Relevant bibliographies by topics / Iris Murdoch

Academic literature on the topic 'Iris Murdoch'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 May 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Iris Murdoch.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Iris Murdoch"

1

Kane, Richard C., and Harold Bloom. "Iris Murdoch." South Atlantic Review 54, no. 3 (September 1989): 155. http://dx.doi.org/10.2307/3200208.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hague, Angela, and Deborah Johnson. "Iris Murdoch." South Atlantic Review 54, no. 2 (May 1989): 166. http://dx.doi.org/10.2307/3200579.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sapio, Maria Del, Deborah Johnson, and Alan Bold. "Iris Murdoch." Yearbook of English Studies 20 (1990): 342. http://dx.doi.org/10.2307/3507624.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dykes, Anthony. "Iris Murdoch." New Blackfriars 75, no. 888 (December 1994): 562–68. http://dx.doi.org/10.1111/j.1741-2005.1994.tb06434.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Schneiderman, Leo. "Iris Murdoch: Fantasy Vs. Imagination." Imagination, Cognition and Personality 16, no. 4 (June 1997): 379–97. http://dx.doi.org/10.2190/2ycw-jjdl-nkpq-4thc.

Full text
Abstract:
Iris Murdoch is an exponent of the view that fictional narratives are best written by observing other people realistically and as entirely separate from the author's private life, with its memories and desires. Convinced that it is possible for a novelist to be “objective,” she has written over twenty novels, relying on what she terms “imagination,” i.e., attention to the uniqueness of individuals, without subjective distortion dictated by the author's unconscious conflicts or ideological obsessions. The opposite of “imagination,” in Murdoch's view, is “fantasy,” or the exploitation by the novelist of his or her emotional problems, traumatic experiences, and other “solipsistic” influences. In pursuit of her goal of strict realism, Murdoch paradoxically has embraced Plato's view that ultimate reality, the abstract essence of things, exists outside the illusionary world of appearances. Her novels often are intended to illustrate the difficulties involved in arriving at a “true” reading of what transpires in human relationships, and how, in the absence of truth her self-deceived protagonists are debarred from the pursuit of virtue. The significance of Murdoch's approach for understanding the creative process is that she assigns primary roles to attention and cognition on the part of the novelist and is dismissive of the contribution of conative and affective determinants. Her fictional portraits are nevertheless as compassionate as her view of society is satirical, raising questions as to whether Murdoch has been able to maintain her self-imposed psychological distance from her materials, and whether, indeed, any writer can profitably do so.
APA, Harvard, Vancouver, ISO, and other styles
6

Sadjadi, Bakhtiar, and Peyman Amanolahi Baharvand. "The Significance of Love and Selflessness in Iris Murdoch’s Moral Philosophy." Khazar Journal of Humanities and Social Sciences 22, no. 2 (July 2019): 83–92. http://dx.doi.org/10.5782/2223-2621.2019.22.2.83.

Full text
Abstract:
As a distinguished philosopher and novelist in the second half of the twentieth century, Iris Murdoch addressed the significance of ethics in her framework of thought. Murdoch’s moral philosophy was widely acknowledged as a challenge to the prevailing ethical traditions which, she asserted, had failed to present an accurate picture of morality. As a philosopher and literary figure, Murdoch maintained that not only moral philosophy but also literature should depict perceptible pictures of man’s morality. The purpose of this paper is to closely explore Murdoch’s perspective towards the weight of love in moral philosophy. Since she was concerned with ethical issues and man’s confrontation with ethical questions in a world in which religious values and beliefs had been shattered, Murdoch deployed literature to convey the concepts she advocated in her moral philosophy. She contended that literature was capable of sustaining and improving man’s morality. Murdoch was a prolific novelist and playwright authoring 26 novels and 6 plays in which she developed and reflected her philosophical arguments through the portrayal of her intended ethical behavior. This tendency is mostly highlighted in The Flight from the Enchanter (1956), and The Severed Head (1961) in which Murdoch resorts to Plato’s theory of Forms and his idea of the Good to combat the conventional moral philosophy of the twentieth century. Based on the findings of this article, Murdoch intends to depict the significance of freedom and love as the prerequisites of morality in any philosophical system.
APA, Harvard, Vancouver, ISO, and other styles
7

