Relevant bibliographies by topics / Italian Early modern

Academic literature on the topic 'Italian Early modern'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Italian Early modern"

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Grubb, James S. "Early Modern Italian Cities." Journal of Urban History 44, no. 5 (August 10, 2018): 1014–17. http://dx.doi.org/10.1177/0096144218793754.

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Wolff, Larry. "The Modern Reconception of the Early Modern Venetian Adriatic." Austrian History Yearbook 42 (April 2011): 52–55. http://dx.doi.org/10.1017/s006723781100004x.

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For Fernand Braudel, the early modern adriatic appeared, as it did on Venetian maps, as the Golfo di Venezia. Venice, ruling also over the Dalmatian coast and the Ionian Islands, controlled shipping on the Adriatic and made the Adriatic into the Venetian basis for commercial activity all over the eastern Mediterranean. Braudel also credited to Venice the establishment of an Italian cultural sphere of influence around the Adriatic: “The gulf was Venetian, of course, but in the sixteenth century it was more than this; it was the sphere of a triumphant Italian culture. The civilization of the peninsula wove a brilliant, concentrated web along the east coast of the sea.” Braudel, carrying out his research in the 1930s and publishing in 1949, might have been well aware that the Italian trans-Adriatic presence, even when triumphant—as in the case of Mussolini's occupation of Dalmatia—might not be something to celebrate as brilliant. Furthermore, reconsidering the early modern Adriatic, one might today wonder whether the term “Italian”—with its modern national meaning—should be used with caution in describing early modern cultural influence. Indeed, one might simply suggest that Venetian power on the Adriatic was the vehicle of Venetian culture—not Italian culture—on the Adriatic, an early modern imperial rather than a modern national idiom, and present even at Ragusa, which was independent of Venice.
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Litchfield, R. Burr. "Medieval and Early-Modern Italian Cities." Journal of Urban History 23, no. 2 (January 1997): 240–45. http://dx.doi.org/10.1177/009614429702300206.

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Ardissino, Erminia. "Italian Sermons in Early Modern Europe." MLN 135, no. 1 (2020): 55–83. http://dx.doi.org/10.1353/mln.2020.0015.

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Black, Christopher. "Early Modern Italian Confraternities: Inclusion and Exclusion." Historein 2 (May 1, 2001): 65. http://dx.doi.org/10.12681/historein.113.

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NEVOLA, FABRIZIO. "Introduction: locating communities in the early modern Italian city." Urban History 37, no. 3 (November 15, 2010): 349–59. http://dx.doi.org/10.1017/s0963926810000490.

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From late antiquity until the nineteenth century the Italian peninsula was made up of numerous states and city-states, governed as republics, or ruled by kings, dukes or popes. While diverse attempts were made to unify these disparate political entities through language and culture, or warfare and realpolitik, the dominant situation was one of intense rivalry and intermittent conflict. That uniquely Italian idea of campanilismo, or pride in one's own bell-tower, was borne of this continuous rivalry. It encapsulates an important concept, that local pride was inscribed in the physical fabric of the city, that a bell-tower could stand for a collective sense of one city's self-image and that this was expressed and calibrated in relation to neighbours, who were usually rivals. It is within this frame of references that much recent scholarship on urban image and identity has focused, teasing out the intentional distinctions that were drawn socio-politically and culturally, between the major centres of the peninsula. Such a process has significantly altered the view, dominant until quite recently, that style in art and architecture followed a single evolutionary route that passed from one place to another, as each lived a ‘golden age’ that defined a single ‘urban’ school – Siena, Venice, Florence, Rome, Bologna. In its place, a more nuanced view of how each centre fostered, reacted, responded and adopted innovation and change has come to the fore. In a generation of scholarship that followed Michael Baxandall's ground-breaking Painting and Experience, the idea that Renaissance Italians consciously fashioned urban images and identities has entered the mainstream. Scholars have put artworks and buildings back into close relation with the social contexts of their production and have asked how they worked in relation to their users and viewers.
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Schleiner, Winfried, and Lee Piepho. "Holofernes' Mantuan: Italian Humanism in Early Modern England." Sixteenth Century Journal 35, no. 1 (April 1, 2004): 275. http://dx.doi.org/10.2307/20476904.

