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Relevant bibliographies by topics / Intonation

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Academic literature on the topic 'Intonation'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Intonation"

1

Baikuatova, Akmaral, and Kurmanbek Baykuatuly. "Intonational Patterns of Kazakh Culture: From Anthropopractices to Psychotherapy techniques." Central Asian Journal of Art Studies 9, no. 3 (2024): 114–60. http://dx.doi.org/10.47940/cajas.v9i3.902.

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This study explores the role of intonation in the transformational anthropopractices of Kazakh culture and its psychotherapeutic aspects. Kazakh folklore and ritual practices are rich in musical elements, with intonation playing a central role. Intonation not only serves as a means of conveying cultural and spiritual values, but also acts as a powerful mechanism for psychological regulation and emotional expression. The aim of this research is to uncover the mechanisms of intonation's impact on the human psyche and its role in maintaining mental equilibrium and inner harmony. Special attention

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Amanbayeva, A. Zh. "INTONATION-SYNTACTIC STEREOTYPE OF ZHYRAU POETRY OF THE XV-XVIII CENTURIES." Tiltanym 87, no. 3 (2022): 3–13. http://dx.doi.org/10.55491/2411-6076-2022-3-3-13.

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In the article, the relevance of the study is to identify intonational and stereotypical features in the poetic texts of such zhyrau as Asan Kayy, Kaztugan, Dospambet, Shalkiyz, Zhiembet, Margas, Aktamberdy, Umbetei, Bukhar, who lived in the XV-XVIII century, formed a model of oral literature, zhyrau traditions, and then showed the life of the country, the social life of the country to the next generation, adding sadness and need to the song. Also, in the research work, the specifics of oral audio oratory art, the manifestation of oral technical means in the poetic art of zhyrau and the master

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Cruttenden, Alan. "Intonational diglossia: a case study of Glasgow." Journal of the International Phonetic Association 37, no. 3 (2007): 257–74. http://dx.doi.org/10.1017/s0025100307002915.

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Auditory and acoustic data were produced from recordings of a Glaswegian English speaker in conversational and reading modes. Clearly different intonational systems were used in the two modes. The reading style used an intonation similar to that used in standard British intonation (the intonation of ‘Received Pronunciation’ (RPI)). The conversational style was an example of the type of intonation used in a number of cities in the north of the UK (Urban North British Intonation (UNBI)), characterised by a default intonation involving rising or rising-slumping nuclear pitch patterns. This speake

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Xasanov, M. Mardieva N. "THE ASPECTS AND COMPONENTS OF INTONATION." O'ZBEKISTONDA FANLARARO INNOVATSIYALAR VA ILMIY TADQIQOTLAR JURNALI 2, no. 18 (2023): 488–94. https://doi.org/10.5281/zenodo.7852756.

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The rules for assigning phrasal intonation to sentences are assumed to require an autonomous level of intonational structure as opposed to what is usually viewed as surface syntactic structure. This article discusses not only the intonational structure but the aspects and components of intonation. Intonation is a feature of pronunciation that is common to all languages, and as with other features of pronunciation, intonation has more to do with how we say things than what we say.

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Kazantseva, Liudmila P. "Musical Intonation: Aesthetic and Historical- Culturological Aspects." IKONI / ICONI, no. 1 (2022): 120–37. http://dx.doi.org/10.33779/2658-4824.2022.1.120-137.

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The two previous lectures from the cycle “Musical Intonation” were devoted to the concept of musical intonation, its sound contours, semantics, genre-related and stylistic traits. The third and final lecture suggests concentrating our attention on the two sides of intonation – its aesthetic particularities and dramaturgical features, as well as its existence in the historical-culturological context. The aesthetical side of intonation is disclosed by means of applying the apparatus of aesthetical categories (the dichotomy of beautiful vs. ugly, etc., the Aristotelian triad). The study of intona

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Alkhazaali, Musaab Raheem. "Intonation in Iraqi Musical Melodies." Buckingham Journal of Language and Linguistics 9 (May 31, 2017): 75–90. http://dx.doi.org/10.5750/bjll.v9i0.1060.

