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Journal articles on the topic 'Isopet II de Paris'

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Published: 11 March 2023

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1

Pelletier, Denis, and Luc Perrin. "Paris a l'heure de Vatican II." Vingtième Siècle. Revue d'histoire, no. 59 (July 1998): 222. http://dx.doi.org/10.2307/3770345.

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KARTIN, Cengiz. "Sultan II. Abdülhamid’den Paris Barış Konferansı’na Kürtler." Erciyes Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 50 (December 30, 2020): 231–47. http://dx.doi.org/10.48070/erusosbilder.744161.

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3

Gordon, Bertram M. "Warfare and tourism paris in World War II." Annals of Tourism Research 25, no. 3 (July 1998): 616–38. http://dx.doi.org/10.1016/s0160-7383(98)00009-7.

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4

Powell, James M. "Patriarch Gerold and Frederick II: the Matthew Paris letter." Journal of Medieval History 25, no. 1 (March 1999): 19–26. http://dx.doi.org/10.1016/s0304-4181(98)00015-3.

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Courtois, F., F. Barin, M. Larsen, Y. Brossard, A. Masselin, and P. Engelman. "HTLV-I/II infection in pregnant women in Paris." Lancet 335, no. 8697 (May 1990): 1103. http://dx.doi.org/10.1016/0140-6736(90)92681-7.

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Elmer, Patrice. "The Propylaea of Paris." Journal of Traditional Building, Architecture and Urbanism, no. 3 (November 8, 2022): 261–72. http://dx.doi.org/10.51303/jtbau.vi3.600.

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Ledoux, les Propylées de Paris is an animated slideshow portraying all the octroi tollhouses of Paris, built by Claude Nicolas Ledoux (1736-1806), a visionary architect, urbanist and utopian. 3D modeling was done with SketchUp Pro, rendering with Artlantis Studio and Photoshop CS, and video editing with iMovie. Each building rendered in 3D is graphically explored using transparency and greyscale. The source documents are the writings of Claude Nicolas Ledoux – L’architecture considérée sous le rapport de l’art, des mœurs et de la législation (Architecture Considered in Relation to Art, Mores and Legislation), Volumes I, II, and III, viewable online at the French National Library website: gallica.bnf.fr
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Miller, Jacques-Alain. "Pourquoi Lacan hispano ? Conversation entre Buenos Aires et Paris (II)." La Cause du Désir N° 112, no. 3 (November 9, 2022): 134–43. http://dx.doi.org/10.3917/lcdd.112.0134.

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Helm, Tamara. "American Family Portrait; Sisters; French Dolls II; Ennui; Naked in Paris." Frontiers: A Journal of Women Studies 19, no. 3 (1998): 120. http://dx.doi.org/10.2307/3347092.

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9

Muhlmann, Géraldine. "Response by Géraldine Muhlmann (University of Paris II (Panthéon-Assas), France)." Media History 16, no. 4 (October 4, 2010): 435–39. http://dx.doi.org/10.1080/13688804.2010.507481.

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Sciulli, David. "Painting, Law and Professions, II: Paris Visual Academie and French Law." Comparative Sociology 7, no. 1 (2008): 109–38. http://dx.doi.org/10.1163/156913308x260484.

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AbstractAside from English law being cited as pioneering the first professionalism project, French law is also frequently treated as an exemplar of early professionalism. We challenge this consensus by demonstrating that the Academie Royale de Peinture et de Sculpture of Paris preceded along a professionalism project centuries in advance of French law. Using this comparison, we also provide alternative explanations for questions and issues which remain troubling in the literature of French law.
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Da Silva, Marco Antonio Guimarães. "Coincidências II." Fisioterapia Brasil 12, no. 4 (May 20, 2017): 243. http://dx.doi.org/10.33233/fb.v12i4.918.

