Journal articles on the topic 'Italian Baroque'
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Smith, Richard Langham, Biondi, Naddeo, Alessandri, and Rinalo Alessandri. "Italian Italian Baroque." Musical Times 133, no. 1796 (October 1992): 528. http://dx.doi.org/10.2307/1002725.
Frampton, Andrew, Anita Hardeman, Ginte Medzvieckaite, Helen Roberts, Elizabeth Rouget, Stephan Schönlau, and Hannah Spracklan-Holl. "Italian Baroque." Early Music 46, no. 4 (November 2018): 708–11. http://dx.doi.org/10.1093/em/cay084.
Stowell, Robin. "Italian Baroque Violin." Musical Times 128, no. 1730 (April 1987): 214. http://dx.doi.org/10.2307/965436.
Talbot, Michael. "Italian Baroque music." Early Music 47, no. 2 (April 9, 2019): 275–77. http://dx.doi.org/10.1093/em/caz032.
Roche, E. "Italian Baroque sacred music." Early Music 36, no. 4 (November 1, 2008): 650–53. http://dx.doi.org/10.1093/em/can101.
Maunder, R. "Italian Baroque instrumental music." Early Music 37, no. 4 (November 1, 2009): 689–91. http://dx.doi.org/10.1093/em/cap099.
Fedchuk, Dmitry A. "Italian baroque opera and event." Journal of Integrative Cultural Studies 1, no. 2 (2019): 164–70. http://dx.doi.org/10.33910/2687-1262-2019-1-2-164-170.
Ostrow, Steven F., and John Varriano. "Italian Baroque and Rococo Architecture." Art Bulletin 70, no. 3 (September 1988): 528. http://dx.doi.org/10.2307/3051184.
Toniolo, L., C. Colombo, S. Bruni, P. Fermo, A. Casoli, G. Palla, and C. L. Bianchi. "Gilded Stuccoes of the Italian Baroque." Studies in Conservation 43, no. 4 (1998): 201. http://dx.doi.org/10.2307/1506729.
Selfridge-Field, Eleanor. "Italian oratorio and the Baroque Orchestra." Early Music XVI, no. 4 (November 1988): 506–13. http://dx.doi.org/10.1093/earlyj/xvi.4.506.
Toniolo, L., C. Colombo, S. Bruni, P. Fermo, A. Casoli, G. Palla, and C. L. Bianchi. "Gilded stuccoes of the Italian baroque." Studies in Conservation 43, no. 4 (January 1998): 201–8. http://dx.doi.org/10.1179/sic.1998.43.4.201.
Giselbrecht, E. "Finding the voice of the Italian Baroque." Early Music 40, no. 1 (February 1, 2012): 142–45. http://dx.doi.org/10.1093/em/cas002.
Thompson, Shirley. "French Baroque—with a hint of Italian." Early Music 44, no. 1 (February 2016): 178–80. http://dx.doi.org/10.1093/em/caw022.
Baniulytė, Aušra. "Italian Intrigue in the Baltic: Myth, Faith, and Politics in the Age of Baroque." Journal of Early Modern History 16, no. 1 (2012): 23–52. http://dx.doi.org/10.1163/157006512x622058.
Park, Moonjung. "The Italian Baroque Aesthetics in Tale of Tales." Journal of East-West Comparative Literature 50 (December 31, 2019): 111–29. http://dx.doi.org/10.29324/jewcl.2019.12.50.111.
Yücetoker, İzzet. "Pedagogical Analysis of the Baroque Period Piano Repertoire: Example of Italy." International Education Studies 14, no. 11 (October 27, 2021): 19. http://dx.doi.org/10.5539/ies.v14n11p19.
Pichugina, Olga K. "DEVELOPMENT OF IMITATION METHODS IN THE PAINTING PRACTICE OF THE 16th-17th CENTURY ITALIAN MASTERS." Architecton: Proceedings of Higher Education, no. 4(72) (December 28, 2020): 18. http://dx.doi.org/10.47055/1990-4126-2020-4(72)-18.