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This paper deals with intonation in Iraqi musical melodies (MMs). As such, it aims to analyze the intonational patterns in the Iraqi music. The main musical melodies in the Iraqi music are Rast, Dasht, Hijaaz, Kurd, and Bayaat. In this vein, the current study attempts to answer the following questions: the current paper attempts to answer the following questions: (i) What are the intonational patterns of Iraqi MMs? And (ii) What is the additional function of intonation in MMs? In the light of these questions, the corner hypothesis is that Iraqi MMs have their own specific definable intonationa

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Cruttenden, Alan. "Mancunian Intonation and Intonational Representation." Phonetica 58, no. 1-2 (2001): 53–80. http://dx.doi.org/10.1159/000028488.

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Col, Gilles. "Prosodie et émergence du sens : propositions pour une étude cognitive de l’intonation." Canadian Journal of Linguistics/Revue canadienne de linguistique 52, no. 3 (2007): 255–77. http://dx.doi.org/10.1017/s0008413100004308.

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AbstractThis paper aims at giving English intonation a driving role in the building and the emergence of meaning. It presents four propositions, going from the perception of intonation to its role in the representation of meaning. First, the concept of intonational form, based on the gestalt model of good form, is introduced. Second, the fundamental characteristic of intonational form is its dynamic nature. Third, intonation is positioned in the semantic layer, and is on par with the other linguistic components (syntax, lexicon, grammar). Finally, it is the evolution of the verbal scene that g

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Krestar, Maura L., and Conor T. McLennan. "Responses to Semantically Neutral Words in Varying Emotional Intonations." Journal of Speech, Language, and Hearing Research 62, no. 3 (2019): 733–44. http://dx.doi.org/10.1044/2018_jslhr-h-17-0428.

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Purpose Recent research on perception of emotionally charged material has found both an “emotionality effect” in which participants respond differently to emotionally charged stimuli relative to neutral stimuli in some cognitive–linguistic tasks and a “negativity bias” in which participants respond differently to negatively charged stimuli relative to neutral and positively charged stimuli. The current study investigated young adult listeners' bias when responding to neutral-meaning words in 2 tasks that varied attention to emotional intonation. Method Half the participants completed a word id

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SERENO, JOAN, LYNNE LAMMERS, and ALLARD JONGMAN. "The relative contribution of segments and intonation to the perception of foreign-accented speech." Applied Psycholinguistics 37, no. 2 (2015): 303–22. http://dx.doi.org/10.1017/s0142716414000575.

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ABSTRACTThe present study examines the relative impact of segments and intonation on accentedness, comprehensibility, and intelligibility, specifically investigating the separate contribution of segmental and intonational information to perceived foreign accent in Korean-accented English. Two English speakers and two Korean speakers recorded 40 English sentences. The sentences were manipulated by combining segments from one speaker with intonation (fundamental frequency contour and duration) from another speaker. Four versions of each sentence were created: one English control (English segment

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Dissertations / Theses on the topic "Intonation"

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Lowry, Orla Mary. "Belfast intonation : testing the ToBI framework of intonational analysis." Thesis, University of Ulster, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370089.

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Selting, Margret. "Question intonation revisited : the intonation of conversational questions." Universität Potsdam, 1994. http://opus.kobv.de/ubp/volltexte/2010/4317/.

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Content: 1. Introduction 2. Aim and approach of the present analysis 3. Non-restrictive 'open' conversational questions 4. More restrictive "narrower" questions 5. "Deviant cases" 6. Conclusions

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Féry, Caroline, Sam Hellmuth, Frank Kügler, and Jörg Mayer. "Phonology and intonation." Universität Potsdam, 2007. http://opus.kobv.de/ubp/volltexte/2008/2221/.

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The encoding standards for phonology and intonation are designed to facilitate consistent annotation of the phonological and intonational aspects of information structure, in languages across a range of prosodic types. The guidelines are designed with the aim that a nonspecialist in phonology can both implement and interpret the resulting annotation.

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Birgestam, Jonas. "Kan intonation mätas?" Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1237.

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Peters, Jörg. "Intonation deutscher Regionalsprachen." Berlin : de Gruyter, 2006. http://catalogue.bnf.fr/ark:/12148/cb414705751.

