Journal articles on the topic 'Irish playwrights'
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Porter, Roger. "Oscar on the Boards: Playwrights Represent the Playwright on Stage." New Theatre Quarterly 34, no. 1 (January 10, 2018): 47–57. http://dx.doi.org/10.1017/s0266464x17000677.
Full textMikami, Hiroko. "Richard Bean’s The Big Fellah (2010) and Jez Butterworth’s The Ferryman (2017): two plays about the Northern Troubles from outside of Northern Ireland." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (May 25, 2020): 115–26. http://dx.doi.org/10.5007/2175-8026.2020v73n2p115.
Full textWiśniewski, Tomasz. "Between languages. On bilingual issues in modern British and Irish drama." Tekstualia 3, no. 46 (July 4, 2016): 111–20. http://dx.doi.org/10.5604/01.3001.0013.4208.
Full textVaněk, Joe. "An Outsider’s Eye: The Art of Designing for Theatre." Review of Irish Studies in Europe 4, no. 1 (June 14, 2021): 121–45. http://dx.doi.org/10.32803/rise.v4i1.2652.
Full textNovkinić, Sandra. "“Women’s Voices in Contemporary Irish Theatre." Anafora 9, no. 1 (2022): 45–61. http://dx.doi.org/10.29162/anafora.v9i1.3.
Full textShamina, Vera B. "MEET JOHN BRENDAN KEANE ON RUSSIAN SCENE." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 3 (September 1, 2020): 80–94. http://dx.doi.org/10.18522/2415-8852-2020-3-80-94.
Full textHwang, Ji Hyea. "Transcolonial Nationhood." Journal of World Literature 5, no. 3 (July 23, 2020): 393–409. http://dx.doi.org/10.1163/24056480-00503005.
Full textClare, David, Fiona McDonagh, Justine Nakase, Tanya Dean, Barry Houlihan, and Gemma Whelan. "The Golden Thread: Irish Women Playwrights, 1716–2016: A Roundtable." New Hibernia Review 26, no. 1 (March 2022): 13–34. http://dx.doi.org/10.1353/nhr.2022.0002.
Full textFinnigan, Robert. "An underground theatre: major playwrights in the Irish language 1930–1980." Irish Studies Review 27, no. 4 (September 6, 2019): 599–601. http://dx.doi.org/10.1080/09670882.2019.1664023.
Full textGonzález Chacón, María del Mar. ""Speaking through Another Culture": Frank McGuinness’s Version of Federico García Lorca’s The House of Bernarda Alba (La Casa de Bernarda Alba)." Miscelánea: A Journal of English and American Studies 60 (November 28, 2019): 71–89. http://dx.doi.org/10.26754/ojs_misc/mj.20196288.
Full textAlatawi, Maha. "When Narrative Becomes Theatrical." Harold Pinter Review 5, no. 1 (May 1, 2021): 107–20. http://dx.doi.org/10.5325/haropintrevi.5.2021.0107.
Full textCAULFIELD, MARY P. "Inseparable and No Longer Subsequent: The Relocation and Representation of Women in Irish Theatre Practices." Theatre Research International 36, no. 3 (August 30, 2011): 276–77. http://dx.doi.org/10.1017/s0307883311000514.
Full textKhalil, Rania M. R. "Redefining Irishness: Fragmentation or intercultural exchange." Journal of Language and Cultural Education 3, no. 3 (September 1, 2015): 104–11. http://dx.doi.org/10.1515/jolace-2015-0024.
Full textTrotter, Mary. "Modern Dramatists: A Casebook of Major British, Irish and American Playwrights (review)." Theatre Journal 54, no. 1 (2002): 175–76. http://dx.doi.org/10.1353/tj.2002.0031.
Full textRuane, Aileen R. "Language, translation, and the Irish Theatre Diaspora in Quebec." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (May 25, 2020): 63–83. http://dx.doi.org/10.5007/2175-8026.2020v73n2p63.
Full textSINGLETON, BRIAN. "Strangers in the house: reconfiguring the borders of national and cultural identities in contemporary Irish theatre." European Review 9, no. 3 (July 2001): 293–303. http://dx.doi.org/10.1017/s106279870100028x.
Full textWorth, Katharine. "Ibsen and the Irish Theatre." Theatre Research International 15, no. 1 (1990): 18–28. http://dx.doi.org/10.1017/s0307883300009494.
