Books on the topic 'Italian twentieth century'

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1

Italian women poets of the twentieth century. Dublin: Irish Academic Press, 1996.

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2

Ricciardelli, Michele. Writings on twentieth century Italian literature, 1964-1984. New York: Forum Italicum, 1992.

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3

A, Sensi Isolani Paola, and Tamburri Anthony Julian, eds. Italian Americans: A retrospective on the twentieth century. Lafayette, IN: American Italian Historical Association, 2001.

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4

Trudeau, Lawrence J., and Thomas J. Schoenberg. Twentieth-century literary criticism. Detroit, Mich: Gale, 2009.

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5

The FSG book of twentieth-century Italian poetry: An anthology. New York: Farrar, Straus and Giroux, 2012.

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6

Bregoli, Francesca, Carlotta Ferrara degli Uberti, and Guri Schwarz, eds. Italian Jewish Networks from the Seventeenth to the Twentieth Century. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89405-8.

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7

After words: Suicide and authorship in twentieth-century Italy. Toronto: University of Toronto Press, 2011.

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8

Sambuco, Patrizia. Corporeal bonds: The daughter-mother relationship in twentieth century Italian women's writing. Toronto: University of Toronto Press, 2012.

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9

Healey, Robin. Twentieth-century Italian literature in English translation: An annotated bibliography, 1929-1997. Toronto: University of Toronto Press, 1998.

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10

Gentile, Emilio. La Grande Italia: The myth of the nation in the twentieth century. Madison, Wis: University of Wisconsin Press, 2009.

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11

Secret of the muses retold: Classical influences on Italian authors of the twentieth century. Chicago: University of Chicago Press, 2000.

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12

Grand, Alexander J. De. The Italian left in the twentieth century: A history of the Socialist and Communist parties. Bloomington: Indiana University Press, 1989.

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13

Nation and narration: British modernism in Italy in the first half of the twentieth century. Ravenna: Longo, 2004.

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14

Gianunzio, Fiore. Mangia ferro! = The iron eater: The story of a rugged Italian immigrant and his family in the twentieth century. [Iron Mountain, MI: Piers Gorge Press, 1999.

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15

La retorica e la scienza dell'antico: Lo stile dei classicisti italiani nel ventesimo secolo = Between rhetoric and classical scholarship : the style of Italian classicists in the twentieth century. Heidelberg: Verlag Antike, 2013.

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16

Days of heaven: Italia '90 and the Charlton years. Dublin: Gill & Macmillan, 2010.

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17

Soldani, Simonetta, ed. Enzo Collotti e l'Europa del Novecento. Florence: Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-290-5.

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Emerging from a convention in honour of Enzo Collotti, this book traces his interests and fields of study. These gravitate around the tragic experiences of the Second World War, always played out in a perspective where the horizon is a Europe centred on Germany and on the lacerations that rippled out from Germany itself to embrace the entire continent with the consolidation of Nazism as a totalitarian power grounded in an ideology that was intrinsically reactionary and violently racist. There are six axes of investigation, closely intermeshed, addressed in the various contributions: socialism between the two wars; the lacerations of Germany; the European manifestations of Fascism; the experience of the Shoah, the construction of a shared historic memory of the dramas of the twentieth century and the problems of the Italian "eastern border".
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18

Arpioni, Maria Pia, and Alberto Zava. Guido Piovene. Articoli dall’Unione Sovietica (1960). Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-430-1.

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In the twenty-nine articles that constitute the result of the 1960s travel experience in the Soviet Union, which have so far appeared only on the third page of La Stampa, the cultural-literary operation of Guido Piovene is outlined, perfectly reflecting the programmatic intention to conduct a wide-ranging investigation into Soviet society in the early 1960s, providing a useful comparison with the condition of the western world and overcoming the appearance and conventionality of preconceived ideas (by the visitor) and prepackaged information (from part of the Soviet administrative system). In his reportage Piovene is able to activate the dynamic functions that constitute the main lines of his literary writing: the inclusion of the landscape in the narrative context and the deep internal investigation conducted on the characters, in a balance between inside and outside, between observation and analysis, between reality and dream. The result is a corpus of articles that constitute an important cultural document of that historical period but at the same time another great literary reportage by one of the most refined journalist-writers of the Italian twentieth century.
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19

Pancani, Eleonora, ed. Ruggero Jacobbi alla radio. Florence: Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-664-8.

