Journal articles on the topic 'Irish sport horse'

The Irish Sport Horse has commanded huge respect amongst horse owners and competitors of other nations, winning international, championship and Olympic medals for Great Britain (Shear L’eau, Supreme Rock), USA (Custom Made and Brazil (Special Envoy). The Irish Studbook continues to top the World Breeders Federation of Sport Horse (WBFSH) rankings for event horses based on competition results. The production of young horses through competition (training, novice and intermediate levels) has been an acknowledged format for identifying horses with the potential to excel at the highest levels of competition. However increasing production costs may be affecting the profitability of sport horse production. Reduced profit margins or possible negative returns may reduce the number of producers and this combined with the scientific improvements within other studbooks may threaten to reduce the potential for the Irish Sport Horse to retain its WBFSH event horse ranking. Furthermore, prize money offered in novice and intermediate competition appear to represent only nominal returns and fail to meet the costs of training and production.

Abstract The current genetic evaluations of the Irish Sport Horse are undertaken on a single trait called the Lifetime Performance Rating (LPR). The LPR represents the highest level a horse has achieved two double clear rounds in show jumping in both national and international performances. The objective of this study was to compare the method currently used in these evaluations (Model 1, Table 1) to a modified methodology to determine the most accurate method for estimating breeding values (EBV) for the LPR. Genetic parameters and EBVs were generated based on the LPR of 30,355 horses using eight different animal models. Each of the eight models considered the additive genetic variance as the random effect and a combination of following fixed effects: sex, year the highest level was first achieved, age the highest level was achieved, maximum age of the animal in the competition data, Thoroughbred percentage (TB%), and TB% divided into eights. (Table 1). The goodness-of-fit of each model was evaluated using the Akaike’s information criteria and the genetic parameters produced by each model. Heritability estimates for LPR ranged from 0.26 to 0.32 depending on the model used (Table 1). The inclusion of age or maximum age in the model decreased the residual variances, and thus, increased the heritability estimates of LPR; these models also performed better than those that did not consider age in any form. The models that considered the effect of TB% were not a significantly better fit than those that did not consider this effect. In conclusion, future genetic evaluations of LPR in the Irish Sport Horse would benefit from using a model that considers either the age or maximum age of performance of each horse, alongside the year the highest level was achieved, and the sex of the horse.

Scholars have made considerable progress in recent years in researching the history of sport in Ireland, yet there are still important areas that have not received scholarly attention. One of these is the topic of sport during the Great Famine. A close perusal of contemporary newspapers reveals that large numbers of Irish people, from all social groups, continued to enjoy sports, either as participants or as spectators, during the Famine years. Horse races, especially steeplechases, were universally popular, with many meets attracting attendances that numbered in the thousands. Other popular sports included fox hunting, stag hunting, greyhound coursing, sailing, cricket and cockfighting. This article illustrates the widespread popularity of sport in Ireland in this period, based mainly on a reading of newspaper accounts, and discusses why the subject of sport does not feature in folk or popular memory of the Famine.

AbstractKnowledge regarding helminth control strategies and nematode infection of horses in Ireland is limited and only one study has been published recently. This present study was designed to investigate the current helminth control strategies followed by horse owners in Ireland. A questionnaire was formulated to collect data on general grazing, pasture management and deworming strategies including the use of fecal egg counts. Questionnaires were emailed to 700 members of the Irish Thoroughbred Breeders Association and Horse Sport Ireland. Only 78 questionnaires were returned. Respondents indicated that horses are grazed for 16–24 h day−1during the summer and autumn (89% and 65%, respectively). Removing feces from the pasture was implemented by 37.6% of respondents. Few (22.2%) owners kept horses off pasture after worming. Overall, ivermectin and moxidectin were the most commonly administered anthelmintics in 2014 by 75% and 62% of respondents, respectively. Benzimidazole and pyrantel drugs were used by 53% and 35% of respondents, respectively. The majority of farms (81.4%) treated horses 4–5 times per year and 74.2% only estimated the weight of the horses visually. The findings of this study illustrates that many stud managers/owners do not follow best practice with regard to helminth control and more education is needed.

Horse racing as a high-risk sport can pose a significant risk to equine welfare. There have been limited epidemiological reviews of fall risk specific to point-to-point racing. This study aimed to identify horse and jockey level risk factors associated with horse falls and compare these to published findings for Hurdle and Steeplechase racing. The study used a retrospective matched case-control design. Relevant variables were identified, and information was collated for all races in the 2013/2014 and 2014/2015 seasons. Cases and controls were matched with a 1:3 ratio. Controls (n=2,547) were selected at random from all horses that completed in the same race (n=849). Horse and jockey level variables were analysed through univariable analysis to inform multivariable model building. A final matched case-control multivariable logistic regression model was refined, using fall/no fall as the dependent variable, through a backward stepwise process. Horse age was associated with an increased risk of horse falls. For every 1 unit increase in age there was a 1.2 times increased fall risk. The number of races ran within 12 months was associated with a decreased risk of falling. The jockeys previous seasons percentage wins was associated with the risk of horse falls. Jockeys who had 0-4% wins and 5-9% wins had an increase in risk compared to those who had over 20% wins/runs. The jockeys previous seasons percentage of falls (F) or unseating of the rider (UR) was associated with the risk of horse falls with jockeys who had over 20% F/UR having a 50% increased chance of falling compared to those who had 0-4% F/UR. Retrospective analysis of horse and jockey falls has exposed risk factors that have been previously identified in hurdle and steeplechase racing. Identification of risk factors is essential when considering future research and interventions aimed at improving horse and jockey safety.

Wearable sensing technologies are increasingly used in human and equine gait research to improve ecological validity of research findings. It is unclear how these tools have penetrated the equine industry or what perspectives industry stakeholders’ hold in relation to these relatively new devices. Semi-structured interviews were conducted with Irish equine industry stakeholders to understand their perception of objective tools for biomechanical analysis in the field. The study participants came from professional/elite backgrounds in both the sport horse (n = 6) and thoroughbred (n = 6) sectors. The interview data were analysed using thematic analysis, resulting in four analytical themes. The first theme conveys the importance of tacit knowledge and experience in the holistic analysis of a horse. Theme two highlights that the perfect horse does not exist therefore, equine athlete management is complex and requires a multi-layered problem-solving approach. Theme three describes an awareness among stakeholders of technologies, however they are sceptical of their value. The final theme identified that one of the key barriers to technology adoption is the economic value of the horse and the cost of implementing technology herd-wide. Our findings highlight the need for a user-centred design in this domain, which requires greater consultation and learning between technology developers and equine stakeholders to develop fit-for-purpose analysis and monitoring tools.