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Flynn, Choi-Yeung-Chang. "Intonation in Cantonese." Thesis, SOAS, University of London, 2001. http://eprints.soas.ac.uk/28518/.

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This thesis develops a system for describing intonation in Cantonese, a language having six phonological tones employing both pitch and slope. It analyses the utterance intonation contour into major intonation units, intonation units and feet. It defines what criteria those units meet and how they relate to each other. The intonation contours, constructed with a string of lexical tones, are described in terms of prosodic units which separate themselves in terms of pitch height and pitch span. The demarcation of the units is an innovation of the thesis. The different F0 values of identical phon

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Grice, Martine. "The intonation of interrogation in Palermo Italian : implications for intonation theory /." Tübingen : M. Niemeyer, 1995. http://catalogue.bnf.fr/ark:/12148/cb357846921.

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Ghinda, Elena. "Intonation Structure And Intonation In Svo And Ovs Sentences In Spoken Russian." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12611423/index.pdf.

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The purpose of this thesis is to examine the difference between SVO and OVS sentences in spoken Russian, which is a language with flexible word order although the basic order is SVO. Two experiments were conducted to understand the nature of intonation. Experiment 1 shows that the Subject appears as kontrast in OVS sentences, and as background in SVO sentences. The F0 curve rises in the Object position when the Subject is kontrast in OVS sentences. The analysis of the results of Experiment 2 shows that the initial element of the sentence plays an important role in intonation. When it is kontr

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Besana, Sveva 1971. "Towards an analysis of Turinese Italian intonation and theoretical implications for intonational phonology." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/9350.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Linguistics and Philosophy, 1999.<br>Includes bibliographical references (leaf 90).<br>Digitized data of a northern variety of Standard Italian declarative statements', yes/no questions' and wh-questions' was collected to describe a partial grammar of intonational morphemes in the language and provide an analysis for the utterances. Two major theories of intonational phonology are outlined and tested against the data. It is shown how Pierrehumbert's autosegmental theory best captures the data presented here with respect to intonati

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Duvivier, R. T. "Lecture discourse and intonation." Thesis, University of Kent, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335928.

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Books on the topic "Intonation"

1

Botinis, Antonis, ed. Intonation. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4317-2.

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Wells, Bill, and Joy Stackhouse. Children's Intonation. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118947593.

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Stock, Eberhard. Deutsche Intonation. Langenscheidt, 1996.

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Lowry, Orla Mary. Belfast intonation: Testing the ToBI framework of intonational analysis. The Author], 2001.

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Varga, László. Intonation and Stress. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230505827.

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Alldahl, Per-Gunnar. Intonation i körsång. Gehrmans musikförlag, 2004.

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Peters, Jörg. Intonation deutscher Regionalsprachen. W. De Gruyter, 2006.

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8

Zhang, Saiyang. Intonation in Cantonese. LINCOM Europa, 2003.

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9

Martin, Philippe. Intonation du français. A. Colin, 2009.

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Stüber, Jutta. Die Intonation des Geigers. Verlag für Systematische Musikwissenschaft, 1989.

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Book chapters on the topic "Intonation"

1

Beckman, Mary E., and Jennifer J. Venditti. "Intonation." In The Handbook of Phonological Theory. Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444343069.ch15.

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Edelson-Fries, Lisa. "Intonation." In Encyclopedia of Autism Spectrum Disorders. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4614-6435-8_347-5.

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First, Michael B., Elizabeth Spencer, Elizabeth Spencer, et al. "Intonation." In Encyclopedia of Autism Spectrum Disorders. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1698-3_347.

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Feldman, Evan, and Ari Contzius. "Intonation." In Instrumental Music Education. Routledge, 2020. http://dx.doi.org/10.4324/9780429028700-17.

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Fuhrhop, Nanna, and Jörg Peters. "Intonation." In Einführung in die Phonologie und Graphematik. J.B. Metzler, 2023. http://dx.doi.org/10.1007/978-3-476-05940-6_8.

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Feldman, Evan, and Ari Contzius. "Intonation." In Instrumental Music Education, 4th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003366157-19.

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Edelson-Fries, Lisa. "Intonation." In Encyclopedia of Autism Spectrum Disorders. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-91280-6_347.

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Carley, Paul, and Inger M. Mees. "Intonation." In American English Phonetic Transcription. Routledge, 2021. http://dx.doi.org/10.4324/9781003008088-23.

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Smakman, Dick. "Intonation." In Clear English Pronunciation. Routledge, 2019. http://dx.doi.org/10.4324/9780429347382-7.

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Doherty, Monika. "Sentence Intonation." In Springer Series in Language and Communication. Springer Berlin Heidelberg, 1987. http://dx.doi.org/10.1007/978-3-642-71676-8_6.

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Conference papers on the topic "Intonation"

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Niebuhr, Oliver. "Intonation segments and segmental intonation." In Interspeech 2009. ISCA, 2009. http://dx.doi.org/10.21437/interspeech.2009-308.

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Ipek, Canan, and Sun-Ah Jun. "Towards a model of intonational phonology of Turkish: Neutral intonation." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799755.

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Rognoni, Luca, Judith Bishop, and Miriam Corris. "Pashto Intonation Patterns." In Interspeech 2017. ISCA, 2017. http://dx.doi.org/10.21437/interspeech.2017-1353.

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Yang, Li-chiung. "Interruptions and intonation." In 4th International Conference on Spoken Language Processing (ICSLP 1996). ISCA, 1996. http://dx.doi.org/10.21437/icslp.1996-481.

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Escudero, David, and Valentín Cardeñoso-Payo. "Optimized selection of intonation dictionaries in corpus based intonation modelling." In Interspeech 2005. ISCA, 2005. http://dx.doi.org/10.21437/interspeech.2005-567.

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Stanchuliak, Tatiana. "INTONATION SALIENCE AS AN UNDERFRAME TO THE TEXT INTONATION MODEL." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/31/s10.028.

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Prevost, Scott, and Mark Steedman. "Information based intonation synthesis." In the workshop. Association for Computational Linguistics, 1994. http://dx.doi.org/10.3115/1075812.1075852.

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Martin, Philippe. "Dutch Sentence Intonation Revisited." In 10th International Conference on Speech Prosody 2020. ISCA, 2020. http://dx.doi.org/10.21437/speechprosody.2020-36.

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Velner, Ella, Paul P. G. Boersma, and Maartje M. A. de Graaf. "Intonation in Robot Speech." In HRI '20: ACM/IEEE International Conference on Human-Robot Interaction. ACM, 2020. http://dx.doi.org/10.1145/3319502.3374801.

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Taylor, Paul. "The tilt intonation model." In 5th International Conference on Spoken Language Processing (ICSLP 1998). ISCA, 1998. http://dx.doi.org/10.21437/icslp.1998-153.

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Reports on the topic "Intonation"

1

Park, Micah. Teaching Intonation Patterns through Reading Aloud. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.267.

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Crosby, Christiane. L1 Influence on L2 Intonation in Russian Speakers of English. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1070.

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Okubo, Misako. An Analysis of Japanese Learners' Comprehension of Intonation in English. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7048.

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Drommond, Ray. Normative data for the Tennessee test of rhythm and intonation patterns (T-TRIP). Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.3288.

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Lebedenko, Nataliia. FUNCTIONS OF PAUSES IN A BROADCAST TEXT (CASE OF A RADIO ESSAY “FOR THOSE WHO ARE NOT SLEEPING”). Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12148.

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The article explores the importance of pauses in radio broadcasts, specifically in one of 25 radio essays titled “For Those Who Are Not Sleeping” by Yurii Andrukhovych, which opened the project called “Air passion. Radio essays voiced by modern actors” on Kultura radio. The peculiarities of the radio essay intonation have been chosen as the object of the research. The goal of the article is to identify the functions of pauses in the radio essay voiced by its author. To study pauses in the radio essay, the methods of observation (when listening to the radio essay), analysis (when analyzing the

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Larina, E. A. SCREENING DIAGNOSTICS OF THE INTONATIVE SIDE OF SPEECH IN CHILDREN OF THE YOUNGER SCHOOL AGE. Science and Innovation Center Publishing House, 2018. http://dx.doi.org/10.12731/larina.27.2018.

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