Academic literature on the topic 'Irish women's literary fiction'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Irish women's literary fiction.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Irish women's literary fiction"
Workman, Simon. "Maeve Kelly: Women, Ireland, and the Aesthetics of Radical Writing." Irish University Review 49, no. 2 (November 2019): 304–21. http://dx.doi.org/10.3366/iur.2019.0408.
Full textSullivan, Kelly. "Elizabeth Bowen and the Politics of Consent." Irish University Review 51, no. 1 (May 2021): 24–39. http://dx.doi.org/10.3366/iur.2021.0493.
Full textAaron, J. "Contemporary Irish and Welsh Women's Fiction: Gender, Desire and Power. Linden Peach." Contemporary Women's Writing 2, no. 2 (December 1, 2008): 183–84. http://dx.doi.org/10.1093/cww/vpn017.
Full textMeaney, Gerardine. "Regendering modernism: the woman artist in Irish women’s fiction." Women: A Cultural Review 15, no. 1 (March 2004): 67–82. http://dx.doi.org/10.1080/0957404042000197198.
Full textPoloczek, Katarzyna. "Women’s Power To Be Loud: The Authority of the Discourse and Authority of the Text in Mary Dorcey’s Irish Lesbian Poetic Manifesto “Come Quietly or the Neighbours Will Hear”." Text Matters, no. 1 (November 23, 2011): 153–69. http://dx.doi.org/10.2478/v10231-011-0012-9.
Full textMcCrory, Moy. "Crossings." Short Fiction in Theory & Practice 12, no. 2 (October 1, 2022): 239–47. http://dx.doi.org/10.1386/fict_00065_7.
Full textBoumans, Phyllis, and Elke D'hoker. "‘Perfect in her own perfection’: Women Writers in The Bell." Irish University Review 52, no. 2 (November 2022): 200–217. http://dx.doi.org/10.3366/iur.2022.0563.
Full textWray, Theresa. "Irish women's fiction: from Edgeworth to Enright." Irish Studies Review 23, no. 1 (August 18, 2014): 116–17. http://dx.doi.org/10.1080/09670882.2014.951510.
Full textKelleher, Margaret. "Writing Irish Women's Literary History." Irish Studies Review 9, no. 1 (April 2001): 5–14. http://dx.doi.org/10.1080/09670880020032654.
Full textKennard, Jean E., Rachel Blau DuPlessis, and Lee R. Edwards. "Form in Women's Fiction." Contemporary Literature 27, no. 3 (1986): 396. http://dx.doi.org/10.2307/1208352.
Full textDissertations / Theses on the topic "Irish women's literary fiction"
O'Byrne, Deirdre. "Irish women's rural fiction since independence." Thesis, Loughborough University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274711.
Full textWydenbach, Joanna Susan. "Irish women's fiction 1900-1924 : literature and history." Thesis, Queen's University Belfast, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437734.
Full textMeredith, Robert Beorn. "Reviving women : Irish women's prose writing 1890-1920." Thesis, Queen's University Belfast, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300779.
Full textDoyle, Trista Dawn. "Insidious Vulnerability: Women's Grief and Trauma in Modern and Contemporary Irish Fiction." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:107960.
Full textThis dissertation examines individual experiences of grief and trauma in Irish writing from 1935 to 2013, focusing specifically on novels by Elizabeth Bowen, Samuel Beckett, Sebastian Barry, and Eimear McBride. It offers a feminist reclamation of personal forms of loss that fall outside the purview of documented history and that typically go overlooked in literary criticism. Examples in this study include the suffering caused by the natural death of a family member, infertility, domestic and sexual abuse, social ostracism, institutionalization, and forced adoption. Through careful close readings of Bowen’s The House in Paris (1935) and The Death of the Heart (1938), Beckett’s Molloy (1955), Barry’s The Secret Scripture (2008), and McBride’s A Girl Is a Half-Formed Thing (2013), I unpack how women’s insidious vulnerability to grief and trauma manifests in modern and contemporary Irish fiction. The works I discuss here reveal the depth and complexity of grief—making visible forms of loss and violence that society tends to ignore, working through what impedes the grieving process, and giving voice to underrepresented experiences of emotional and psychological suffering. Over three chapters, I engage with the discourses of trauma theory, Irish memory studies, and modernism and its afterlives. I draw on feminist psychiatrist Laura S. Brown’s discussion of “insidious trauma” to inform my own concept, “insidious vulnerability,” which I use to refer to the persistent threat of loss and violence that haunts marginalized groups in their daily lives. Likewise, I make reference to the American Psychiatric Association’s diagnostic definition of post-traumatic stress disorder (PTSD) to distinguish trauma from other forms of emotional and psychological distress. I contribute to Irish memory studies by extending the critical conversation beyond public historical events (like the Easter Rising of 1916)—to include private forms of grief and trauma, particularly in the lives of women. Furthermore, I focus on authors who innovate, whose novels exhibit dissatisfaction with the limitations of conventional realist narratives and who attempt new modes of representation in an effort to articulate the inexpressible and the unexpressed. Bowen and Beckett stand as representatives of late modernism (1930s-1950s), while Barry and McBride help extend literary modernist afterlives into the twenty-first century
Thesis (PhD) — Boston College, 2018
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Naidoo, Y. "Speaking our minds : Black women's fiction, cultural politics and literary forms." Thesis, University of Nottingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339685.