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Gallagher, John. "‘Ungratefull Tuscans’: Teaching Italian in Early Modern England." Italianist 36, no. 3 (September 2016): 392–413. http://dx.doi.org/10.1080/02614340.2016.1225782.

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Dell’Antonio, Andrew. "Performances of Identity in Early Modern Italian Music." I Tatti Studies in the Italian Renaissance 18, no. 1 (March 2015): 23–31. http://dx.doi.org/10.1086/680524.

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Boscán, Juan, and Garcilaso de la Vega. "Three Literary Manifestos of Early Modern Spain." PMLA/Publications of the Modern Language Association of America 126, no. 1 (January 2011): 233–42. http://dx.doi.org/10.1632/pmla.2011.126.1.233.

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The emergence of Spain as a world power in the early sixteenth century compelled a radical change in its language and literature. reflecting the country's global expansion, Spanish culture moved beyond its medieval belatedness to compete with Renaissance Italian culture, whose superiority was based on the humanist rebirth of ancient values. The cultural rivalry between Spain and Italy is documented in the prefaces that follow, written by the Catalan poet Juan Boscán (1490?–1542) and the Toledan noble Garcilaso de la Vega (1499?–1536). Through these poets' efforts, Spain became the first European nation-state not only to appropriate Italian versification and prose style but also to displace Italy from the political and literary spheres of power (King 240–41). The political and cultural significance of Boscán's and Garcilaso's revisionary poetics makes their prefaces the first literary manifestos of early modern Spain.
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Dissertations / Theses on the topic "Italian Early modern"

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Tycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.

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While scholarship often focuses on how early modern Italians used images in their devotions, particularly in the post-Tridentine era, little attention has been placed upon how laypeople engaged with devotional text during times of prayer and in their everyday lives. Studies of early modern devotional texts have explored their literary content, investigated their censorship by the Church, or concentrated upon an elite readership. This thesis, instead, investigates how ordinary devotees interacted with holy words in their material form, which I have termed ‘material prayers’. Since this thesis developed under the aegis of the interdisciplinary research project, Domestic Devotions: The Place of Piety in the Italian Renaissance Home, 1400-1600, it focuses primarily on engagement with these material prayers in domestic spaces. Using an interdisciplinary approach drawing from material culture studies, literary history, social and cultural history, and art history, it brings together objects, images and archival sources to illuminate how devotees from across the socio-economic and literacy spectrums accessed and employed devotional text in their prayers and daily life. From holy words, Biblical excerpts, and prayers to textual symbols like the Sacred Monogram of the Name of Jesus, this thesis explores how and why these material prayers were employed for spiritual, apotropaic and intercessory purposes. It analyses material prayers not only in traditional textual formats (printed books and manuscripts), but also those that were printed on single-sheets of paper, inscribed on jewellery, or etched into the structure of the home. To convey how devotees engaged with and relied upon these material prayers, it considers a variety of inscribed objects, including those sanctioned by the Church as well as those which might be questioned or deemed ‘superstitious’ by ecclesiastical authorities. Sermons, Inquisition trial records, and other archival documents have been consulted to further illuminate the material evidence. The first part of the thesis, ‘On the Body’, considers the how devotees came into personal contact with texts by wearing prayers on their bodies. It examines a range of objects including prayers with protective properties, known as brevi, that were meant to be sealed in a pouch and worn around the neck, and more luxurious items of physical adornment inscribed with devotional and apotropaic text, such as necklaces and rings. The second part of the thesis enters the home to explore how the spaces people inhabited and the objects that populated their homes were decorated with material prayers. ‘In the Home’ begins with texts inscribed over the entryways of early modern Italian homes, and then considers how devotees decorated their walls with holy words and how the objects of devotion and household life were imbued with religious significance through the addition of pious inscriptions. By analysing these personal objects and the textual domestic sphere, this thesis argues that these material prayers cut across socio-economic classes, genders, and ages to embody quotidian moments of domestic devotion as well as moments of fear, anxiety and change.
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Griffiths, Sarah Abigail. "Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84209/.