Henry, Richard, Iris Murdoch, and John Bayley. "Iris: A Memoir of Iris Murdoch." World Literature Today 73, no. 4 (1999): 748. http://dx.doi.org/10.2307/40155169.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Umachandran, Mathura. "‘THE AFTERMATH EXPERIENCED BEFORE’: AESCHYLEAN UNTIMELINESS AND IRIS MURDOCH'S DEFENCE OF ART." Ramus 48, no. 2 (December 2019): 223–47. http://dx.doi.org/10.1017/rmu.2019.18.

Full text
Abstract:
This year marks the centenary of the birth of Iris Murdoch (1919–99). She has been celebrated as one of Britain's most important postwar writers with twenty-six prose fiction novels to her name. Murdoch was also an ancient philosopher who was primarily interested in issues of moral philosophy. Pinning down her place in the Anglo-American analytic tradition of philosophy, however, is not a straightforward task. On the one hand she cut a conventional figure, holding a tutorial fellowship at St Anne's College, Oxford, from 1948 to 1963. On the other hand, her philosophical writing increasingly departed from the coordinates of analytical philosophy. As Martha Nussbaum notes in her deeply ambivalent review of Murdoch's The Fire and the Sun: Why Plato Banished the Artists, Murdoch is ‘a novelist whose best work is deeply philosophical, a philosopher who has stressed…the special role that beauty can play in motivating us to know the good, …a Platonist believer in human perfectability, and an artist.’ Nussbaum points us towards understanding two key elements in Murdoch's thought: her commitment to Plato and the manner in which Murdoch's activity as philosopher and novelist should be considered as interdependent.
APA, Harvard, Vancouver, ISO, and other styles
9

Braune, Camille. "From Inattentiveness Towards Moral Failures: Acknowledging Simone Weil in Iris Murdoch’s Literary Writings." Labyrinth 25, no. 2 (January 15, 2024): 47–73. http://dx.doi.org/10.25180/lj.v25i2.341.

Full text
Abstract:
Simone Weil's ideas proved fundamental for Iris Murdoch, opening up a difficult path of thought for one rooted in the British philosophical tradition in the 1950s (Sim 1985, Bok 2005, Lovibond 2011a, Panizza 2022a, Mac Cumhaill and Wiseman 2022). Grasping the Weilian-inspired moral theory of attention sketched by Iris Murdoch is a prerequisite for comprehending the development of her moral ideas (Panizza 2015, Broackes 2012) and the form they may take in her literary writings (Griffin 1993, Morgan 2006). This paper argues that we can read an expression of Simone Weil in Iris Murdoch's novels which articulate her notions of grace and gravity, but also convey the Weilian insights that shape Murdoch's moral perfectionism. It investigates three of Murdoch's well-known male protagonists, i.e., Bradley Pearson, Charles Arrowby and Hilary Burde, so as to comprehend how their moral failures relate to a defective implementation of the concepts of love and attention as theorised by Simone Weil as leading to goodness. Hence, it offers a new examination of the way in which the Murdochian literary staging of inattention as a cause of moral deficiency reveals its Weilian-based ethics of attention.
APA, Harvard, Vancouver, ISO, and other styles
10

Bolton, Lucy. "Murdoch andMargaret: Learning a Moral Life." Film-Philosophy 21, no. 3 (October 2017): 265–80. http://dx.doi.org/10.3366/film.2017.0051.

