Relevant bibliographies by topics / Invisible

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Invisible'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2024

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Journal articles on the topic "Invisible"

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Sepp, Linda. "Invisible Barriers, Invisible Disabilities, Invisible People." Ecopsychology 9, no. 2 (June 2017): 65–71. http://dx.doi.org/10.1089/eco.2017.0013.

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Silverman, Linda Kreger. "Invisible gifts, invisible handicaps." Roeper Review 12, no. 1 (September 1989): 37–42. http://dx.doi.org/10.1080/02783198909553228.

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Hammond, Paula. "Making invisible Invisible ink." 5 to 7 Educator 2005, no. 13 (December 2005): ii—iv. http://dx.doi.org/10.12968/ftse.2005.5.1.20176.

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Wu, Yu-Hung. "Invisible man (invisible dermatoses)." Pathology 46 (2014): S11. http://dx.doi.org/10.1097/01.pat.0000454082.32041.12.

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Koyande, Sumeet Raghunath, Yache Vishal Shivraj Reddy, and Mayuri Dendge. "Invisible Web." International Journal of Trend in Scientific Research and Development Volume-2, Issue-4 (June 30, 2018): 2453–56. http://dx.doi.org/10.31142/ijtsrd15630.

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Dawson, Brey. "Invisible Abuse Among Invisible Citizens." Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse 13, no. 3 (April 28, 2021): 371–77. http://dx.doi.org/10.29173/cjfy29709.

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Chavaroche-Laurent, Marie-Claire. "Une profession invisible, des salariées invisibles : les assistantes maternelles." VST - Vie sociale et traitements 116, no. 4 (2012): 27. http://dx.doi.org/10.3917/vst.116.0027.

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Herrera, Jorge Luis. "Invisible." La Palabra y el Hombre. Revista de la Universidad Veracruzana, no. 40 (March 12, 2019): 25–26. http://dx.doi.org/10.25009/lpyh.v1i40.2740.

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Jorge Luis Herrera (1978) ha publicado Voces en espiral. Entrevistas con escritores mexicanos contemporáneos (2009), Cuando estés en el cielo (2013), La Virgen de Internet (2014), La nariz de Gogol (2015) y Cotard: el secuestrador. (Fragmentos de una novela)(2017).
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Knodel, Gerhardt. "Invisible." PAJ: A Journal of Performance and Art 42, no. 1 (January 2020): 31–32. http://dx.doi.org/10.1162/pajj_a_00503.

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Lewin, Sarah. "Invisible." Scientific American 312, no. 5 (April 14, 2015): 82. http://dx.doi.org/10.1038/scientificamerican0515-82c.

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Dissertations / Theses on the topic "Invisible"

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Milne, Joanne Leonie. "Invisible structures = Estructures invisibles." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/365579.