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The early baroque songs, or cantatas, of Luigi Rossi (1597-1653) are largely absent from the canon of standard Italian vocal repertory utilized by young singers and voice teachers today. In this document Rossi’s composition style is considered, along with modern edition trends, within the emerging genre of Italian early baroque song. Several of Luigi Rossi’s vocal works — chosen for their simplicity, brevity, dramatic content, and suitability for a young singer — are presented in modern transcriptions for voice and piano. The following document lays the groundwork for the inclusion of Luigi Rossi’s songs in the modern canon of Italian vocal music. Part I provides an introduction to Luigi Rossi and the considerations involved in creating modern editions of early baroque solo vocal music. In Chapter 1, Rossi’s patronage and compositional output are considered along with the reception and dissemination of his works in Italy and France. Chapter 2 of this study explores the historical context and lasting influence of Parisotti’s Arie Antiche, the larger collection from which the ubiquitous Schirmer edition, Twenty-four Italian Songs and Arias of the Seventeenth and Eighteenth Centuries, is drawn. One well-known song that appears in the Schirmer edition is Giulio Caccini’s Amarilli, mia bella. In an effort to illustrate trends in modern editions and performance practice, this song is traced from its first appearance in 1602 through representations in modern anthologies. Chapter 3 considers the practical concerns of modern editors of baroque vocal music – such as performance practice applications, ornamentation, and pedagogical considerations – with respect to the cantatas of Luigi Rossi. Chapter 4 discusses the three cantatas by Luigi Rossi that are presented in Part II as performance editions.
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Lawrence, Jason. "'Who the Devil taught thee so much Italian?' : Italian language learning and literary imitation in early modern England /." Manchester : Manchester university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40049006j.

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Maxson, Brian. "Review of The Early Modern Italian Domestic Interior, 1400-1700: Objects, Spaces, Domesticaries." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6192.

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Papworth, Amelia. "A forgotten bestselling author : Laura Terracina in early modern Naples." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290109.

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This dissertation provides a critical assessment of Laura Terracina (1519-c.1577) and her works. It argues that she was a consummate product of her age, embodying the tensions which ruled the Italian peninsula. Terracina published eight books and left a ninth in manuscript at the time of her death, winning legions of admirers and making her sixteenth-century Italy's most commercially successful female author. Yet in spite of her enormous popularity amongst her contemporaries, scholarship has largely neglected Terracina. This dissertation will open up an overdue field of enquiry into her life and works, exploring the significance of her role as a sixteenth-century female poet through the lenses of gender and class. By mapping her place in the literary landscape, it is hoped that this thesis will encourage scholars to afford Terracina the attention she so richly deserves. The first chapter of the dissertation situates Terracina as a poet of Naples, seeing her as a product of her family's political standing within the city, her academician status, and her own construction of an urban coterie of supporters. The second chapter considers the mechanics of the journey into print, assessing Terracina's own input and her close collaboration with male editors and publishers. It proposes a greater attribution of agency to Terracina than has thus far been made, arguing that she is, in fact, an important figure in the process of her texts reaching the hands of readers. The third chapter considers how the poet used her printed books as social tools, employing them to gain social and literary capital. The second section of the dissertation looks at two thematic strands within Terracina's poetry. Chapter four considers her political poetry, including her attitude towards the harm done to civilian populations across Europe. Chapter five looks at the religious dimension to Terracina's work, the spiritual poetry written in her later years, and the relationship this bears to her secular lyric. Finally, the dissertation concludes with a chapter on the contemporary reception of Terracina's texts, providing preliminary thoughts on how she was read, before closing with a consideration of her literary afterlife in the centuries that followed.
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Redmond, Michael John. "The Scence lyes in Italy : representations of Italian culture in early modern English drama." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321486.