Full textMhuircheartaigh, Éadaoin Ní. "Philip O'Leary, An Underground Theatre: Major Playwrights in the Irish Language, 1930–80." Irish University Review 50, no. 1 (May 2020): 246–48. http://dx.doi.org/10.3366/iur.2020.0457.
Full textSchlacks, Deborah Davis. "F. Scott Fitzgerald, Trickster: Images of Irishness in Edmund Wilson's Bookman Essay." F. Scott Fitzgerald Review 14, no. 1 (November 1, 2016): 159–80. http://dx.doi.org/10.5325/fscotfitzrevi.14.1.159.
Full textOjrzyńska, Katarzyna. "The Individualising and Subversive Role of the Radio in Selected Contemporary Irish Poems and Plays." Tekstualia 1, no. 32 (April 1, 2013): 113–30. http://dx.doi.org/10.5604/01.3001.0013.4645.
Full textJassim, Jinan Waheed. "Medea Revisited: Marina Carr's By the Bog of Cats… and the Modern Defiant Mother." لارك 3, no. 34 (July 16, 2019): 447–57. http://dx.doi.org/10.31185/lark.vol3.iss34.1103.
Full textTownsend, Sarah L. "Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964." TDR/The Drama Review 62, no. 4 (December 2018): 171–73. http://dx.doi.org/10.1162/dram_a_00806.
Full textRussell, Richard. "Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats ..." Comparative Drama 40, no. 2 (2006): 149–68. http://dx.doi.org/10.1353/cdr.2006.0008.
Full textGaviña-Costero, María. "Brian Friel in Spain: An Off-Centre Love Story." Estudios Irlandeses, no. 16 (March 17, 2021): 110–24. http://dx.doi.org/10.24162/ei2021-10074.
Full textGomes, Daniel. "Susan Cannon Harris, Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964." Modernist Cultures 15, no. 2 (May 2020): 257–61. http://dx.doi.org/10.3366/mod.2020.0292.
Full textMcNulty, Eugene. "Susan Cannon Harris, Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964." Irish University Review 48, no. 2 (November 2018): 390–93. http://dx.doi.org/10.3366/iur.2018.0365.
Full textFitzPatrick Dean, Joan. "Hilton Edwards, Brecht and the Brechtian." Review of Irish Studies in Europe 4, no. 1 (June 14, 2021): 82–98. http://dx.doi.org/10.32803/rise.v4i1.2622.
Full textBAŞTAN, Ajda. "FATAL CONFLICT REFLECTIONS IN MARTIN MCDONAGH'S THE BEAUTY QUEEN OF LEENANE." IEDSR Association 6, no. 15 (September 20, 2021): 198–208. http://dx.doi.org/10.46872/pj.341.
Full textGraham-Jones, Jean. "Latin American(ist) Theatre History: Bridging the Divides." Theatre Survey 47, no. 2 (September 12, 2006): 209–15. http://dx.doi.org/10.1017/s0040557406000172.
Full textMoura, Fernanda Korovsky. "Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (May 25, 2020): 127–36. http://dx.doi.org/10.5007/2175-8026.2020v73n2p127.
Full textMcCarthy, Kate, and Úna Kealy. "Writing from the Margins: Re-framing Teresa Deevy’s Archive and her Correspondence with James Cheasty c.1952–1962." Irish University Review 52, no. 2 (November 2022): 322–40. http://dx.doi.org/10.3366/iur.2022.0570.
Full textMills, Lia. "In Full Voice: Celia de Fréine in Conversation with Lia Mills." Irish University Review 48, no. 2 (November 2018): 169–82. http://dx.doi.org/10.3366/iur.2018.0347.
Full textBurdett, Sarah. "“Be Mine in Politics”: Charlotte Corday and Anti-Union Allegory in Matthew West’s Female Heroism, A Tragedy in Five Acts (1803)." Restoration and Eighteenth-Century Theatre Research 30, no. 1-2 (2015): 89–108. http://dx.doi.org/10.5325/rectr.30.1-2.0089.
Full textRees, Catherine. "The Good, the Bad, and the Ugly: the Politics of Morality in Martin McDonagh's The Lieutenant of Inishmore." New Theatre Quarterly 21, no. 1 (January 26, 2005): 28–33. http://dx.doi.org/10.1017/s0266464x04000314.
Full textHughes, Eamcnn. "‘To Define Your Dissent’: The Plays and Polemics of the Field Day Theatre Company." Theatre Research International 15, no. 1 (1990): 67–77. http://dx.doi.org/10.1017/s0307883300009536.
