Relevant bibliographies by topics / Italian architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Italian architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Italian architecture"

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Bartolini, Francesco. "Architettura e fascismo. Temi e questioni storiografiche." PASSATO E PRESENTE, no. 78 (October 2009): 125–37. http://dx.doi.org/10.3280/pass2009-078007.

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- Architecture and Fascism. Issues and interpretative perspectives examines the historical debate regarding Fascist architecture which has been ongoing over the last decade. In particular, it analyses some interpretative issues that have proven most interesting both for political historians and architectural historians: the existence of a «totalitarian style», the relationship between the Fascist regime and architects, the ideological connotation of urban and rural landscape, the legacy of the Fascist experience on the Italian Republic.Key words: Italian Architecture, Fascism, Totalitarianism, Urban and Rural History, Rome.Parole chiave: architettura italiana, fascismo, totalitarismo, storia urbana e rurale, Roma.
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De Carlo, Giancarlo, Renato Luiz Sobral Anelli, and Mônica Graner. "La visita de Giancarlo De Carlo a Brasil: una lección vigente = The visit of Giancarlo De Carlo to Brazil: A still current class." Cuaderno de Notas, no. 24 (September 30, 2023): 54–63. http://dx.doi.org/10.20868/cn.2023.5194.

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AbstractIn April 1985, architect Giancarlo De Carlo, returning from Argentina to Italy, made a stop in São Paulo, his only visit to Brazil. He gave a lecture to students at a renowned architecture school in São Paulo and granted an interview to some students and young architects. At that time, the Italian architect was already recognized in Latin America, mainly for his editorial work and participation in CIAM and Team X. However, his ideas about modern architecture, participatory design experiences, and interventions in historical Italian cities were not widely known in the Brazilian academic environment and caused a certain impact among the students. The testimony was transcribed in 1985 and published in 1992 in the magazine Óculum under the title «Depoimento de um Arquiteto Italiano - Sobre a Arquitetura do Pós-Guerra (Testimony of an Italian Architect - On Post-War Architecture)». This article presents the transcription of Giancarlo De Carlo’s testimony in Spanish, with a brief introduction.ResumenEn abril de 1985, el arquitecto Giancarlo De Carlo, regresando de Argentina a Italia, hizo una escala en São Paulo, su única visita a Brasil. Impartió una conferencia para estudiantes en una prestigiosa facultad de arquitectura paulista y concedió una entrevista a algunos estudiantes y jóvenes arquitectos. En ese momento, el arquitecto italiano ya era reconocido en América Latina, principalmente por su trabajo editorial y su participación en CIAM y Team X. Sin embargo, sus ideas sobre arquitectura moderna, sus experiencias de diseño participativo y sus intervenciones en las ciudades históricas italianas eran poco conocidas en el ambiente académico brasileño y causaron cierto impacto entre los estudiantes. El testimonio fue transcrito en 1985 y publicado en 1992 en la revista Óculum con el título «Depoimento de um Arquiteto Italiano - Sobre a Arquitetura do Pós-Guerra». Este artículo presenta la transcripción del testimonio de Giancarlo De Carlo en español, con una breve presentación.
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Maria Manola. "Italian monuments in Kos- present situation and tourist interest and the role of ICTs in their promotion." World Journal of Advanced Engineering Technology and Sciences 12, no. 2 (July 30, 2024): 098–114. http://dx.doi.org/10.30574/wjaets.2024.12.2.0242.

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The present study has to do with the Italian architecture in the Dodecanese and specifically on the island of Kos. The departure of the Italians bequeathed to the island a rich architectural work, which is a valuable capital for its tourist industry. It is the result of thirty-one years of Italian rule and is an important and special part of the island's cultural heritage. After a quantitative survey carried out in November 2023 with questionnaires distributed on the island, it was shown that the Italian monuments have been utilized to a satisfactory extent, so that today they provide the visitor with a unique combination of history and architecture that attracts tourists and contributes to local and cultural development and presentation.
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Longhi, Andrea. "A lay association as a client." Actas de Arquitectura Religiosa Contemporánea 10 (December 16, 2023): 48–63. http://dx.doi.org/10.17979/aarc.2023.10.0.10181.