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Holmes, Rachel E. "Casos de honra : honouring clandestine contracts and Italian novelle in early modern English and Spanish drama." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6318.

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This thesis argues that the popularity of the clandestine marriage plot in English and Spanish drama following the Reformation corresponds closely to developments and emerging conflicts in European matrimonial law. My title, ‘casos de honra,' or ‘honour cases', unites law and drama in a way that captures this argument. Taken from the Spanish playwright Lope de Vega's El arte nuevo (1609), a treatise on his dramatic practice, the phrase has been understood as a description of the honour plots so common in Spanish Golden Age drama, but ‘casos' [cases] has a further, and related, legal meaning. Casos de honra are cases touching honour, whether portrayed on stage or at law, a European rather than a strictly Spanish phenomenon, and clandestine marriages are one such example. I trace the genealogy of three casos de honra from their recognisable origins in Italian novelle, through Italian, French, Spanish, and English adaptations, until their final early modern manifestations on the English and Spanish stage. Their seeming differences, and often radical divergences in plot can be explained with reference to their distinct, but related, legal concerns.
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Slade, Paul Robert. "Italia conquistata : the role of Italy in Milton's early poetic development." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/32857.

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My thesis explores the way in which the Italian language and literary culture contributed to John Milton’s early development as a poet (over the period up to 1639 and the composition of Epitaphium Damonis). I begin by investigating the nature of the cultural relationship between England and Italy in the late medieval and early modern periods. I then examine how Milton’s own engagement with the Italian language and its literature evolved in the context of his family background, his personal contacts with the London Italian community and modern language teaching in the early seventeenth century as he grew to become a ‘multilingual’ poet. My study then turns to his first published collection of verse, Poems 1645. Here, I reconsider the Italian elements in Milton’s early poetry, beginning with the six poems he wrote in Italian, identifying their place and significance in the overall structure of the volume, and their status and place within the Italian Petrarchan verse tradition. After considering the significance of the Italian titles of L’Allegro and Il Penseroso, I assess the impact of Italian verse forms (and particularly the canzone) upon Milton’s early poetry in English and the question of the nature of the relationship between Milton’s Mask presented at Ludlow Castle and Tasso’s ‘favola boschereccia’, Aminta. Finally, I consider the place in Milton’s career of his journey to Italy in 1938-9 and its importance to him as a personal ‘conquest’ of Italy. I suggest that, far from setting him upon the path toward poetic glory, as is often claimed, his return England marked the beginning of a lengthy hiatus in his poetic career. My argument is that Milton was much more Italianate, by background, accident of birth and personal bent, than has usually been recognised and that an appreciation of how this Italian aspect of his cultural identity contributed to his poetic development is central to an understanding of his poetry.
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Maddaluno, Lavinia. "Practices of science and political economy between the State of Milan and the Italian Republic (1760s-1805)." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/270118.

