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Books on the topic 'Irish women's literary fiction'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Reynolds, Lorna. Kate O'Brien: A literary portrait. Gerrards Cross, Bucks: C. Smythe, 1987.

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2

Kate O'Brien: A literary portrait. Gerrards Cross, Bucks: C. Smythe, 1987.

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3

Kate O'Brien: A literary portrait. Gerrards Cross: Smythe, 1987.

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4

Unveiling treasures: The Attic guide to the published works of Irish women literary writers : drama, fiction, poetry. Dublin: Attic Press, 1993.

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5

R, Backscheider Paula, ed. Revising women: Eighteenth-century "women's fiction" and social engagement. Baltimore: Johns Hopkins University Press, 2000.

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6

Women's fiction between the wars: Mothers, daughters, and writing. New York: St. Martin's Press, 1998.

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7

Ingman, Heather. Women's fiction between the wars: Mothers, daughters and writing. Edinburgh: Edinburgh University Press, 1998.

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8

Gendering classicism: The ancient world in twentieth-century women's historical fiction. Albany: State University of New York Press, 1997.

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9

Engendering the subject: Gender and self-representation in contemporary women's fiction. Albany: State University of New York Press, 1991.

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10

Double visions: Women and men in modern and contemporary Irish fiction. Syracuse, N.Y: Syracuse University Press, 1999.

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11

P, Werlock Abby H., ed. British women writing fiction. Tuscaloosa: University of Alabama Press, 2000.

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12

The excellence of falsehood: Romance, realism, and women's contribution to the novel. Lexington, Ky: University Press of Kentucky, 1991.

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13

Academy street. Leicester [England]: Thorpe, 2016.

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14

Costello, Mary. Academy Street. Edinburgh: Canongate, 2015.

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15

Narrative hospitality in late Victorian fiction: Novel ethics. New York: Routledge, 2012.

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16

Spiritualism and women's writing: From the fin de sie cle to the neo-Victorian. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

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17

Women, beauty and power in early modern England: A feminist literary history. Basingstoke: Palgrave Macmillan, 2011.

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18

Rivero, Albert J., 1953- editor, ed. Pamela in her exalted condition. Cambridge: Cambridge University Press, 2012.

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19

Disease, desire, and the body in Victorian women's popular novels. Cambridge, U.K: Cambridge University Press, 1997.

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20

Beryl, Bainbridge. The bottle factory outing. New York: Carroll & Graf, 1994.

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21

Beryl, Bainbridge. The bottle factory outing. London: Penguin, 1992.

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22

Lee, Virginia. Colm Toibin's Brooklyn. St. Kilda VIC, Australia: Insight Publications, 2013.

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23

Irish women's fiction: From Edgeworth to Enright. Dublin: Irish Academic Press, 2013.

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24

The house of Lyall. London: HarperCollins, 2000.

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25

Margolis, Sue. Apocalipstick. New York: Delta Trade Paperbacks, 2003.

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26

Perkins, Gilman Charlotte. The yellow wallpaper and other writings. 2nd ed. New York: Modern Library, 2000.

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27

Perkins, Gilman Charlotte. The Yellow wallpaper and other writings. New York : N.Y: Bantam Books, 1989.

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28

1946-, Smyth Ailbhe, ed. Wildish things: An anthology of new Irish women's writing. Dublin, Ireland: Attic Press, 1989.

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29

Jane, Austen. Emma (Classic Fiction). Redhill, Surrey, UK: Naxos Audiobooks, 1996.

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30

Literary liaisons: Auto/biographical appropriations in modernist women's fiction. DeKalb: Northern Illinois University Press, 2002.

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31

Harte, Liam, ed. The Oxford Handbook of Modern Irish Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198754893.001.0001.