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Recent years have seen the publication of a great deal of the work of Ruggero Jacobbi, a legendary figure of Italian twentieth-century culture, thanks to a praiseworthy retrieval of unpublished material conserved in the «A. Bonsanti» contemporary archive of the Gabinetto «G.P. Vieusseux». However, despite so many new pages of poetry and translation, what was still lacking was the writer's voice. The voice which, thanks to the painstaking work of Eleonora Pancani, we can now read (if not hear), as with characteristic dexterity it intermingles verses and music, literature and theatre, politics and entertainment. Ruggero Jacobbi alla radio presents the transcription of several radio programmes of the 70s featuring the genial culture of this multi-faceted intellectual. Jacobbi entertains his audience, discorsing on literary history, the figurative arts and opera, quoting poetry, discussing plays, mingling observations on Goldoni, Pirandello, Bontempelli, Savinio, Pessoa and García Lorca in an engaging anecdotal style that involves the cinema, the theatre and literature, while the great figures of tradition and recent history are interwoven with reminiscences of private life.
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20

Dessì, Giuseppe, and Raffaello Delogu. Lettere 1936-1963. Edited by Monica Graceffa. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-162-1.

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Author of Architettura del medioevo in Sardegna which won him the Premio Nazionale Olivetti in 1956, Raffaello Delogu was an art historian and Commissioner for Antiquities and Monuments in Sardinia, Abruzzo and Sicily. His correspondence with one of the most eminent Italian writers of the second half of the twentieth century, as transcribed and lavishly annotated here by Monica Graceffa, reveals him not only as a committed intellectual devoted to the study of ancient and modern art, but also as a caustic and playful friend. His dialogue with Giuseppe Dessí commenced in their youth, when Dessí was an amateur painter on the way to maturity, who instead rapidly developed into a mature writer and attentive connoisseur of all forms of art. In addition to their studies and mutual friends (including Claudio Varese and Maria Lai), they also shared an interest in painting and in what Dessí was experiencing (his moves, his political passion) and what he was writing (fiction, drama, essays); important in this regard are the letters touching on the collaboration of both on the Sardinian issue of Pietro Calamandrei's «Il Ponte».
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21

Wedel De Stasio, Giovanna, 1953-, Cambon Glauco, and Illiano Antonio, eds. Twentieth-century Italian poets. Detroit: Gale Research, 1993.

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22

Wedel De Stasio, Giovanna, 1953-, Cambon Glauco, and Illiano Antonio, eds. Twentieth-century Italian poets. Detroit: Gale Research, 1993.

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23

Soby, James Thrall. Twentieth Century Italian Art. Kessinger Publishing, 2005.

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24

Wedel De Stasio, Giovanna, 1953-, Cambon Glauco, and Illiano Antonio, eds. Twentieth-century Italian poets. Detroit: Gale Research, 1992.

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25

Picchione, John, and Lawrence R. Smith, eds. Twentieth-Century Italian Poetry. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801.

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26

libri, Casalini, ed. Italian novelists of the twentieth century. Fiesole (Firenze): Casalini Libri, 1997.

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27

Italian poets of the twentieth century. Fiesole (Firenze): Casalini Libri, 1997.

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28

1949-, Picchione John, and Smith Lawrence R. 1945-, eds. Twentieth-century Italian poetry: An anthology. Toronto: University of Toronto Press, 1993.

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29

(Editor), John Picchione, and Lawrence R. Smith (Editor), eds. Twentieth-Century Italian Poetry: An Anthology (Toronto Italian Studies). University of Toronto Press, 1993.