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This dissertation explores the intersection between scientific practices and political economy from the time of Maria Theresa's and Joseph II's reforms in the Habsburg State of Milan to the Cisalpina and Italian Republics. It is structured in four parts, corresponding to the themes of "appropriations", "technologies", "spaces" and "soils". Each of these parts comprises of two chapters, with the exception of the last one on "soils". Part I, named "Appropriations", explores how the Società Patriotica took on board the practices and debates which originated in the context of French Physiocracy, such as economic milling and the question of the scale of land-holdings, and analyses how they were appropriated to fit the political economy of the State of Milan. Part II, titled "Technologies", takes into account the attitudes of Milanese reformers, public officers and naturalists towards mechanical arts and, in general, towards technology for the achievement of the felicità and utilità pubblica. Part III of the dissertation has been named "Spaces". It focuses on the travels of naturalists Domenico Vandelli, Paolo Sangiorgio and Lazzaro Spallanzani, using them as starting points to examine the significance of natural history practices, such as travelling and collecting, for an understanding of contemporary political economy. Part IV, titled "Soils", examines a series of texts about the management and making of salnitro, showing their relevance in the context of the newly founded Italian Republic. Overall, the thesis aims to acknowledge the complexity, as well as the intellectual debts, of the production of political economy and scientific knowledge in the State of Milan, and pushes forward the debate on the Italian Enlightenment, by opposing those narratives which have represented it as a marginal and peripheral case in the broader and more "international" European Enlightenment.
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Smith-Laing, Tim. "Variorum vitae : Theseus and the arts of mythography in Medieval and early modern Europe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0f4305c6-3c62-4f89-a3b2-d8204893fdfb.

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This thesis offers an approach to the history of mythographical discourse through the figure of Theseus and his appearances in texts from England, Italy and France. Analysing a range of poetic, historical, and allegorical works that feature Theseus alongside their classical and contemporary intertexts, it is a study of the conceptions of Greco-Roman mythology prevalent in European literature from 1300-1600. Focusing on mythology’s pervasive presence as a background to medieval and early modern literary and intellectual culture, it draws attention to the fragmentary, fluid and polymorphous nature of mythology in relation to its use for different purposes in a wide range of texts. The first impact of this study is to draw attention to the distinction between mythology and mythography, as a means of focusing on the full range of interpretative processes associated with the ancient myths in their textual forms. Returning attention to the processes by which writers and readers came to know the Greco-Roman myths, it widens the commonly accepted critical definition of ‘mythography’ to include any writing of or on mythology, while restricting ‘mythology’ to its abstract sense, meaning a traditional collection of tales that exceeds any one text. This distinction allows the analyses of the study’s primary texts to display the full range of interpretative processes and possibilities involved in rewriting mythology, and to outline a spectrum of linked but distinctive mythographical genres that define those possibilities. Breaking down into two parts of three chapters each, the thesis examines Theseus’ appearances across these mythographical genres, first in the period from 1300 to the birth of print, and then from the birth of print up to 1600. Taking as its primary texts works by Giovanni Boccaccio, Geoffrey Chaucer, John Lydgate and William Shakespeare along with their classical intertexts, it situates each of them in regard to their multiple defining contexts. Paying close attention to the European traditions of commentary, translation and response to classical sources, it shows mythographical discourse as a vibrant aspect of medieval and early modern literary culture, equally embedded in classical traditions and contemporary traditions that transcended national and linguistic boundaries.
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Books on the topic "Italian Early modern"

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Holofernes' Mantuan: Italian humanism in early modern England. New York: P. Lang, 2001.

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Lewis-Hammond, Susan. Editing music in early modern Germany. Aldershot, Hants, England: Ashgate Pub., 2007.

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Dunlop, Anne, ed. Antipodean Early Modern. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985209.

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A Prayer Book owned by the Rothschilds, an Italian bronze casket by Antico, a lavishly illustrated Carnival chronicle from sixteenth-century Germany, an altarpiece by Pieter Brueghel the Younger - much of the artwork in this book, held by Australian collections, is essentially unknown beyond the continent. The authors of these essays showcase these extraordinary objects to their full potential, revealing a wide range of contemporary art and historical research. This collection of essays will surprise even specialists.
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Renaissance and rebirth: Reincarnation in early modern Italian kabbalah. Leiden: Brill, 2009.

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Cavallo, Sandra. Spaces, objects and identities in early modern Italian medicine. Malden, MA: Blackwell, 2008.

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Sandra, Cavallo, Gentilcore David, and Society for Renaissance Studies (Great Britain), eds. Spaces, objects and identities in early modern Italian medicine. Malden, MA: Blackwell, 2008.