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Estava convencido de que nesse editorial deixaria de lado as ligeiras incursões em algumas áreas, predominantemente humanas e sociais, e falaria sobre um tema ligado a fisioterapia. Um fato, ou melhor, uma discreta coincidência entre um livro e um filme impediu-me de fazê-lo. Já havia escrito um editorial, há algum tempo atrás, que falava sobre coincidências. À época busquei amparo na psicologia analítica de Jung (Carl Gustav), a qual gravita no circuito dos estudos das polaridades e sua integração ao inconsciente coletivo. Para que nos situemos, é bom lembrar que Jung postulou que a atividade da mente inconsciente podia se projetar no mundo externo dos fatos, em aparentes coincidências, e os fatos do mundo externo do universo poderiam coincidir com os arquétipos do inconsciente coletivo. Acredito que possamos utilizar a definição ortodoxa de coincidência como sendo o significado de coisas que acontecem em uma sequência acidental de fatos ou em um mesmo período de tempo, para explicar o que escrevo a seguir.Com uma personalidade camaleônica, confirmada pelos astros e por meios pouco ortodoxos de adivinhações, venho, ao longo de minha vida, me envolvendo com projetos e situações que se renovam de tempos em tempos e que, aparentemente, não se relacionam entre si. A minha última e ousada incursão volta-se para a literatura. Acordei um belo dia e disse para mim mesmo: “Vou entrar no mundo ficcional”. Sete meses depois estava com o meu primeiro romance escrito.Não sei até quando continuarei percorrendo o caminho das letras, na condição de escritor, mas, a julgar pela intensidade e paixão que esse novo oficio vem me despertando, suponho que esse ciclo me acompanhará até o final da minha vida. Mas isso não importa. Voltemos ao meu primeiro romance, porque irei utilizá-lo para explicar o motivo desse editorial. O livro em questão é um meta romance, em que um dos protagonistas é um flanêur, que caminha por entre as ruas de Paris e pensa estar vendo alguns escritores já mortos, dentre os quais Gertrude Stein, Proust, James Joyce, Scott Fitzgerald, Ezra Pound e Virginia Woolf.Mas onde estaria a aludida coincidência? Há um filme de um diretor norte americano, muito famoso, em cartaz há dois meses no Brasil, que aborda uma temática muito parecida com a que abordei no meu livro: um roteirista americano muda-se para Paris e começa a ver escritores e outros artistas já mortos. Ainda que ache que as semelhanças não cheguem ao nível atribuído pelos leitores, que me telefonaram ou enviaram e-mails para relatar o fato, reconheço que o diretor do filme eu pensamos algo muito parecido. Embora meu livro tenha sido lançado em 2010 e o filme tenha saído em 2011, é bem possível que os nossos pontos coincidentes tenham sido pensados no mesmo momento.Na época, eu estava em Paris e o diretor em questão deveria estar em Nova York, com quase seis mil quilômetros de distância nos separando, mas também não faria nenhuma diferença se estivesse na mesma rua que eu. O fato é que nossos pensamentos se cruzaram em algum momento. Acredito que outras coincidências estejam, agora mesmo, ocorrendo com zilhares de pessoas. Não se surpreendam pois, se virem um projeto ou um trabalho idêntico aos seus serem reproduzidos por outrem.Adianto, caso haja alguém pensando em escrever ou já tenha escrito algo semelhante, que meu segundo romance, que já está na editora (http://www.octavo.com.br), deverá ser lançado em outubro e trata da difícil relação entre um autor, que insistia em utilizar um pseudônimo, e seu editor, que o roubava desbragadamente.Para que não seja condenado a morrer na fogueira com uma tábua e pregos na língua para parar de blasfemar, tal e qual Giordano Bruno, termino essa crônica com uma noticia sobre fisioterapia: entre 9 e 12 de outubro estará ocorrendo o XIX Congresso Brasileiro de Fisioterapia, AFB 2011 Florianópolis, que já recebeu aproximadamente 1600 trabalhos científicos e que, ao que tudo indica, será um grande sucesso. Parabéns à comissão organizadora.
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12

WINKLER, AMANDA EUBANKS. "‘O ravishing delight’: the politics of pleasure in The Judgment of Paris." Cambridge Opera Journal 15, no. 1 (March 2003): 15–31. http://dx.doi.org/10.1017/s0954586703000156.

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London composers competed for a music prize in 1701, setting William Congreve's libretto on the judgment of Paris, a beauty contest among Juno, Pallas and Venus. Paris, contest judge, exiled prince and amorous shepherd, prefers Venus, placing love above Juno's promised empire and Pallas's martial success. This essay reveals the general political meanings of the judgment of Paris myth, shows how the tale had been used to critique Charles II and James II, examines the political beliefs of the sponsors and librettist, and demonstrates how music by John Eccles, Daniel Purcell and John Weldon supported the politics of Congreve's libretto.
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13

Montevecchi (aut.), Federica, and Rossella Saetta Cottone (trad.). "Compte-rendu de "Clémence Ramnoux, Œuvres, tomes I et II"." Anais de Filosofia Clássica 13, no. 26 (December 22, 2019): 203–9. http://dx.doi.org/10.47661/afcl.v13i26.35836.

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Resenha de Clémence Ramnoux, Œuvres, tomes I et II, présentation de R. Saetta Cottone, révisé par A. Marcinkowski, Encre marine/Les Belles Lettres, Paris, 2020, XLIV + 1556 p.Traduzida para o francês por Rossella Saetta Cottone
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Piketty, Caroline. "II.3/ Les pianos des familles juives de Paris au printemps 1945." Revue d’Histoire de la Shoah N°213, no. 1 (2021): 159. http://dx.doi.org/10.3917/rhsho.213.0159.

