Relevant bibliographies by topics / Italian letters History and criticism

Academic literature on the topic 'Italian letters History and criticism'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Italian letters History and criticism"

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Klyuev, Artem I. "‘I... Should Never Forget What You Did for Me.’ Letters of Famous Russian Emigre Historian Nikolai Ottokar to Italian Scholar Gaetano Salvemini." Herald of an archivist, no. 2 (2018): 591–603. http://dx.doi.org/10.28995/2073-0101-2018-2-591-603.

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This article is a publication of letters of Nikolai Petrovich Ottokar (1884-1957), Russian emigre historian, specialist in the history of the Florentine Republic, professor at the University of Florence, to his colleague and opponent Gaetano Salvemini (1873-1957), established authority in Italian historiography, fervent antifascist, and emigrant as well. The author feels that the historiography implies that there was a certain strain between two historians that stemmed in Ottokar's harsh criticism of Salvemini’s concept of the history of late Duecento era Florence, which he proposed in 1899. Also Ottokar succeeded Salvemini at the Department of Contemporary History after Salvemini was expelled by the fascists from the University of Florence. The scholarship cites Ottokar’s manifest ‘loyalty’ to the fascist regime in Italy, including his likely party membership. It recalls his cooperation in a number of scientific projects of the fascist era, for instance, the Enciclopedia italiana. The author feels that the texts published below allow to correct this outlook and also to add several significant details to the research field. First, as follows from the texts below, the relationship between two historians was clearly not strained, but rather friendly. Secondly, the published letters add a number of interesting details to the biography of the Russian scientist. It should be noted that the Italian scientist played an important role in Ottokar’s life in 1924-1925. Apparently, Salvemini helped Ottokar to settle in Florence, where he emigrated from Perm in 1921. Apparently, Ottokar began his work at the University of Florence at the instigation of the Italian scientist. This, by the way, can testify, albeit indirectly, of a rather longer acquaintance of two scientists, which could have begun in the early 1910s, during N.P. Ottokar’s international trip. Letters are published from autographs stored in the fond of Gaetano Salvemini in the Istituto storico Toscana della Resistenza in Italian and in Russian translation by the author accomplished with permission of the Comitato Salvemini.
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Mithen, Nicholas. "A Taste for Criticism: ‘Buon Gusto’ and the Reform of Historical Scholarship in the Early Eighteenth-Century Italian Republic of Letters." Erudition and the Republic of Letters 4, no. 4 (October 26, 2019): 439–67. http://dx.doi.org/10.1163/24055069-00404003.

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Historians of scholarship and intellectual historians have recently been paying more attention to the social and epistemic conditioning of scholarly production. Informed by the history of science, such scholarship has shed light upon how knowledge production changed over time, and how its ‘legislation’, ‘administration’, and ‘institutionalisation’ varied in different contexts. This article explores the reform of intellectual culture in the early eighteenth-century Italian republic of letters, as a case-study in the application of such emergent methodologies. From around 1700, a nexus of ethical, aesthetical and epistemological ideals began to crystallize on the Italian peninsula, codified under the concept of ‘buon gusto’ or ‘good taste’. ‘Buon gusto’ became a point of reference for individual scholars, scholarly communities and literary journals seeking to reform scholarly practice. This led to the normalization of historical criticism as the dominant scholarly mode among Italian scholars by the mid-eighteenth century.
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Lönnroth, Harry. "“Sie sagen skål und Herre gud und arrivederci”: On the Multilingual Correspondence between Ellen Thesleff and Gordon Craig." Journal of Finnish Studies 19, no. 1 (June 1, 2016): 104–20. http://dx.doi.org/10.5406/28315081.19.1.07.