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This thesis is an investigation into the visualization of cosmological propositions associated with string theory. Research into the work of contemporary theoretical physics led to the question, how does one visualize what cannot be seen? The imperceptible nature of the hypothetical propositions of string theory opened up an exploration into what forms in the past have been given to invisible structures and what kinds of methods have been used to visualize them? My artistic research looks at some of the methodologies and methods used by artists and scientists to visualize structures that can't be seen by the naked eye. I present a series of examples that reflect some of the direct and indirect methods used to instantiate invisible structures in the arts and the sciences. These examples configure an eclectic atlas of visualizations that evidence the use of drawing, indexing and simulation to reveal imperceptible structures that are physical, temporal, recorded and invented. It considers some of the visual shifts in the interpretations of other cosmological models and the impact technological advances have had on the visualization of the micro-cosmos. It traces some of the connections linking visualization practices in the arts and sciences and highlights the importance of inference and imagination in the visualization of what can't be seen. My conclusion indicates that there are many ways to visualize what lies beyond the naked eye but that all involve human agency. The findings point to the role tacit knowledge and context play in the fabrication of visualizations of invisible structures. It highlights the historical specificity of visualization practices and the importance aesthetics play in both the arts and sciences. I conclude that to visualize invisible structures is to weave an intricate web of fact and fiction. But the elaboration of these visualizations can facilitate understanding and offer insights into otherwise imperceptible phenomena.
Este proyecto investiga la visualización de las propuestas cosmológicas relacionadas con la teoría de cuerdas. Esta consideración del trabajo teórico de la física contemporánea me llevó a cuestionar cómo se visualiza lo que no se puede ver. La naturaleza imperceptible de las propuestas hipotéticas alrededor de la teoría de las cuerdas me condujo a una exploración sobre las formas en que se han visualizado las estructuras invisibles en el pasado, y los métodos usados para crear estas visualizaciones. En esta investigación artística se analizan algunos de los métodos utilizados por artistas y científicos para visualizar las estructuras que son imperceptibles a simple vista. Para ello, se presentan una serie de ejemplos que reflejan los métodos directos e indirectos utilizados para mostrar las estructuras invisibles en las ciencias y las artes. Estos ejemplos configuran un atlas ecléctico de visualizaciones que evidencian el uso del dibujo, de los sistemas de impresión y de la simulación, como medios para revelar estructuras imperceptibles, ya sean físicas, temporales, registradas o inventadas. Se han considerado también las transiciones en los patrones cosmológicos y el impacto que han tenido los avances tecnológicos en la visualización del microcosmos. Se trata de trazar las conexiones entre las prácticas de visualización de las artes y las ciencias, subrayando la importancia de la inferencia y la imaginación en la visualización de aquello que no se puede ver. Hay muchas maneras de visualizar lo que subyace más allá de lo que el ojo humano es capaz de ver, pero la intervención humana está implícita en todas. Se constata el papel del conocimiento tácito y el contexto en la fabricación de las visualizaciones de las estructuras invisibles. Se remarcan los estilos históricamente concretos de las visualizaciones, así como la importancia de la estética, tanto en las artes, como en las ciencias. En conclusión, visualizar las estructuras invisibles es como tejer un tejido intrincado entre la realidad y la ficción. No obstante, su desarrollo puede transformar nuestra comprensión y llevar a nuevos conocimientos sobre elementos y fuerzas hasta la fecha imperceptibles.
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Hanass-Hancock, Jill. "Invisible." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät IV, 2008. http://dx.doi.org/10.18452/15824.

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Die Dissertation beschäftigt sich mit den Vorstellungen von Krankheit, Behinderung und HIV/AIDS in KwaZulu-Natal, Südafrika. Besonderer Augenmerk liegt dabei auf den kulturellen Wurzeln und sozialen Repräsentationen von Behinderung und HIV/AIDS. Die Ergebnisse der Studie zeigen dass die sozialen Interpretationen von Beeinträchtigung erheblich dazu beitragen dass Menschen mit Behinderungen in KwaZulu-Natal einem hohen HIV-Ansteckungsrisiko ausgesetzt sind und gleichzeitig dafür sorgen dass diese Menschen kaum Zugang zu Aufklärung und medizinischer Versorgung haben. Die Studie geht bei der Analyse über den Blickwinkel Behinderung hinaus und beleuchtet südafrikanische Gesellschaftsverhältnisse auf makrokultureller, mikrokultureller und individueller Ebene. Die Studie schließt mit einem Ausblick auf Veränderungsmögichkeiten im südafrikanischen Kontext.
The study focuses on the interweaving patterns of stigmatisation between disability and HIV/AIDS in KwaZulu-Natal, South Africa. The study was designed to understand the cultural roots of non-medical representations of disability and HIV/AIDS. The results show strong evidence that the way in which people are prone to think about and respond to disability and HIV/AIDS exposes people with disability to a particularly high risk of infection while simultaneously decreasing access to treatment and care. While unfolding hidden meanings and notions about disability and HIV/AIDS, the study analyses both phenomena on a macrocultural, microcultural and individual level. The study concludes with key messages emerging from the empirical research as well as from historical and policy analysis. Through this, it attempts to provide some guidance for transformation.
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Lee, Kateema. "Almost invisible." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3574.

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Thesis (M.F.A) -- University of Maryland, College Park, 2006
Thesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references.. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Levine, Deborah. "Invisible Threads." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/LevineD2005.pdf.

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Howe, Kristin Deanne. "Invisible Woman." The University of Montana, 2010. http://etd.lib.umt.edu/theses/available/etd-01132010-104629/.

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The aim of this paper is to illuminate the ways in which working class women are invisible within the feminist and ecofeminist movements. Using the faces and forces of oppression as presented by Iris Marion Young and Hilde Lindemann, I show how the working class experiences oppression. I also show how oppression based on class differs from that based on gender and how these differences contribute to the invisibility of working class women within feminism. In the second section, I use Val Plumwood and Karen J. Warrens versions of ecofeminist philosophy to show how working class women are again absent. Were ecofeminists to include working class women, specifically rural folks and farmers, the idea of attunedness to the land could be both better understood and incorporated within the environmental movement at large.
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Kjartánsdottir, Brynja Helga. "Invisible weaving." Thesis, Konstfack, Textil, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4229.

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Invisible weaving is constructed of my previous works, a definition of textile that allows our day-to-day action and routine patterns to be included as invisible textile, discussion on my works in relation to other artists and an overview of my final piece. The essay sets out to take a comprehensive look at obsessive-compulsive disorder, that I used as an aspiration for my masters work, where I try to portray that condition into a physical form.
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Sauer, Amanda. "Invisible Green." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1387.

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How is nature conceived today, a generation into the environmental movement? Many contemporary artists grapple with how to reconcile our inheritance of both a precarious natural world and the culture that created it. My work investigates the subtle intricacies of our relationship with nature. I use photography to develop a way of seeing that points to the often-unnoticed nature in front of us. In particular, my work recognizes and re-imagines nature's deep connections in the context of our ecologically changed world.
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Greig, Anne Art College of Fine Arts UNSW. "Tracing the invisible." Publisher:University of New South Wales. Art, 2009. http://handle.unsw.edu.au/1959.4/43659.

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This project stems from a personal experience, when I saw an image of my magnified blood cells skimming erratically across a computer screen. This interaction with technology and parts of myself that are usually unseen prompted my explorations into this area of research - the realm of the invisible. This broad and fascinating field of enquiry has preoccupied artists for millennia and has led me into an exploration of art, science and philosophy and how these disciplines have explored the realms beyond the senses. In particular, I have found that a convergence of these previously independent areas of thought is manifesting within contemporary culture as the advance of technology reveals more and more the mysteries of the universe. Developments in physics and cosmology, in particular, challenge our ideas about reality and how we perceive it, and raise questions about our place within the scheme of things that are having a big impact on contemporary thought. My project engages with a cluster of issues concerning the impact of technology on visual representation. My area of studio practice is contemporary painting. In this exegesis I establish the context for my project by showing how advances in technology have influenced our visual representations of reality, and how these developments have always been and continue to be an area of fascination to artists. We are currently subject to vast amounts of information and an abundance of visual material emanating from science and technology, which has not only permeated the popular imagination but has influenced our conceptions of how we represent the universe. Lens-based technologies continue to reveal information that challenges and alters our understanding of the underlying structure of the physical world and beyond. At the microscopic end of the scale scientists search amongst sub-atomic particles for new dimensions, whilst information from deep space reveals the ripples from the beginning of time - the big bang. At the same time, the fractal geometry of chaos theory makes visible the shapes embedded in the fabric of motion; the self-similarity of fractals are a way of seeing infinity. This paper locates my project within this area of visual enquiry via a discussion of the work of some contemporary artists who share an interest in this broad and perhaps limitless field. In painting, this field has its origins in the pioneering abstractionists of the early 20th Century, who were also influenced by the scientific and technological advances of their time. Within this discussion I have situated the relevant scientific developments that relate both to the historical trajectory of art and to my own practice, as well as engage with some of the philosophical issues that arise from this subject. Chapter one introduces a convergence of science and philosophy, where current cosmology points to a metaphysical notion of holism in which all things are interconnected. Chapter two discusses how the advance of lens-based technologies to probe the unseen realms in the early 20th Century influenced representations of a world beyond appearances that had a huge impact on artists. Chapter three looks at how our developing knowledge of natural systems influenced biomorphic abstraction in early 20th Century painting and links the exploration of chance and automatism in Dadaism with scientific notions of randomness and uncertainty. Chapter four discusses the contemporary field and how the practice of artists such as Ross Bleckner and Mark Francis, among others, have also produced a technological aesthetic influenced by developments in representation stemming from physics and cosmology. Chapter five locates my own studio practice within this context and describes the motivations and processes integral to my work in relation to the metaphysical implications of the field of enquiry that this project engages with. When viewed within this context of art, philosophy and science, the final outcome of my project is an exploration of the unity of the underlying structure of existence.
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Elloie, Adrienne B. "The Invisible Woman." Digital Commons at Loyola Marymount University and Loyola Law School, 1994. https://digitalcommons.lmu.edu/etd/778.

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Boutwell, Nathan. "The Invisible Dragon." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc177182/.

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This collection of memoir essays chronicles the author's 19 year struggle with chronic depression. "The Invisible Dragon" explores the onset of the disease and its cure. "The Silent Typewriter" looks at how it affected the author as a writer. "Roses for Trish" discusses how it affected his wife. "My Mother's Son" explores the possibility that he inherited depression from his mother. The final essay, "The Dragon Returns" probes the author's life in 2012 with the probability that he has a personality disorder. The preface examines several depression memoirs and explores the strategies used by William Styron, Elizabeth Wurtzel and Kay Redfield Jamison to prevent sliding into the pitfalls inherent in a linear structure. Among these are the use of alternative structures, language, characterization, focus and imagery.
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Books on the topic "Invisible"

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Escartí, Vicent Josep, ed. Biografies invisibles / Invisible Biographies. Amsterdam: John Benjamins Publishing Company, 2021. http://dx.doi.org/10.1075/ivitra.28.

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Conge, Hervé. Oeuvres invisibles =: Invisible works. Sarreguemines, France: Editions Pierron, 1991.

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Kunstboek, Stichting, ed. Frontières invisibles =: Invisible borders. Oostkamp: Stichting Kunstboek, 2009.

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Leonard, Madeleine. Invisible Work, Invisible Workers. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873.

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Strand, Mark. Presque invisible: Almost invisible. Paris: Vif Éditions, 2012.

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Auster, Paul. Invisible. Waterville, Me: Thorndike Press, 2009.

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Hautman, Pete. Invisible. New York: Simon & Schuster Books for Young Readers, 2005.

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Bates, Marni. Invisible. New York: KTeen, 2013.

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Štivičić, Tena. Invisible. London: Nick Hern Books, 2011.

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Invisible. New York: Simon & Schuster Books for Young Readers, 2005.

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Book chapters on the topic "Invisible"

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Oksanen-Särelä, Katja. "Invisible Technologies, Invisible Boundaries?" In IFIP Advances in Information and Communication Technology, 161–67. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-0-387-35511-5_12.

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White, David G. "Invisible Hands, Invisible Walls." In Disrupting Corporate Culture, 105–52. New York, NY : Routledge, 2020.: Productivity Press, 2020. http://dx.doi.org/10.4324/9780429316357-5.

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Henkeman, Sarah Malotane. "Invisible violence, invisible wounding." In Racism, Violence, Betrayals and New Imaginaries, 16–35. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032624341-4.

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Bährle-Rapp, Marina. "invisible." In Springer Lexikon Kosmetik und Körperpflege, 282. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_5258.

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Leonard, Madeleine. "Introduction." In Invisible Work, Invisible Workers, 1–10. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873_1.

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Leonard, Madeleine. "Estimates and Guesstimates: Defining the Informal Economy in Europe and the United States." In Invisible Work, Invisible Workers, 11–25. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873_2.

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Leonard, Madeleine. "Continuities and Discontinuities in Work and Employment." In Invisible Work, Invisible Workers, 26–56. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873_3.

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Leonard, Madeleine. "Informal Employment in Europe and the United States." In Invisible Work, Invisible Workers, 57–89. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873_4.

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Leonard, Madeleine. "Household Economic Strategies: Work Beyond Employment." In Invisible Work, Invisible Workers, 90–112. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873_5.

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Leonard, Madeleine. "Women and the Informal Economy." In Invisible Work, Invisible Workers, 113–34. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371873_6.

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Conference papers on the topic "Invisible"

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Nam, Hye Yeon, Zachary Berkowitz, and Edgar Berdahl. "Invisible." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3027063.3052547.

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Nakano, Yoshinobu, Yasuhiro Yoshimura, Daisuke Watanabe, Kunihiro Chihara, Haruka Ouwa, Kenji Kawashima, Hitomi Komura, et al. "INVISIBLE." In ACM SIGGRAPH 2006 Emerging technologies. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179133.1179153.

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Soroka, Vladimir, and Sheizaf Rafaeli. "Invisible participants." In the 15th international conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1135777.1135806.

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Abouzied, Azza, Daniel J. Abadi, and Avi Silberschatz. "Invisible loading." In the 16th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2452376.2452377.

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Mentis, Helena M., Madhu Reddy, and Mary Beth Rosson. "Invisible emotion." In the 2010 ACM conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1718918.1718975.

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Giles, Lawrence George. "Invisible Signs." In Create10 - The interaction design conference. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/create2010.29.

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Rutten, Isa, William Frier, Lawrence Van den Bogaert, and David Geerts. "Invisible Touch." In CHI '19: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3290607.3313004.

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Lankes, Michael, Jüergen Hagler, Georgi Kostov, and Jeremiah Diephuis. "Invisible Walls." In CHI PLAY '17: The annual symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3116595.3116609.

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Brun, Sophie. "Invisible ocean." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281898.

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Briggs, Pam, Patrick Olivier, Mark Blythe, John Vines, Stephen Lindsay, Paul Dunphy, James Nicholson, David Green, Jim Kitson, and Andrew Monk. "Invisible design." In the Designing Interactive Systems Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2317956.2318036.

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Reports on the topic "Invisible"

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van Bibber, K. A. Searches for invisible axions. Office of Scientific and Technical Information (OSTI), July 1998. http://dx.doi.org/10.2172/16780.

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Ozano, Kim, Andrew Roby, Alan MacDonald, Kirsty Upton, Nick Hepworth, Clare Gorman, John Matthews, et al. Groundwater: Making the Invisible Visible. Institute of Development Studies (IDS), January 2022. http://dx.doi.org/10.19088/k4d.2022.022.

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The theme for World Water Day 2022 is ‘Groundwater – Making the Invisible Visible’. Groundwater is water found underground in aquifers – geological formations of rocks, sands and gravels, that hold substantial quantities of water. Groundwater feeds springs, rivers, lakes and wetlands, and seeps into oceans. 80 percent of the world’s food depends on groundwater. It is recharged mainly from rain and snowfall infiltrating the ground, and can be extracted to the surface by pumps and wells.
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Bertrand, Marianne. From the Invisible Handshake to the Invisible Hand? How Import Competition Changes the Employment Relationship. Cambridge, MA: National Bureau of Economic Research, January 1999. http://dx.doi.org/10.3386/w6900.

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Jiménez Schuhmacher, Alberto. Biopsia virtual: ver el cáncer invisible. Sociedad Española de Bioquímica y Biología Molecular, January 2018. http://dx.doi.org/10.18567/sebbmdiv_anc.2018.01.1.

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QUINDOS, LUIS. EL RADON: LA NUEVA AMENAZA INVISIBLE. ILUSTRE COLEGIO OFICIAL DE GEOLOGOS, November 2016. http://dx.doi.org/10.21028/lqp.2016.11.03.

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Karabay, Bilgehan, and John McLaren. Trade, Offshoring, and the Invisible Handshake. Cambridge, MA: National Bureau of Economic Research, June 2009. http://dx.doi.org/10.3386/w15048.

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Akesaka, Mika, and Hitoshi Shigeoka. “Invisible Killer”: Seasonal Allergies and Accidents. Cambridge, MA: National Bureau of Economic Research, August 2023. http://dx.doi.org/10.3386/w31593.

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Frye, Timothy, and Andrei Shleifer. The Invisible Hand and the Grabbing Hand. Cambridge, MA: National Bureau of Economic Research, December 1996. http://dx.doi.org/10.3386/w5856.

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Stiglitz, Joseph. The Invisible Hand and Modern Welfare Economics. Cambridge, MA: National Bureau of Economic Research, March 1991. http://dx.doi.org/10.3386/w3641.

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Maggio, Marco Di, Dimuthu Ratnadiwakara, and Don Carmichael. Invisible Primes: Fintech Lending with Alternative Data. Cambridge, MA: National Bureau of Economic Research, March 2022. http://dx.doi.org/10.3386/w29840.

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