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Cavallo, Sandra, and David Gentilcore, eds. Spaces, Objects and Identities in Early Modern Italian Medicine. Oxford, UK: Blackwell Publishing Ltd., 2008. http://dx.doi.org/10.1002/9781444306637.

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Pastoral drama and healing in early modern Italy. Farnham, Surrey, England: Ashgate, 2010.

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Schneider, Federico. Pastoral drama and healing in early modern Italy. Burlington, VT: Ashgate, 2010.

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Titian remade: Repetition and the transformation of early modern Italian art. Los Angeles: Getty Research Institute, 2007.

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Book chapters on the topic "Italian Early modern"

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Baskins, Cristelle L. "Italian Sojourn." In Hafsids and Habsburgs in the Early Modern Mediterranean, 123–62. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05079-4_4.

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Günther, Hubertus. "Italian Hospitals of the Early Renaissance." In Public Buildings in Early Modern Europe, 383–96. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.archmod-eb.4.00191.

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Marcus, Millicent. "The Italian Body Politic is a Woman: Feminized National Identity in Postwar Italian Film." In Late Medieval and Early Modern Studies, 329–47. Turnhout: Brepols Publishers, 2000. http://dx.doi.org/10.1484/m.lmems-eb.3.1799.

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Montford, Kimberlyn. "Musical Networks and the Early Modern Italian Convent." In Europa Sacra, 231–59. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.es-eb.5.119518.

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Plastina, Sandra. "Italian Women on Philosophy of Nature." In Encyclopedia of Early Modern Philosophy and the Sciences, 1001–7. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_420.

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Plastina, Sandra. "Italian Women on Philosophy of Nature." In Encyclopedia of Early Modern Philosophy and the Sciences, 1–7. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-20791-9_420-2.

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Plastina, Sandra. "Italian Women on Philosophy of Nature." In Encyclopedia of Early Modern Philosophy and the Sciences, 1–7. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-20791-9_420-2.

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Plastina, Sandra. "Italian Women on Philosophy of Nature." In Encyclopedia of Early Modern Philosophy and the Sciences, 1–7. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-20791-9_420-1.

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Abbattista, Guido. "Voices on China in early nineteenth-century Italian culture (1800–1850)." In Global Perspectives in Modern Italian Culture, 187–207. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003031093-10.

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Zorzi, Andrea. "Rituals of Youthful Violence in Late Medieval Italian Urban Societies." In Late Medieval and Early Modern Ritual, 235–66. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.es-eb.1.100775.

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Conference papers on the topic "Italian Early modern"

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Lucchini, Marco, and Gaspar Jaen y Urban. "Barcelona and Milan: two cities one architecture: typological similarities in residential architecture from the 1950’s - 60’s." In Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8050.

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The paper deals with mutual relationship between Barcelona and Milan concerning modernist architectural and urban design. Barcelona and Milano despite their different cities morphology and urban history, have similar characteristics. They can be easily recognized as they relates to many pieces of modern architecture constructed from the early fifties of the twentieth century, when the most significant architects of both cities entered into a friendly, intense and continuous contact. One could speak of a reciprocal fascination between architectural cultures of the two cities, especially as concerns the relationship between architectural design and urban morphology. This relationship was accomplished by means of three remarkable factors: the way a building is located in the urban space, the arrangement of the plan layout of each floor, and the aspects of the building referred to tectonic. The second one is a recognizable only through a carefully study of plans. Nevertheless it affects the identity of the two cities as involves the people way of living. We can identifiy typological analogies and organisational similarities in many exemplary residential buildings like Antonio Coderch’s ISM house in Barcelona or several house designed by Ignazio Gardella in Milan. The most remarkable topics about housing types are related to the H model plan, and double winged plan. These types are well-known in some small Italian residential building called palazzine, usually in central Italy but they are recognizable even in several housing building in Milan.
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Fontanili, Luca, Massimo Milani, Luca Montorsi, and Roberto Citarella. "Early Assessment of Posture Disorders Through Pre-Adolescent Monitoring: The Case of Volley Academy Modena." In ASME 2020 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/imece2020-23774.