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Abstract The Finnish painter Ellen Thesleff (1869 − 1954) is one of the most famous female painters in Scandinavian art history. During her stay in Florence, Italy, at the beginning of the twentieth century, she became acquainted with the British theater personality and artist (Edward) Gordon Craig (1872 − 1966). Their correspondence from the first half of the century is a part of European cultural history and art criticism; they write, among other things, about painting and graphics, literature and theater. Of linguistic importance is that the original letters preserved for posterity contain traces of many European languages: not only German, which is a central language in the correspondence, but also French, Italian, and English. The focus of this paper is the coexistence of languages in the multilingual correspondence—about 200 dated and 60 undated letters—kept at the National Library of France in Paris. In this paper, microfilms are used instead of the original material, and the selection of letters is limited to twenty-five. The particular interest lies in Ellen Thesleff as a multiliterate, writing individual, and her choices of and switches between different languages. My study shows that Thesleff used a variety of languages when writing letters. This can, for example, be seen from the perspective of the personal nature and the communicative function of the personal letters, where the “self” of the writer is present. In a way, multilingualism has among other things an emotional function for her: one could, for instance, argue that it was used as a kind of “secret writing” or language play between Thesleff and Craig.
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Volpera, Federica. "Per la fortuna critica di Ludovico Brea: una monografia inedita di Piero De Minerbi (1911-1912)." Storia della critica d'arte: annuario della S.I.S.C.A. 1 (2020): 271–309. http://dx.doi.org/10.48294/s2020.015.

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The archive of the Pinacoteca Civica in Savona preserved an unpublished typescript about the painter Ludovico Brea (Nice, 1450 c.-1516/1525): this work was written between 1911 and 1912 by the art historian Piero Hierschel De Minerbi, who belonged to a noble family from Trieste. The study of the text, illustrated by seventy-seven black and white photos, and four tables featuring sketches by the author, enables not only to add a new element to the critical history of Ludovico Brea but also to reflect on the state of the history of art criticism in Italy at the beginning of the Twentieth century. Particularly research tools used by the scholar belong to Historical and Philological method of the connoiseurship as was formulated by Adolfo Venturi (1856-1941) and Pietro Toesca (1877-1962): beyond the choice of a specific genre as the artist’s monograph, and of a research topic focused on an artist who belonged to a peripheral area of Fifteenth- and Sixteenth-century Italian Art, De Minerbi’s method is characterized by the enhancement of the link between history and criticism, a deep attention to the formal and technical aspects of the paintings in order to identify Brea’s style and to reconstruct his catalogue, distinguishing his hands from those of his followers, and the use of research instruments as archival documents, photography and ink sketches of compositional and iconographic details. Finally, some unpublished letters written by Piero De Minerbi and the director of the Pinacoteca Civica in Savona, Poggio Poggi, between 1938 and 1940, enable to reconstruct the history of this typescripts and the reason of its presence in the archive of the museum.
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Siess-Krzyszkowski, Stanisław. "Rozmowa Polaka z Włochem Łukasza Górnickiego. Przyczynek do historii edycji." Z Badań nad Książką i Księgozbiorami Historycznymi 15, no. 4 (December 30, 2021): 451–60. http://dx.doi.org/10.33077/uw.25448730.zbkh.2021.685.

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Rozmowa Polaka z Włochem (A Discussion between a Pole and an Italian) is one of the most important political works by Łukasz Górnicki. Written at the end of the 16th century, it was repeatedly reprinted from the 17th century until today. It is also a widely known example of Polish literary plagiatrism: in 1616 Rozmowa was published by Jędrzej Suski as his own work. For a long time Suski edition was considered to be identical with the anonymous version of Rozmowa published sine anno and sine loco, but in 2008 Anna Sitkowa described the actual plagiatrized version with the dedication letter signed by Suski himself. Moreover, typographical analyses of the anonymous version of Rozmowa indicate that it was in fact printed in 1630s, and thus it is not a first, but a third edition of the work. Determining the correct order of editions has significant consequences regarding textual history and criticism.
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Marotti, Maria. "The Italian Perspective: Italian Criticism of American Autobiography." a/b: Auto/Biography Studies 5, no. 2 (January 1990): 152–58. http://dx.doi.org/10.1080/08989575.1990.10815460.

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O’Leary, Alan, and Dana Renga. "Teaching Italian Film and Television and Videographic Criticism." Italianist 40, no. 2 (May 3, 2020): 296–309. http://dx.doi.org/10.1080/02614340.2020.1790276.

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Lambe, Patrick J. "Critics and Skeptics in the Seventeenth-Century Republic of Letters." Harvard Theological Review 81, no. 3 (July 1988): 271–96. http://dx.doi.org/10.1017/s0017816000010105.