Full text
Abstract:
Reading the moral philosophy of Iris Murdoch alongside film enables us to see Murdoch's notions of practical moral good in action. For Murdoch, moral philosophy can be seen as “a more systematic and reflective extension of what ordinary moral agents are continually doing”. Murdoch can help us further by her consideration of the value of a moral fable: does a morally important fable always imply universal rules? And how do we decide whether a fable is morally important? By bringing Murdoch and Margaret (Kenneth Lonergan, 2011) together in an exploration of the moral decision making of the film's protagonist and our assessment of her choices, we can learn more about the idea of film as a morally important fable rather than a fable that is purely decorative.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Iris Murdoch"

1

Naseri, Sis Farzaneh. "Iris Murdoch." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610506/index.pdf.

Full text
Abstract:
Murdoch&rsquo
s fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love'
s Labour'
s Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge. Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art.
APA, Harvard, Vancouver, ISO, and other styles
2

Conlin, Alice. "Iris Murdoch on knowledge and freedom." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79833.

Full text
Abstract:
In chapter one, I describe the different conceptions of self that Murdoch and Nussbaum have, and I show how these affect their depictions of human good. And I relate how each one defends the internal logic of her claims against the critique of moral relativism. I examine Iris Murdoch's conception of reality and consciousness in the distinctive way that she fuses them to a transcendent morality.
In chapter two, I turn to Murdoch's description of the journey from illusion to reality and the role of love or eros in this journey. I examine the many points of intersection between her description of the escape from selfishness and Wendy Farley's (1996) theory of how we acknowledge the other through a type of attention that she calls eros for the other .
In Chapter three, I discuss the problem that evil poses for Murdoch's moral philosophy, and how Murdoch and Farley interpret the experience of the void as yearning for relation. In the conclusion of this thesis, I present Murdoch's views on form as the consolation of human yearning. (Abstract shortened by UMI.)
APA, Harvard, Vancouver, ISO, and other styles
3

O'Connor, Patricia Jo. "The moral philosophy of Iris Murdoch." Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253061.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Campanile, Rosa <1993&gt. "Etica e letteratura in Iris Murdoch." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16288.

Full text
Abstract:
Il progetto filosofico e letterario di Iris Murdoch è al centro di questa analisi che vuole ricostruire una particolare concezione dell’etica definita dall’esplorazione immaginativa della vita morale. L’intento è quello di discutere da un punto di vista storico-critico una particolare immagine dell'etica concepita come riflessione sui concetti che configurano le nostre vite: nel pensiero di Murdoch l'etica è uno strumento di comprensione del mondo. La sfera dell’esperienza personale, nelle forme esplicitate dall’etica e dalla letteratura, insiste sul carattere individuale della trasformazione del soggetto. Questo lavoro cerca di indagare alcuni aspetti di una prospettiva etica che è stata definita un’etica della visione: Murdoch è interessata al difficile processo di riconquista della realtà esterna attraverso la comprensione letteraria dell’esistenza degli altri e delle cose.
APA, Harvard, Vancouver, ISO, and other styles
5

Bernas-Martel, Claire. "La vérité dans l'oeuvre de Iris Murdoch." Paris 10, 1993. http://www.theses.fr/1993PA100064.