Hansen, Niels Chr, Makiko Sadakata, and Marcus Pearce. "Nonlinear Changes in the Rhythm of European Art Music." Music Perception 33, no. 4 (April 1, 2016): 414–31. http://dx.doi.org/10.1525/mp.2016.33.4.414.
Pawłowska, Maja. "Peut-on reconstruire le sens d’une oeuvre littéraire ? Edward Porębowicz, Jan Andrzej Morsztyn et la poésie française." Romanica Wratislaviensia 69 (November 29, 2022): 173–82. http://dx.doi.org/10.19195/0557-2665.69.15.
Bauer, George C. "Review: Italian Baroque and Rococo Architecture by John Varriano." Journal of the Society of Architectural Historians 46, no. 2 (June 1, 1987): 183–84. http://dx.doi.org/10.2307/990189.
Posner, Donald, Elizabeth Cropper, and Charles Dempsey. "On the State of Research in Italian Baroque Art." Art Bulletin 70, no. 1 (March 1988): 138. http://dx.doi.org/10.2307/3051160.
Underwood, Kent, Tharald Borgir, and Nigel North. "The Performance of Basso Continuo in Italian Baroque Music." Notes 45, no. 3 (March 1989): 502. http://dx.doi.org/10.2307/940803.
Pericolo, Lorenzo. "Statuino:An Undercurrent of Anticlassicism in Italian Baroque Art Theory." Art History 38, no. 5 (September 2, 2015): 862–89. http://dx.doi.org/10.1111/1467-8365.12187.
Paulicelli, Eugenia. "Fashion, Gender and Cultural Anxiety in Italian Baroque Literature." Romance Notes 50, no. 1 (2010): 35–46. http://dx.doi.org/10.1353/rmc.2010.0027.
Jonathan Nauman. "Herbert and Monteverdi: Sacred Echo and the Italian Baroque." George Herbert Journal 30, no. 1-2 (2008): 96–108. http://dx.doi.org/10.1353/ghj.0.0006.
Cottini, Luca. "D’Annunzio, Bernini, and the Baroque prelude of Il Piacere." Forum Italicum: A Journal of Italian Studies 51, no. 2 (April 5, 2017): 335–55. http://dx.doi.org/10.1177/0014585817698396.
Darie, Laurenţiu. "German Musical Baroque, a mini European Union avant la lettre: the bassoon concerto." Artes. Journal of Musicology 23, no. 1 (April 1, 2021): 187–95. http://dx.doi.org/10.2478/ajm-2021-0010.
Tao, Lin. "Research on the Notation of French Guitar and Lute in the Renaissance and Baroque Periods." Arts Studies and Criticism 3, no. 2 (July 6, 2022): 195. http://dx.doi.org/10.32629/asc.v3i2.916.
Grechanivska, Tetyana. "Functional role of the cello in Handel's solo cantatas." Culturology Ideas, no. 22 (2'2022) (2022): 63–71. http://dx.doi.org/10.37627/2311-9489-22-2022-2.63-71.
Termini, Olga. "The Role of Diction and Gesture in Italian Baroque opera." Performance Practice Review 6, no. 2 (1993): 146–57. http://dx.doi.org/10.5642/perfpr.199306.02.07.
Pesce, Sara. "The Baroque imagination: Film, costume design and Italian high fashion." Film, Fashion & Consumption 5, no. 1 (August 1, 2016): 7–28. http://dx.doi.org/10.1386/ffc.5.1.7_1.
Sally Quin. "Italian Women Artists from Renaissance to Baroque (review)." Parergon 25, no. 1 (2008): 217–19. http://dx.doi.org/10.1353/pgn.0.0048.
Goldstein, Carl. "Rhetoric and Art History in the Italian Renaissance and Baroque." Art Bulletin 73, no. 4 (December 1991): 641. http://dx.doi.org/10.2307/3045834.
Brown, Douglas. "Italian Baroque Sculpture98338B. Boucher. Italian Baroque Sculpture. London: Thames & Hudson 1998. 224 pp, ISBN: 0 500 20307 5 £7.95 World of Art series." Reference Reviews 12, no. 6 (June 1998): 36–37. http://dx.doi.org/10.1108/rr.1998.12.6.36.338.
