Journal articles on the topic 'Irish drama'
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Richard P. Martin. "Upstaged: Irish Drama in Irish." Princeton University Library Chronicle 68, no. 1-2 (2007): 82. http://dx.doi.org/10.25290/prinunivlibrchro.68.1-2.0082.
Full textMurray, Christopher. "Contemporary Irish Drama." Moderna Språk 88, no. 1 (June 1, 1994): 1–8. http://dx.doi.org/10.58221/mosp.v88i1.10084.
Full textCottreau, Deborah, Cóilín D. Owens, and Joan N. Radner. "Irish Drama 1900-1980." Canadian Journal of Irish Studies 22, no. 1 (1996): 108. http://dx.doi.org/10.2307/25513050.
Full textMa, Qianqian. "John Singer's Comedic Drama and Western Culture." Journal of Education, Humanities and Social Sciences 4 (November 17, 2022): 61–63. http://dx.doi.org/10.54097/ehss.v4i.2723.
Full textPilkington, Lionel, Robert Welch, W. J. Mc Cormack, and Nicholas Grene. "Irish Drama and Its Contexts." Irish Review (1986-), no. 26 (2000): 118. http://dx.doi.org/10.2307/29736000.
Full textBenstock, Bernard, Mary C. King, D. E. S. Maxwell, and John O'Riordan. "Three Cheers for Irish Drama." Contemporary Literature 28, no. 1 (1987): 121. http://dx.doi.org/10.2307/1208577.
Full textBibbò, Antonio. "Irish Theatre in Italy during the Second World War: translation and politics." Modern Italy 24, no. 1 (October 11, 2018): 45–61. http://dx.doi.org/10.1017/mit.2018.33.
Full textNí Riain, Isobel. "Drama in the Language Lab – Goffman to the Rescue." Scenario: A Journal of Performative Teaching, Learning, Research VIII, no. 2 (July 1, 2014): 115–23. http://dx.doi.org/10.33178/scenario.8.2.11.
Full textMahony, Christine Hunt, Jacqueline Genet, and Richard Allen Cave. "Perspectives of Irish Drama and Theatre." Canadian Journal of Irish Studies 18, no. 2 (1992): 137. http://dx.doi.org/10.2307/25512939.
Full textAlatawi, Maha. "When Narrative Becomes Theatrical." Harold Pinter Review 5, no. 1 (May 1, 2021): 107–20. http://dx.doi.org/10.5325/haropintrevi.5.2021.0107.
Full textHwang, Ji Hyea. "Transcolonial Nationhood." Journal of World Literature 5, no. 3 (July 23, 2020): 393–409. http://dx.doi.org/10.1163/24056480-00503005.
Full textCOLLINS, CHRISTOPHER. "Synge Scholarship: Nothing to Do with Nationalism?" Theatre Research International 36, no. 3 (August 30, 2011): 272–75. http://dx.doi.org/10.1017/s0307883311000502.
Full textGuister, Marina. "Сказочные сюжеты и сюжеты ирландских саг в драматической поэме Н. Гумилева «Гондла» (Folk-Motifs and Plots of the Irish Sagas in Goumiliev’s “Gondla”)." Studia Celto-Slavica 2 (2009): 193–207. http://dx.doi.org/10.54586/schn9351.
Full textNicholas Grene. "Irish Drama and the Occlusion of Influence." Princeton University Library Chronicle 68, no. 1-2 (2007): 503. http://dx.doi.org/10.25290/prinunivlibrchro.68.1-2.0503.
Full textPurinton, Marjean. "Representations of the Irish in Romantic Drama." Essays in Romanticism 7, no. 1 (January 1999): 133–48. http://dx.doi.org/10.3828/eir.7.1.8.
Full textDoherty, Francis. "Displacing the Hero in Modern Irish Drama." Theatre Research International 15, no. 1 (1990): 41–56. http://dx.doi.org/10.1017/s0307883300009512.
Full textPoulain, Alexandra. "The Radicalization of Irish Drama 1600-1900." Études irlandaises, no. 35-1 (June 30, 2010): 178–80. http://dx.doi.org/10.4000/etudesirlandaises.1897.
