Academic literature on the topic 'Irish music tradition'
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Journal articles on the topic "Irish music tradition"
SPENCER, SCOTT. "Wheels of the World: How Recordings of Irish Traditional Music Bridged the Gap between Homeland and Diaspora." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 437–49. http://dx.doi.org/10.1017/s1752196310000374.
Full textMcDonagh, Luke. "Exploring “ownership” of Irish traditional dance music: Heritage or property?" International Journal of Cultural Property 29, no. 2 (May 2022): 183–200. http://dx.doi.org/10.1017/s094073912200011x.
Full textWard, Francis. "Technology and the transmission of tradition: An exploration of the virtual pedagogies in the Online Academy of Irish Music." Journal of Music, Technology and Education 12, no. 1 (August 1, 2019): 5–23. http://dx.doi.org/10.1386/jmte.12.1.5_1.
Full textDennehy, Donnacha. "OWNING OVERTONES: GRÁ AGUS BÁS AND SPECTRAL TRADITIONS." Tempo 69, no. 271 (January 2015): 24–35. http://dx.doi.org/10.1017/s0040298214000904.
Full textKaul, Adam R. "On ‘Tradition’: Between the Local and the Global in a Traditional Irish Music." Folk Life 45, no. 1 (January 2006): 49–59. http://dx.doi.org/10.1179/flk.2006.45.1.49.
Full textKaul, Adam R. "On ‘Tradition’: Between the Local and the Global in a Traditional Irish Music." Folk Life - Journal of Ethnological Studies 45, no. 1 (January 1, 2006): 49–59. http://dx.doi.org/10.1179/043087706798236569.
Full textSmyth, Gerry. "Shanty singing and the Irish Atlantic: Identity and hybridity in the musical imagination of Stan Hugill." International Journal of Maritime History 29, no. 2 (May 2017): 387–406. http://dx.doi.org/10.1177/0843871417694013.
Full textAudley, Brian. "The Provenance of the Londonderry Air." Journal of the Royal Musical Association 125, no. 2 (2000): 205–47. http://dx.doi.org/10.1093/jrma/125.2.205.
Full textCRANITCH, MATT. "Paddy Cronin: Musical Influences on a Sliabh Luachra Fiddle Player in the United States." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 475–89. http://dx.doi.org/10.1017/s1752196310000398.
Full textCadhla, Seán Ó. "Ann Flood, Mairéad Farrell, and the Representation of Armed Femininity in Irish Republican Ballads." Ethnomusicology 65, no. 3 (October 1, 2021): 471–96. http://dx.doi.org/10.5406/ethnomusicology.65.3.0471.
Full textDissertations / Theses on the topic "Irish music tradition"
Stankiewicz, Mariese Ribas. "Tradition and dialogic interactions between William Butler Yeats's poetry andf irish pop music." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101813.
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DeSilva, Dominique Carmen. "MUSIC LEARNING THROUGH TRADITION: COUNTY CLARE SINGING SESSIONS AND POTENTIAL BENEFITS OF CLASSROOM ADAPTATION." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/591453.
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The Irish singing session has provided a safe community where singers of all abilities are welcome to share with and learn from one another. Through British occupation and into independence, the Irish session has transformed tremendously from its original form. Still, the session carries on the Irish tradition of music learning and enculturation through oral transmission. Singing sessions provide a unique opportunity for the many songs of Irish history to be sung and learned; passed down from generation to generation! Singers learn new songs through listening to and watching other singers, imitating material, experimenting with new ideas, and discussing musical performances with others. Session leaders may attempt to create an encouraging and accepting environment where singers feel secure, resulting in the unbridled sharing of singers’ deep connections with a song. Such methods, including personal choice and a safe environment, have been observed through field research and have shown to positively affect singers and communities related to singing sessions in County Clare, Ireland. In this study, I pose that the methods used in singing sessions may also be beneficial when adapted for use in the music classroom.
Temple University--Theses
Fairbairn, Hazel. "Group playing in traditional Irish music." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282816.
Full textKaul, Adam Robert. "An ethnography of tourism and traditional Irish music in Doolin, Ireland." Thesis, Durham University, 2004. http://etheses.dur.ac.uk/3106/.
Full textSchiller, R. M. "Traditional Irish music in Berlin : musical exchange in a European context." Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419427.
Full textMolloy, Ryan Dominic James. "The traditional-contemporary dichotomy in Irish art music : a new compositional approach." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602590.
Full textMonaghan, Úna McAlister. "New technologies and experimental practices in contemporary Irish traditional music : a performer-composer's perspective." Thesis, Queen's University Belfast, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678210.
Full textPhillips, Olivia H. "Marine Melodies: Traditional Scottish and Irish Mermaid and Selkie Songs as Performed by Top Female Vocalists in Contemporary Celtic Music." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/622.
Full textBömer-Schulte, Solveig. "Irländsk musik med rätt teknik : En studie i lärandet av irländsk traditionell musik." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-73429.
