Academic literature on the topic 'Iranian Actor'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Iranian Actor.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Iranian Actor"
Sharifzadeh, Maryam, Gholam Zamani, Ezatollah Hossein Karami, Davar Khalili, and Arthur Tatnall. "The Iranian Wheat Growers’ Climate Information Use." International Journal of Actor-Network Theory and Technological Innovation 4, no. 4 (October 2012): 1–22. http://dx.doi.org/10.4018/jantti.2012100101.
Full textSalami, Ali, and Amir Ghajarieh. "The gendered discourse of ‘equal opportunities for men and women’ in Iranian EFL textbooks." Gender in Management: An International Journal 31, no. 2 (April 11, 2016): 114–33. http://dx.doi.org/10.1108/gm-04-2015-0036.
Full textKobialka, Michal. "Tadeusz Kantor and Hamed Taheri: Of Political Theatre/Performance." TDR/The Drama Review 53, no. 4 (November 2009): 78–91. http://dx.doi.org/10.1162/dram.2009.53.4.78.
Full textAquino, Rowena Santos. "Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)." CINEJ Cinema Journal 1, no. 2 (April 20, 2012): 50–61. http://dx.doi.org/10.5195/cinej.2012.42.
Full textKhalid, Muhammad Munib, Uzma Naz, and Sajida Begum. "‘EMPOWERED IRAN’ IN A COMPLEX REGION (MIDDLE EAST): TEHRAN’S FOREIGN POLICY CHALLENGES AND DIMENSIONS IN THE 21ST CENTURY." Global Political Review V, no. I (March 30, 2020): 234–40. http://dx.doi.org/10.31703/gpr.2020(v-i).26.
Full textMelamed-Visbal, Janiel David, César Niño, and María Eugenia Gómez-Arias. "Hezbollah as an Iranian proxy and its progressive expansion in Latin America." Revista Científica General José María Córdova 22, no. 45 (March 30, 2024): 133–51. http://dx.doi.org/10.21830/19006586.1277.
Full textAli, Othman, and Zhirwan A. Ismail. "Impacts of Syrian Crisis on Turkish-Iranian Relations: (Rojava Factor)." Journal of University of Human Development 3, no. 3 (August 31, 2017): 570. http://dx.doi.org/10.21928/juhd.v3n3y2017.pp570-577.
Full textRafatpanah, Houshang, Masoud Amin, Mohsen Ghasemshirazi, Mohammad Kazemiarababadi, Hossein Khorramdelazad, Hamid Abousaidi, Ziba Shabani, Ahmadreza Sayadi, Gholamhossein Hassanshahi, and Jamile Samadi. "The SDF-1α3′A Genetic Variation Is Correlated with Susceptibility of Asthma in Iranian Patients." BioMed Research International 2013 (2013): 1–6. http://dx.doi.org/10.1155/2013/759361.
Full textRakel, Eva. "IX. Paradigms of Iranian Policy in Central Eurasia and Beyond." Perspectives on Global Development and Technology 2, no. 3 (2003): 549–71. http://dx.doi.org/10.1163/156915003322986398.
Full textVolkov, Denis. "Peculiarities of the USSR’s Foreign Policy Decision Making towards the Islamic Republic of Iran." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 5 (2022): 110. http://dx.doi.org/10.31857/s086919080017099-5.
Full textDissertations / Theses on the topic "Iranian Actor"
Plumer, Andrew G. "Iranian Sanctions An Actor-Centric Analysis." Thesis, Monterey, California. Naval Postgraduate School, 2012. http://hdl.handle.net/10945/6852.
Full textSarsangi, Majid. "A sacred house for creation : a study of theatrical environment & actor-audience relationship in religious drama : the case study of Iran." Thesis, Birmingham City University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289474.
Full textMomeni, Mohammad. "A study of actor-audience relationship & theatrical environment in Western and Iranian dramatic activity." Thesis, Birmingham City University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404061.
