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Books on the topic 'Irish and British art'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Art without category: British & Irish art from the Anthony Petullo collection. Milwaukee [Wis.]: Petullo Pub., 2009.

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2

Petullo, Anthony. Art without category: British & Irish art from the Anthony Petullo collection. Milwaukee [Wis.]: Petullo Pub., 2009.

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3

Clark, Adrian. British and Irish art, 1945-1951: From war to festival. London: Hogarth Arts, 2010.

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4

Museum, Fogg Art. British and Irish silver in the Fogg Art Museum, Harvard University Art Museums. Cambridge, Mass: Harvard University Art Museums, 2007.

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5

Sotheby, Parke-Bernet, London. Modern British and Irish art: Auction ... Wednesday 3 December 2003 .... London: Sotheby's, 2003.

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6

Manson and Woods Ltd Christie. 20th century British & Irish art: Including property from The Reader's Digest Association Inc. : Friday 19 November 2004. London: Christie's, 2004.

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7

Britain & Ireland: Contemporary art + architecture handbook. San Francisco, CA: art-SITES, 2000.

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8

Museum, Ulster. Ac oncise catalogue of the drawings, paintings & sculptures in the Ulster Museum: A-Z. Belfast: Ulster Museum, 1986.

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9

Charlotte, Gere, and National Art-Collections Fund (Great Britain), eds. The art collections of Great Britain and Ireland: The National Art-Collections Fund book of art galleries and museums. New York: Abrams, 1986.

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10

Insular and Anglo-Saxon art and thought in the early medieval period. [Princeton, N.J.]: Index of Christian Art, Dept. of Art and Archeology, Princeton University, 2011.

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11

Archaeology from art: Exploring the interpretative potential of British and Irish Neolithic rock. Oxford: Archaeopress, 2004.

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12

Alan, Bennett. The habit of art. New York: Faber and Faber, Inc., 2010.

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13

Alan, Bennett. The habit of art. London: Faber and Faber, 2009.

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14

Alan, Bennett. The habit of art. London: Faber and Faber, 2009.

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15

Alan, Bennett. The habit of art. London: Faber and Faber, 2009.

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16

Trust, National, ed. The art atlas of Britain & Ireland. London: Viking, 1991.

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17

Dear, Nick. The art of success ; In the ruins. London: Methuen, 1989.

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18

Wright, Christopher. British and Irish paintings in public collections: An index of British and Irish oil paintings by artists born before 1870 in public and institutional collections in the United Kingdom and Ireland. New Haven [Conn.]: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2006.

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19

Sotheby, Parke-Bernet, London. Modern and post war British and Irish art: Day of sale Wednesday 22nd June, 1994. London: Sotheby's, 1994.

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20

Dear, Nick. The art of success ; In the ruins: Two plays. London: Methuen, 1989.

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21

Webb, Dix Noonan, and DNW. Historical and art medals, numismatic books. London: Dix Noonan Webb, 2008.

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22

Richard, Cork, Curtis Penelope, Marshall Catherine, and Irish Museum of Modern Art (Kilmainham, Dublin, Ireland), eds. Breaking the mould: British art of the 1980s and 1990s : the Weltkunst Collection. London: Lund Humphries, 1997.

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23

Sotheby, Parke-Bernet, London. Modern British and Irish art: Including works from the studio of Robert Austin : auction ... Wednesday 19 May .... London: Sotheby's, 2004.

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24

Koritz, Amy. Gendering bodies/performing art: Dance and literature in early-twentieth-century British culture. Ann Arbor: University of Michigan Press, 1995.

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25

H, Gilpin George, ed. Indian Renaissance: British romantic art and the prospect of India. Burlington, VT: Ashgate, 2005.

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26

Gormley, Antony. Antony Gormley: Malmö Konsthall, Tate Gallery Liverpool, Irish Museum of Modern Art. London: Tate Gallery, 1993.

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27

London, Sotheby Parke-Bernet. Modern British and Irish art: Including works from the studio of Russell Sidney Reeve : auction Wednesday 11 February 2004 .... London: Sotheby's, 2004.

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28

Kavanagh, Jim. A western journey. Galway: Arlen House, 2006.