The image of a horse appears in many spheres of the British culture and in each case it has a special symbolic meaning. It is important to notice that the symbolic meaning is more essential in the British mentality than the material one. Festivals can be one of the spheres where we can observe the versatility and historical meaning of the horse image. On the one hand, horses as real animals play a significant role in various events: horse competitions, horse shows, parades, royal ceremonies, etc. On the other hand, there is also personification of fancy images of horses at British festivals. Different types of horse figures (hobby horses) take part at certain events. Each of them has its own history and is strongly connected to the location. The most famous horse event is horseracing taking place all over the country. There are 60 race tracks in Great Britain for this occasion. Horseracing appeared here in the XIV century. Soon the British worked out the rules for this event and they are current even today. Horseracing is not just sport for this nation, but a real holiday. Long ago Edward VII marked that it is “a garden party with racing tacked on”. So, for some people horseracing is a week of competitions among the best thoroughbred horses and for the others (ladies mostly) it is the opportunity to compete with each other in hat and dress design. It is significant to understand the difference between the notions “horseracing”, “horse competitions”, “horse show”. The first means classic racing which we have just discussed. Horse competitions are 10 international types of games approved by the International Federation of Equestrian Sports. A horse show is a festival holding the exhibition of the best breeds of horses and some types of competitions (e.g., show jumping, working hunter). One of the best known events is the Royal Windsor Horse Show which takes place every year in Windsor Home Park. It is always attended by the Royal Family. Another example is the Hyde Park festival aiming at choosing the Horse of the Year. Also, January 1 is the Day of Thoroughbred horses in Great Britain. It is a real holiday with the most unusual dishes for these animals (e.g. a Cheltenham pie 2018 made of hay, apples and carrots). At a number of British events horses play an important role, though they are not in the limelight. These are royal weddings, parades and a coronation. The Queen carriage is always carried by the Windsor Greys. There is even a statue to honour them in Windsor. These horses are also pictured at the Royal mail stamp. Personification of fancy images of horses can be seen at various British Festivals (16 in England, 3 in Wales, 1 on the Isle of Man): Padstow Hobby Horse Festival, Banbury Hobby Horse Festival, Minehead Hobby Horse Festival, Dunster Hobby Horse Festival, Hoodening, The Hunting of the Earl of Rone, Morris Dance, etc. The majority of them take place in the days of national holidays including Christmas, New Year, May Day, Halloween. Moreover, some pagan rites that deal with the image of a horse still exist in Great Britain. There is the festival to honour Epona who is a Celtic horse goddess (December, 18). The Welsh horse goddess Rhiannon is connected with the image of Mari Lwyd appearing in New Year events. The Irish horse goddess Macha is honoured at the festivals Lughnasa (August, 1) and Samhain (November, 1). Significantly, a horse is presented at festivals as a funny hero of a performance endowed with human traits, a friend to a person, and it is far from being a work animal. The image of a horse is more of a cultural value than a natural phenomenon.

Horseracing as a high-risk sport can pose a significant risk to equine welfare. To date no epidemiological reviews of fall risk in horseracing have investigated the risks specific to point-to-point (PTP) racing. This study aimed to identify the main race level risk factors associated with horse falls in Irish PTP and to compare these to published findings for hurdle and steeplechase racing. The study used a retrospective case-control design. Relevant variables were identified and information was collated for all PTP races in the 2013/14 and 2014/15 seasons. Race-level variables were analysed through univariable analysis to inform multivariable model building. A final multivariable logistic regression model was refined, using fall/no fall as the dependent variable, through a backward stepwise process with variables retained if likelihood ratio test P-values were <0.05. During the study period 1,358 PTP races were recorded, 727 races (54%) included at least one horse fall. The fall frequency noted during the current study was 88/1000 starts. Race category impacted the odds of a fall occurring with all categories of maiden races having increased odds of falls compared to open races. Maiden races for 6 year olds and 6 and 7 year olds had the greatest chance of falling with 6.9 times increased odds. The chance of a race containing a fall increased 38% for each additional runner and was reduced by 25% for every horse that pulled up during the race. Using a larger data set could enable further sub-models to be developed. In the current study some of the variables had a low number of cases and/or controls which limited the analysis. Retrospective analysis of fall risk exposed some risk factors that have been previously identified in hurdle and steeplechase racing. The variables identified could inform future research and interventions aimed at improving horse and jockey safety whilst racing.

Data on soil ingestion in horses are lacking in contrast to other free-range animals. The importance of soil as a vector for environmental pollutants to food is less relevant in horses but several disorders secondary to soil ingestion, such as sand colic or enteritis have been reported. Therefore, soil ingestion has been studied on Irish sport horses grazing at three offered levels of daily herbage: 2, 3 and 4% of their body weight. Soil ingestion was estimated by the faecal recovery of a soil natural marker. Horses had 4.5, 4.1 and 3.7% of soil in their total intake respectively for the 2, 3 and 4% herbage offers. The 4% offer presented significantly less intake (543 g/d) compared to the more restricted offers (624 and 648 g respectively for 3 and 2%). The post-grazing sward height was significantly lower on the 2% offer (3.1 cm) compared to the higher offers (4.1 and 4.4 cm respectively for 3 and 4%). Thus, restricted herbage allowance made grazing closer to the ground and increased soil ingestion. The sward height appeared to be a reliable indicator to manage animal withdrawal from a pasture to limit soil ingestion and the risk of gastrointestinal pathologies caused by it.

A 9-year-old Irish sports horse gelding was anaesthetised out-of-hours for management of digital flexor tendon sheath sepsis after a left hind foot penetration. In the postanaesthetic period, the patient manifested a right forelimb non-weight bearing lameness. Diagnostic imaging and serum biochemistry were unremarkable. The animal progressively deteriorated and became recumbent. After consultation with the owner, euthanasia was performed on welfare grounds. A postmortem examination was performed to establish the cause of the right forelimb lameness. After excluding all other probable causes of postanaesthetic lameness, it was concluded that the patient manifested a postanaesthetic compartmental syndrome due to haemorrhage associated with the ulnar nerve developed intraoperatively. This case report discusses factors associated with increased anaesthetic-related mortality in elective surgical procedures performed out-of-hours, other causes of postanaesthetic forelimb lameness and diagnosis of, and treatment options for, brachial compartment syndrome.