Full text
Abstract:
Iris Murdoch présente dans ses romans un univers complexe où règnent illusions, faux-semblants, fausses vérités, vrais mensonges, merveilleux et parfois surnaturel. C'est précisément ce qui incite à étudier le thème de la vérité à travers six romans de l'auteur: Under the Net, The Sea, the Sea, The Philsopher's Pupil, The Good Apprentice, The Unicorn, The Flight From the Enchanter. En effet, cette variété de non-vérités renvoie à différents types de vérités et au concept de vérité lui-même. Il s'agit dans ce travail de déterminer si, pour I. Murdoch, le sujet peut ou non atteindre une quelconque vérité à propos du réel, de lui-même et des autres, quelle vérité il peut atteindre et par quels moyens. Ceci conduit à étudier la nature particulière du réel murdochien (ses liens avec l'imaginaire, le rêve, les fantasmes), puis la nature du sujet et son rôle dans l'accès à la vérité. Enfin, se dégage la vérité de l'auteur: sa conception de la nature et de la condition humaine, de la vérité en général, où la morale et l'art jouent un rôle fondamental
Iris Murdoch's novels are the realm of illusions, delusion, real lies, pseudo-truths and even supernatural events. All these elements point to the concept of truth which is precisely the object of our study in six of her novels: Under the Net, The Sea, the Sea, The Philosopher's Pupil, The Good Apprentice, The Unicorn, The Flight From the Enchanter. The problem one is confronted with is whether, in I. Murdoch's view, the subject can know the truth concerning reality, himself, others, or not, to which extent, what truth he may achieve and how. This implies studying the particular nature of reality in the novels (its close link with dreams, imagination and fantasies), then the subjective and colouring nature of the subject and the part it plays in the access to truth. There also arises the question of the author's truth: her conception of human nature and human condition, her general conception of truth, where morals and art have a deep part
APA, Harvard, Vancouver, ISO, and other styles
6

Boldrini, Miranda. "Éthique, imagination et réalité chez Iris Murdoch." Thesis, Amiens, 2019. http://www.theses.fr/2019AMIE0039.

Full text
Abstract:
La thèse porte sur la pensée morale d'Iris Murdoch (1919-1999). Notre recherche vise, tout d'abord, à montrer le rôle hétérogène et novateur de Murdoch au sein de la philosophie morale du Vingtième siècle, en particulier dans la tradition philosophique analytique, un rôle qui reste aujourd'hui encore négligé. Nous examinons la perspective philosophique de Murdoch autour de trois axes principaux : le rapport entre éthique et langage ; la psychologie morale ; la relation entre méthode philosophique et normativité. Ainsi, nous montrons l'apport de la pensée de Murdoch sur des questions qui demeurent au cœur de débats majeurs de l'éthique philosophique contemporaine, en particulier : la critique de la dichotomie fait-valeur ; le perfectionnisme moral ; la critique du "scientisme" et le genre de naturalisme non-scientifique que Murdoch envisage pour l'éthique. Par cette analyse, à la fois théorique et historique, nous soutenons que Murdoch a joué un rôle fondamental dans la constitution de ce qu'on interprète aujourd’hui comme un courant alternatif de l'éthique analytique : une "philosophie de l'ordinaire" dont Wittgenstein représente la figure fondatrice, qui considère la réflexion philosophique comme un travail d'élucidation conceptuelle intéressée à la vie morale ordinaire. Dans cette perspective, nous mettons en relation la pensée de Murdoch avec le prisme actuel de l'éthique du care et d'approches féministes intéressées par l'épistémologie morale, afin de montrer que Murdoch offre une "épistémologie morale différente" pour l'éthique
The thesis focuses on Iris Murdoch's (1919-1999) moral thought. The research aims to show Murdoch's heterogenic and innovator role within contemporary moral philosophy, in particular in the analytic tradition. Murdoch's philosophical perspective is analyzed in three axes : the relationship between ethics and language ; moral psychology ; the relationship between philosophical method and normativity. The thesis shows Murdoch's contribution to some central debates of contemporary philosophical ethics, notably : the critic of the dichotomy between fact and value ; moral perfectionism ; and the critic of "scientism" and the kind of non-scientific naturalism Murdoch conceive for ethics. Through this analysis, both theoretical and historical, the research argues that Murdoch played a crucial role in the constitution of an alternative line of analytic moral philosophy : a "philosophy of the ordinary" inheriting from Wittgenstein, which consider philosophical reflection as conceptual elucidation interested in ordinary moral life. In this perspective, the thesis explores the relationship between Murdoch's moral thought and contemporary ethics of care along with feminist approaches interested in moral epistemology, in order to show that what Murdoch offers for ethics is a "different moral epistemology"
APA, Harvard, Vancouver, ISO, and other styles
7

La, Cassagnère Mathilde. "La vision dans l'univers romanesque d'Iris Murdoch /." Lille : Atenier national de reproduction des thèses, 1999. http://catalogue.bnf.fr/ark:/12148/cb38987578p.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Robjant, David. "The river as a guide to Iris Murdoch." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683256.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sulcas, Roslyn Lee. "Narrative techniques in the novels of Iris Murdoch." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/21881.