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29

Richard, Dyer, ed. A western journey. Galway: Arlen House, 2006.

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30

A sense of shock: The impact of Impressionism on modern British and Irish writing. New York: Oxford University Press, 2011.

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31

Tomoko, Sato, Lambourne Lionel, and Barbican Art Gallery, eds. The Wilde years: Oscar Wilde & the art of his time. London: Barbican Art Galleries in association with Philip Wilson Publishers, 2000.

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32

McMinn, Joseph. Jonathan Swift and the arts. Newark: University of Delaware Press, 2010.

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33

Curtis, L. Perry. Apes and angels: The Irishman in Victorian caricature. Washington, D.C: Smithsonian Institution Press, 1997.

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34

Shulin, Zang, ed. Wei da de Weiduoliya shi qi shou cang pin: The great Victorian collection / by Brian Moore. Beijing Shi: Ren ming wen xue chu ban she chu ban, 2007.

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35

Virginia, Button, and McParland Brenda. Rowan Collection: Contemporary British and Irish Art. Irish Museum of Modern Art, 2009.

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36

English Nd Irish Delftware 15701840. British Museum Press, 2010.

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37

British and Irish Paintings in Public Collections. Yale University Press, 2006.

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38

Ancestors, artefacts, empire: Indigenous Australia in British and Irish museums. British Museum, 2021.

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39

British and Irish Silver in the Fogg Art Museum, Harvard University Art Museums. Harvard University Art Museums, 2007.

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40

(Editor), Fintan Cullen, and John Morrison (Editor), eds. A Shared Legacy: Essays On Irish And Scottish Art And Visual Culture (British Art and Visual Culture Since 1750 New Readings) (British Art and Visual Culture ... and Visual Culture Since 1750 New Readings). Ashgate Publishing, 2005.

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41

Morisson, Valérie. Locating the Self/Welcoming the Other in British and Irish Art 1990-2020. Lang Publishing, Incorporated, Peter, 2021.

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42

Art of the islands: Celtic, Pictish, Anglo-Saxon and Viking visual culture, c.450-1050. Bodleian Library, University of Oxford, 2016.

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43

Sweeney, Karen, Howard Hodgkin, and Irish Museum of Modern Art (Kilmainham, Dublin, Ireland) Staff. Howard Hodgkin: Irish Museum of Modern Art, 22 February - 7 May 2206. Irish Museum of Modern Art, 2006.

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44

Morisson, Valérie. Locating the Self, Welcoming the Other: In British and Irish Art, 1990-2020. Lang AG International Academic Publishers, Peter, 2022.

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45

Morisson, Valérie. Locating the Self, Welcoming the Other: In British and Irish Art, 1990-2020. Lang AG International Academic Publishers, Peter, 2022.

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46

Morisson, Valérie. Locating the Self, Welcoming the Other: In British and Irish Art, 1990-2020. Lang AG International Academic Publishers, Peter, 2022.

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47

Chapel, Jeannie, and Charlotte Gere. Art Collections of Great Britain and Ireland. Harry N Abrams, 1989.

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48

Bloomsbury Scientists: Science Art Wak. UCL Press, 2017.

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49

Boulter, Michael. Bloomsbury Scientists: Science Art Wak. UCL Press, 2017.

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50

Kennedy, Róisín. Art and the Nation State. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789622355.001.0001.

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Abstract:

Art and the Nation State is a wide-ranging study of the reception and critical debate on modernist art in Ireland from the foundation of the Irish Free State in 1922 to the end of the modernist era in the 1970s. Drawing on media coverage, reviews, writings and the private papers of key Irish and international artists, critics and commentators, the study explores the significant contribution of Irish modern art to post-independence cultural debate and diverging notions of Irish national identity. Through an analysis of significant controversies and debates on modern art, the book examines how the reputations of major Irish artists was moulded by the prevailing demands of national identity, modernization and the dynamics of the international art world. Disputes about the relevance of the work of leading international modernists such as the Irish-American sculptor, Andrew O’Connor; the French expressionist painter, Georges Rouault; the British sculptor Henry Moore and the Irish born, but ostensibly, British artist, Francis Bacon to Irish cultural life is also analysed, as is the equally problematic positioning of Northern Irish artists.

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