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Research into the Italian Liturgical Movement emphasised the pedagogical commitment of lay associations, rather than architectural innovation they eventually promoted. The case study presented here discusses a little-known case of ambitious architectural patronage promoted in 1952-53 by the main Italian lay association: the Italian Youth of Catholic Action (Gioventù di Azione Cattolica, GiAC). The winning design by architect Enzo Magnani, the first president of the Catholic Union of Italian Artists (UCAI), was rejected directly by Pius XII, probably as an indirect consequence of the worsening of the political fracture between the GiAC and the main branches of the Azione Cattolica, oriented towards explicit support for conservative and clericalist political positions, rather than ecclesial engagment and liturgical afflatus. The archives of Azione Cattolica Italiana (preserved by ISACEM in Rome) and some private archives allow a first reconstruction of the matter, which had been completely erased from the asssociation’s official history, and probably broke any possible link between associative patronage and liturgical architecture during the decades that followed.
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Lucantoni, Francesco. "Historical Notes on the Architecture of Italian Confraternities." Confraternitas 17, no. 2 (July 1, 2006): 3–27. http://dx.doi.org/10.33137/confrat.v17i2.12506.

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Historians of architecture have always drawn a distinct line between civic and religious architecture. Although this separation allows for easier classification of the vast heritage of architecture, it is not adequate for analysing certain realities that, by their very nature, fall between the two categories. An example of this is confraternal architectural production that developed extensively, in a variety of forms and environments, in the Catholic world from the thirteenth century to the present. As lay institutions with religious aims, confraternities gave birth to a special type of architecture, distinctive because of its combination of lay and religious elements, and because it was not restricted to sacred buildings. This architecture presents a complexity and an originality borne out of the close relationship to its various devotional aspects and, above all, to the social-charitable role played by these organizations.
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Ostrow, Steven F., and John Varriano. "Italian Baroque and Rococo Architecture." Art Bulletin 70, no. 3 (September 1988): 528. http://dx.doi.org/10.2307/3051184.

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Irace, Fulvio. "Italian Architecture from the Inside." Architectural Design 77, no. 3 (2007): 102–3. http://dx.doi.org/10.1002/ad.464.

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Collotti, Francesco. "Heinrich Tessenow. Avvicinamenti e progetti iconici." Firenze Architettura 26, no. 1 (September 26, 2022): 174–81. http://dx.doi.org/10.36253/fia-13945.

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Tessenow é noto in Italia per la pubblicazione in italiano di Osservazioni elementari sul costruire. Un lavoro accurato e necessario di curatela e ricostruzione critica aggiorna ora la nostra conoscenza dell’architetto tedesco ed è stato condotto da Martin Boesch per l’Accademia di Architettura della Svizzera italiana. Heinrich Tessenow é considerato uno dei più significativi architetti tedeschi dei primi decenni del novecento ed é usualmente associati a progetti per piccole case operaie, per gli artigiani e per la piccola borghesia che, grazie alle loro forme semplici e squadrate, all’assenza di decorazioni e alle proporzioni discretamente controllate, segnano il paesaggio per la loro discreta eppure marcata presenza. Tessenow is known in Italy for the Italian version of Hausbau und dergleichen. An accurate and necessary work of editing and critical reconstruction which has updated our knowledge of the German architect was conducted by Martin Boesch for the Academy of Architecture of the University of Italian Switzerland. Heinrich Tessenow is considered one of the most significant German architects of the early decades of the 20th century and is usually associated with designs of small houses for workers, artisans, and the petite bourgeoisie which, through their simple, square forms, lack of decoration, and carefully controlled proportions, mark the landscape with their discreet yet distinctive presence.
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Joost-Gaugier, Christiane L., Colin Rowe, and Leon Satkowski. "Italian Architecture of the 16th Century." Sixteenth Century Journal 35, no. 2 (July 1, 2004): 605. http://dx.doi.org/10.2307/20477014.

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Micheli, Silvia. "Reassessing 1960s and 1970s Italian Architecture." Fabrications 24, no. 2 (July 3, 2014): 198–213. http://dx.doi.org/10.1080/10331867.2014.963923.

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Dissertations / Theses on the topic "Italian architecture"

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Furlan, Rafaello. "The Form of Houses Built by Italian Migrants in Post-World war II Brisbane, Australia." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/365639.