A 12-year-old Irish sports horse gelding presented with a recently developed oval firm mass at the plantaromedial aspect of right tarsus, located between the gastrocnemius and deep digital flexor tendon. At presentation, the horse was mildly right hind lame, with no exacerbation with flexion. Radiography and ultrasonography revealed an ovoid mineralised mass within soft tissues plantaromedially to tarsus and distal tibia and not associated with tarsal sheath or calcaneal bursa. Due to mild intermittent lameness and concerns regarding possibility for further increase in size, the horse underwent en bloc removal of the calcified mass under general anaesthesia. Histopathology showed the mass contained fibrous reactive connective tissue, undergoing bone and cartilage metaplasia and degeneration, with a central area of calcified bone and surrounding region of mononuclear inflammation. These characteristics although reminiscent of calcinosis circumscripta were diagnosed as focal dystrophic calcification. The horse made a full recovery and returned to a normal exercise level.

Context Point-to-point racing may place jockeys at risk of serious injuries due to the high incidence of falls as previously reported. Despite many advances in health and safety strategies, the incidence of falls and injuries in point-to-point racing has not been reported since 2006. Objectives To provide a longitudinal analysis of the fall and injury incidence in point-to-point horse racing jockeys in Ireland from 2007 to 2015 and compare these findings with the previous literature. Design Descriptive epidemiologic study. Setting All injuries that occurred due to a fall at every official point-to-point race meeting from 2007 to 2015 were recorded by a medical doctor using a standardized injury report form. Main Outcome Measure(s) Falls and injury rates and their 95% confidence intervals were calculated. Incidence rate ratios (IRRs), 95% confidence intervals and percentage change were compared between point-to-point and professional racing, between previous data and the current results, and from 2007 to 2015. Results An average of 67.40 injuries/1000 falls and 9.08 injuries/1000 rides occurred in point-to-point racing, and this was reduced compared with the previous analysis. Amateur jockeys sustained an overall mean of 134.77 falls/1000 rides and the yearly means decreased over the 9 years of the study. Amateur jockeys sustained a higher fall rate than professional jockeys (flat: IRR = 35.47 [31.03, 40.54]; jump: IRR = 2.72 [2.63, 2.82]); however, their injuries/1000 falls rate was lower (flat: IRR = 0.19 [0.15, 0.24]; jump: IRR = 0.33 [0.30, 0.63]). Soft tissue injuries were predominant (43.09%), with 26.06 fractures and 9.98 concussions/1000 falls occurring. Conclusions Although injuries have been reduced since the previous analysis, more serious injuries such as fractures and concussions were more common in point-to-point racing than professional racing, possibly due to their higher fall risk. Thus, identifying strategies to reduce the fall risk in point-to-point racing should be a priority.

Livestock producers are under rising pressure to nourish a growing population while simultaneously reducing the impact of meat/milk production on the planets’ climate. Decision Support Tools (DST) provide a valuable evidence-based decision-making framework in agriculture to improve productivity and environmental outputs. Decision Support Tools are often developed and designed by local stakeholders and tend to represent their national system. While current DSTs may be used to examine the impact of management choices on farm emissions, there are relatively few tools available for Irish farms that take into account both the environmental and financial aspects of decision-making. This research will improve existing farm scale descision support systems designed to cost effectively mitigate Green House Gas emissions from livestock production systems.

Many consider the English Derby on Epsom Downs to be ‘The Blue Riband of the Turf’. The Epsom Derby has been run annually since 1780 and the colt Diomed was the first winner. Today the Epsom Derby, run over 1.5 miles, is one of five classic races and is the second leg of the English Triple Crown, preceded by the 2,000 Guineas and followed by the St Leger. The prize money for 2010 has been in excess of £1.25 million. To the best of our knowledge, whilst epidemiological techniques have previously been applied in an attempt to identify risk factors for injury, the purpose of the present study, which we believe is unique, was to use an epidemiological approach to analyse factors that may be predictive of success (or failure) in a single race over the course of a number of consecutive years: The Epsom Derby. Information on the horses competing in the last 22 runnings of the Epsom Derby between 1988 and 2009. Univariate and multivariable single-level and mixed effects logistic regression models were developed using winning the Epsom Derby as the dependent variable. Between 1988 and 2009 in 22 runnings of the Derby, a total of 344 horses started the Epsom Derby. The number of runners in the race has varied between 12 and 25 over the same time period. On average the probability of winning the Derby between 1988 and 2009 was approximately 6% (22/344), without accounting for any potentially predictive variables. Variables that were related to an increased chance of success were being the favourite (odds ratio (OR) 4.75; 95 % confidence interval (CI) 1.58-14.3; P=0.006), the number of 2-year old wins (OR 1.45; CI 1.03-2.04; P=0.03), being foaled in Ireland (OR 2.80; CI 1.12-7.04; P=0.041) and having the same jockey in all races throughout the horses career up to and including the Derby (OR 2.53; CI 1.0-6.41; P=0.05). The highest predictive probability was for horses that started the race as a favourite, were Irish bred, had been ridden by a single jockey and had won twice as a 2-year old. Although the point estimate for this probability was 52% the degree of uncertainty around this estimate was wide, i.e. the 95% CI was 17.5 to 86.5%. Nevertheless even at the lower confidence interval this still represents a significant improvement on the approximately 6% chance of picking a winner at random. In conclusion, using mixed effects logistic regression models would allow one to improve the odds of picking the winner of the Epsom Derby over the past 22 runnings.