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15

Stamatoiu, Cristian. "Geografii teatrale pe firul istoriei și al râului (II): Sena la Paris." Cercetări teatrale 2, no. 1 (2021): 15–36. http://dx.doi.org/10.46522/ct.2021.01.01.

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The Antique settlement of „Lutèce“ (Lutetia Parisio- rum, lat.) became, under the name of Paris, a center of medieval civilization which will be later named “The City of Light“ under the Sun King. This nickname has two reasons. The practical one consisted in the fact that in 1667 Louis XIV ordered the city of Paris to be lighted by gas street lamps (the first city in the world ); the intellectual one came from its statute of a cultural classicist hub and later, that of the city of enlightenment. An important aspect of these developments was the local theatrical civilization. Our study is interested in determining the evolution and the geography of the theaters like Bourgogne, Marais, Guénégaud (…) on the two banks of the Seine river in the times of Corneille, Racine and, especially, Molière.
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Rutherford, Richard. "II - The Iliad." New Surveys in the Classics 41 (2011): 44–75. http://dx.doi.org/10.1017/s0017383512000393.

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The Iliad is not an Achilleid, although Achilles is the most important character in the epic. One of the most striking features of the poem is the way in which it embraces the action of the whole Trojan War by retrospective and prospective references, rather than by narrating the events in full. In this, as is evident from ancient testimony, the Iliad was markedly different from the ‘cyclic’ epics (see esp. Hor. Ars P. 136–7). The human characters refer to the abduction of Helen, the initial embassy to the Trojans, the mustering at Aulis, the earlier campaigns and clashes; the prophecies and comments of the gods, particularly Zeus and Thetis, anticipate the doom of Achilles and the ultimate fall of Troy, also grimly foreshadowed in other ways. In an important passage which seems to be deliberately reserved for a late stage in the poem, Homer himself looks back to the origin of the whole conflict, the judgement of Paris which aroused the implacable anger of Athena and Hera against Troy.
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17

Fojo, S. S., J. L. de Gennes, J. Chapman, C. Parrott, P. Lohse, S. S. Kwan, J. Truffert, and H. B. Brewer. "An Initiation Codon Mutation in the ApoC-II Gene (ApoC-II Paris) of a Patient with a Deficiency of Apolipoprotein C-II." Journal of Biological Chemistry 264, no. 35 (December 1989): 20839–42. http://dx.doi.org/10.1016/s0021-9258(19)30009-2.

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18

Cowans, Jon. "Fear and Loathing in Paris." Social Science History 26, no. 1 (2002): 71–104. http://dx.doi.org/10.1017/s0145553200012293.

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In 1978, some 40 years after the practice of opinion polling first arrived in France, the country’s newspapers and magazines informed their readers that 76% of the French approved of Charles de Gaulle’s role in World War II, that 77% did not consider the pope’s moral instructions binding, that 83% never participated in winter sports, and that 36% thought Michel Rocard would be a good finance minister. Anyone who could not remember those findings for long might be forgiven, for they were but drops in an ocean of polling data, a tidal wave of information that swept over France each year. For many, this onslaught of polling data is deeply disturbing, given their belief that opinion polls have undermined elected representatives’ ability to use their judgment in making political decisions and have silenced other, more authentic expressions of popular opinion (for example, see Champagne 1990). Even those who welcomed les sondages d’opinion as a new means of bringing the people’s voice into arenas of power might still have felt overwhelmed by the sheer number of them published in France by that time–well over 500 in a typical year, according to one 1984 estimate–and many began to characterize the country’s apparently insatiable appetite for polls as sondomanie, or “poll mania” ( Jaffré 1985). Perhaps it was only to be expected that France, one of the pioneers in the creation of modern democracy, would be among the countriesmost interested in using polls to proclaim the will of the people to the humble and the powerful alike.
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Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (II) – Les spectacles de province." Cahiers ERTA, no. 24 (2020): 103–15. http://dx.doi.org/10.4467/23538953ce.20.020.13222.

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Tannhäuser rehabilitated (II) – Performances in the provinces Tannhäuser’s reemergence at Paris Opera’s stage was preceded by the work’s productions in some French provincial theatres: in Lyons (première on April 4th, 1892), in Toulouse (première on April 13th, 1892), in Nice (première on March 14th, 1894) and in Nantes (première on March 27th, 1894). The author of the article discusses various aspects of these performances accentuating the fact that this time the main objects of controversies weren’t the composer and his Tannhäuser, but the soloists observed attentively by the musical critics and the spectators, as one can guess reading the reviews quoted in the article.
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Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (II) – Les spectacles de province." Cahiers ERTA, no. 24 (2020): 103–15. http://dx.doi.org/10.4467/23538953ce.20.020.13222.