Full textPessuto, Kelen. "O 'espelho mágico ' do cinema iraniano = uma análise das performances dos "não" atores nos filmes de arte." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284435.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-19T05:09:01Z (GMT). No. of bitstreams: 1 Pessuto_Kelen_M.pdf: 3175741 bytes, checksum: 12122eeb3b192b833dfc0faebb26d576 (MD5) Previous issue date: 2011
Resumo: Esta dissertação analisa as performances dos "não" atores no cinema de arte iraniano, a partir das obras Close-up (Nema-ye Nazdik, 1990, Abbas Kiarostami), Salve o cinema (Salam cinema, 1995, Mohsen Makhmalbaf), Tartarugas podem voar (Lakposhtha parvaz mikonand, 2004, Bahman Ghobadi) e O espelho (Ayneh, 1997, Jafar Panahi). Com base na antropologia da performance, busca-se responder às seguintes perguntas: Quem são os "não" atores? Por que são usados esse tipo de ator em vez de atores profissionais? Quais os métodos empregados em sua direção? Qual a relação que se estabelece entre o ator e o personagem? Para tanto, utiliza-se além da bibliografia pertinente a essa disciplina, ao teatro e ao cinema, o método comparativo, com filmes do mesmo diretor, assim como de outras cinematografias. Conclui-se que não há necessidade do ator ter uma técnica préestabelecida, sendo que a direção proposta por esses cineastas requer o mínimo de atuação. O ator-performer vivencia as situações que lhes são impostas e, a partir disso, cria personagens, algumas vezes baseados em sua própria experiência de vida, como em uma grande brincadeira de faz de conta
Abstract: This thesis analyzes the performance of the "non" actors in the Iranian art cinema, in movies Close-up (Nema-ye Nazdik, 1990, Abbas Kiarostami), Salam cinema (1995, Mohsen Makhmalbaf), Turtles can fly (Lakposhtha parvaz mikonand, 2004, Bahman Ghobadi) and The Mirror (Ayneh, 1997, Jafar Panahi). Based on the anthropology of performance, we seek to answer the following questions: Who are these "non" actors? Why they used that kind of actor instead of professional actors? What are the methods employed in its direction? and What is the relationship established between the actor and character? For this, we use the comparative method, with films from these directors, as well movies by other cinematographies. The conclusion reached is that there is no need for the actor to have a pre-established technique, because the direction proposed by these filmmakers requires minimal action. The actor-performer experience situations that are imposed for them and they create characters, sometimes based on their own experience of life, as in a grand game of make-believe
Mestrado
Artes Cenicas
Mestre em Artes
Books on the topic "Iranian Actor"
Momeni, Mohammad. A study of actor-audience relationship & theatrical environment inWestern and Iranian dramatic activity. Birmingham: University of Central England in Birmingham, 2004.
Find full textSerasinghe, Irangani. Irangani: As told to Kumardesilva. Colombo: EWS Samaranayake Publishers, 2013.
Find full textKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. Lus Ānjilis: Bunyād-i Farhangī-i Parvīz Khaṭībī, 1994.
Find full textKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. Lus Ānjilis: Bunyād-i Farhangī-i Parvīz Khaṭībī, 1994.
Find full textSayrī dar tārīkh-i tiyātr-i Īrān qabl az Islām tā sāl-i 1357 shamsī: Survey in the history of Iranian theatre before advent Islam till 1939. Tihrān: Āvardgāh-i Hunar va Andīshah, 2010.
Find full textKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. 8th ed. Los Angeles, CA: Ketab Corp., 2007.
Find full textKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. 8th ed. Tihrān: Intishārāt-i Muʻīn, 2001.
Find full textJavad Nazari (Shekarchi): جواد نظری. Iran Film, 2023.
Find full textHunter, Shireen T. Iran’s Foreign Policy in the Post-Soviet Era. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400672514.
Full textI'm not a terrorist, but I've played one on TV: Memoirs of a Middle Eastern funny man. 2015.
Find full textBook chapters on the topic "Iranian Actor"
Labafi, Somayeh. "Iranian Data Protection Policy in Social Media; An Actor-Network Theory Approach." In Contemporary Applications of Actor Network Theory, 121–39. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7066-7_7.
Full textFreilich, Charles D., Matthew S. Cohen, and Gabi Siboni. "The Iranian Cyber Threat." In Israel and the Cyber Threat, 107–38. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197677711.003.0006.
Full textPartovi, Pedram. "Filmfarsi as Counter-Memory." In Counter-Memories in Iranian Cinema, edited by Matthias Wittmann and Ute Holl, 189–215. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479752.003.0011.
Full textKamrava, Mehran. "Iran in the World." In Triumph and Despair, 199–224. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197678411.003.0007.
Full textHarvey, Katherine. "Saudi Arabia Shuns Iraq." In A Self-Fulfilling Prophecy, 143–76. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197631324.003.0005.
Full textKoláček, Jakub. "The Khomeinists: Between Sedentarisation and Perpetual Revolution." In Revolutionaries and Global Politics, edited by Ondrej Ditrych, Jan Daniel, and Jakub Záhora, 145–62. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399505550.003.0009.
Full textHemmasi, Farzaneh. "Googoosh’s Voice." In Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0011.
Full textKile, Shannon N. "Final thoughts on Iran, the EU and the limits of conditionality." In Europe and Iran, 122–35. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199290871.003.0007.
Full textFinkelstein, Claire. "Fighting State Actors with the Tools of Hybridized Warfare." In Between Crime and War, 153—C6.N46. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197638798.003.0007.
Full textHollyfield, Jerod Ra'Del. "Epic Multitudes: Postcolonial Genre Politics in Shekhar Kapur’s The Four Feathers." In Framing Empire, 91–114. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429948.003.0006.
Full text