AbstractHorse racing is a unique weight-making sport which requires jockeys to maintain a chronically low body weight throughout an extended racing season. These athletes typically eat one main meal per day when racing and often depend on racecourses for food provision. To date, racecourse catering provision to jockeys in Ireland has not been assessed. The aims of this study were to evaluate food provision at racecourses in Ireland, assess jockeys’ satisfaction with current food provision and to explore key stakeholders’ perceptions of current food provision. An audit tool was used to evaluate current food provision at 25 of the 26 Irish racecourses. The audit was scored out of 44.5 points and each racecourse was categorised as < 50% ‘Requires nutritional guidance from a dietitian/sports nutritionist’, 50–60% ‘Bronze’, 61–75% ‘Silver’, 76–90% ‘Gold’, > 90% ‘Platinum’. Semi-structured interviews were conducted with jockeys (n = 125), racecourse managers (n = 2), racecourse catering managers (n = 2), and race day caterers (n = 1) to establish their perspectives on current food provision. Quantitative data were analysed using SPSS and qualitative data were analysed using thematic analysis. Audit scores ranged from 14.5–27.5. Based on their current food provision, nine racecourses were identified as ‘Requiring nutritional guidance from a dietitian/sports nutritionist’, 13 were categorized as ‘Bronze’ and two as ‘Silver’. Grade 3 racecourses achieved significantly lower audit scores than Grade 1 and 2 racecourses. Jockeys’ satisfaction ratings were positively associated with audit score. The main themes identified by jockeys included hot food, autonomy over food choices, and greater variety of foods. The main themes identified by managerial and catering staff were categorised under two domains, including perceptions of and factors influencing current provision, and barriers to and facilitators for improved provision. Support from a dietitian/sports nutritionist was identified in 22 of the 25 racecourses to improve food provision to support the needs of modern-day jockeys. Recommendations include development of minimum standards for weigh room food provision and basic training for catering staff on healthy, appetizing foods that are conducive to making weight. Guidelines endorsed by the Irish Horse Racing Regulatory Board (IHRB), Horse Racing Ireland (HRI) and the Irish Jockeys Association (IJA) should be developed and food provision at racecourses should be audited regularly. Achievable racecourse-specific interventions should be implemented to improve the provision of food and nutrient delivery to this athlete population.

AbstractEquestrian sport in Ireland is an extremely popular sport undertaken by many and considered by most to be a relatively safe pursuit. The aim of this study was to identify the incidence and severity of pelvic injuries in female amateur horse riders, referred to the Irish National Pelvic & Acetabular Referral Centre. The study was particularly focused on women of childbearing age, given the potentially catastrophic adverse outcomes associated with these injury patterns and the profound impact these injuries can have on both lifestyle and future childbirth. We conducted a retrospective review of all patients referred to the National Centre for Pelvic and Acetabular Trauma over a 30-month period from January 2018 through July 2020. Information was garnered from the national referral database, patient specific chart analysis and a review of images from the National Integrated Medical Imaging System (NIMIS). We identified a cohort of 16 females of childbearing age who sustained pelvic injuries while horse riding during this period. Four of these patients warranted surgical intervention, and with a minimum 6-month follow-up period, all were progressing satisfactorily. A review of the literature outlined the potential for profound adverse outcomes in young females suffering pelvic fractures, particularly in relation to genitourinary and pregnancy related complications. Caution should be exerted by all women of childbearing age engaging in recreational equine pursuits, and we would emphasise the importance of safety messaging and increased protective equipment for these athletes.

Abstract Horses form an integral part of Irish culture and heritage. COVID-19 restrictions have created challenges for living generally and for those who own and care-take animals. It is envisaged that risks may arise for equine welfare and many factors may contribute to it. The “Five Freedoms” have formed the basis for animal welfare legislation however, the “Five Domains Model” has progressed to provide a robust model built on scientific research. With advances in research and knowledge, welfare may be measured both physiologically and behaviourally. This study sought to investigate the impact, if any of COVID-19, on the welfare of sport and leisure horses in Ireland. An online survey was conducted to gather data regarding the welfare of sport and leisure horses in Ireland during COVID-19 restrictions. There were several positive findings and the majority of respondents (n = 69) felt that COVID-19 restrictions did not negatively affect the welfare of their horses.