Stefanovic, Аna. "Baroque references in works of Vlastimir Trajkovic." Muzikologija, no. 13 (2012): 141–62. http://dx.doi.org/10.2298/muz120401016s.
Neuman, Robert. "Robert de Cotte and the Baroque Ecclesiastical Façade in France." Journal of the Society of Architectural Historians 44, no. 3 (October 1, 1985): 250–65. http://dx.doi.org/10.2307/990075.
Stanga, C., H. Hasníková, R. Brumana, A. Grimoldi, and F. Banfi. "GEOMETRIC PRIMITIVES ASSESSING ITALIAN-CZECH VAULT CONSTRUCTION TECHNIQUES IN BAROQUE PERIOD." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 5, 2019): 1081–88. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-1081-2019.
Walden, Daniel K. S. "Expanding the conversation: new recordings of Italian Baroque and galant repertory." Early Music 46, no. 3 (August 2018): 535–38. http://dx.doi.org/10.1093/em/cay057.
Schweitzer, Claudia. "Study on French Baroque singing by accent and intonation segmentation." Journal of Speech Sciences 7, no. 2 (September 20, 2019): 09–30. http://dx.doi.org/10.20396/joss.v7i2.15003.
Rubini, Rocco. "The Vichian Resurrection of Commedia dell’Arte: Michelet, Sand, and De Sanctis." Quaderni d'italianistica 37, no. 2 (January 27, 2018): 49–74. http://dx.doi.org/10.33137/q.i..v37i2.29228.
WEBSTER, JAMES. "THE EIGHTEENTH CENTURY AS A MUSIC-HISTORICAL PERIOD?" Eighteenth Century Music 1, no. 1 (March 2004): 47–60. http://dx.doi.org/10.1017/s147857060400003x.
ffolliott, Sheila, and Mary D. Garrard. "Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art." Woman's Art Journal 12, no. 1 (1991): 41. http://dx.doi.org/10.2307/1358189.
Loh, Maria H. "New and Improved: Repetition as Originality in Italian Baroque Practice and Theory." Art Bulletin 86, no. 3 (September 2004): 477. http://dx.doi.org/10.2307/4134443.
Goldberg, Edward L., and Mary D. Garrard. "Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art." American Historical Review 96, no. 2 (April 1991): 547. http://dx.doi.org/10.2307/2163330.
Even, Yael, and Mary D. Garrard. "Artemisia Gentileschi; The Image of the Female Hero in Italian Baroque Art." Sixteenth Century Journal 20, no. 2 (1989): 337. http://dx.doi.org/10.2307/2540692.
Pollock, Griselda, and Mary D. Garrard. "Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art." Art Bulletin 72, no. 3 (September 1990): 499. http://dx.doi.org/10.2307/3045754.
Vădeanu, Ina. "„Maestri muratori” și constructori transilvăneni, în cadrul programului arhitectural al „Episcopiei Greco-Catolice Gherla”, în perioada 1853-1918." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (December 31, 2020): 39–66. http://dx.doi.org/10.24193/subbhistart.2020.03.
Musatova, Tatyana. "Emperor Nicholas I, collector and philanthropist. Days 9/22 and 10/23 December 1845 in Bologna." Stephanos Peer reviewed multilanguage scientific journal 54, no. 4 (July 31, 2022): 50–67. http://dx.doi.org/10.24249/2309-9917-2022-54-4-50-67.
Kouria, Aphrodite. "Secular painting in the Ionian islands and Italian art: Aspects of a multi-faceted relationship." Historical Review/La Revue Historique 13 (February 24, 2017): 29. http://dx.doi.org/10.12681/hr.11555.
Noyes, Ruth Sargent, and Rūstis Kamuntavičius. "The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century “Vilnius Baroque”." Ars Judaica The Bar Ilan Journal of Jewish Art: Volume 17, Issue 1 17, no. 1 (January 1, 2021): 25–59. http://dx.doi.org/10.3828/aj.2021.17.3.