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The literature on the history of biblical criticism is voluminous, but remarkably consistent in its postulation of the Reformation and the Enlightenment as the two mainsprings of modern biblical criticism. That this history is written almost exclusively by heirs of the liberal Protestant tradition ought to sound a warning bell, especially since the extremely rare dissenting accounts of biblical criticism come from the Roman Catholic camp.
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Wilson, Alexandra. "Music, Letters and National Identity: Reading the 1890s' Italian Music Press." Nineteenth-Century Music Review 7, no. 2 (November 2010): 101–18. http://dx.doi.org/10.1017/s1479409800003621.

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Much ink was spilled on the subject of music infin-de-siècleItaly. With the rapid expansion of the bourgeoisie during the last decades of the nineteenth century, opera-going in Italy was at its apogee, and as opera attendance surged so too did the demand for gossip about singers, titbits about the lives of composers and reviews of the latest works. This was a moment at which the booming Italian opera and journalism industries converged, particularly in the large northern cities, to produce an explosion of periodicals devoted to opera, encompassing a range of critical methods. The 1890s, however, also saw the development in Italy of a new branch of criticism devoted to more ‘serious’ types of music, penned by writers explicitly hostile to opera's domination of Italian musical life, who looked to the north as their cultural spiritual home.
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Levitin, Dmitri. "Early Modern Biblical Criticism and the Republic of Letters." Erudition and the Republic of Letters 6, no. 4 (November 30, 2021): 427–64. http://dx.doi.org/10.1163/24055069-06040005.

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Dissertations / Theses on the topic "Italian letters History and criticism"

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Maxson, Brian Jeffrey. "Book Review of A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2656.

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A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650 Lisa Kaborycha, A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650, Oxford University Press: Oxford, 2016; 320 pp.; 9780199342433, £19.99 (pbk)
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D'Ermo-Tenaglia, Doria. "Calandro, un personaggio nella storia della critica, 1788-1980 : saggio di bibliografia critica." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65467.

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Bedon, Elettra. "Il filo di Arianna : letteratura in lingua veneta nel XX secolo." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29888.pdf.

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Şaim, Mirela. "La traversée du discours moderne par le dialogue /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70221.

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Dialogue is a written text representing an oral exchange between two or more persons; it also includes catechisms and rhetorically formulated series of queries and responses presenting an argument. The purpose of my thesis is to identify the main non-dramatic dialogues published in France and Italy between 1800 and 1914 and--through their discursive analysis--to provide an assessment of their signification and their impact on modern social discourse.
The first part focuses on the general discourse elements of modern dialogue, such as narrativity, rhetorical devices, character definition and function, paratextual structures, etc.
The second part includes a series of text analyses that proposes a study of ideological tendencies of modern social discourse through the most representative dialogues of the age.
Finally, the third part concentrates on the literary value and the build-up of dialogue as an aesthetic structure towards the end of the XIXth century and at the turn of the XXth century.
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Slagle, Judith Bailey. "Punctuated by the Pen: Representations of History, Criticism and Feminism in the Letters of Joanna Baillie." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3226.

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Langford, Charles K. "Le utopie rinascimentali : esempli moderni di polis perfetta." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102806.