Full textPrivas, Virginie. "The Methuen Drama Anthology of Irish Plays." Études irlandaises, no. 36-1 (June 30, 2011): 195–96. http://dx.doi.org/10.4000/etudesirlandaises.2248.
Full textLachman, Michal. "Retreats from Theatricality in Contemporary Irish Drama." New Hibernia Review 19, no. 3 (2015): 110–27. http://dx.doi.org/10.1353/nhr.2015.0048.
Full textWaziri, Bilal, and Md Najimuddin. "A Study of Irish Cultural Identity in J.M. Synge’s Riders to the Sea." Integrated Journal for Research in Arts and Humanities 3, no. 2 (March 18, 2023): 38–42. http://dx.doi.org/10.55544/ijrah.3.2.7.
Full textHaughton, Miriam. "Performing Power: Violence as Fantasy and Spectacle in Mark O'Rowe's Made in China and Terminus." New Theatre Quarterly 27, no. 2 (May 2011): 153–66. http://dx.doi.org/10.1017/s0266464x11000285.
Full textHill, John. "Television Drama and Northern Ireland: The First Plays 1959–67." Journal of British Cinema and Television 20, no. 3 (July 2023): 279–304. http://dx.doi.org/10.3366/jbctv.2023.0677.
Full textCreedon, Emma. "Disability, Identity, and Early Twentieth-Century Irish Drama." Irish University Review 50, no. 1 (May 2020): 55–66. http://dx.doi.org/10.3366/iur.2020.0434.
Full textAl-Khalili, Raja. "Resisting cultural colonization: the role of folk songs in modern Irish drama." Journal of Language and Literature 5, no. 3 (August 30, 2014): 33–38. http://dx.doi.org/10.7813/jll.2014/5-3/6.
Full textUrban, Eva. "Lessing's Nathan the Wise: from the Enlightenment to the Berliner Ensemble." New Theatre Quarterly 30, no. 2 (May 2014): 183–96. http://dx.doi.org/10.1017/s0266464x14000396.
Full textGahan, Peter. "History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview." Shaw 42, no. 2 (November 1, 2022): 267–98. http://dx.doi.org/10.5325/shaw.42.2.0267.
Full textRoche, Anthony. "Memory, Trauma and Forgetting in Northern Irish Drama." Review of Irish Studies in Europe 1, no. 2 (March 10, 2017): 77–91. http://dx.doi.org/10.32803/rise.v1i2.1441.
Full textCottreau, Deborah, and Christopher Murray. "Twentieth-Century Irish Drama: Mirror up to Nation." Canadian Journal of Irish Studies 25, no. 1/2 (1999): 534. http://dx.doi.org/10.2307/25515294.
Full textO'Dwyer, Riana, Stephen Watt, Eileen Morgan, and Shakir Mustafa. "A Century of Irish Drama: Widening the Stage." Canadian Journal of Irish Studies 28/29 (2002): 211. http://dx.doi.org/10.2307/25515443.
Full textCountryman, John C., and Robert Hogan. "Since O'Casey and Other Essays on Irish Drama." Theatre Journal 37, no. 1 (March 1985): 134. http://dx.doi.org/10.2307/3207209.
Full textMannion, Elizabeth. "Patrick Lonergan, Irish Drama and Theatre since 1950." Modern Drama 63, no. 2 (May 2020): 247–50. http://dx.doi.org/10.3138/md.63.2.br4.
Full textKelly, Marie. "Patrick Lonergan, Irish Drama and Theatre Since 1950." Irish University Review 50, no. 1 (May 2020): 238–40. http://dx.doi.org/10.3366/iur.2020.0454.
Full textLecossois, Hélène. "Patrick Lonergan, Irish Drama and Theatre Since 1950." Études irlandaises, no. 45-1 (September 24, 2020): 133–35. http://dx.doi.org/10.4000/etudesirlandaises.9008.
Full textBalázs, Zsuzsanna. "Review of Masculinities and Manhood in Contemporary Irish Drama: Acting the Man, by Cormac O'Brien." Review of Irish Studies in Europe 5, no. 2 (December 12, 2022): 1–4. http://dx.doi.org/10.32803/rise.v5i2.3076.