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Tannhäuser rehabilitated (II) – Performances in the provinces Tannhäuser’s reemergence at Paris Opera’s stage was preceded by the work’s productions in some French provincial theatres: in Lyons (première on April 4th, 1892), in Toulouse (première on April 13th, 1892), in Nice (première on March 14th, 1894) and in Nantes (première on March 27th, 1894). The author of the article discusses various aspects of these performances accentuating the fact that this time the main objects of controversies weren’t the composer and his Tannhäuser, but the soloists observed attentively by the musical critics and the spectators, as one can guess reading the reviews quoted in the article.
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Ginchereau, Eugene. "The American Ambulance in Paris, 1914–1917 Part II: The University Surgical Service." Military Medicine 181, no. 1 (January 2016): 3–4. http://dx.doi.org/10.7205/milmed-d-15-00406.

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Picard, Véronique, Isabelle Présot, Pierre-Yves Scarabin, Martine Aiach, Joseph Emmerich, and Martine Alhenc-Gelas. "Antithrombin Cambridge II (A384S): prevalence in patients of the Paris Thrombosis Study (PATHROS)." Blood 110, no. 7 (October 1, 2007): 2777–78. http://dx.doi.org/10.1182/blood-2007-05-091835.

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DERINGIL, SELIM. "FRANÇOIS GEORGEON, Abdülhamid II: Le sultan calife (Paris: Fayard, 2003). Pp. 528. €25.00." International Journal of Middle East Studies 37, no. 4 (September 23, 2005): 643–44. http://dx.doi.org/10.1017/s0020743805412222.

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Man, Shuli, Panpan Lv, Jingxia Cui, Furui Liu, Lei Peng, Long Ma, Changxiao Liu, and Wenyuan Gao. "Paris saponin II-induced paraptosis-associated cell death increased the sensitivity of cisplatin." Toxicology and Applied Pharmacology 406 (November 2020): 115206. http://dx.doi.org/10.1016/j.taap.2020.115206.

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Kitamura, Ichiro. "The Role of Law in Contemporary Japanese Society." Victoria University of Wellington Law Review 34, no. 4 (November 3, 2003): 729. http://dx.doi.org/10.26686/vuwlr.v34i4.5760.

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This is an edited version of a public lecture presented at the Institut de Droit Comparé de Paris and published as chapter II of Droit GLOBAL Law 2001/1: Unifier le Droit: le Rêve impossible? (Ed Pantheon-Assas, Paris, 2001). It was translated and edited in English by Anthony Angelo, Professor of Law, and Johanna Reidy, MA LLB, both of Victoria University of Wellington.
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26

Flynn, Gabriel. "Yves Congar at Vatican ii." Ecclesiology 13, no. 1 (January 25, 2017): 32–54. http://dx.doi.org/10.1163/17455316-01301004.

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Among the private diaries of Vatican ii, those of Yves M.J. Congar (1904–95) and Henri de Lubac (1896–1991) are undoubtedly the most important. The aim of this article is to assess the significance of Congar’s My Journal of the Council in order to draw attention to its significant influence in the on-going reception of the Vatican ii, and to the perennial challenge of reform in the Church. Congar was one of the most prominent of the ressourcement theologians, associated principally with the Jesuits of Lyon-Fourvière and the Dominicans of Le Saulchoir, Paris. Their influence pervaded French society and theology in the period 1930–1960, and beyond, and inspired a renaissance in Catholic thought. The article assesses Congar’s role in that renaissance, as well as his immense participation in the elaborate work of the Council, not least his involvement with the Belgian theologians with whom he formed a strategic liaison.
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Nisiobęcka, Aneta. "Przyczynek do historii dyplomacji kulturalnej II Rzeczypospolitej we Francji." Sprawy Międzynarodowe 73, no. 4 (December 31, 2020): 279–315. http://dx.doi.org/10.35757/sm.2020.73.4.10.