Full text
Abstract:
Bibliography: pages 154-163.
In this thesis I have departed from the prevalent critical concentration on the affiliations between Murdoch's fiction and philosophy, and have attempted to explore the relationship between her narrative techniques and the conventions of realism. In doing so, I use the narrative theory of Dorrit Cohn, who proposes that novelists concerned to render a sense of "reality" are also those who construct the most elaborate and artificial fictive worlds and characters. I propose that Murdoch's "real-isation" of her fictional world incorporates the problems of access to, and representation of the real. This links her to two ostensibly antithetical traditions: that of British realism (within which she would place herself), and also a fictional mode consonant with the poststructuralist writing that focuses on such problems. An examination of the early novels in terms of the correlation between "realism" and technical sophistication implied by Cohn reveals a division of narrative purpose that Murdoch has herself described in the early part of her career as an alternation between "open" and "closed" novels. I suggest in the thesis that these two fictional modes are deliberate choices of style on Murdoch's part, rather than a "failed" realism, and that their different readerly rewards are compounded by the successful merging of these competing .views of the real in the later novels. My narratological emphasis in this dissertation indicates also the ways in which Murdoch's fiction incorporates the comedic, the romantic and the gothic into a framework of orthodox verisimilitude, utilising the clashes between these genres to foreground the difficulties of a unified view. This is particularly successful in the first-person novels, where the overt problematising of self-representation paradoxically feeds into our sense of their "realism".
APA, Harvard, Vancouver, ISO, and other styles
10

Ianuskiewtz, Ana Paula Dias [UNESP]. "Arte e ética em The Bell de Iris Murdoch." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/91526.

Full text
Abstract:
Made available in DSpace on 2014-06-11T19:25:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-03-18Bitstream added on 2014-06-13T20:53:10Z : No. of bitstreams: 1 ianuskiewtz_apd_me_arafcl.pdf: 2818002 bytes, checksum: fbf68e8a5d1520071e4ff57d4903c3da (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Iris Murdoch é uma figura dominante na literatura britânica do pós-guerra e também, uma filósofa notável que constantemente denunciou o interesse excessivo da filosofia moral moderna pelos temas da vontade, da deliberação e ação. Para ela, o estudo da ética deveria ter como prioridade o desenvolvimento da percepção estética, a atenção à realidade e, principalmente, a intensa apreensão de outros indivíduos. Murdoch considera a apreciação da beleza na arte e na natureza, não apenas como um exercício espiritual mas também, como uma maneira para alcançar a bondade, evitar o egocentrismo e ganhar o progresso moral. Seus romances são centrados na arte e no amor, pois Murdoch afirma que a boa arte e o amor intenso são intimações da verdade que levam o indivíduo ao aprimoramento moral. The Bell, seu romance publicado em 1958, descreve uma comunidade religiosa anglicana e os vários incidentes decorrentes da substituição do antigo sino da catedral. Esses eventos incitam reflexões em relação a várias questões morais, como por exemplo: a influência da religião e das instituições de poder na conduta moral; o modo de suplantar interesses próprios e o egoísmo em benefício do próximo, o papel das mulheres na sociedade e a maneira pela qual a sociedade é injusta e intolerante com aqueles cuja sexualidade difere da maioria. Assim, o objetivo desta pesquisa é analisar como certas questões da filosofia moral de Murdoch estão apresentadas nesse romance, The Bell, por meio da expressão literária, mostrando que a arte literária e visual estão amplamente relacionadas à sua teoria moral.
Iris Murdoch is a dominant figure of postwar British literature and also a remarkable philosopher who constantly denounced the excessive interest of modern moral philosophy in the themes of will, deliberation and action. According to her, the study of ethics should prioritize the development of aesthetic perception, the attention towards reality and mainly, the intense apprehension of other individuals. Murdoch considers the appreciation of beauty in arts and nature not only as a spiritual exercise but also, as a way to reach goodness, to avoid egocentrism and to gain moral improvement. Her novels are centered on art and love because she considers that great art or intense love can give intimations of truth, and move one towards moral perfection. The Bell, her novel published in 1958, describes an Anglican religious community and the incidents that happened due to the replacement of the old bell of the cathedral. These events incite moral reflections such as: the influence of religion and of the institutions of power in moral conduct; the way to supplant egoism for the benefit of others, the role of women in society and the ways society is unfair and intolerant of those whose sexuality differs from the majority. Thus, the aim of this study is to analyse in which ways some issues of Iris Murdoch moral philosophy are presented in The Bell, by means of the literary expression showing that the literary and the visual arts are closely related to ethics in her moral theory.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Iris Murdoch"

