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Books on the topic 'Irish step dancing'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Irish step dancing. Mankato, Minn: Snap Books, 2008.

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2

Franks, Jill. "Reel Irish": Nationalizing Irish step dance and vaunting the Celtic tiger. Rock Hill, SC: Dept. of English, Winthrop University, 2006.

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3

Franks, Jill. "Reel Irish": Nationalizing Irish step dance and vaunting the Celtic tiger. Rock Hill, SC: Dept. of English, Winthrop University, 2006.

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4

Franks, Jill. "Reel Irish": Nationalizing Irish step dance and vaunting the Celtic tiger. Rock Hill, SC: Dept. of English, Winthrop University, 2006.

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5

Will, Heidi. The ghillie girls: Irish dance pals. Chandler, AZ: Cineálta Press, 2008.

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6

Will, Heidi. The ghillie girls: Irish dance pals. Chandler, AZ: Cineálta Press, 2008.

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7

ill, Ellis Brendan, ed. Kathleen O'Byrne, Irish dancer. Columbus, Ohio: Gingham Dog Press, 2003.

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8

Flanagan, Kathleen M. Steps in time: The history of Irish dance in Chicago. 2nd ed. Madison, WI: Macater Press, 2011.

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9

Thomas, Mark. Irish Step Dancing. Tandem Library, 2001.

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10

Thomas, Mark. Irish Step Dancing (Welcome Books). Children's Press (CT), 2001.

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11

Thomas, Mark. Irish Step Dancing (Let's Dance). Children's Press (CT), 2001.

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12

Begeman, Lavette. Baroque Art Facts : Baroque Art and Architecture: Irish Step Dancing. Independently Published, 2021.

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13

Budney, Phung. Baroque Art History : Value of His Paintings: Irish Step Dancing. Independently Published, 2021.

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14

Step Dancing In Ireland Culture And History. Ashgate Publishing Group, 2013.

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15

McGrath, Aoife. “Do You Want to See My Hornpipe?” Creativity and Irish Step Dance in the Work of Jean Butler and Colin Dunne. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.017.

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This chapter considers the radical reimaginings of traditional Irish step dance in the recent works of Jean Butler and Colin Dunne, in which the Irish step-dancing body is separated from its historical roots in nationalism, from the exhibitionism required by the competitive form, and from the spectacularization of the commercialized theatrical format. In these works the traditional form undergoes a critical interrogation in which the dancers attempt to depart from the determinacy of the traditional technique, while acknowledging its formation of their corporealities; the Irish step-dance technique becomes a springboard for creative experimentation. To consider the importance of the creative potential revealed by these works, this chapter contextualizes them within the dance background from which they emerged, outlining the history of competitive step dancing in Ireland, the “modernization” of traditional Irish dance with the emergence of Riverdance (1994), and the experiments of Ireland’s national folk theater, Siamsa Tíre.
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16

irish, notebook gift. Composition Notebook: Irish Step Dancing Celtic Knot Heart Gift Journal/Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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17

Flanagan, Kathleen M. Steps in Time: The History of Irish Dance in Chicago. Macater Press, 2010.

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18

Blizard, Ralph. 1992 Neptune Plaza Concert Series collection. 1992.

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19

Briscoe, Erald. 1993 Neptune Plaza Concert Series collection. 1993.

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