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Books on the topic 'Italian civilisation'

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Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Ferrari, Valeria. Civilisation, laicité, liberté: Francesco Saverio Salfi fra illuminismo e Risorgimento. Milano: F. Angeli, 2009.

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2

Parks, Tim. Un educazione Italiana. Milano: Bompiani, 1998.

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3

Martinet, Gilles. Les Italiens. Paris: B. Grasset, 1990.

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4

Springer, Carolyn. Armour and masculinity in the Italian Renaissance. Toronto: University of Toronto Press, 2010.

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5

Barzini, Luigi Giorgio. The Italians: A full-length portrait featuring their manners and morals. New York, NY: Simon & Schuster, 1996.

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6

Schiesari, Juliana. Beasts and beauties: Animals, gender and domestication in the Italian renaissance. Toronto: University of Toronto Press, 2010.

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7

Ceccucci, Piero, ed. Fiorenza mia…! Firenze e dintorni nella poesia portoghese d'oggi. Florence: Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-329-6.

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Abstract:

In the Portuguese imagination Florence is justly considered the cradle of modern western civilisation. Seen and admired from the Renaissance on as the new Athens, for the Portuguese it has always represented not only a model of culture and civilisation to take as inspiration, but also and above all the locus amoenus of spiritual and intellectual harmony and balance, dreamed-of and unattainable, that floods and pervades the soul with a vague, nostalgic sentiment of admiration. Evidence of this, now as in the past, are the serried ranks of poets who for centuries have sung its praises and raised it to the rank of myth. This brief anthology proposes only a few of them, among the most renowned of recent generations. In a truly original way these poets have managed to convey to the hearts and minds of their compatriots their own stunned vision of the city, illustrating emotions that cannot fail to move even the Florentines and, in a broader sense, we Italians as a whole. Thus what is offered in these pages, in fine Italian translation, is this mesh of voices, an intimate and enthralling polyphony of city, poet and reader, unfurling in an evocative melody and proposing the legend of Florence in a new light – possibly more authentic and illuminating.

8

Zorzi, Andrea, ed. La civiltà comunale italiana nella storiografia internazionale. Florence: Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-6453-113-7.

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This book contains the proceedings of the first international conference organised by the Centro di Studi sulla civiltà comunale of the University of Florence, and offers a fine overview of the contribution made by international historiography to the history of the Italian Comunes. One of the most significant periods in the country's past is addressed here by some of the leading international specialists through the reconstruction of the approaches, issues and outcomes of the principal foreign historiographies (German, French, American, Spanish and English). The result is a fairly articulated picture of how the civilisation of the Comune has been treated and appraised over time outside Italy. Consequently, the book is offered as an updated tool of historiographic reflection and as a useful yardstick for studies devoted to the European urban world.

9

Ara, Angelo. Trieste: Une identité de frontière. [Paris]: Seuil, 1991.

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10

Sciascio-Andrews, Josie Di. How the Italians created Canada: From Giovanni Caboto to the cultural renaissance. [Edmonton]: Dragon Hill, 2007.

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11

Salvestrini, Francesco, ed. Il Centro Studi sulla civiltà del Tardo Medioevo in San Miniato. Venticinque anni di attività (1984-2008). Florence: Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-881-9.

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This book traces the activities of the Study Centre on Late Mediaeval Civilisation, founded with premises in San Miniato in 2008, illustrating in detail the programmes of the initiatives carried out. The introductory essays by the chairman of the Scientific Committee, the Chairman of the Board of Directors and the two most recent Directors delineate the aims and objectives of the institution. Attention is focused in particular on the form of its links with the Italian and international late mediaeval and modern historiography of the last twenty-five years, underscoring its active and valid contribution to the development of such research. Finally, a packed schedule of conventions, seminars, conferences, training courses and other cultural initiatives complete the picture of one of the most renowned and prestigious entities in the sphere of studies on the Middle Ages and the early Modern Age.

12

Brown, Patricia Fortini. Venice & antiquity: The Venetian sense of the past. New Haven: Yale University Press, 1996.

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13

Pieralli, Claudia, Claire Delaunay, and Eugène Priadko, eds. Russia, Oriente slavo e Occidente europeo. Fratture e integrazioni nella storia e nella civiltà letteraria. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-507-4.

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The present book faces a wide range of problems concerning the history of Eastern slavic culture in its interation with cultural models, typical of Western Europe. This collective work is the final result of the french-italian congress “Fractures and Integrations between Russia, East Slavic world and the West. History and literary civilisation from the Middle Age to the Contemporary Era” (University of Florence, 16-17 april 2015): the complexity of cultural relations between Russia, Slavic East and European West is analysed enhancing the variety of points of view and benefiting of different methodological approaches as well as from perspectives, provided from different fields of study. Here we introduce new materials and new analytical methods, which are useful for studying the complex interactions between the western cultural tradition and the east oriental one, from Middle Age up to nowadays. The “fractures” and “integrations” are therefore highlighted throughout the reading or critical re-reading of textes, works and authors, who took part to the construction and the development of cultural interchange among the various european areas.

14

Burckhardt, Jacob. Die Kultur der Renaissance in Italien. Frankfurt am Main: Deutscher Klassiker Verlag, 1989.

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15

Burckhardt, Jacob. Die Kultur der Renaissance in Italien: Ein Versuch. Stuttgart: A. Kröner, 1985.

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16

Baxandall, Michael. Painting and experience in fifteenth century Italy: A primer in the social history of pictorial style. 2nd ed. Oxford [Oxfordshire]: Oxford University Press, 1988.

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17

Strabo. l 'Italia di Strabone: Testo, traduzione e commento dei Libri V e VI della "Geografia". Genova: Università di Genova, Facoltà di Lettere, 1988.

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18

Harold, Bloom. The Italian Renaissance. Chelsea House Publications, 2004.

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19

Treasures of Italy: CAPRI (Civilisation - Art History (207 Colour Illustrations)). Kina Italia, 1992.

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20

Giorgio, Bàrberi Squarotti, ed. Storia della civiltà letteraria italiana. Torino: UTET, 1990.

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21

1975-, Calabrese Filomena, and Diversity, Otherness, and Pluralism in Italian Literature, Cinema, Language, and Pedagogy (2007 : Toronto, Ont.), eds. Diversity, otherness, and pluralism in Italian literature, cinema, language, and pedagogy: Yesterday, today, and tomorrow. Ottawa: Legas, 2009.

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22

1975-, Calabrese Filomena, and Diversity, Otherness, and Pluralism in Italian Literature, Cinema, Language, and Pedagogy (2007 : Toronto, Ont.), eds. Diversity, otherness, and pluralism in Italian literature, cinema, language, and pedagogy: Yesterday, today, and tomorrow. Ottawa: Legas, 2009.

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23

(Editor), Paul Oskar Kristeller, Thomas A. Brady (Editor), and Heiko Augustinus Oberman (Editor), eds. Itinerarium Italicum: The Profile of the Italian Renaissance in the Mirror of Its European Transformations (Studies in Medieval and Reformation Thought , No 14). Brill Academic Publishers, 1997.

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24

Brown, Patricia Fortini. Venice and Antiquity: The Venetian Sense of the Past. Yale University Press, 1997.

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25

Letteratura e storia meridionale: Studi offerti a Aldo Vallone. Firenze: L.S. Olschki, 1989.

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