Diaspora This article looks at diaspora through the transformations of an established public service broadcaster, the BBC World Service, by considering some of the findings of the AHRC-funded Tuning In: Contact Zones at the BBC World Service, which is part of the Diasporas, Migration and Identities program. Tuning In has six themes, each of which focuses upon the role of the BBC WS: The Politics of Translation, Diasporic Nationhood, Religious Transnationalism, Sport across Diasporas, Migrating Music and Drama for Development. The World Service, which was until 2011 funded by the Foreign Office, was set up to cater for the British diaspora and had the specific remit of transmitting ideas about Britishness to its audiences overseas. Tuning In demonstrates interrelationships between the global and the local in the diasporic contact zone of the BBC World Service, which has provided a mediated home for the worldwide British diaspora since its inception in 1932. The local and the global have merged, elided, and separated at different times and in different spaces in the changing story of the BBC (Briggs). The BBC WS is both local and global with activities that present Britishness both at home and abroad. The service has, however, come a long way since its early days as the Empire Service. Audiences for the World Service’s 31 foreign language services, radio, television, and Internet facilities include substantive non-British/English-speaking constituencies, rendering it a contact zone for the exploration of ideas and political opportunities on a truly transnational scale. This heterogeneous body of exilic, refugee intellectuals, writers, and artists now operates alongside an ongoing expression of Britishness in all its diverse reconfiguration. This includes the residual voice of empire and its patriarchal paternalism, the embrace of more recent expressions of neoliberalism as well as traditional values of impartiality and objectivism and, in the case of the arts, elements of bohemianism and creative innovation. The World Service might have begun as a communication system for the British ex-pat diaspora, but its role has changed along with the changing relationship between Britain and its colonial past. In the terrain of sport, for example, cricket, the “game of empire,” has shifted from Britain to the Indian subcontinent (Guha) with the rise of “Twenty 20” and the Indian Premier League (IPL); summed up in Ashis Nandy’s claim that “cricket is an Indian game accidentally discovered by the English” (Nandy viii). English county cricket dominated the airways of the World Service well into the latter half of the twentieth century, but the audiences of the service have demanded a response to social and cultural change and the service has responded. Sport can thus be seen to have offered a democratic space in which new diasporic relations can be forged as well as one in which colonial and patriarchal values are maintained. The BBC WS today is part of a network through which non-British diasporic peoples can reconnect with their home countries via the service, as well as an online forum for debate across the globe. In many regions of the world, it continues to be the single most trusted source of information at times of crisis and disaster because of its traditions of impartiality and objectivity, even though (as noted in the article on Al-Jazeera in this special issue) this view is hotly contested. The principles of objectivity and impartiality are central to the BBC WS, which may seem paradoxical since it is funded by the Commonwealth and Foreign office, and its origins lie in empire and colonial discourse. Archive material researched by our project demonstrates the specifically ideological role of what was first called the Empire Service. The language of empire was deployed in this early programming, and there is an explicit expression of an ideological purpose (Hill). For example, at the Imperial Conference in 1930, the service was supported in terms of its political powers of “strengthening ties” between parts of the empire. This view comes from a speech by John Reith, the BBC’s first Director General, which was broadcast when the service opened. In this speech, broadcasting is identified as having come to involve a “connecting and co-ordinating link between the scattered parts of the British Empire” (Reith). Local British values are transmitted across the globe. Through the service, empire and nation are reinstated through the routine broadcasting of cyclical events, the importance of which Scannell and Cardiff describe as follows: Nothing so well illustrates the noiseless manner in which the BBC became perhaps the central agent of national culture as its cyclical role; the cyclical production year in year out, of an orderly, regular progression of festivities, rituals and celebrations—major and minor, civic and sacred—that mark the unfolding of the broadcast year. (278; italics in the original) State occasions and big moments, including those directly concerned with governance and affairs of state, and those which focused upon sport and religion, were a big part in these “noiseless” cycles, and became key elements in the making of Britishness across the globe. The BBC is “noiseless” because the timetable is assumed and taken for granted as not only what is but what should be. However, the BBC WS has been and has had to be responsive to major shifts in global and local—and, indeed, glocal—power geometries that have led to spatial transformations, notably in the reconfiguration of the service in the era of postcolonialism. Some of these massive changes have involved the large-scale movement of people and a concomitant rethinking of diaspora as a concept. Empire, like nation, operates as an “imagined community,” too big to be grasped by individuals (Anderson), as well as a material actuality. The dynamics of identification are rarely linear and there are inconsistencies and disruptions: even when the voice is officially that of empire, the practice of the World Service is much more diverse, nuanced, and dialogical. The BBC WS challenges boundaries through the connectivities of communication and through different ways of belonging and, similarly, through a problematisation of concepts like attachment and detachment; this is most notable in the way in which programming has adapted to new diasporic audiences and in the reworkings of spatiality in the shift from empire to diversity via multiculturalism. There are tensions between diaspora and multiculturalism that are apparent in a discussion of broadcasting and communication networks. Diaspora has been distinguished by mobility and hybridity (Clifford, Hall, Bhaba, Gilroy) and it has been argued that the adjectival use of diasporic offers more opportunity for fluidity and transformation (Clifford). The concept of diaspora, as it has been used to explain the fluidity and mobility of diasporic identifications, can challenge more stabilised, “classic” understandings of diaspora (Chivallon). A hybrid version of diaspora might sit uneasily with a strong sense of belonging and with the idea that the broadcast media offer a multicultural space in which each voice can be heard and a wide range of cultures are present. Tuning In engaged with ways of rethinking the BBC’s relationship to diaspora in the twenty-first century in a number of ways: for example, in the intersection of discursive regimes of representation; in the status of public service broadcasting; vis-à-vis the consequences of diverse diasporic audiences; through the role of cultural intermediaries such as journalists and writers; and via global economic and political materialities (Gillespie, Webb and Baumann). Tuning In thus provided a multi-themed and methodologically diverse exploration of how the BBC WS is itself a series of spaces which are constitutive