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30

Dr, O'Brien Catherine, ed. Italian women poets of the twentieth century. Dublin, Ireland: Irish Academic Press, 1996.

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31

Brock, Geoffrey. FSG Book of Twentieth-Century Italian Poetry: An Anthology. Farrar, Straus & Giroux, 2015.

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32

Cambon, Glauco, Giovanna Wedel De Stasio, and Antonio Illiano. Twentieth-Century Italian Poets: Second Series (Dictionary of Literary Biography). Thomson Gale, 1993.

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33

Daniela, Caselli, and La Penna Daniela, eds. Twentieth-century poetic translation: Literary cultures in Italian and English. London: Continuum, 2008.

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34

Fanning, Ursula. Italian Women's Autobiographical Writings in the Twentieth Century: Constructing Subjects. Rowman & Littlefield Publishers, Incorporated, 2017.

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35

Jane, House, and Attisani Antonio 1948-, eds. Twentieth-century Italian drama: An anthology : the first fifty years. New York: Columbia University Press, 1995.

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36

Stasio, Giovanna Wedel De. Twentieth-Century Italian Poets: First Series (Dictionary of Literary Biography). Thomson Gale, 1992.

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37

Great Italian Short Stories Of The Twentieth Century A Duallanguage Book. Dover Publications, 2013.

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38

Tamburri, Anthony Julian, and Paola A. Sensi Isolani. Italian Americans: A Retrospective on the Twentieth Century (Aiha (Series), 32.). American Italian Historical Association, 2001.

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39

Piantanida, Cecilia. Sappho and Catullus in Twentieth-Century Italian and North American Poetry. Bloomsbury Publishing Plc, 2021.

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40

Jeannet, Angela M., and Giuliana Sanguinetti Katz. Natalia Ginzburg: A Voice of the Twentieth Century (Toronto Italian Studies). University of Toronto Press, 2000.

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41

Tamburri, Anthony Julian, and Paola A. Sensi Isolani. Italian Americans: A Retrospective on the Twentieth Century (Aiha (Series), 32.). American Italian Historical Association, 2001.

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42

Bini, Daniela. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture. Fairleigh Dickinson University Press, 2020.

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43

Éanna, Ó Ceallacháin, ed. Twentieth-century Italian poetry: A critical anthology (1900 to the Neo-Avantgarde). Leicester: Troubador, 2007.

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44

Michael, Rocke, Gioffredi Superbi Fiorella, and Grieco Allen J, eds. The Italian Renaissance in the twentieth century: Acts of an international conference ... Florence: L. S. Olschki, 2002.

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45

H, Lawrence D. Sketches of Etruscan Places and Other Italian Essays (Penguin Twentieth-Century Classics). Penguin Classics, 2001.

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46

Ralph, Jentsch, Bentivoglio Mirella 1922-, and Museum of Modern Art (New York, N.Y.), eds. The Artist and the book in twentieth-century Italy. Turin: Umberto Allemandi, 1992.

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47

Ghezzi, Renato, Claudio Besana, and Rita Maria Michela d'Errico. Cheese Manufacturing in the Twentieth Century: The Italian Experience in an International Context. Lang AG International Academic Publishers, Peter, 2017.

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48

Ghezzi, Renato, Claudio Besana, and Rita Maria Michela d'Errico. Cheese Manufacturing in the Twentieth Century: The Italian Experience in an International Context. Lang AG International Academic Publishers, Peter, 2017.

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49

Ghezzi, Renato, Claudio Besana, and Rita Maria Michela d'Errico. Cheese Manufacturing in the Twentieth Century: The Italian Experience in an International Context. Lang AG International Academic Publishers, Peter, 2017.

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50

Ghezzi, Renato, Claudio Besana, and Rita Maria Michela d'Errico. Cheese Manufacturing in the Twentieth Century: The Italian Experience in an International Context. Lang AG International Academic Publishers, Peter, 2017.

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