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The citizens of utopian Renaissance cities have in common the confidence in the power of reason and moral virtues. The purpose of the thesis is to prove that, in spite of the imaginative and unreal aspects of these utopian societies, they contain the prodroms of the modern societies.
The utopias of the Renaissance are projects of a new commonwealth, based on justice and education. The Italian peninsula of the XVI and early XVII century spawned several works belonging to this literary genre, inspired by Plato's Republic and initiated in England with Thomas More's Utopia (1516). Those considered in this thesis, besides Utopia, are: Francesco Doni's Il mondo savio e pazzo (1552), Francesco Patrizi's La Citta felice (1553), Ludovico Agostini's La Repubblica immaginaria (1580), Tommaso Campanella's La Citta del Sole (The City of the Sun) (1602) and Lodovico Zuccolo's Il Belluzzi (1621).
The thesis examines these six main literary works according to the concept of uchronie and escapism, the definitions of utopia by Karl Mannheim, J.C. Davis and Mikhail Bakhtin, the religious and Arcadian elements and the relationship between utopia and satire. The thesis analyzes three essential aspects of the utopian tales: city planning, relationship between man and woman, and education. The utopias of the Renaissance also reveal two different visions: one innovative if compared to the society of the time, and another, post-tridentina, oriented towards a return to more traditional values. The thesis examines the influence of More's work on the utopias of the Renaissance by analyzing and comparing a series of topics, like the title of the work, the narrator, fantastical names and ideas, the role of Plato, property and inequity, the choice of woman and the concept of beauty, daily labor, the function of God, and the concept of law.
The utopias of the Renaissance have various modern aspects: a utilitarian justice, a better place of woman in the society, the laicity of the government, the "rationality" of war, secularism, education, health, social justice, assistance to elderly. They also contain myopias, like an unrealistic economic model and a static society.
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Giuliana, Chiara. "Negotiating home spaces : spatial practices in Italian postcolonial literature." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9764.

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Kaspar, Harach. "La Giovane Narrativa, narrativa, società ed economia negli Anni Ottanta." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ43892.pdf.

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Rubin-Detlev, Kelsey. "The letters of Catherine the Great and the rhetoric of Enlightenment." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:b9199484-a774-485d-9e6c-3fef125a361c.

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This thesis offers the first reading of the letters of Catherine the Great as a unified epistolary corpus with literary merit as well as historical value. It explores how the empress employed a key eighteenth-century literary form - the letter - not only to make tactical interventions in political and cultural life, but also to shape her persona. The often contrastive style of her letters balances a charming epistolary voice, suited to the letter as a practice of sociability, with exhibitions of the empress's power and stature as a great individual on the historical stage. The interplay between these two facets, sociability and grandeur, defines her unique approach to the letter form as well as the image of the enlightened monarch as she created it. She displayed her mastery, both literary and political, by creatively manipulating all aspects of the letter, from language choice through etiquette and materiality. Both her lively and seductive personal style and her regal character as an Enlightenment great man derived from and reappropriated available literary models. Seeking to ensure that this image reached receptive audiences, Catherine also carefully controlled the circulation of her letters: in keeping with the semi-privacy of the eighteenth-century letter, she wrote first and foremost to win a reputation with cultural and social elites who exchanged letters out of print. At the same time, she manipulated indirectly through her correspondents the image received by a broader public of her contemporaries and of future generations. The French Revolution challenged all her values, troubling also her elite mode of sociable correspondence and her eighteenth-century version of glory. Yet, to the end of her days Catherine employed her dual style as the best means of writing herself into history.
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Canton, Licia. "The question of identity in Italian-Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ43473.pdf.

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Books on the topic "Italian letters History and criticism"

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Libri di lettere: Le raccolte epistolari del Cinquecento tra inquietudini religiose e "buon volgare". Roma: Laterza, 2009.

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Scrivere lettere nel XVIII secolo: Precettistica, prassi e letteratura. Verona: QuiEdit, 2012.

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My dear Bob: Variazioni epistolari tra Settecento e Novecento. Firenze: Società editrice fiorentina, 2007.

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Le solite scuse: Un genere epistolare del Cinquecento. Milano, Italy: FrancoAngeli, 2009.

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Il volgar modo: Lingua volgare, antiquaria e intrattenimento cortigiano nella scrittura epistolare dal Cinquecento al primo Seicento. Verona: QuiEdit, 2014.

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Una via d'accesso agli epistolari: Le dediche nei libri di lettere del Cinquecento. Padova: CLEUP, 2010.

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L' arte delle lettere: Idea e pratica della scrittura epistolare tra Quattro e Seicento. Bologna: Il Mulino, 2000.

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Luca, Bani, ed. Carte private: Taccuini, carteggi e documenti autografi tra Otto e Novecento : atti del Convegno nazionale di studi, Bergamo, 26-28 febbraio 2009. Bergamo: Moretti & Vitali, 2010.

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Teoria e prassi dell'epistolografia italiana tra Cinquecento e primo Seicento: Ricerche linguistiche e retoriche, con particolare riguardo alle lettere di Giambattista Marino. Roma: Bonacci, 2005.