Full textGhanim, Fawziya Mousa. "Seanchan 's Quest Restoring of the Poet's Right in Yeasts' Play The King's Threshold." European Journal of Language and Literature 7, no. 2 (October 1, 2021): 20. http://dx.doi.org/10.26417/453wmb82a.
Full textYakunin, A. S. "STYLIZATION METHOD OF DINNSHEANCHAS IN THE PLAY “THE MAI” OF MARINA CARR." Bulletin of Udmurt University. Series History and Philology 29, no. 3 (June 25, 2019): 524–28. http://dx.doi.org/10.35634/2412-9534-2019-29-3-524-528.
Full textMcIvor, Charlotte. "‘Albert Nobbs’, Ladies and Gentlemen, and Quare Irish Female Erotohistories." Irish University Review 43, no. 1 (May 2013): 86–101. http://dx.doi.org/10.3366/iur.2013.0057.
Full textLawley, Paul. "Murphy's Beckeytt: Legacy and Agon." Samuel Beckett Today / Aujourd'hui 23, no. 1 (August 1, 2012): 215–42. http://dx.doi.org/10.1163/18757405-023001015.
Full textCoates, Brian. ""I'll Go On" – Terry Eagleton, Writer." Theory Now. Journal of Literature, Critique, and Thought 5, no. 2 (July 29, 2022): 69–81. http://dx.doi.org/10.30827/tn.v5i2.25397.
Full textDe Ornellas, Kevin. "Ibsen's seminal influence on an Irish playwright: an interview with Frank McGuinness." Irish Studies Review 20, no. 1 (February 2012): 77–84. http://dx.doi.org/10.1080/09670882.2012.655940.
Full textMorozova, Svetlana N., and Dmitriy N. Zhatkin. "Creative work of Edmund John Millington Synge in literary and critical perception of Korney Chukovsky." Vestnik of Kostroma State University, no. 3 (2019): 101–6. http://dx.doi.org/10.34216/1998-0817-2019-25-3-101-106.
Full textARCHER, JEAN BARBARA, and GORDON LESLIE HERRIES DAVIES. "Inspiration from Nature and some plays written by John O'Keeffe (1747–1833)." Archives of Natural History 27, no. 1 (February 2000): 123–35. http://dx.doi.org/10.3366/anh.2000.27.1.123.
Full textKoustas, Jane. "Deirdre Kinahan’s Unmanageable Sisters: Michel Tremblay’s Belles-sœurs on the Irish Stage." Quebec Studies 72, no. 1 (December 1, 2021): 33–57. http://dx.doi.org/10.3828/qs.2021.16.
Full textSmyth, Patricia. "The Popular Picturesque: Landscape in Boucicault's Irish Plays." New Theatre Quarterly 32, no. 4 (October 14, 2016): 347–62. http://dx.doi.org/10.1017/s0266464x16000427.
Full textAbdulhasan Ali, Basma, and Sabah Atallah Diyaiy. "Violence in Martin McDonagh's The Pillowman." Al-Adab Journal 2, no. 136 (March 15, 2021): 1–10. http://dx.doi.org/10.31973/aj.v2i136.1279.
Full textWestgate. "“In Ireland He's Considered an Irish-American Playwright”: Eugene O'Neill, A Touch of the Poet, and the Irish Play." Eugene O'Neill Review 39, no. 1 (2018): 95. http://dx.doi.org/10.5325/eugeoneirevi.39.1.0095.
Full textGermoni, Karine. "Omniprésence De Samuel Beckett Dans L'œuvre de Raymond Cousse / Présence de Raymond Cousse Dans œeuvre de Samuel Beckett?" Samuel Beckett Today / Aujourd'hui 17, no. 1 (November 1, 2007): 482–99. http://dx.doi.org/10.1163/18757405-017001033.
Full textZou, D. Z. "On Carr’s Eleven-Dimensional Dramaturgy." International Journal of Languages, Literature and Linguistics 7, no. 3 (September 2021): 144–48. http://dx.doi.org/10.18178/ijlll.2021.7.3.302.
Full textNunez, Domingos, and Peter James Harris. "Roger Casement in the twenty-first century: the public and private faces of a multi-media Irish hero." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (May 25, 2020): 17–35. http://dx.doi.org/10.5007/2175-8026.2020v73n2p17.
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