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The article describes the circumstances in which the France-Pologne association, led by Henri de Montfort, was established in 1919 and operated to 1940. In the available literature on the subject, the activity of this association has not been given much attention. The Les Amis de la Pologne association established by Rosa Bailly in 1919 played an important role in creating a positive image of Poland in the city on the Seine in the interwar period. The recognition of the Polish National Committee (KNP) by Paris in August 1917 as the official Polish representation paved the way for the creation of the France-Pologne association. Having realised how important it was to use propaganda in international political and military relations, the Polish delegation to the Paris Peace Conference handed over the competences of the KNP Propaganda Office to the France-Pologne association. Its most important task was to conduct the promotional activities in the central press, supported by the government on the Seine. Throughout the interwar period, to advertise the Second Polish Republic’s achievements in France, France-Pologne co-organised readings, lectures, concerts, anniversary celebrations and participated in the scholarship exchange of Polish and French high schoolers and students. It also informed the French public opinion about economic relations with Poland in its magazines: „La Pologne. Politique, économique, littérraire et artistique”, „Bulletin d’information sur la vie économique polonaise” and „La Revue de l’Est Européen”.
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DAVIS, URSULA BROSCHKE. "IMAGE-MAKING: JAZZ AND PARIS: The African-American Jazz Musician in Paris After World War II and the Creation of His Public Image." International Jazz Archive Journal 01, no. 1 (October 1, 1993): 15–47. http://dx.doi.org/10.2307/44757976.

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Takács, László. "II. Rákóczi Ferenc itáliai (zarándok)útja." Antikvitás & Reneszánsz, no. 2 (January 1, 2018): 205–14. http://dx.doi.org/10.14232/antikren.2018.2.205-214.

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Young Ferenc Rákóczi traveled to Italy in 1693. His trip started in Vienna and then he visited Venice and other famous cities in Northern Italy, like Bologna, Florence, Pisa, etc. During his tour he spent four months in Florence, then he left for Torino, Milano, and in August he arrived in Loreto. Between September and January that year he was living in Rome. Later he traveled to Napoli and its neighbourhood. In February he had to return to Vienna. This journey was described by Rákóczi in his work named Confessio Peccatoris, which was composed in France more than twenty years later. Living in Paris and in the monastery of Grosbois Rákóczi was influenced by the contemporary Catholic theological movement called Jansenism. In this paper I will try to elucidate, how his Italian travel experiences were recomposed and reevaluated by Rákóczi two decades later under the influence in the framework of Jansenism.
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Haftendorn, Helga. "German Foreign Policy in a Strategic Triangle: Bonn–Paris–Washington." German Politics and Society 17, no. 1 (March 1, 1999): 1–31. http://dx.doi.org/10.3167/104503099782486950.

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German foreign policy operates in a strategic triangle, the corner points of which are Bonn, Paris, and Washington. This constellation dates to the end of World War II. Since that time, German foreign policy has been influenced by this strategic triangle, which provides forpolitical opportunities as well as for significant risks. It relies on the interdependence of German-American, German-French, and French-American relations.
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Lamoureux, Diane. "Françoise Héritier, Masculin / Féminin II. Dissoudre la hiérarchie. Paris, Odile Jacob, 2002, 433 p." Anthropologie et Sociétés 27, no. 2 (2003): 214. http://dx.doi.org/10.7202/007458ar.

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Mateo-Seco, Lucas F. "Hilarion ALFEYEV, L’Orthodoxie, II: La doctrine de l’Église orthodoxe, Paris: Cerf, 2012, 464 pp." Scripta Theologica 44, no. 3 (March 9, 2015): 788. http://dx.doi.org/10.15581/006.44.1242.

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Clarke, George Elliott. "Diary of Sally Hemings à Paris (II), and: To Milton by Phillis Wheatley (1773)." Callaloo 39, no. 3 (2016): 512–16. http://dx.doi.org/10.1353/cal.2016.0128.

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Man, Shuli, Lili Zhang, Jingxia Cui, Li Yang, Long Ma, and Wenyuan Gao. "Curcumin enhances the anti-cancer effects of Paris Saponin II in lung cancer cells." Cell Proliferation 51, no. 4 (April 2, 2018): e12458. http://dx.doi.org/10.1111/cpr.12458.

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Chen, Meihong, Ke Ye, Biying Zhang, Qiao Xin, Ping Li, Ah-Ng Kong, Xiaodong Wen, and Jie Yang. "Paris Saponin II inhibits colorectal carcinogenesis by regulating mitochondrial fission and NF-κB pathway." Pharmacological Research 139 (January 2019): 273–85. http://dx.doi.org/10.1016/j.phrs.2018.11.029.

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Joubert, Natalie. "II. CYBER-TORTS AND PERSONAL JURISDICTION: THE PARIS COURT OF APPEAL MAKES A STAND." International and Comparative Law Quarterly 58, no. 2 (April 2009): 476–84. http://dx.doi.org/10.1017/s0020589309001110.