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Abstract The pre-adolescent age is basic in the beginning of the development of body kinematics. During this age the body structure needs to continuously search for stabilization due to the modification in body segment lengths. This behavior can evolve into incorrect postural attitudes that, if not properly treated, can lead to behaviors that are difficult to recover with advancing age. These incorrect attitudes require an accurate and early diagnosis that can be put in place by expert doctors and clinicians. As well known, sporting activity in this age can help the development of proprioceptive apparatus and the musculoskeletal one. Volleyball is considered a complete sport thanks to the wide range of actions necessary for a match. Following this evaluation, it was decided to carry out a monitoring study of young volleyball players in what is one of the capitals of Italian volleyball, i.e. Modena. To achieve this objective, in this work, 97 female volleyball players have been analyzed during their adolescent and pre-adolescent age. The study has the objective to collect data and design an exercise routine for the training to prevent postural problems. Finally, the data have been analyzed and the most representative ones have been reported in this paper.
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Cioffi, Elena, and Barbara Pizzicato. "Design and tools for the transformation and valorisation of agro-industrial waste for Made in Italy industries." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002019.

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Responding to a sustainable production is an imperative that is gaining more and more relevance in the definition of specific programs and strategies at national and international level. This urgency leads towards zero waste and circular models and processes that minimize the extraction of resources from the biosphere and do not create waste; instead, when the waste of natural or anthropogenic transformations cannot be avoided, their valorization as resources must be carried out. The development of integrated supply chains, knowledge transfer between different disciplines and the dialogue between research and industry becomes fundamental for the achievement of these objectives. Existing studies in the literature regarding the agri-food production chain in Italy show that the sector, whose environmental impacts are by no means marginal, is fragmented in many small production companies; an interesting and critical aspect at the same time since the generation of waste is not accompanied by an appropriate dissemination of data at a quantitative-qualitative level and there is no clear regulatory framework available on alternative management and valorisation methods. Design, given its natural inclination to transversality, allows to trace scenarios in which to configure, through interdisciplinary approaches, the sustainability models that are intended to be covered in this contribution. Moreover, its methods and tools allow to develop a critical thinking starting from the very early designing phase. The paper addresses the valorisation of agro-industrial waste in a circular and systemic perspective through the presentation of a review of case studies from the textile supply chain, which is one of the most relevant for Italian industry.Due to its disastrous environmental impact, the global textile industry is today the subject of extensive research aimed at the development of innovative materials and processes in order to overcome the traditional linearity of the textile supply chain. The negative impacts of the textile industry are distributed along the entire value chain and are mainly attributable to greenhouse gas emissions -for which the textile industry represents the fifth manufacturing sector- consumption and pollution of water resources and the production of textile waste. In particular, the production of synthetic fibers, which is estimated to be almost two thirds of the global fiber production, is associated with a high use of non-renewable resources and emissions, which derives from the extraction of fossil fuels. In this sense, the valorisation of agro-industrial waste as secondary raw materials and new sustainable inputs for the textile supply chain, represents an opportunity not yet fully explored, in particular as regards the development of a new generation of fibers, yarns and eco-compatible fabrics alternative to the materials currently in use. Bio-based wastes and by-products from agri-food industry could as well present enormous potential for valorisation in the textile finish due to their intrinsic properties (antimicrobial, prebiotic, antioxidant activity, among others). At present, nevertheless, textiles from agro-residues do not completely meet the requirements to make them an attractive replacement for conventional fibre sources. Future research should therefore focus on identifying new agro-residue based blends that offer both performance and sustainability, adopting a systemic design approach based on interdisciplinary and interconnections as a strategy for innovation.
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