of the transformation of diasporic identifications. Exploring the part played by the BBC WS in changing and continuing social flows and networks involves, first, reconfiguring what is understood by transnationalism, diaspora, and postcolonial relationalities: in particular, attending to how these transform as well as sometimes reinstate colonial and patriarchal discourses and practices, thus bringing together different dimensions of the local and the global. Tuning In ranges across different fields, embracing cultural, social, and political areas of experience as represented in broadcasting coverage. These fields illustrate the educative role of the BBC and the World Service that is also linked to its particular version of impartiality; just as The Archers was set up to provide information and guidance through a narrative of everyday life to rural communities and farmers after the Second World War, so the Afghan version plays an “edutainment” role (Skuse) where entertainment also serves an educational, public service information role. Indeed, the use of soap opera genre such as The Archers as a vehicle for humanitarian and health information has been very successful over the past decade, with the “edutainment” genre becoming a feature of the World Service’s broadcasting in places such as Rwanda, Somalia, Nigeria, India, Nepal, Burma, Afghanistan, and Cambodia. In a genre that has been promoted by the World Service Trust, the charitable arm of the BBC WS uses drama formats to build transnational production relationships with media professionals and to strengthen creative capacities to undertake behaviour change through communication work. Such programming, which is in the tradition of the BBC WS, draws upon the service’s expertise and exhibits both an ideological commitment to progressive social intervention and a paternalist approach drawing upon colonialist legacies. Nowadays, however, the BBC WS can be considered a diasporic contact zone, providing sites of transnational intra-diasporic contact as well as cross-cultural encounters, spaces for cross-diasporic creativity and representation, and a forum for cross-cultural dialogue and potentially cosmopolitan translations (Pratt, Clifford). These activities are, however, still marked by historically forged asymmetric power relations, notably of colonialism, imperialism, and globalisation, as well as still being dominated by hegemonic masculinity in many parts of the service, which thus represent sites of contestation, conflict, and transgression. Conversely, diasporic identities are themselves co-shaped by media representations (Sreberny). The diasporic contact zone is a relational space in which diasporic identities are made and remade and contested. Tuning In employed a diverse range of methods to analyse the part played by the BBC WS in changing and continuing social and cultural flows, networks, and reconfigurations of transnationalisms and diaspora, as well as reinstating colonial, patriarchal practices. The research deconstructed some assumptions and conditions of class-based elitism, colonialism, and patriarchy through a range of strategies. Texts are, of course, central to this work, with the BBC Archives at Caversham (near Reading) representing the starting point for many researchers. The archive is a rich source of material for researchers which carries a vast range of data including fragile memos written on scraps of paper: a very local source of global communications. Other textual material occupies the less locatable cyberspace, for example in the case of Have Your Say exchanges on the Web. People also featured in the project, through the media, in cyberspace, and physical encounters, all of which demonstrate the diverse modes of connection that have been established. Researchers worked with the BBC WS in a variety of ways, not only through interviews and ethnographic approaches, such as participant observation and witness seminars, but also through exchanges between the service, its practitioners, and the researchers (for example, through broadcasts where the project provided the content and the ideas and researchers have been part of programs that have gone out on the BBC WS (Goldblatt, Webb), bringing together people who work for the BBC and Tuning In researchers). On this point, it should be remembered that Bush House is, itself, a diasporic space which, from its geographical location in the Strand in London, has brought together diasporic people from around the globe to establish international communication networks, and has thus become the focus and locus of some of our research. What we have understood by the term “diasporic space” in this context includes both the materialities of architecture and cyberspace which is the site of digital diasporas (Anderssen) and, indeed, the virtual exchanges featured on “Have Your Say,” the online feedback site (Tuning In). Living the Glocal The BBC WS offers a mode of communication and a series of networks that are spatially located both in the UK, through the material presence of Bush House, and abroad, through the diasporic communities constituting contemporary audiences. The service may have been set up to provide news and entertainment for the British diaspora abroad, but the transformation of the UK into a multi-ethnic society “at home,” alongside its commitment to, and the servicing of, no less than 32 countries abroad, demonstrates a new mission and a new balance of power. Different diasporic communities, such as multi-ethnic Londoners, and local and British Muslims in the north of England, demonstrate the dynamics and ambivalences of what is meant by “diaspora” today. For example, the BBC and the WS play an ambiguous role in the lives of UK Muslim communities with Pakistani connections, where consumers of the international news can feel that the BBC is complicit in the conflation of Muslims with terrorists. Engaging Diaspora Audiences demonstrated the diversity of audience reception in a climate of marginalisation, often bordering on moral panic, and showed how diasporic audiences often use Al-Jazeera or Pakistani and Urdu channels, which are seen to take up more sympathetic political positions. It seems, however, that more egalitarian conversations are becoming possible through the channels of the WS. The participation of local people in the BBC WS global project is seen, for example, as in the popular “Witness Seminars” that have both a current focus and one that is projected into the future, as in the case of the “2012 Generation” (that is, the young people who come of age in 2012, the year of the London Olympics). The Witness Seminars demonstrate the recuperation of past political and social events such as “Bangladesh in 1971” (Tuning In), “The Cold War seminar” (Tuning In) and “Diasporic Nationhood” (the cultural movements reiterated and recovered in the “Literary Lives” project (Gillespie, Baumann and Zinik). Indeed, the WS’s current focus on the “2012 Generation,” including an event in which 27 young people (each of whom speaks one of the WS languages) were invited to an open day at Bush House in 2009, vividly illustrates how things have changed. Whereas in 1948 (the last occasion when the Olympic Games were held in London), the world came to London, it is arguable that, in 2012, in contemporary multi-ethnic Britain, the world is already here (Webb). This enterprise has the advantage of giving voice to the present rather than filtering the present through the legacies of colonialism that remain a problem for the Witness Seminars more generally. The democratising possibilities of sport, as well as the restrictions of its globalising elements, are well represented by Tuning In (Woodward). Sport has, of course become more globalised, especially through the development of Internet and satellite technologies (Giulianotti) but it