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This thesis begins with an enquiry into the way the house is the physical expression of interacting cultural factors. Despite views emphasizing the determinant influence of culture on the house form, an investigation of the literature on architectural sociology reveals that, in the contemporary development of the built environment, the relationship between house form and human behaviour and/or activities, as manifestation of the users’ cultural needs, was treated as secondary. This study provides a conceptual framework based on cross-cultural studies and architectural sociology to understand how first generation Italian migrants in Brisbane have influenced the form of a specific typology of dwelling, the archetypal ‘house on a quarter-acre block’, in the post WWII period, in response to cultural needs. Qualitative data collected from the testimonies of Italian migrants in conjunction with evidence left from four houses, were analysed to answer the research question: in what ways did Italian migrants influence the form of their houses built in Brisbane in the post WWII period, and what were the forces behind, and outcomes of, this influence? The findings revealed that the architectural form of the house is influenced by the need to continue architectural traditions. The spatial form of Italian houses was influenced by sociocultural factors and urbanization patterns. These are the lack of public urban spaces like a town square traditionally utilized by Italian migrants in their native built environment for performing social activities. This insight means that migration to another land represents a fundamental disruption of social activities and, in this regard, the spatial form of the house could be conceptualised as a means of re-establishing and enhancing social interactions.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith School of Environment
Science, Environment, Engineering and Technology
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Pollali, Angeliki. "Invention : a prime mover in quattrocento Italian architecture." Thesis, University of Essex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252260.

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Lasansky, D. Medina. "Italian Renaissance refashioned : Fascist architecture and urban spectacle /." View online version; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9936645.

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Pinkston, Pamela. "Philosophic and scientific concepts of space : their effects on sixteenth century Italian art and architecture." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/21733.

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Clarke, Georgia Margot. "Italian Renaissance urban domestic architecture : the influence of Antiquity." Thesis, Courtauld Institute of Art (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264517.

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Montagner, Mauro 1966. "The role of chains in the Italian hotel industry." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/68786.

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Faggion, Laura. "From Sojourners to Setlers: Homes of Italian Migrants in Brisbane and their Meanings." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367780.

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This thesis focuses on the architecture of the domestic dwellings built by a group of twenty first-generation migrants, natives of the Veneto region in Italy. This group migrated to Australia after the Second World War and built their houses in the 1980s and 1990s in Brisbane. This thesis looks at the material realm of these houses, that is, their facades, the internal and external organisation and use of spaces, as well as at the symbolic realm that corresponds to the meanings attributed by the Veneto people to their houses in Brisbane. The project is of qualitative nature and as primary sources of data uses semi-structured interviews (1), associated when circumstances made this possible, to photo-elicitation interviews (2), and focus group discussion (3). The semi-structured interviews were conducted both in Australia with twenty first-generation Italian migrants, and in italy with another ten informants who are indigenous to the Veneto region and who built their homes their. These primary data are supplemented by secondary data in the form of photographs and drawings (4).
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith School of Environment
Science, Environment, Engineering and Technology
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Hayt, Andrew Carlton. "The Nostalgic Subject and the Reactionary Figure: Italian Architecture in 1972." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579263.

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This thesis considers the works of two divergent architectural movements in Italy in 1972, the Neo-Rationalist Tendenza and the revolutionary Architettura Radicale, and examines their treatment of the human figure as a means of understanding the strikingly different built environments that were created during the period. The rapidly shifting political, cultural, and socio-psychological milieu in Italy during the years following World War II transformed the meaning of the family unit and the significance of the individual and deeply affected the manner in which architects sought to address the needs of those who inhabited their structures. In Florence the group Superstudio envisioned radical environments that eschewed dominant architectural methodologies in favor of a reductive form of architecture that sought to push capitalistic trends toward their logical and inevitable conclusion. In Milan the architects Aldo Rossi and Carlo Aymonino were constructing the Monte Amiata housing project in the Gallaratese quarter, a series of structures rooted in the architectonic principles of the past, within which the role of the human figure is a more nebulous concept. The architectural projects conceived in Italy in 1972 represent a paradigm shift with regards to the role of the end-user in the urban environment.
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Arnardottir, Halldora. "Italianita : debates on architecture and design in Milan 1945-1964." Thesis, University College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325182.