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The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five distinguished scholars of Irish fiction. Collectively, they provide accessible and incisive assessments of the breadth and achievement of Ireland’s modern novelists and short story writers, whose contribution to the evolution and modification of these unique art forms has been far out of proportion to the country’s small size. The volume brings an impressive variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary-historical contexts. The Handbook’s coverage encompasses an expansive range of topics, including the nature and function of the Irish Gothic mode; nineteenth-century Irish women’s fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O’Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O’Connor, Seán O’Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O’Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women’s fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

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32

Morgan and Sydney Owenson. The Wild Irish Girl: A National Tale (Pickering Women's Classics). Pickering & Chatto Publishers, 2001.

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33

Alcott, Louisa May. Little Women: Romance Literary Fiction. Independently Published, 2021.

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34

Weekes, Ann Owens. Unveiling Treasures: The Attic Guide to the Published Works of Irish Women Literary Writers : Drama, Fiction, Poetry. Attic Press, 1994.

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35

Backscheider, Paula R. Revising Women: Eighteenth-Century "Women's Fiction" and Social Engagement. Johns Hopkins University Press, 2002.

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36

Sally, Robinson. Engendering the subject: Gender and self-representation in contemporary women's fiction. 1989.

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37

Defoe, Daniel. Moll Flanders Illustrated: DanielDefoe[Fiction,Fantasy,Literary,novel]. Independently Published, 2021.

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38

Burney, Frances. Evelina (Broadview Literary Texts). Broadview Press, 2000.

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39

(Editor), Jacqueline M. Labbe, ed. The Old Manor House (Broadview Literary Texts). Broadview Press, 2002.

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40

Alcott, Louisa May. Little Women: The American Literary Classic. Independently Published, 2021.

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41

Shelley, Mary Wollstonecraft. Frankenstein: Literary Touchstone. Prestwick House Inc., 2005.

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42

L, L. E., and Daniel M. Riess. Letitia Elizabeth Landon: Selected Writings (Broadview Literary Texts Series). Broadview Press, 1997.

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43

Alcott, Louisa May. Little Women: International Women's Day Classics. Penguin Books, Limited, 2019.

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44

Ellmann, Maud, Sian White, and Vicki Mahaffey, eds. The Edinburgh Companion to Irish Modernism. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456692.001.0001.

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The Edinburgh Companion to Irish Modernism showcases cutting-edge developments in Irish and modernist studies. Extending the timeline of modernism, the Companion reaches back to the Irish Literary Revival of the late nineteenth century and forward to recent innovations in the arts. The Companion also calls for a more inclusive understanding of Irish modernism, drawing greater attention, for example, to the pioneering work of women and prompting a richer awareness of 'gender trouble' in the long twentieth century. It departs from other handbooks and critical anthologies by highlighting the ‘heresies’ of Irish modernism, its trademark modes of resistance to orthodoxy and tradition. Among those modes, the Companion identifies ‘heresies of time and space’, ‘heresies of nationalism’, ‘aesthetic heresies’, and ‘heresies of gender and sexuality’ as the organising rubrics for each section of the volume, concluding with ‘critical heresies’ that have reshaped the academic field. Under these five rubrics, contributors address a wide range of modernist achievements in drama, poetry, fiction, cinema, journalism, decorative arts, and philately, while the introduction offers pointers for further exploration of Irish music, painting, and architecture, accompanied by photographic reproductions. Granting that heresies often overlap, the chapters are organized to reflect their respective emphases, with the proviso that heresies are defined by their impurity, as well as by the orthodoxies they betray—the word ‘betray’ implying both transgression and revelation.

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45

Werlock, Abby H. P. British Women Writing Fiction. University of Alabama Press, 2016.

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46

Shelley, Mary Wollstonecraft. Frankenstein (Pickering Women's Classics Series). Ashgate Publishing, 1993.

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47

Ross, Deborah. The Excellence of Falsehood: Romance, Realism, and Women's Contribution to the Novel. University Press of Kentucky, 1992.

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48

Grogan, Claire, ed. Northanger Abbey (Broadview Literary Texts). Broadview Press, 1996.

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49

Wuthering Heights: Literary Touchstone Edition. Prestwick House, Inc., 2005.

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50

Bernières, Louis De. Max Literary Classics?: Pride and Prej. Little Books, Limited, 2007.

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