Full textWeekes, Ann Owens. "BEGINNING A TRADITION: IRISH WOMEN'S WRITING, 1800-1984 (EDGEWORTH, JOHNSTONE, KEANE, IRELAND)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183990.
Full textByrne, Aoife. "Modern homes? : an analysis of Irish and British women's literary constructions of domestic space, 1929-1946." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/268014.
Full textPainter, Ainsley. "From caramel factory to charity ward : aspects of women's fiction in the Japanese proletarian literary movement /." Title page, contents and introduction only, 1995. http://web4.library.adelaide.edu.au/theses/09AR/09arp148.pdf.
Full textDunbar, Siobhan Mary. "(Un)silencing the voices of the country girls: A journey into twentieth-century Irish girlhood through the fiction of Edna O'Brien." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27977.
Full textSlivka, Jennifer A. "Strangers at Home: Threshold Identities in Contemporary Irish Women’s Writing." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/534.
Full textBooks on the topic "Irish women's literary fiction"
Reynolds, Lorna. Kate O'Brien: A literary portrait. Gerrards Cross, Bucks: C. Smythe, 1987.
Find full textKate O'Brien: A literary portrait. Gerrards Cross, Bucks: C. Smythe, 1987.
Find full textKate O'Brien: A literary portrait. Gerrards Cross: Smythe, 1987.
Find full textUnveiling treasures: The Attic guide to the published works of Irish women literary writers : drama, fiction, poetry. Dublin: Attic Press, 1993.
Find full textR, Backscheider Paula, ed. Revising women: Eighteenth-century "women's fiction" and social engagement. Baltimore: Johns Hopkins University Press, 2000.
Find full textWomen's fiction between the wars: Mothers, daughters, and writing. New York: St. Martin's Press, 1998.
Find full textIngman, Heather. Women's fiction between the wars: Mothers, daughters and writing. Edinburgh: Edinburgh University Press, 1998.
Find full textGendering classicism: The ancient world in twentieth-century women's historical fiction. Albany: State University of New York Press, 1997.
Find full textEngendering the subject: Gender and self-representation in contemporary women's fiction. Albany: State University of New York Press, 1991.
Find full textDouble visions: Women and men in modern and contemporary Irish fiction. Syracuse, N.Y: Syracuse University Press, 1999.
Find full textBook chapters on the topic "Irish women's literary fiction"
Wu, Yen-Chi. "Austerity, Irish Literary Tropes,and Claire Keegan's Fiction." In Austerity and Irish Women's Writing and Culture, 1980–2020, 177–92. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003207474-14.
Full textMagennis, Caroline. "Northern Irish Fiction." In The Routledge Companion to Twenty-First Century Literary Fiction, 190–98. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge companions to literature series: Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-18.
Full textO’Neill, Margaret. "Celtic Tiger Saga Fiction." In Austerity and Irish Women's Writing and Culture, 1980–2020, 193–206. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003207474-15.
Full textMeyer, Michael. "Feminist Voices: Women's Short Fiction after 1945." In A Companion to the British and Irish Short Story, 342–55. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444304770.ch28.
Full textO’Toole, Tina. "The (Irish) New Woman: Political, Literary, and Sexual Experiments." In The History of British Women's Writing, 1880-1920, 23–34. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-39380-7_2.
Full textPhipps, Gregory. "“She Told Them About Her Trips to the Horizon”: Creative Democracy in the Short Fiction of Zora Neale Hurston." In Narratives of African American Women's Literary Pragmatism and Creative Democracy, 213–37. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01854-2_8.
Full textBrady, Deirdre F. "“A Wild Field to a Later Generation”." In Literary Coteries and the Irish Women Writers' Club (1933-1958), 77–126. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789622461.003.0004.
Full textClarke, Clare. "‘I simply write it to order’: L. T. Meade, Sisters of Sherlock, and the Strand Magazine." In Women, Periodicals and Print Culture in Britain, 1830s-1900s, 470–82. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474433907.003.0030.
Full textRastogi, Pallavi. "Women's Fiction and Literary (Self-) Determination." In The Cambridge Companion to British Black and Asian Literature (1945–2010), 77–94. Cambridge University Press, 2016. http://dx.doi.org/10.1017/cco9781316488546.005.
Full textBehrendt, Stephen. "Mary Tighe in Life, Myth, and Literary Vicissitude." In A History of Irish Women's Poetry, 127–41. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108778596.008.
Full textConference papers on the topic "Irish women's literary fiction"
Trein, Fernanda, and Taíse Neves Possani. "Literature As a Mean of Self-knowledge, Liberation, and Feminine Empowerment: The Legacy of Clarice Lispector." In 13th Women's Leadership and Empowerment Conference. Tomorrow People Organization, 2022. http://dx.doi.org/10.52987/wlec.2022.004.
Full text