Books on the topic 'Italian Baroque'
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1956-, Dixon Susan M., ed. Italian Baroque art. Malden, MA: Blackwell Pub., 2008.
Boucher, Bruce. Italian baroque sculpture. New York: Thames and Hudson, 1998.
Bissell, R. Ward. Masters of Italian baroque painting. Detroit: Detroit Institute of Arts, 2005.
Varriano, John. Italian baroque and rococo architecture. New York: Oxford University Press, 1986.
Varriano, John L. Italian Baroque and Rococo architecture. New York: Oxford University Press, 1986.
Wyndham, Pope-Hennessy John. Italian High Renaissance & Baroque sculpture. London: Phaidon Press, 2000.
Pope-Hennessy, John. Italian High Renaissance and Baroque sculpture. New York: Vintage Books, 1985.
Pope-Hennessy, John. Italian high renaissance and Baroque sculpture. 3rd ed. Oxford: Phaidon, 1986.
Wyndham, Pope-Hennessy John. Italian High Renaissance and Baroque sculpture. New York: Vintage Books, 1985.
Reed, Sue Welsh. Italian etchers of the Renaissance & Baroque. Boston, Mass: Museum of Fine Arts, 1989.
Françoise, Viatte, and Musée des beaux arts de Marseille., eds. Escales du baroque. Paris: A. Biro, 1988.
Finaldi, Gabriele. Baroque painting in Genoa. London: National Gallery Co., 2002.
Voss, Hermann. Baroque painting in Rome. San Francisco: Alan Wofsy Fine Arts, 1997.
Morison, Stanley. Early Italian writing-books: Renaissance to Baroque. Verona: Valdonega, 1990.
Blumenthal, Arthur R. Italian Renaissance & Baroque paintings in Florida museums. Winter Park, Fla: George D. and Harriet W. Cornell Fine Arts Museum, Rollins College, 1991.
Stanley, Morison. Early Italian writing-books: Renaissance to Baroque. Boston: David R. Godine, Publisher, 1990.
Muñoz, Isabel. Rome: L'invention du baroque. [Paris]: Marval, 1997.
Hester, Nathalie. Literature and identity in Italian baroque travel writing. Aldershot, England: Ashgate, 2008.
Finaldi, Gabriele. Discovering the Italian baroque: The Denis Mahon collection. London: National Gallery Publications, 1997.
Argan, Giulio Carlo. Immagine e persuasione: Saggi sul barocco. Milano: Feltrinelli, 1986.
Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. 4th ed. London: Phaidon, 1985.
Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. 3rd ed. Oxford: Phaidon, 1986.
Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. London: Phaidon Press, 2000.
Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. New York: Vintage Books, 1985.
Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. 2nd ed. London: Phaidon, 1985.
Friedlaender, Walter. Mannerism and anti-mannerism in Italian painting. New York: Columbia University Press, 1990.
Favilla, Massimo. Baroque Venice: Splendour and illusion in a "decadent" world. Schio: Sassi, 2009.
Bossaglia, Rossana. Due secoli di pittura barocca a Pontremoli. 2nd ed. Genova: Sagep, 1997.
Lustro, Agostino Di. Gli scultori Gaetano e Pietro Patalano tra Napoli e Cadice. Napoli: Arte Tipografica, 1993.
Caresio, Franco. Il Barocco. Ivrea (Torino): Priuli & Verlucca, 2005.
Mann, Judith Walker. Baroque into Rococo: Seventeenth and eighteenth century Italian paintings. St. Louis, Mo: Saint Louis Art Museum, 1997.
Tomić, Radoslav. Barokni oltari i skulptura u Dalmaciji. Zagreb: Matica hrvatska, 1995.
Giordano, Luca. Luca Giordano, 1634-1705. Napoli: Electa Napoli, 2001.
Benocci, Carla. Paolo Giordano II Orsini nei ritratti di Bernini, Boselli, Leoni e Kornmann. Roma: De Luca, 2006.
Giordano, Luca. Luca Giordano, 1634-1705. Naples: Electa Napoli, 2001.
Piazza, Stefano. Il barocco nella Sicilia sud-orientale. Bari: Laterza, 2002.
Riegl, Alois. The origins of Baroque art in Rome. Los Angeles, Calif: Getty Research Institute, 2010.
Bianco, Eleonora Carmela. Matera barocca: Cantieri, committenti e rinnovamento del gusto. Firenze: Mandragora, 2010.
Galluzzi, Francesco. Il barocco. Roma: Newton & Compton, 2005.
WHITAKER, LUCY. Art of Italy in the Royal Collection: Renaissance and Baroque. London: Royal Collection, 2007.
Montagu, Jennifer. Roman baroque sculpture: The industry of art. New Haven: Yale University Press, 1989.
Predieri, Alberto. Alpinia barocca: Paesaggio, arte, culture. Milano: Il saggiatore, 2004.
McCullagh, Suzanne Folds. Capturing the sublime: Italian drawings of the renaissance and baroque. Chicago: Art Institute of Chicago, 2012.
Borgie, Tharald. The performance of the basso continuo in Italian baroque music. Ann Arbor, Mich: UMI Research Press, 1988.
McCullagh, Suzanne Folds. Capturing the sublime: Italian drawings of the renaissance and baroque. Chicago: Art Institute of Chicago, 2012.
Borgir, Tharald. The performance of the basso continuo in Italian baroque music. Ann Arbor, Mich: UMI Research Press, 1987.
Jerzy, Kowalczyk. Il ruolo di Roma nell'architettura polacca del tardo barocco. Varsavia: Accademia polacca delle scienze, Biblioteca e centro di studi a Roma, 1996.
Cirillo, Giuseppe. Il trionfo del barocco a Parma nelle feste farnesiane del 1690. Parma: Artegrafica Silva, 1989.
Aloisi, Stefano. Gli Altan e il barocco: Committenza artistica tra Seicento e Settecento di una nobile famiglia friulana. Pasian di Prato, UD, Italia: Campanotto, 1999.
Resman, Blaž. Barok v kamnu: Ljubljansko kamnoseštvo in kiparstvo od Mihaela Kuše do Francesca Robbe. Ljubljana: Znanstvenoraziskovalni center SAZU, 1995.