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Hurley, CK, J. Ng, J. Hegland, Z. Awdeh, LA Baxter-Lowe, A. Begovich, M. Chopek, et al. "High resolution class II DNA typing of NMDP donor-recipient paris: A progress report." Human Immunology 47, no. 1-2 (April 1996): 80. http://dx.doi.org/10.1016/0198-8859(96)85124-x.

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Cushing, Kathleen G. "Papsturkunden in Frankreich, Neue Folge, 9. Band: Diozese Paris II, Abtei Saint-Denis (review)." Catholic Historical Review 87, no. 1 (2001): 86. http://dx.doi.org/10.1353/cat.2001.0010.

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Sänger-Böhm, Kerstin. "Eine merkwürdige griechische Randnotiz Überlegungen zum koptischen Kodexblatt Paris BNCopte164 II fol. 16m recto." Archiv für Papyrusforschung und verwandte Gebiete 65, no. 1 (June 1, 2019): 117–23. http://dx.doi.org/10.1515/apf-2019-0006.

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Abstract A papyrus codex which contained the Sahidic version of the Gospel of John exhibits a highly interesting “marginal note”. On the bottom margin of one page (Paris BNCopte164 II fol. 16m) one finds traces of the beginning of five lines written in Greek in a cursive hand usually used in documentary papyri. A closer look at the Greek cursive suggests that these lines originally belonged to the text of a fifth-century protokollon.
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Teive, Hélio A. G., Fernando Tensini, Francisco M. B. Germiniani, Carlos Henrique F. Camargo, and Olivier Walusinski. "The Melted Statue of Charcot: The Nazi Occupation of Paris During World War II." European Neurology 81, no. 3-4 (2019): 182–87. http://dx.doi.org/10.1159/000501743.

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The authors describe the construction of a statue in honor of Professor Charcot, the father of modern neurology, in Paris in 1898, 5 years after his death. The Nazi invaders destroyed the statue, which was erected near the entrance to the Salpêtrière hospital with the support of his disciples and the international neurological community, in 1942 during World War II. An international campaign is now needed to rebuild the statue of this great neurologist.
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Zhang, Lili, Shuli Man, Yongshuai Wang, Jing Liu, Zhen Liu, Peng Yu, and Wenyuan Gao. "Paris Saponin II induced apoptosis via activation of autophagy in human lung cancer cells." Chemico-Biological Interactions 253 (June 2016): 125–33. http://dx.doi.org/10.1016/j.cbi.2016.05.016.

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42

Wilde, Anne-Christin Beatrice, Charlotte Lieb, Elise Leicht, Lena Maria Greverath, Lara Marleen Steinhagen, Nina Wald de Chamorro, Jörg Petersen, et al. "Real-World Clinical Management of Patients with Primary Biliary Cholangitis—A Retrospective Multicenter Study from Germany." Journal of Clinical Medicine 10, no. 5 (March 4, 2021): 1061. http://dx.doi.org/10.3390/jcm10051061.

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Background: Clinical practice guidelines for patients with primary biliary cholangitis (PBC) have been recently revised and implemented for well-established response criteria to standard first-line ursodeoxycholic acid (UDCA) therapy at 12 months after treatment initiation for the early identification of high-risk patients with inadequate treatment responses who may require treatment modification. However, there are only very limited data concerning the real-world clinical management of patients with PBC in Germany. Objective: The aim of this retrospective multicenter study was to evaluate response rates to standard first-line UDCA therapy and subsequent Second-line treatment regimens in a large cohort of well-characterized patients with PBC from 10 independent hepatological referral centers in Germany prior to the introduction of obeticholic acid as a licensed second-line treatment option. Methods: Diagnostic confirmation of PBC, standard first-line UDCA treatment regimens and response rates at 12 months according to Paris-I, Paris-II, and Barcelona criteria, the follow-up cut-off alkaline phosphatase (ALP) ≤ 1.67 × upper limit of normal (ULN) and the normalization of bilirubin (bilirubin ≤ 1 × ULN) were retrospectively examined between June 1986 and March 2017. The management and hitherto applied second-line treatment regimens in patients with an inadequate response to UDCA and subsequent response rates at 12 months were also evaluated. Results: Overall, 480 PBC patients were included in this study. The median UDCA dosage was 13.2 mg UDCA/kg bodyweight (BW)/d. Adequate UDCA treatment response rates according to Paris-I, Paris-II, and Barcelona criteria were observed in 91, 71.3, and 61.3% of patients, respectively. In 83.8% of patients, ALP ≤ 1.67 × ULN were achieved. A total of 116 patients (24.2%) showed an inadequate response to UDCA according to at least one criterion. The diverse second-line treatment regimens applied led to significantly higher response rates according to Paris-II (35 vs. 60%, p = 0.005), Barcelona (13 vs. 34%, p = 0.0005), ALP ≤ 1.67 × ULN and bilirubin ≤ 1 × ULN (52.1 vs. 75%, p = 0.002). The addition of bezafibrates appeared to induce the strongest beneficial effect in this cohort (Paris II: 24 vs. 74%, p = 0.004; Barcelona: 50 vs. 84%, p = 0.046; ALP < 1.67 × ULN and bilirubin ≤ 1 × ULN: 33 vs. 86%, p = 0.001). Conclusion: Our large retrospective multicenter study confirms high response rates following UDCA first-line standard treatment in patients with PBC and highlights the need for close monitoring and early treatment modification in high-risk patients with an insufficient response to UDCA since early treatment modification significantly increases subsequent response rates of these patients.
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Waskan, Jan. "Działalność polityczna Romana Rybarskiego w II RP." Świat Idei i Polityki 17, no. 1 (December 31, 2018): 412–36. http://dx.doi.org/10.15804/siip201821.