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Longo, Nicola. Letteratura e lettere: Indagine nell'epistolografia cinquecentesca. Roma: Bulzoni, 1999.

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Book chapters on the topic "Italian letters History and criticism"

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Naldi, Nerio. "Antonio Gramsci’s Letters that Piero Sraffa did not Forward to the Italian Communist Party." In Palgrave Studies in the History of Economic Thought, 561–85. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-47206-1_18.

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Rossi, Luisa. "Raccontare, raccontarsi. Massimo Quaini fra biografia ed ‘egogeografia’." In Il pensiero critico fra geografia e scienza del territorio, 345–72. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-322-2.23.

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Intertwining biographical method and autobiography. Massimo Quaini had shown much interest in the ‘egogeography’ genre, practiced by different French geographers. The work traces back, on the basis of published and unpublished writings, some significant aspect of the intellectual personality of the Italian geographer. In particular, passages are presented in which he recalls his scientific and professional training and some letters that account for the highly critical positioning towards academic power, against the management of competitions based on personal relationships rather than on scientific merits (to the detriment of the discipline itself). Some original documents testify the interest in history and philosophy and the acceptance of historical materialism that has shaped his youth work and, more generally, founded his interpretation of geographical reality.
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Mullaney, Ann, and Massimo Zaggia. "Florence 1438: The Encomium of the Florentina Libertas Sent by Poggio Bracciolini to Duke Filippo Maria Visconti." In Atti, 1–24. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.04.

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This article presents the critical editions of two texts: a letter by the Duke of Milan Filippo Maria Visconti (but written on his behalf by Pier Candido Decembrio) sent to Poggio Bracciolini on 28 July 1438; and the response written by Poggio on 15 September. Poggio’s letter contains a brief treatise in praise of Florence and of the Florentina libertas. The documents illuminate a crucial episode in the history of Italian Humanism. The article opens with the discussion of these two letters in their wider historical and intellectual context: on the one hand, the characteristically Florentine «civic humanism» which constitutes the background of Poggio’s positions; on the other, the political and cultural competition between Florence and Milan during the first half of the 15th century.
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Čale, Morana. "Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?)." In Biblioteca di Studi di Filologia Moderna, 61–79. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.
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Moller, Stephen. "Italian idealism." In The Cambridge History of Literary Criticism, 335–48. Cambridge University Press, 2001. http://dx.doi.org/10.1017/chol9780521300148.027.

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Javitch, Daniel. "Italian epic theory." In The Cambridge History of Literary Criticism, 205–15. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.022.

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Robin, Diana. "Culture, imperialism, and humanist criticism in the Italian city-states." In The Cambridge History of Literary Criticism, 355–63. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.037.

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Holub, Renate. "Post-war Italian intellectual culture: from Marxism to cultural studies." In The Cambridge History of Literary Criticism, 133–42. Cambridge University Press, 2001. http://dx.doi.org/10.1017/chol9780521300148.012.

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Robey, David. "Humanist views on the study of poetry in the early Italian Renaissance." In The Cambridge History of Literary Criticism, 626–47. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521300070.026.

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Guy, Josephine M., and Ian Small. "The British ‘Man of Letters’ and the rise of the professional." In The Cambridge History of Literary Criticism, 377–88. Cambridge University Press, 2000. http://dx.doi.org/10.1017/chol9780521300124.018.

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Conference papers on the topic "Italian letters History and criticism"

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Grisoni, Michela Marisa. "Il piano regolatore di Tripoli (1930-1936). La consapevolezza del passato." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11534.

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Tripoli town plan (1930-1936). The consciousness of the pastThe paper recalls the well known urban facts of Tripoli during the Italian colonialism to eventually deepen the theme of the preservation of the past and not only of the Roman one, as well of the city walls. The town plan has been analyzed not only as it has been approved but also as it has been argued, not only through the drawings but also by the debate. A few letters between the professionals involved (especially Alberto Alpago Novello) and some authoritative exponents of the contemporary architecture culture and criticism (like, Gustavo Giovannoni) have assured an original source to underlines the critical background and to reveal a purpose of touristic and commercial development.
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