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Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.

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Books on the topic "Italian architecture"

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Pippo, Ciorra, and D'Annuntiis Marco, eds. New Italian architecture: Italian landscape between architecture and photography. Milan: Skira Editore, 2000.

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Luca, Molinari, Scrivano Paolo, and De Michelis Marco 1945-, eds. Arquitectura italiana de la posguerra =: Postwar Italian architecture. Barcelona, Spain: G. Gili, 2000.

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Pippo, Ciorra, ed. Young Italian architects =: Giovani architetti italiani. Basel: Birkhäuser, 1998.

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1945-, Dal Co Francesco, and Polano Sergio, eds. Italian architecture, 1945-1985. Tokyo: a + u Pub. Co., 1988.

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Limited, Ars Libri. Italian art and architecture. Boston: Ars Libri Ltd, 1992.

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1969-, Bartolomei Cristiana, ed. L'architettura dei fari italiani = The architecture of Italian lighthouses. Firenze: Alinea, 2005.

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Varriano, John L. Italian Baroque and Rococo architecture. New York: Oxford University Press, 1986.

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Multari, Giovanni. Italian foreign architecture: Baukuh-Onsitestudio. Roma: Tab edizioni, 2022.

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Fondazione La Triennale di Milano, ed. Medaglia d'oro all'architettura italiana: Gold medal for Italian architecture, 2009. Milano: Triennale, 2009.

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Giorgio, Massaretti Pier, ed. Architettura italiana d'oltremare: Atlante iconografico = Italian architecture overseas : an iconographic atlas. Bologna: Bononia University Press, 2008.

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Book chapters on the topic "Italian architecture"

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Fugelso, Karl. "Multiculturalism in Italian Gothic Architecture." In Arizona Studies in the Middle Ages and Renaissance, 91–112. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.asmar-eb.3.3035.

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Edwards, Sarah. "Glasgow’s Italian Centres." In The Routledge Companion on Architecture, Literature and The City, 306–26. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315613154-19.

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McLaren, Brian L. "The Architecture of Tourism in Italian Libya: The Creation of a Mediterranean Identity." In Italian Colonialism, 167–78. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-4039-8158-5_15.

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Billiani, Francesca, and Laura Pennacchietti. "Fascism and Architecture." In Architecture and the Novel under the Italian Fascist Regime, 61–95. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19428-4_4.

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Bodenschatz, Harald. "Urbanism, 1 architecture, and dictatorship." In The Routledge Companion to Italian Fascist Architecture, 54–66. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-3.

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Campagnaro, Marnie. "Architecture and interior design in Italian picturebooks." In Building Children’s Worlds, 125–42. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003131755-10.

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Tyack, Geoffrey. "George Wightwick, ‘Anglo-Italian Villa’, in The Palace of Architecture." In British Architecture 1760–1914, 17–23. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003111177-4.

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Chiesa, Giacomo. "Early Design Strategies for Passive Cooling of Buildings: Lessons Learned from Italian Archetypes." In Sustainable Vernacular Architecture, 377–408. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_17.

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Oliaro, P., and V. Corrado. "Analysis of Comfort Level in Italian Bioclimatic Buildings." In 1989 2nd European Conference on Architecture, 95–98. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_29.

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Billiani, Francesca, and Laura Pennacchietti. "National Novel and New Architecture." In Architecture and the Novel under the Italian Fascist Regime, 1–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19428-4_1.

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Conference papers on the topic "Italian architecture"

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Носов, Константин Сергеевич. "KREMLINS IN ITALIAN STYLE: STATISTICA LAPPROACH TO THE ITALIAN INFLUENCE." In Международная научно-практическая конференция «Музеефикация фортификационных сооружений. проблемы и пути их решения». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.59.23.018.