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In this paper an analysis of Roman Rybarski’s political activity has been done, who was one of the most prominent leader of national camp. In a special way his contribution in polish political thought is outlined. In his political biography an important date was 1919, when R. Rybarski was appointed as an expert of polish delegation to Paris peace conference. After his return, he activated himself politically, linking with numerous national camp organizations. Formulating not only economic program but also his views on nation and society, thus he became an important ideologist of national camp. In period 1928–1935 he sat as a deputy in second and third term Sejm, where he performed the function of National Club chairman. In this paper are also other issues raised, such as R. Rybarski collaboration with Roman Dmowski, as well as tensions and political discrepancies between them.
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Thébaud, Françoise. "Évelyne Diebolt, Amours passionnées pendant la Grande Guerre, t. i et t. ii : « Lucie Meyer, Mens, et Gaston Guilly, Paris », Paris, Michel Houdiard Éditeur, 2016, t. I (455 p.) et II (505 p.)." Recherches féministes 32, no. 1 (2019): 251. http://dx.doi.org/10.7202/1062240ar.

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Nowak, Maciej. "Longing for Balance." Polish Review 67, no. 3 (October 1, 2022): 6–29. http://dx.doi.org/10.5406/23300841.67.3.02.

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Abstract The article presents a biography of Andrzej Bobkowski (1913–1961), a Polish émigré writer associated with the Paris-based Instytut Literacki [Literary institute] and the monthly Kultura. Bobkowski belonged to the “1910 generation,” along with Czesław Miłosz, Zygmunt Haupt, and Witold Gombrowicz. He grew up in a family environment that was Protestant and Catholic, bourgeois and aristocratic, military and civilian, with high regard for intellect and physical strength. In 1936, he graduated from the Warsaw School of Economics and began working as a clerk in an office of an iron mill. In March 1939, he and his wife moved to Paris where they witnessed the outbreak of World War II. In Paris, Bobkowski started writing a diary that, redacted, would be published in 1957 in Paris under the title Szkice piórkiem. Francja 1940–1944 [Wartime notebooks: France 1940–1944]. During the war, Bobkowski was active in the Polish Office at the Atelier de Construction de Chatillon near Paris. After the war, he joined cultural initiatives of the Polish anti-communist emigration. Discouraged by the political situation in Europe, he left for Guatemala in 1948, but continued to publish in émigré journals.
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García Galiano, Ángel. "Relectura de la égloga II." Revista de literatura 62, no. 123 (October 17, 2020): 19. http://dx.doi.org/10.3989/revliteratura.2000.v62.i123.523.

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El objetivo de este artículo es proponer una lectura holística de la Égloga II de Garcilaso de la Vega a la luz del contexto humanista de renovación literaria napolitano (con la evidente influencia de la Arcadia de Sannazaro, el imaginario neoplatónico y cortesano y la tópica retórica de la «presentación del príncipe» del que dan muestras no sólo la literatura de la época sino, también, la iconografía) en el que fue gestada. Para ello se ha planteado una estructura tripartita, a modo de égloga «representable» y, a la vez, con estructura especular de puesta en abismo basada en la écfrasis y el motivo del sueño premonitorio. De este modo, tres serían los imaginarios simbólicos que se entrecruzan en la urdimbre del texto: la guerra, el amor y la sabiduría, encarnados en sus respectivos dioses. Marte, Venus y Mercurio-Hermes y representados en tres ámbitos conceptuales e iconográficos diferentes, la arcadia bucólica, el Tormes de la revelación profética de Severo y el desarrollo épico de la campaña de Viena. Si la interpretación es correcta, Albanio es, sin género de duda, el duque de Alba, de la misma manera que Carino en la Arcadia era «un nuevo Paris», pastor, cortesano y soldado.
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Anilchandra, AR, Ramesh Bojja, N. Jagannathan, and CM Manjunatha. "Prediction of mode II delamination propagation life under a standard spectrum loading in a carbon fiber composite." Journal of Composite Materials 51, no. 20 (December 19, 2016): 2827–33. http://dx.doi.org/10.1177/0021998316684656.

