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Books on the topic 'Italian Baroque'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

1956-, Dixon Susan M., ed. Italian Baroque art. Malden, MA: Blackwell Pub., 2008.

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2

Italian baroque sculpture. New York: Thames and Hudson, 1998.

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3

1923-, Miller Dwight C., Derstine Andria, and Detroit Institute of Arts, eds. Masters of Italian baroque painting. Detroit: Detroit Institute of Arts, 2005.

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4

Italian baroque and rococo architecture. New York: Oxford University Press, 1986.

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5

Varriano, John L. Italian Baroque and Rococo architecture. New York: Oxford University Press, 1986.

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6

Wyndham, Pope-Hennessy John. Italian High Renaissance & Baroque sculpture. London: Phaidon Press, 2000.

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7

Wyndham, Pope-Hennessy John. Italian High Renaissance and Baroque sculpture. New York: Vintage Books, 1985.

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8

Wyndham, Pope-Hennessy John. Italian high renaissance and Baroque sculpture. 3rd ed. Oxford: Phaidon, 1986.

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9

Wyndham, Pope-Hennessy John. Italian High Renaissance and Baroque sculpture. New York: Vintage Books, 1985.

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10

1933-, Wallace Richard W., and Museum of Fine Arts, Boston., eds. Italian etchers of the Renaissance & Baroque. Boston, Mass: Museum of Fine Arts, 1989.

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11

Françoise, Viatte, and Musée des beaux arts de Marseille., eds. Escales du baroque. Paris: A. Biro, 1988.

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12

Finaldi, Gabriele. Baroque painting in Genoa. London: National Gallery Co., 2002.

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13

Voss, Hermann. Baroque painting in Rome. San Francisco: Alan Wofsy Fine Arts, 1997.

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14

Morison, Stanley. Early Italian writing-books: Renaissance to Baroque. Verona: Valdonega, 1990.

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15

Blumenthal, Arthur R. Italian Renaissance & Baroque paintings in Florida museums. Winter Park, Fla: George D. and Harriet W. Cornell Fine Arts Museum, Rollins College, 1991.

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16

Stanley, Morison. Early Italian writing-books: Renaissance to Baroque. Boston: David R. Godine, Publisher, 1990.

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17

Muñoz, Isabel. Rome: L'invention du baroque. [Paris]: Marval, 1997.

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18

Literature and identity in Italian baroque travel writing. Aldershot, England: Ashgate, 2008.

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19

Michael, Kitson, Mahon Denis, and National Gallery (Great Britain), eds. Discovering the Italian baroque: The Denis Mahon collection. London: National Gallery Publications, 1997.

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20

Argan, Giulio Carlo. Immagine e persuasione: Saggi sul barocco. Milano: Feltrinelli, 1986.

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21

Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. 4th ed. London: Phaidon, 1985.

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22

Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. 3rd ed. Oxford: Phaidon, 1986.

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23

Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. London: Phaidon Press, 2000.

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24

Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. New York: Vintage Books, 1985.

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25

Wyndham, Pope-Hennessy John. An introduction to Italian sculpture. 2nd ed. London: Phaidon, 1985.

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26

Friedlaender, Walter. Mannerism and anti-mannerism in Italian painting. New York: Columbia University Press, 1990.

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27

Ruggero, Rugolo, and Sassi Luca, eds. Baroque Venice: Splendour and illusion in a "decadent" world. Schio: Sassi, 2009.

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28

Bossaglia, Rossana. Due secoli di pittura barocca a Pontremoli. 2nd ed. Genova: Sagep, 1997.

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29

Lustro, Agostino Di. Gli scultori Gaetano e Pietro Patalano tra Napoli e Cadice. Napoli: Arte Tipografica, 1993.

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30

Il Barocco. Ivrea (Torino): Priuli & Verlucca, 2005.

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31

Mann, Judith Walker. Baroque into Rococo: Seventeenth and eighteenth century Italian paintings. St. Louis, Mo: Saint Louis Art Museum, 1997.

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32

Barokni oltari i skulptura u Dalmaciji. Zagreb: Matica hrvatska, 1995.

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33

Museo e gallerie nazionali di Capodimonte., Kunsthistorisches Museum Wien, Los Angeles County Museum of Art., Italy. Ministero per i beni e le attività culturali, and Italy. Soprintendenza ai beni artistici e storici di Napoli, eds. Luca Giordano, 1634-1705. Napoli: Electa Napoli, 2001.

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34

Paolo Giordano II Orsini nei ritratti di Bernini, Boselli, Leoni e Kornmann. Roma: De Luca, 2006.

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35

Silvia, Cassani, Marandel J. Patrice, Museo e gallerie nazionali di Capodimonte, Kunsthistorisches Museum Wien, and Los Angeles County Museum of Art, eds. Luca Giordano, 1634-1705. Naples: Electa Napoli, 2001.

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36

Piazza, Stefano. Il barocco nella Sicilia sud-orientale. Bari: Laterza, 2002.

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37

The origins of Baroque art in Rome. Los Angeles, Calif: Getty Research Institute, 2010.

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38

Matera barocca: Cantieri, committenti e rinnovamento del gusto. Firenze: Mandragora, 2010.

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39

Il barocco. Roma: Newton & Compton, 2005.

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40

Art of Italy in the Royal Collection: Renaissance and Baroque. London: Royal Collection, 2007.

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41

Roman baroque sculpture: The industry of art. New Haven: Yale University Press, 1989.

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42

Alpinia barocca: Paesaggio, arte, culture. Milano: Il saggiatore, 2004.

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43

McCullagh, Suzanne Folds. Capturing the sublime: Italian drawings of the renaissance and baroque. Chicago: Art Institute of Chicago, 2012.

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44

Borgie, Tharald. The performance of the basso continuo in Italian baroque music. Ann Arbor, Mich: UMI Research Press, 1988.

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45

Chicago, Art Institute of, ed. Capturing the sublime: Italian drawings of the renaissance and baroque. Chicago: Art Institute of Chicago, 2012.

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46

The performance of the basso continuo in Italian baroque music. Ann Arbor, Mich: UMI Research Press, 1987.

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47

Jerzy, Kowalczyk. Il ruolo di Roma nell'architettura polacca del tardo barocco. Varsavia: Accademia polacca delle scienze, Biblioteca e centro di studi a Roma, 1996.

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48

Cirillo, Giuseppe. Il trionfo del barocco a Parma nelle feste farnesiane del 1690. Parma: Artegrafica Silva, 1989.

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49

Aloisi, Stefano. Gli Altan e il barocco: Committenza artistica tra Seicento e Settecento di una nobile famiglia friulana. Pasian di Prato, UD, Italia: Campanotto, 1999.

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50

Resman, Blaž. Barok v kamnu: Ljubljansko kamnoseštvo in kiparstvo od Mihaela Kuše do Francesca Robbe. Ljubljana: Znanstvenoraziskovalni center SAZU, 1995.

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