conservationrestoration of the movable cultural heritage is firstly a matter of scientific research, compulsorily complemented by the intervention on the object using highly qualified methods of technical execution. A stage of major importance in the life of archaeological textiles, their conservation-restoration ensures the continuity of these slices of the history of mankind.
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Petrović, Dragana. "TRANSPLANTACIJA ORGANA." In XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujevcu, 2021. http://dx.doi.org/10.46793/uvp21.587p.

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Even the mere mention of "transplantation of human body parts" is reason enough to deal with this topic for who knows how many times. Quite simply, we need to discuss the topics discussed from time to time !? Let's get down to explaining some of the "hot" life issues that arise in connection with them. To, perhaps, determine ourselves in a different way according to the existing solutions ... to understand what a strong dynamic has gripped the world we live in, colored our attitudes with a different color, influenced our thoughts about life, its values, altruism, selflessness, charities. the desire to give up something special without thinking that we will get something in return. Transplantation of human organs and tissues for therapeutic purposes has been practiced since the middle of the last century. She started (of course, in a very primitive way) even in ancient India (even today one method of transplantation is called the "Indian method"), over the 16th century (1551). when the first free transplantation of a part of the nose was performed in Italy, in order to develop it into an irreplaceable medical procedure in order to save and prolong human life. Thousands of pages of professional literature, notes, polemical discussions, atypical medical articles, notes on the margins of read journals or books from philosophy, sociology, criminal literature ... about events of this kind, the representatives of the church also took their position. Understanding our view on this complex and very complicated issue requires that more attention be paid to certain solutions on the international scene, especially where there are certain permeations (some agreement but also differences). It's always good to hear a second opinion, because it puts you to think. That is why, in the considerations that follow, we have tried (somewhat more broadly) to answer some of the many and varied questions in which these touch, but often diverge, both from the point of view of the right regulations and from the point of view of medical and judicial practice. times from the perspective of some EU member states (Germany, Poland, presenting the position of the Catholic Church) on the one hand, and in the perspective of other moral, spiritual, cultural and other values - India and Iraq, on the other.
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