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Mode II constant amplitude fatigue delamination propagation tests were conducted at three different stress ratios, viz. R = 0.0, 0.5, and −1.0 using modified three-point bend test fixture and end notched flexure (ENF) test specimens of unidirectional IMA/M21 carbon fiber composite. Delamination length was measured by compliance technique. The delamination propagation rate (da/dN) plots were constructed for various stress ratios. Using an equivalent energy release rate concept, Geq, all the curves were merged into a single curve in the form of Paris equation, da/dN = C(Geq)k. The Paris constants, C and k, determined from the experimental results were subsequently used in predicting the delamination propagation life under a standard mini FALSTAFF spectrum load sequence. Experiments were also conducted under the same spectrum load sequence with various reference loads to determine the propagation lives. A reasonably good correlation was observed between the predicted and experimental mode II delamination propagation life under spectrum loads.
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Uscher, Nancy. "A 20th–Century Approach to Heterophony: Mark Kopytman'S ‘Cantus II’." Tempo, no. 156 (March 1986): 19–22. http://dx.doi.org/10.1017/s0040298200022087.

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Plato discussed the term ‘heterophony’ in his Laws, Part VII, The technique was widely in use by the Notre Dame school of composers in 12th-century Paris. Much of the indigenous music of the Near East and Africa is rich with it. Indeed, there is an important example in the Credo of Beethoven's Missa Solemnis. The Israeli composer Mark Kopytman has in recent years transformed this ancient term into a vital 20th-century technique, and made it the language of some of his important compositions. One of these, Cantus II for violin, viola, and cello (1980), will be performed at the ISCM World Music Days during March in Budapest.
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Mesihović, Salmedin. "Troy between mythology and documents." Godišnjak Centra za balkanološka ispitivanja, no. 49 (January 6, 2022): 87–96. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-49.138.

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Greek mythology mentions Motylos, king in Asia Minor, who received Helen and Paris after they fled the mythical Sparta. Who was Motylos and whether his appearance in ancient Hellenic mythography is in fact perhaps a reminiscence and some “rough” memory of a real ruler of Asia Minor in the XIII century BC. As one of the first candidates for possible reminiscence is Muwatal II. (Muwatalli; Muwatallish) Hittite ruler in the period (according to a short chronology) from 1295 to 1272. BC. The main reason is the existence of a document, found in the Hittite archives in Hatusha, which is called the Alaksandu Treaty (CTH 76). It is a diplomatic treaty (with an approximate date cc 1280 BC) between Muwatal II. and Alaksandu, king of Wilusa. In historiography and archeology it is now unquestionable that Wilusa refers to that city which in ancient Hellenic mythology is called Ilion, while Aleksandu is associated with Paris (Πάρις), whose name by birth was Alexander (Ἀλέξανδρος). It is interesting that in Greek mythology, there is also information that the Paris and Helena fleet was cruising the eastern Mediterranean and that it was carrying out attacks along the coast of the Levant. Perhaps this mythology is actually a memory of the time when the Trojans were part of a military contingent led by Muwatal in the war with the Egyptian pharaoh Ramesses II, which broke out after the conclusion of the Treaty of Aleksandu.
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Узелац, Александар. "МОНГОЛСКА ИНВАЗИЈА И СМРТ ИВАНА АСЕНА II: ЈЕДАН ЗАНЕМАРЕНИ ИЗВОР THE MONGOL INVASION AND DEATH OF JOHN ASEN II: A NEGLECTED SOURCE." Историјски часопис, no. 70/2021 (December 30, 2021): 15–29. http://dx.doi.org/10.34298/ic2170015u.

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This paper discusses a passage from the poem De triumphis ecclesiae by John of Garland, a medieval intellectual and professor in Paris, compiled in ca. 1252, and referring to the Mongol invasion and the death of the enygmatic “leader of Thrace”. In the text, it is concluded that the enigmatic person, mentioned by the author, is the Bulgarian ruler John Asen II (1218-1241). Along with the writings of Cistercite monk Alberic of Trois-Fontaines, chronicler Philippe Mouskes and Byzantine historian George Akropolites, the poem of John of Garland is the fourth source in which the death of the Bulgarian ruler is recorded. Besides, it is the only text in which the death of John Asen II is associated with the Mongol invasion.
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