Full textAaltonen, Sirkku. "Rewriting Representations of the Foreign: the Ireland of Finnish Realist Drama." TTR : traduction, terminologie, rédaction 9, no. 2 (March 16, 2007): 103–22. http://dx.doi.org/10.7202/037260ar.
Full textFreeman, Sandra, Michael Jamieson, Christopher Murray, Ulf Danatus, Göran Kjellmer, Anne Moskow, Ronald Paul, et al. "Reviews and notices." Moderna Språk 88, no. 1 (June 1, 1994): 96–120. http://dx.doi.org/10.58221/mosp.v88i1.10120.
Full textKelleher, Margaret. "Irish Culture(s): Hyphenated, Bilingual, or Plurilingual?" Irish University Review 50, no. 1 (May 2020): 143–52. http://dx.doi.org/10.3366/iur.2020.0441.
Full textAndayani, Ambar, Edi Pujo Basuki, and Ali Mustofa. "Conflict of Irish Cultural Identity in Brian Friel’s Translation." JENTERA: Jurnal Kajian Sastra 12, no. 1 (July 26, 2023): 169. http://dx.doi.org/10.26499/jentera.v12i1.6281.
Full textTrotter, Mary. "Which Fiddler Calls the Tune? The Playboy Riots and the Politics of Nationalist Theatre Spectatorship." Theatre Survey 39, no. 2 (November 1998): 39–52. http://dx.doi.org/10.1017/s0040557400010139.
Full textKlepuszewski, Wojciech. "“Addiction is a strange bastard”: Alcohol(ism) in Irish Fiction." Acta Universitatis Lodziensis. Folia Litteraria Polonica 61, no. 2 (June 30, 2021): 25–37. http://dx.doi.org/10.18778/1505-9057.61.02.
Full textMeer, Sarah, and Nathaniel Zetter. "Andy Blake; or, the Irish Diamond." Nineteenth Century Theatre and Film 49, no. 2 (November 2022): 182–223. http://dx.doi.org/10.1177/17483727221128818.
Full textZou, D. Z. "On Carr’s Eleven-Dimensional Dramaturgy." International Journal of Languages, Literature and Linguistics 7, no. 3 (September 2021): 144–48. http://dx.doi.org/10.18178/ijlll.2021.7.3.302.
Full textKurdi, Mária. "Ondrej Pilny. Irony and Identity in Modern Irish Drama." ABEI Journal 11 (June 17, 2009): 221. http://dx.doi.org/10.37389/abei.v11i0.3660.
Full textJohn P. Harrington. "New World Drama: Fashioning Irish Theater in Lower Manhattan." Princeton University Library Chronicle 68, no. 1-2 (2007): 306. http://dx.doi.org/10.25290/prinunivlibrchro.68.1-2.0306.
Full textDeane, Seamus, and D. E. S. Maxwell. "A Critical History of Modern Irish Drama, 1891-1980." Canadian Journal of Irish Studies 12, no. 1 (1986): 95. http://dx.doi.org/10.2307/25512669.
Full textQuinn, Kathleen A. "Hearts Turned to Stone: Myth in Modern Irish Drama." Canadian Journal of Irish Studies 16, no. 1 (1990): 15. http://dx.doi.org/10.2307/25512805.
Full textAnanisarab, Soudabeh. "A Review of Irish Drama and the Other Revolutions." International Yeats Studies 3, no. 1 (November 1, 2018): 81–85. http://dx.doi.org/10.34068/iys.03.01.06.
Full textEzell, Brice. "Irish Drama and Theatre Since 1950 by Patrick Lonergan." Theatre History Studies 40, no. 1 (2021): 214–16. http://dx.doi.org/10.1353/ths.2021.0017.
Full textRusinko, Susan, and D. E. S. Maxwell. "A Critical History of Modern Irish Drama, 1891-1980." World Literature Today 60, no. 1 (1986): 111. http://dx.doi.org/10.2307/40141247.
Full textTrotter, Mary. "Re-Imagining the Emigrant/Exile in Contemporary Irish Drama." Modern Drama 46, no. 1 (March 2003): 35–54. http://dx.doi.org/10.3138/md.46.1.35.
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