retains powerful local affiliations and identifications. At all levels and in diverse places, there are strong attachments to local and national teams that are constitutive of communities, including diasporic and multi-ethnic communities. Sport is both typical and distinctive of the BBC World Service; something that is part of a wider picture but also an area of experience with a life of its own. Our “Sport across Diasporas” project has thus explored some of the routes the World Service has travelled in its engagement with sport in order to provide some understanding of the legacy of empire and patriarchy, as well as engaging with the multiplicities of change in the reconstruction of Britishness. Here, it is important to recognise that what began as “BBC Sport” evolved into “World Service Sport.” Coverage of the world’s biggest sporting events was established through the 1930s to the 1960s in the development of the BBC WS. However, it is not only the global dimensions of sporting events that have been assumed; so too are national identifications. There is no question that the superiority of British/English sport is naturalised through its dominance of the BBC WS airways, but the possibilities of reinterpretation and re-accommodation have also been made possible. There has, indeed, been a changing place of sport in the BBC WS, which can only be understood with reference to wider changes in the relationship between broadcasting and sport, and demonstrates the powerful synchronies between social, political, technological, economic, and cultural factors, notably those that make up the media–sport–commerce nexus that drives so much of the trajectory of contemporary sport. Diasporic audiences shape the schedule as much as what is broadcast. There is no single voice of the BBC in sport. The BBC archive demonstrates a variety of narratives through the development and transformation of the World Service’s sports broadcasting. There are, however, silences: notably those involving women. Sport is still a patriarchal field. However, the imperial genealogies of sport are inextricably entwined with the social, political, and cultural changes taking place in the wider world. There is no detectable linear narrative but rather a series of tensions and contradictions that are reflected and reconfigured in the texts in which deliberations are made. In sport broadcasting, the relationship of the BBC WS with its listeners is, in many instances, genuinely dialogic: for example, through “Have Your Say” websites and internet forums, and some of the actors in these dialogic exchanges are the broadcasters themselves. The history of the BBC and the World Service is one which manifests a degree of autonomy and some spontaneity on the part of journalists and broadcasters. For example, in the case of the BBC WS African sports program, Fast Track (2009), many of the broadcasters interviewed report being able to cover material not technically within their brief; news journalists are able to engage with sporting events and sports journalists have covered social and political news (Woodward). Sometimes this is a matter of taking the initiative or simply of being in the right place at the right time, although this affords an agency to journalists which is increasingly unlikely in the twenty-first century. The Politics of Translation: Words and Music The World Service has played a key role as a cultural broker in the political arena through what could be construed as “educational broadcasting” via the wider terrain of the arts: for example, literature, drama, poetry, and music. Over the years, Bush House has been a home-from-home for poets: internationalists, translators from classical and modern languages, and bohemians; a constituency that, for all its cosmopolitanism, was predominantly white and male in the early days. For example, in the 1930s and 1940s, Louis MacNeice was commissioning editor and surrounded by a friendship network of salaried poets, such as W. H. Auden, Dylan Thomas, C. Day Lewis, and Stephen Spender, who wrote and performed their work for the WS. The foreign language departments of the BBC WS, meanwhile, hired émigrés and exiles from their countries’ educated elites to do similar work. The biannual, book-format journal Modern Poetry in Translation (MPT), which was founded in 1965 by Daniel Weissbort and Ted Hughes, included a dedication in Weissbort’s final issue (MPT 22, 2003) to “Poets at Bush House.” This volume amounts to a celebration of the BBC WS and its creative culture, which extended beyond the confines of broadcasting spaces. The reminiscences in “Poets at Bush House” suggest an institutional culture of informal connections and a fluidity of local exchanges that is resonant of the fluidity of the flows and networks of diaspora (Cheesman). Music, too, has distinctive characteristics that mark out this terrain on the broadcast schedule and in the culture of the BBC WS. Music is differentiated from language-centred genres, making it a particularly powerful medium of cross-cultural exchange. Music is portable and yet is marked by a cultural rootedness that may impede translation and interpretation. Music also carries ambiguities as a marker of status across borders, and it combines aesthetic intensity and diffuseness. The Migrating Music project demonstrated BBC WS mediation of music and identity flows (Toynbee). In the production and scheduling notes, issues of migration and diaspora are often addressed directly in the programming of music, while the movement of peoples is a leitmotif in all programs in which music is played and discussed. Music genres are mobile, diasporic, and can be constitutive of Paul Gilroy’s “Black Atlantic” (Gilroy), which foregrounds the itinerary of West African music to the Caribbean via the Middle Passage, cross-fertilising with European traditions in the Americas to produce blues and other hybrid forms, and the journey of these forms to Europe. The Migrating Music project focused upon the role of the BBC WS as narrator of the Black Atlantic story and of South Asian cross-over music, from bhangra to filmi, which can be situated among the South Asian diaspora in east and south Africa as well as the Caribbean where they now interact with reggae, calypso, Rapso, and Popso. The transversal flows of music and lyrics encompasses the lived experience of the different diasporas that are accommodated in the BBC WS schedules: for example, they keep alive the connection between the Irish “at home” and in the diaspora through programs featuring traditional music, further demonstrating the interconnections between local and global attachments as well as points of disconnection and contradiction. Textual analysis—including discourse analysis of presenters’ speech, program trailers and dialogue and the BBC’s own construction of “world music”—has revealed that the BBC WS itself performs a constitutive role in keeping alive these traditions. Music, too, has a range of emotional affects which are manifest in the semiotic analyses that have been conducted of recordings and performances. Further, the creative personnel who are involved in music programming, including musicians, play their own role in this ongoing process of musical migration. Once again, the networks of people involved as practitioners become central to the processes and systems through which diasporic audiences are re-produced and engaged. Conclusion The BBC WS can claim to be a global and local cultural intermediary not only because the service was set up to engage with the British diaspora in an international context but because the service, today, is demonstrably a voice that is continually negotiating multi-ethnic audiences both in the UK and across the world. At best, the World Service is a dynamic facilitator of conversations within and across diasporas: ideas are relocated, translated, and travel in different directions. The “local” of a British broadcasting service, established to promote British values across the globe, has been transformed, both through its engagements with an increasingly diverse set of diasporic audiences and through the transformations in how diasporas themselves self-define and operate. On the BBC WS, demographic, social, and cultural changes mean that the global is now to be found in the local of the UK and any simplistic separation of local and global is no longer tenable. The educative role once adopted by the BBC, and then the World Service, nevertheless still persists in other contexts (“from Ambridge to Afghanistan”), and clearly the WS still treads a dangerous path between the paternalism and patriarchy of its colonial past and its responsiveness to change. 