1

Nicol, Bran J. Iris Murdoch. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230288584.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jonathan, Noakes, ed. Iris Murdoch. London: Vintage, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Nicol, Bran. Iris Murdoch. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230374751.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rowe, Anne, ed. Iris Murdoch. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230625174.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Martin, Priscilla, and Anne Rowe. Iris Murdoch. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282964.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ramanathan, Suguna. Iris Murdoch. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Spear, Hilda D. Iris Murdoch. London: Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-24095-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Spear, Hilda D. Iris Murdoch. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-20755-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Byatt, A. S. Iris Murdoch. London: British Council, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Spear, Hilda D. Iris Murdoch. Basingstoke: Macmillan, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Iris Murdoch"

1

Thies, Henning. "Murdoch, Iris." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14379-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Arens, Werner, and Henning Thies. "Iris Murdoch." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 158–59. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_41.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Garrard, Peter, John R. Hodges, Vijeya Ganesan, and Karalyn Patterson. "Iris Murdoch." In Cases of Amnesia, 336–53. New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429023880-16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ramanathan, Suguna. "Introduction." In Iris Murdoch, 1–38. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Ramanathan, Suguna. "Brendan Craddock in Henry and Cato." In Iris Murdoch, 39–66. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ramanathan, Suguna. "James Arrowby in The Sea, the Sea." In Iris Murdoch, 67–96. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ramanathan, Suguna. "Anne Cavidge in Nuns and Soldiers." In Iris Murdoch, 97–121. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ramanathan, Suguna. "William Eastcote in The Philosopher’s Pupil." In Iris Murdoch, 122–46. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ramanathan, Suguna. "Stuart Cuno in The Good Apprentice." In Iris Murdoch, 147–72. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ramanathan, Suguna. "Jenkin Riderhood in The Book and the Brotherhood." In Iris Murdoch, 173–203. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Iris Murdoch"

1

Zhang, Lei. "An Apocalyptic Imagery—Iris Murdoch’s Moral and Artistic Goodness in Major Fiction." In 2021 International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210824.027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zhang, Lei. "An Archetypal Interpretation of Irish Murdoch’s The Black Prince." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zhang, Lei. "An Analysis of Moral Pursuit in Irish Murdoch’s The Severed Head." In 2021 5th International Seminar on Education, Management and Social Sciences (ISEMSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210806.038.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zhang, Lei. "An Archetypal Interpretation of Power Figure in Irish Murdoch’s The Flight from the Enchanter." In 2021 2nd International Conference on Mental Health and Humanities Education（ICMHHE 2021）. Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210617.073.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Iris Murdoch' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography