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Relevant bibliographies by topics / Iranian tribe; 20th century

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Academic literature on the topic 'Iranian tribe; 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Iranian tribe; 20th century"

1

Mirakhorli, Ahmad. "The Iranian Cinema of the 20th Century (1900-1980)." Journal of Flm Arts and Film Studies 3, no. 2 (May 15, 2011): 99–108. http://dx.doi.org/10.17816/vgik3299-108.

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In the first decade of the 20th century Iran saw the advent of cinema, a new art form which has had its ups and downs. But the real break-through in Iranian cinema reflecting the national character and the country's rich culture occurred only in the 1970s with the emergence of a new generation of filmmakers.

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Jufrida, Jufrida. "Variasi Bentuk Rumah Panggung di Kota Medan dan Sekitarnya." Berkala Arkeologi Sangkhakala 12, no. 24 (January 7, 2018): 160–69. http://dx.doi.org/10.24832/bas.v12i24.216.

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AbstractMalay tribe generally erected colonnaded building or storeyed house, including those who live in Medan. Storeyed houses located in Medan were partly built in colonial period (end of 19th century) to early independences (mid of 20th century). Construction of the building and its ridge shape are highly varied.

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Ram, Haggai. "Jews in the Twentieth-Century Iran: A Review Essay." Iran and the Caucasus 23, no. 1 (2019): 121–29. http://dx.doi.org/10.1163/1573384x-20190111.

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The paper presents a review of a monograph by Lior Sternfeld, Between Iran and Zion, published recently on Jewish histories in 20th-century Iran. The author analyses this book within the context of previous scholarship on Iranian Jews and other Middle Eastern Jewries.

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Haag‐Higuchi, Roxane. "A topos and its dissolution: Japan in some 20th‐century Iranian texts." Iranian Studies 29, no. 1-2 (March 1996): 71–83. http://dx.doi.org/10.1080/00210869608701843.

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Kakroodi, A. A., S. B. Kroonenberg, A. Goorabi, and M. Yamani. "Shoreline Response to Rapid 20th Century Sea-Level Change along the Iranian Caspian Coast." Journal of Coastal Research 298 (November 3, 2014): 1243–50. http://dx.doi.org/10.2112/jcoastres-d-12-00173.1.

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Shirazi. "The Veiling Issue in 20th Century Iran in Fashion and Society, Religion, and Government." Religions 10, no. 8 (August 1, 2019): 461. http://dx.doi.org/10.3390/rel10080461.

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This essay focuses on the Iranian woman’s veil from various perspectives including cultural, social, religious, aesthetic, as well as political to better understand this object of clothing with multiple interpretive meanings. The veil and veiling are uniquely imbued with layers of meanings serving multiple agendas. Sometimes the function of veiling is contradictory in that it can serve equally opposing political agendas.

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Meftahi, Ida. "The Sounds and Moves of ibtiẓāl in 20th-Century Iran." International Journal of Middle East Studies 48, no. 1 (January 14, 2016): 151–55. http://dx.doi.org/10.1017/s0020743815001579.

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The scene opens with the camera zooming in on a small raised stage where a group of muṭribs (minstrel performers) are enacting a rūḥawzī piece. At stage left, a young man is singing a love song that describes the physical features of his beloved, Chihilgis. He is accompanied by an ensemble that plays rhythmic music (in 6/8 meter) on traditional Iranian instruments—the tunbak, the tār, and the kamānchih. Standing next to the singer is Chihilgis, performed by a crossed-dressed performer (zanpūsh) who sports a long wig and moves flirtatiously to the song, making coquettish gestures with the eyes, lips, and shoulders. Chihilgis then joins the dance center stage with the two other main characters: the protagonist, enacted by the black-faced performer Mubarak, who has a tambourine (dāyirih) in hand; and Haji, Chihilgis’ old father, who sports a white cotton beard. With variations based on the characters, the dance consists of typical muṭribī moves, including exaggerated wrist and hip rotations, facial gestures such as blinking, and sliding head movements. This musical segment is followed by a witty, humorous dialogue between Mubarak and Haji with sexual undertones.

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Hosnieh, Elham. "Secular Writers’ Engagement with Religious Tradition in 20th Century Iran: From Undermining to Deconstructing; A Generational Paradigm Shift." International Journal of Comparative Literature and Translation Studies 9, no. 1 (June 13, 2021): 11. http://dx.doi.org/10.7575/aiac.ijclts.v.9n.1p.11.

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The present article is an attempt to conceptually discuss the development of modern secular approaches to religious tradition in contemporary Iran through the lenses of literary works. Throughout the paper, secularism has been understood as in the notion of “changes in the conditions of belief”, proposed by Charles Taylor. With José Casanova’s reading of Taylor’s conception, secularism becomes equivalent to a gradual construction of new and contextually specific images of the self and society, different from European narrative of religious decline. Accordingly, this article revisits the category of the Iranian ‘secular’ writer by looking into the trajectory of the Iranian literature field and its shifting relation to religion, itself influenced by the change in how secularism is understood within the field, during the 20th century. The paper argues that the 1979 revolution and its aftermath led to a paradigm shift in the writers’ conception of secular engagement with the religious tradition when compared with the first and second generation of writers. The first generation of Iranian secular writers mostly undermined the religious tradition as outdated rituals, and the second generation made a return to it as an authentic part of the Iranian identity under the local and global socio-political influences. The third generation went beyond such rejection/embrace narratives, came to see the religious tradition as a constructed cultural legacy, and engaged in re-reading and deconstructing that legacy in new secular ways.

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Ilyina, Yu I. "Maximalist and Minimalist Approach to Islam in Iranian Religious-Political Thought of Second Half of the 20th Century." RUDN Journal of Political Science, no. 4 (December 15, 2016): 86–94. http://dx.doi.org/10.22363/2313-1438-2016-4-86-94.

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This article focuses on evolution of Iranian religious political thought of the second half of the 20th century. The author uses philosophic notions of “minimalist” and “maximalist” approach to the role of religion in social and political processes with the aim to classify different ideological conceptions that were born at that time and exist nowadays.

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ŞIRIN, HATICE. "Bombogor Inscription: Tombstone of a Turkic Qunčuy (“Princess”)." Journal of the Royal Asiatic Society 26, no. 3 (November 6, 2015): 365–73. http://dx.doi.org/10.1017/s1356186314000558.

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AbstractTurkic Runic inscriptions, discovered in Mongolia during the second half of the 20th century and especially in the last decade, are remarkable. The Bombogor, consisting of five-lines, is one of them. This article is an attempt to re-read the mentioned inscription which was first published by Ts. Battulga. According to my proposed reading, the text was written on a tombstone which was erected in honour of a Turkish qunčuy (“princess”) who might have been married into the Karluk tribe.

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Dissertations / Theses on the topic "Iranian tribe; 20th century"

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Wright, Susan Audrey. "Identities and influence : political organization in Doshman Ziari, Mamasani, Iran." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365853.

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Andic, Savka. "Britain and Revolutionary Iran, 1906-1909 and 1976-1979 : a comparative study." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c2f6b599-6c00-455a-a62f-50e9b1cb48c3.

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This dissertation is a comparative case study of British policy towards and perceptions of Persia/Iran during the latter's two modern revolutions, 1906-1909 (Constitutional) and 1976-1979 ('Islamic'). The study covers both official perceptions and policy, meaning that of the Foreign Office and Diplomatic Service and the perceptions of the press, civil society, Parliament and wider public opinion; thus it is not a traditional exercise in diplomatic history. It explores British views of both the Shah/government and opposition forces during these two periods in detail and presents these views in a comparative perspective. The research paints a broad social and historical picture of how changes in both British and Iranian government, society and global status affected their mutual relations. Key themes relate to how the decline of (Edwardian) Liberalism, the transformation of the Left in the twentieth century and Britain's decline as an imperial power affected its perceptions and policy-making in Iran; how civil society and public opinion exerted a disproportionately strong influence in the earlier period before Britain was even a fully democratic society; how notions of Orientalism and Aryanism shaped official and public perceptions; and how changing geopolitics impacted perceptions, particularly in the case of Tsarist Russia versus the Soviet Union. This study has revealed numerous counter-intuitive points about the foreign relations and perceptions of British government and society vis-Ã -vis Iran and prompts a reconsideration of the evolution of British public and official attitudes during the twentieth century as manifested in the case of Iran at two critical historical junctures.

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Khoury, Mariana. "Tangsîr de Sâdeq Chûbak: traduction et analyse :un nouveau regard sur la littérature persane contemporaine." Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212330.

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Homayun, Sepehr Mohammad. "La société iranienne au travers des nouvelles de Nader Ebrahimi, 19 août 1953-11 février 1979." Doctoral thesis, Universite Libre de Bruxelles, 1986. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213528.

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Oakes, Summer Cozene. "“Mirrors for princes” and kingship in modern Iran." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1792.

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This report examines the legacy of “mirrors for princes” literature, or advice literature for kings, in Iranian political thought, particularly in the modern period. While most scholars have studied ‘mirrors’ literature as a predominantly medieval phenomenon, this report argues that the genre and the ideals of kingship it articulates continued to flourish well into the modern period in Iran. Through an analysis of themes found both in the medieval Persian texts and the ‘mirrors’ composed in the Safavid and Qajar periods, this report demonstrates a remarkable continuity in the genre and in the ideology of kingship throughout centuries of dynastic and structural changes in Iran. Moreover, although the genre of ‘mirrors’ appears to have faded with the Qajar dynasty, this report shows how its ideology of kingship continued to influence the rhetoric of political legitimacy in the Pahlavi period. Muhammad Reza Shah in particular relied on the office of the king and his duties of executing justice and protecting Islam to justify both the necessity of the monarchy and his right to the throne.
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Oehler-Stricklin, Dylan Olivia. ""And this I": the power of the individual in the poetry of Forugh Farrokhzâd." Thesis, 2005. http://hdl.handle.net/2152/1687.

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Kherad, Nastaran 1964. "Re-examining the works of Ahmad Mahmud : a fictional depiction of the Iranian nation in the second half of the 20th century." 2013. http://hdl.handle.net/2152/21577.

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In this dissertation, I examine the work of an important yet insufficiently studied Iranian novelist and short-story writer, Ahmad Mahmud. Because of his early affiliation with leftist socialist groups, Mahmud's work has been subject to various, sometimes contradictory, interpretations by critics. Such readings of Mahmud's work have resulted in making him a controversial literary figure. Hence, this project aims to re-examine the critics' current viewpoint of Mahmud's works, which they regard as "ideologically driven" and "Marxist and/or political writing." Although Mahmud's ideology played a significant role in creating his stories, particularly in his early works, I argue that storytelling is the predominant concern for Mahmud. In fact, a large portion of his writing depicts his own life and his own development as a person and a writer. Mahmud's portrayal of the main protagonist of his stories, Khaled, who goes through various stages of transformation, indeed reflects his own evolution and development. In other words, I contend that Mahmud's literary output is essentially "autobiographical." In addition, I argue that Mahmud's autobiographical fiction helps to shape and articulate his emerging role as a novelist as he strives to record decades of turbulent social and political upheaval and change in the post-1950s era, as the Iranian nation undergoes various stages of transformation and growth in search of a new identity and political autonomy. With an analysis of a select number of Mahmud's novels, furthermore, I discuss the social and historical nature of this transformation of the author/protagonist/nation and argue that from early on Mahmud was determined to depict the linear socio-political movement that took place in the modern history of Iran in the character of his memorable hero, Khaled, who appears in various guises and matures both as a person and a social entity from one novel to the next.
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Books on the topic "Iranian tribe; 20th century"

1

Gheissari, Ali. Iranian intellectuals in the 20th century. Austin: University of Texas Press, 1998.

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Ma'ani, Baharieh Rouhani. Against incredible odds: Life of a 20th Century Iranian Bahá'í family. Oxford: G. Ronald, 2006.

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Berberian, Houri. Armenians and the Iranian Constitutional Revolution of 1905-1911. Boulder, Col: Westview Press, 2001.

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4

The dialect of the tribe: Speech and community in modern fiction. New York: Oxford University Press, 1987.

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5

V, Ramakrishnan E. Making it new: Modernism in Malayalam, Marathi, and Hindi poetry. Shimla: Indian Institute of Advanced Studies, 1995.

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Lacey, Bill. Iranian hostage crisis: A 20th-century American history activator. Interact, 1995.

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Kerry Tribe: Speak, Memory - Power Plant Pages. Power Plant, The, 2013.

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Museum, Asia Society, ed. Iran modern. 2013.

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Shirazeh Houshiary: Nothing Is Deeper. Lisson Gallery, 2019.

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Talking through the Door: An Anthology of Contemporary Middle Eastern American Writing. Syracuse University Press, 2014.

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Book chapters on the topic "Iranian tribe; 20th century"

1

Tavakoli-Targhi, Mohamad. "Historiography and Crafting Iranian National Identity." In Iran in the 20th Century Historiography and Political Culture. I.B.Tauris, 2009. http://dx.doi.org/10.5040/9780755610518.ch.002.

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Chehabi, Houchang E. "The Paranoid Style in Iranian Historiography." In Iran in the 20th Century Historiography and Political Culture. I.B.Tauris, 2009. http://dx.doi.org/10.5040/9780755610518.ch.009.

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Atabaki, Touraj. "Agency and Subjectivity in Iranian National Historiography." In Iran in the 20th Century Historiography and Political Culture. I.B.Tauris, 2009. http://dx.doi.org/10.5040/9780755610518.ch.005.

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Marashi, Afshin. "The Nation’s Poet: Ferdowsi and the Iranian National Imagination." In Iran in the 20th Century Historiography and Political Culture. I.B.Tauris, 2009. http://dx.doi.org/10.5040/9780755610518.ch.006.

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Bast, Oliver. "Disintegrating the ‘Discourse of Disintegration’: Some Reflections on the Historiography of the Late Qajar Period and Iranian Cultural Memory." In Iran in the 20th Century Historiography and Political Culture. I.B.Tauris, 2009. http://dx.doi.org/10.5040/9780755610518.ch.004.

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"State, Tribe, Dynasty, and the Contest over Diyarbekir at the Turn of the 20th Century." In Social Relations in Ottoman Diyarbekir, 1870-1915, 147–78. BRILL, 2012. http://dx.doi.org/10.1163/9789004232273_006.

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Overtoom, Nikolaus Leo. "The Emergence of the Parthian State." In Reign of Arrows, 65–93. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888329.003.0003.

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This chapter introduces the establishment of the Parthian state on the Iranian plateau in the middle third century. The unexpected decline of the power of the Seleucid Empire in the 240s because of dynastic turmoil caused a crisis in the Hellenistic Middle East. This crisis encouraged eastern satraps to rebel and the nomadic Parni tribe (known afterward as the Parthians) to invade northeastern Iran. The successful invasion of the Parni to seize Parthia and establish a new kingdom, paired with the sudden rise of their regional power and the failure of the Seleucids to eliminate this new threat, helped create a new interstate system in which the Seleucids, Parthians, and the newly independent Bactrians shared power. The sweeping success of the first Parthian king, Arsaces I, established Parthia as a limited regional power; however, its existence for several decades remained precarious.

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Seyed-Gohrab, Asghar. "‘Martyrs of Love’." In Martyrdom. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988187_ch05.

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Asghar Seyed-Gohrab analyses the concept of ‘love’ in the context of Islamic mystical martyrdom. As a concept, love was used increasingly in a religious and mystical context from the Tenth century onward in the Islamic world in such a way that it was often hard to make a distinction between profane and spiritual love. A true lover was often a pious person who would offer everything including his life for the beloved or for love itself. Love was frequently connected with death or to be killed by the beloved either in a metaphorical or literal sense. There are several examples referring to love death and how such a death is interpreted as martyrdom. After an analysis of the origin and the evolution of the concept of love-death to martyrdom in medieval texts, Seyed-Gohrab examines how love martyrdom was reactivated in 20th century Iranian political philosophy for a wide range of purposes. He focuses in particular on the cult of martyrdom, scrutinising how the concept was deployed during the Iran-Iraq war (1980-1988) to propagate a militant ideology, to justify violence, and to convince soldiers that their fight was a spiritual quest to attain the immaterial beloved.

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