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(Rotraud Ries, Würzburg) Stalljohann-Schemme, Marina, Stadt und Stadtbild in der Frühen Neuzeit. Frankfurt am Main als kulturelles Zentrum im publizistischen Diskurs (Bibliothek Altes Reich, 21), Berlin / Boston 2017, de Gruyter Oldenbourg, X u. 493 S. / Abb., € 89,95. (Johannes Arndt, Münster) Schmidt-Funke, Julia A. / Matthias Schnettger (Hrsg.), Neue Stadtgeschichte‍(n). Die Reichsstadt Frankfurt im Vergleich (Mainzer Historische Kulturwissenschaften, 31), Bielefeld 2018, transcript, 483 S. / Abb., € 49,99. (Holger Th. Gräf, Marburg) Huber, Vitus, Beute und Conquista. Die politische Ökonomie der Eroberung Neuspaniens (Campus Historische Studien, 76), Frankfurt a. M. 2018, Campus, 432 S. / Abb., € 39,95. (Laura Dierksmeier und Anna Weininger, Tübingen) Caravale, Giorgio, Preaching and Inquisition in Renaissance Italy. Words on Trial, übers. v. Frank Gordon (Catholic Christendom, 1300 – 1700), Leiden / Boston 2016, Brill, VIII u. 274 S., € 115,00. (Andreea Badea, Frankfurt a. M.) Mertens, Dieter, Humanismus und Landesgeschichte. Ausgewählte Aufsätze, 2 Teile, hrsg. v. Dieter Speck / Birgit Studt / Thomas Zotz (Veröffentlichungen der Kommission für geschichtliche Landeskunde in Baden-Württemberg. Reihe B: Forschungen, 218), Stuttgart 2018, Kohlhammer, XIV u. 1042 S. / Abb., € 88,00. (Ulrich Muhlack, Frankfurt a. M.) Grimmsmann, Damaris, Krieg mit dem Wort. Türkenpredigten des 16. Jahrhunderts im Alten Reich (Arbeiten zur Kirchengeschichte, 131), Berlin / Boston 2016, de Gruyter, XII u. 317 S., € 109,95 (Alexander Schunka, Berlin) Bauer, Joachim / Stefan Michel (Hrsg.), Der „Unterricht der Visitatoren“ und die Durchsetzung der Reformation in Kursachsen (Leucorea-Studien zur Geschichte der Reformation und der Lutherischen Orthodoxie, 29), Leipzig 2017, Evangelische Verlagsanstalt, 278 S., € 58,00. (Thomas Fuchs, Leipzig) Stegmann, Andreas, Die Reformation in der Mark Brandenburg, Leipzig 2017, Evangelische Verlagsanstalt, 279 S. / Abb., € 34,00. (Thomas Fuchs, Leipzig) Mariotte, Jean-Yves, Philipp der Großmütige von Hessen (1504 – 1567). Fürstlicher Reformator und Landgraf, übers. v. Sabine Albrecht (Veröffentlichungen der Historischen Kommission für Hessen, 24; Quellen und Darstellungen zur Geschichte des Landgrafen Philipp des Großmütigen, 10), Marburg 2018, Historische Kommission für Hessen, 301 S. / Abb., € 28,00. (Thomas Fuchs, Leipzig) Doll, Eberhard, Der Theologe und Schriftsteller Friedrich Dedekind (1524/25 – 1598). Eine Biographie. Mit einem Beitrag von Britta-Juliane Kruse zu Dedekinds geistlichen Spielen und der Erstedition der „Hochtzeit zu Cana in Galilea“ (Wolfenbütteler Forschungen, 145), Wiesbaden 2018, Harrassowitz in Kommission, 623 S. / Abb., € 92,00. (Julia Zech, Sarstedt) Bullinger, Heinrich, Tigurinerchronik, 3 Teilbde., hrsg. v. Hans U. Bächtold (Werke. Vierte Abteilung: Historische Schriften, 1), Zürich 2018, Theologischer Verlag Zürich, XXVII u. 1388 S. (Teilbde. 1 u. 2); V u. 425 S. / Abb. (Teilbd. 3), € 450,00. (Volker Leppin, Tübingen) Francisco de Vitoria, De iustitia / Über die Gerechtigkeit, Teil 1 u. 2, hrsg., eingel. u. ins Deutsche übers. v. Joachim Stüben, mit Einleitungen v. Thomas Duve (Teil 1) bzw. Tilman Repgen (Teil 2) (Politische Philosophie und Rechtstheorie des Mittelalters und der Neuzeit, Reihe I: Texte, 3 bzw. 4), Stuttgart-Bad Cannstatt 2013 bzw. 2017, Frommann-Holzboog, CXII u. 191 S. bzw. CIX u. 355 S., € 168,00 bzw. € 188,00. (Nils Jansen, Münster) Der Portulan-Atlas des Battista Agnese. Das Kasseler Prachtexemplar von 1542, hrsg., eingel. u. komm. v. Ingrid Baumgärtner, Darmstadt 2017, Wissenschaftliche Buchgesellschaft, 144 S. / Abb., € 99,95. (Christoph Mauntel, Tübingen) Brevaglieri, Sabina / Matthias Schnettger (Hrsg.), Transferprozesse zwischen dem Alten Reich und Italien im 17. Jahrhundert. Wissenskonfigurationen – Akteure – Netzwerke (Mainzer Historische Kulturwissenschaften, 29), Bielefeld 2018, transcript, 341 S. / Abb., € 39,99. (Christiane Liermann, Como) Asmussen, Tina, Scientia Kircheriana. Die Fabrikation von Wissen bei Athanasius Kircher (Kulturgeschichten, 2), Affalterbach 2016, Didymos-Verlag, 220 S. / Abb., € 39,00. (Mona Garloff, Stuttgart / Wien) Schlegelmilch, Sabine, Ärztliche Praxis und sozialer Raum im 17. Jahrhundert. Johannes Magirus (1615 – 1697), Wien / Köln / Weimar 2018, Böhlau, 352 S. / Abb., € 50,00. (Pierre Pfütsch, Stuttgart) Félicité, Indravati, Das Königreich Frankreich und die norddeutschen Hansestädte und Herzogtümer (1650 – 1730). Diplomatie zwischen ungleichen Partnern, übers. aus dem Französischen v. Markus Hiltl (Quellen und Darstellungen zur hansischen Geschichte. Neue Folge, 75), Köln / Weimar / Wien 2017, Böhlau, 439 S., € 60,00. (Guido Braun, Mulhouse) Renault, Rachel, La permanence de l’extraordinaire. Fiscalité, pouvoirs et monde social en Allemagne aux XVIIe et XVIIIe siècles (Histoire moderne, 57), Paris 2017, Éditions de la Sorbonne, 389 S. / Abb., € 25,00. (Claire Gantet, Fribourg) Godsey, William D., The Sinews of Habsburg Power. Lower Austria in a Fiscal-Military State 1650 – 1820, Oxford 2018, Oxford University Press, XX u. 460 S. / Abb., £ 90,00. (Simon Karstens, Trier) Riotte, Andrea, Diese so oft beseufzte Parität. Biberach 1649 – 1825: Politik – Konfession – Alltag (Veröffentlichungen der Kommission für geschichtliche Landeskunde in Baden-Württemberg. Reihe B: Forschungen, 213), Stuttgart 2017, Kohlhammer, LII u. 779 S., € 64,00. (Stephanie Armer, Nürnberg) Müller, Andreas, Die Ritterschaft im Herzogtum Westfalen 1651 – 1803. Aufschwörung, innere Struktur und Prosopographie (Veröffentlichungen der Historischen Kommission für Westfalen. Neue Folge, 34), Münster 2017, Aschendorff, 744 S. / Abb., € 69,00. (Nicolas Rügge, Hannover) Lange, Johan, Die Gefahren der akademischen Freiheit. Ratgeberliteratur für Studenten im Zeitalter der Aufklärung (1670 – 1820) (Beihefte der Francia, 84), Ostfildern 2017, Thorbecke, 339 S., € 45,00. 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(Georg Eckert, Wuppertal) Ducheyne, Steffen (Hrsg.), Reassessing the Radical Enlightenment, London / New York 2017, Routledge, XII u. 318 S., £ 32,99. (Bettina Dietz, Hongkong) Lehner, Ulrich (Hrsg.), Women, Enlightenment and Catholicism. A Transnational Biographical History, London / New York 2018, Routledge, XI u. 236 S. / Abb., £ 100,00. (Elisabeth Fischer, Hamburg) Möller, Horst / Claus Scharf / Wassili Dudarew / Maja Lawrinowitsch (Hrsg.), Deutschland – Russland. Stationen gemeinsamer Geschichte, Orte der Erinnerung, Bd. 1: Das 18. Jahrhundert, Berlin / Boston 2018, de Gruyter Oldenbourg, 410 S. / Abb., € 29,95. (Martina Winkler, Kiel) Bittner, Anja, Eine königliche Mission. Der französisch-jakobitische Invasionsversuch von 1708 im europäischen Kontext (Schriften des Frühneuzeitzentrums Potsdam, 6), Göttingen 2017, V&amp;R unipress, 277 S., € 45,00. (Torsten Riotte, Frankfurt a.M.) Schmidt-Voges, Inken / Ana Crespo Solana (Hrsg.), New Worlds? 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