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Итальянское влияние на русское военное зодчество началось с приездом в Россию итальянских мастеров во второй половине XV в. Итальянские архитектурные черты настолько полюбились русским зодчим, что они прослеживаются в русской архитектуре даже через два столетия после отъезда из страны последнего итальянца из той плеяды. С целью оценить степень итальянского влияния в данной работе впервые применён статистический подход к подсчёту «итальянизмов» в ряде кирпично-каменных памятников военного зодчества конца XV - начала XVIII в. Italian influence on Russian military architecture began with the arrival of Italian masters in Russia in the second half of the 15th century. Russian architects were so fond of Italian architectural features that the latter can be traced in Russian architecture even two centuries after the last Italian from that Pleiad left the country. In this work, in order to assess the degree of Italian influence, a statistical approach was, for the first time, applied to the calculation of “Italianisms” in a number of brick-and-stone monuments of military architecture of the late 15th - early 18th centuries.
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Gugliermetti, F., and R. Roversi. "Italian research on eco-efficient housing modules." In ECO-ARCHITECTURE 2014. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/arc140431.

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Mastromatteo, Ubaldo, and Bruno Murari. "NEW ARCHITECTURE IN DESIGNING MICROSYSTEMS." In Proceedings of the 7th Italian Conference. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776457_0014.

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Boeri, A., and D. Longo. "Eco-technologies for retrofitting social housing stock: strategies for an Italian case study." In ECO-ARCHITECTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/arc120331.

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Isgrò, Sara. "Le fortificazioni costiere austroungariche sulla frontiera italiana nell’Istria e Dalmazia dagli studi dello Scacchiere orientale." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11601.

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Austro-Hungarian coastal fortifications on the Italian border at Istria and Dalmatia from the studies on the eastern areaRight after the Unification of Italy, land’s topography, with landscape acquisition and restitution through explorations across borders, and in particular regarding Austro-Hungarian fortification on the Italian land and sea border, were immediately observed by Major State’s officials. In early 1900 the long and jagged stretch of Dalmatian coast between Pola and Cattaro, full of natural ports and coastal canals formed by many islands sometimes arranged in multiple orders along the coast, and in the past defended by many works which are now mostly radiated or abandoned (except for S. Nicolò fort, near Sebenico), can count on some works realized in Lussinpiccolo (Monte Asino): Ragusa wall has been entirely unarmed and defensive organization of Cattaro’s cannons is only maritime, in fact, for the part towards the land the Austrians provided to organize the defensive arming against neighboring Montenegro; Pola maritime square instead includes a sea front and a land front, so it can obtain protection by gulf, city’s arsenal and Fasana Canal. Archive’s material consulted in Kriegsarchiv of Vienna, historical cartography of Austro-Hungarian fortification system detected by Italian officers during Major State journeys on a side, together with many Memories on Austrian maritime fortifications between Cattaro and Pola, published by Major State Command, operations Division, allow to investigate and deepen Austro-Hungarian forts system along Italian coast, in Istria and Dalmatia.
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Blasi, Danilo, Vincenzo Cacace, Luca Casone, and Marco Rizzello. "WIRELESS SENSOR NETWORKS OVERVIEW, LOOKING AT THE ZIGBEE ARCHITECTURE." In Proceedings of the 11th Italian Conference. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812793393_0069.

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De Marco, Paolo, and Antonino Margagliotta. "La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà. *** The construction of language in the Sciacca popular Theatre by Giuseppe and Alberto Samonà." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7580.

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El Teatro popular de Sciacca de Giuseppe Samonà y su hijo Alberto –dos importantes guras de la arquitectura italiana– es una de las más significativas obras italianas de la segunda mitad del siglo XX. Inaugurado en 2015, después de una larga construcción de cuarenta años, el teatro tiene una original implantación con doble sala; está compuesto por tres grandes volúmenes (un paralelepípedo, un cono y una pirámide) y expresa una arquitectura de la imagen, una idea de un espacio determinado por formas puras y del uso de un único material (el hormigón visto). El uso de tres formas arquetípicas es una vuelta a los orígenes, una idea casi clásica y racional de la arquitectura; al mismo tiempo es la evocación de una perfección arcaica. Para esta idea es fundamental el empleo del hormigón, conceptualmente entendido como material primordial, que participa en la expresión de estabilidad y duración. El edificio se convierte en icono y se inserta en el paisaje como un monumento. En este sentido, esta arquitectura es un homenaje a Le Corbusier, construida a través de la interpretación del lenguaje del gran maestro. El Teatro de Sciacca representa, probablemente, el más notable ejemplo de arquitectura le corbuseriana en Italia.***The Sciacca Popular Theatre by Giuseppe Samonà and his son Alberto - two important figures of Italian architecture - is one of the most significant Italian building of the second half of the 20th century. Inaugurated in 2015, after a forty years long construction, the building has an original layout with two auditoriums; composed by three big volumes (a parallelepiped, a cone and a pyramid) and expresses an architecture of image, an idea of space determined by pure forms and using a single material (the raw concrete). The use of three archetypal forms is a return to the origin, an idea al- most classical and rational of architecture; at the same time is the evocation of an archaic perfection. Within this context, the use of raw concrete is also fundamental. Understood as primitive material, it participates to the expression of stability and durability across the building. As a result, the building is converted to an icon that sits in the landscape like a monument. In this sense, this architecture is a tribute to Le Corbusier, built through the interpretation of the great master language. The Sciacca Theatre represents, probably, the most remarkable example of architecture by Le Corbusier in Italy.
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Bernardi, P., R. Cerioni, E. Coïsson, and E. Michelini. "Vulnerability Assessment of Italian Rationalist Architecture: Two Case Studies." In 12th International Conference on Structural Analysis of Historical Constructions. CIMNE, 2021. http://dx.doi.org/10.23967/sahc.2021.317.

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Campos, João. "The superb Brazilian Fortresses of Macapá and Príncipe da Beira." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11520.

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During the eighteenth century Portugal developed a large military construction process in the Ultramarine possessions, in order to compete with the new born colonial trading empires, mainly Great Britain, Netherlands and France. The Portuguese colonial seashores of the Atlantic Ocean (since the middle of the sixteenth century) and of the Indian Ocean (from the end of the first quarter of the seventeenth century) were repeatedly coveted, and the huge Portuguese colony of Brazil was also harassed in the south during the eighteenth century –here due to problems in a diplomatic and military dispute with Spain, related with the global frontiers’ design of the Iberian colonies. The Treaty of Madrid (1750) had specifically abrogated the Treaty of Tordesillas (1494) between Portugal and Spain, and the limits of Brazil began to be defined on the field. Macapá is situated in the western branch of Amazonas delta, in the singular cross-point of the Equator with Tordesillas Meridian, and the construction of a big fortress began in the year of 1764 under direction of Enrico Antonio Galluzzi, an Italian engineer contracted by Portuguese administration to the Commission of Delimitation, which arrived in Brazil in 1753. In consequence of the political panorama in Europe after the Seven Years War (1756-1763), a new agreement between Portugal and Spain was negotiated (after the regional conflict in South America), achieved to the Treaty of San Idefonso (1777), which warranted the integration of the Amazonas basin. It was strategic the decision to build, one year before, the huge fortress of Príncipe da Beira, arduously realized in the most interior of the sub-continent, 2000 km from the sea throughout the only possible connection by rivers navigation. Domingos Sambucetti, another Italian engineer, was the designer and conductor of the jobs held on the right bank of Guaporé River, future frontier’s line with Bolivia. São José de Macapá and Príncipe da Beira are two big fortresses Vauban’ style, built under very similar projects by two Italian engineers (each one dead with malaria in the course of building), with the observance of the most exigent rules of the treaties of military architecture.
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Distante, Cosimo, Alfredo Anglani, Pietro Siciliano, and Lorenzo Vasanelli. "mSOM: A SOM BASED ARCHITECTURE TO TRACK DYNAMIC CLUSTERS." In Proceedings of the 5th Italian Conference — Extended to Mediterranean Countries. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812792013_0048.

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Reports on the topic "Italian architecture"

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Plessi, Fabrizio, Celestino Soddu, and Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, February 2003. http://dx.doi.org/10.18235/0005909.

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An exhibition of technological art from Italy, featuring the seminal piece ROMA II by Venetian contemporary master Fabrizio Plessi, with digitally designed architectural projects by Celestino Soddu, and interactive images by Adriano Abbado. Held in honor of Italy and the City of Milan, host of the 44th Annual Meeting of the IDB Board of Governors, the show was organized by the IDB Cultural Center with support from the IDB Information and Communication Technology for Development Division, and cooperation from the Istituto Italiano di Cultura of Washington, D.C.
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