Full textThis study’s purpose is to observe the learning process of studying Irish traditional music. The method used in the study, is to learn repertoire mediating the Irish style from a master in the tradition. As a theoretical basis for the study a socio-cultural perspective with a focus on master-learning is used. The study is based on research questions investigating how tools are used to learn the Irish style and how learning becomes visible and changes during the process. After analysing the material, collected during the process, the results show the use of both material and theoretical tools which often cooperate. Furthermore, the results show, how learning is achieved in the categories: tempo, bowing and understanding of the music. In the discussion some of the conclusions, appearing in the result, are brought up and connected to literature and research presented in the studies background chapter. Some of the topics discussed are how my musical identity develops, how learning takes place in sessions, how my style is affected during the study and what impact the tools have on learning.
McDonagh, Luke Thomas. "Does the law on copyright in the UK and Ireland conflict with the creative practices of Irish tradional musicians? : a study of the impact of law on a traditional music network." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535764.
Full textBooks on the topic "Irish music tradition"
Crossroads Conference (1996 Dublin, Ireland). Tradition and change in Irish traditional music. Dublin, Ireland: Whinstone Music for Crosbhealach an Cheoil-The Crossroads Conference 1996, 1999.
Find full textQuinn, Bernadette M. Tradition, creativity and change in Irish traditional music. Dublin: Service Industries Research Centre, 1997.
Find full textThe otherworld: Music & song from Irish tradition. Dublin: Folklore of Ireland Council, 2012.
Find full textCrossroads Conference (1996 Dublin, Ireland). Crosbhealach an cheoil =: The Crossroads Conference : 1996 : tradition and change in Irish traditional music. Dublin, Ireland: Whinstone Music, 1999.
Find full textHastings, Gary. With fife & drum: Music, memories and customs of an Irish tradition. Belfast: Blackstaff, 2003.
Find full textTerry, Moylan, ed. The age of revolution: 1776-1815 in the Irish song tradition. Dublin: Lilliput Press, 2000.
Find full textCowdery, James R. The melodic tradition of Ireland. Kent, Ohio: Kent State University Press, 1990.
Find full textCarson, Ciaran. Irish traditional music. Belfast: Appletree Press, 1986.
Find full textWilliams, Sean. Focus: Irish Traditional Music. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256.
Full textFocus: Irish traditional music. New York: Routledge, 2009.
Find full textBook chapters on the topic "Irish music tradition"
Williams, Sean. "Irish Instrumental Music." In Focus: Irish Traditional Music, 144–70. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-8.
Full textWilliams, Sean. "Vocal Music in Irish-Gaelic." In Focus: Irish Traditional Music, 173–202. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-10.
Full textWilliams, Sean. "Vocal Music in English." In Focus: Irish Traditional Music, 203–29. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-11.
Full textWilliams, Sean. "New Contexts for Music and Dance." In Focus: Irish Traditional Music, 230–58. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-12.
Full textWilliams, Sean. "Looking In from the Outside." In Focus: Irish Traditional Music, 3–29. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-2.
Full textWilliams, Sean. "Roots and Branches of Gaelic Ireland." In Focus: Irish Traditional Music, 30–57. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-3.
Full textWilliams, Sean. "“Hang All Harpers Where Found”." In Focus: Irish Traditional Music, 58–88. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-4.
Full textWilliams, Sean. "Musics of the “Celtic” Nations." In Focus: Irish Traditional Music, 91–113. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-6.
Full textWilliams, Sean. "The Green Fields of America." In Focus: Irish Traditional Music, 114–43. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-7.
Full textÓ Nualláin, Seán. "On tonality in Irish traditional music." In Advances in Consciousness Research, 303–12. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/aicr.35.28onu.
Full textConference papers on the topic "Irish music tradition"
Casini, Luca, and Bob L. T. Sturm. "Tradformer: A Transformer Model of Traditional Music Transcriptions." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/681.
Full textKelly, C., M. Gainza, D. Dorran, and E. Coyle. "Audio thumbnail generation of Irish traditional music." In IET Irish Signals and Systems Conference (ISSC 2010). IET, 2010. http://dx.doi.org/10.1049/cp.2010.0504.
Full textDuggan, Bryan, Brendan O'Shea, and Padraig Cunningham. "A system for automatically annotating traditional Irish music field recordings." In 2008 International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2008. http://dx.doi.org/10.1109/cbmi.2008.4564923.
Full text"When "Everything" is Information: Irish Traditional Music and Information Retrieval." In iConference 2014 Proceedings: Breaking Down Walls. Culture - Context - Computing. iSchools, 2014. http://dx.doi.org/10.9776/14131.
Full textKöküer, Münevver, Daithí Kearney, Islah Ali-MacLachlan, Peter Jančovič, and Cham Athwal. "Towards the creation of digital library content to study aspects of style in Irish traditional music." In the 1st International Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2660168.2660188.
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