Relevant bibliographies by topics / Intimate enemy

Academic literature on the topic 'Intimate enemy'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Intimate enemy"

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Miller, Don. "Nandy: Intimate enemy number one." Postcolonial Studies 1, no. 3 (November 1998): 299–303. http://dx.doi.org/10.1080/13688799889978.

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Singh, Prabhakar. "International Law as an Intimate Enemy." African Yearbook of International Law Online / Annuaire Africain de droit international Online 18, no. 1 (2010): 223–55. http://dx.doi.org/10.1163/22116176-01801009.

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Ziemke, Jennifer. "Intimate Enemy: Images and Voices of the Rwandan Genocide." Journal of Peace Research 43, no. 6 (November 2006): 754–55. http://dx.doi.org/10.1177/002234330604300616.

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Hutchins, Francis G., and Ashis Nandy. "The Intimate Enemy: Loss and Recovery of Self under Colonialism." American Historical Review 90, no. 2 (April 1985): 475. http://dx.doi.org/10.2307/1852791.

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Chakravarty, S. S. "The Intimate Enemy: Loss and Recovery of Self under Colonialism." Comparative Studies of South Asia, Africa and the Middle East 5, no. 1 (March 1, 1985): 46–47. http://dx.doi.org/10.1215/07323867-5-1-46.

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Pagels, Elaine. "The Social History of Satan, the “Intimate Enemy”: A Preliminary Sketch." Harvard Theological Review 84, no. 2 (April 1991): 105–28. http://dx.doi.org/10.1017/s0017816000008117.

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The figure of Satan has been a standing puzzle in the history of religion. Where did this figure originate, and what is its role? Satan is scarcely present in traditional Judaism to this day and is not present at all in classical Jewish sources—at least not in the form that later Western Christendom knew him, as the leader of an “evil empire,” of an army of hostile spirits who take pleasure in destroying human beings. Yet images of such spirits did develop and proliferate in certain late antique Jewish sources, from ca. 165 BCE to 100 CE. Specifically, they developed among groups I shall call “dissident Jews,” which included the early followers of Jesus; within decades, the figure of Satan and his demons became central to Christian (and later to Islamic) teaching. How did this occur?
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Hwa-Jin Lee. "Liberator or Intimate Enemy: On South Korean Cultural Circles’ Ambivalence toward Hollywood." Review of Korean Studies 18, no. 1 (June 2015): 41–76. http://dx.doi.org/10.25024/review.2015.18.1.003.

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de Santiago Abarca, Lucero Alejandra, Paulina Flores Trevizo, and Iram Isaí Evangelista Ávila. "El pabellón del descanso de Amparo Dávila, la casa como enemigo íntimo." Sincronía XXVI, no. 82 (June 1, 2022): 632–54. http://dx.doi.org/10.32870/sincronia.axxvi.n82.29b22.

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En el siguiente trabajo se analiza el cuento “El pabellón del descanso” (2009) de Amparo Dávila, a partir de dos situaciones expresadas en el relato: la primera examina la relación del personaje con el símbolo de la casa; la segunda, el decaimiento anímico de la protagonista y la situación de desesperanza que la conduce a un desenlace funesto. Dentro del primer análisis se elabora un acercamiento intratextual con otros dos cuentos de la escritora zacatecana; “Oscar” (2009) y “El último verano”, para desarrollar el carácter interpretativo del hogar. En el segundo momento, se toma el concepto de “desesperanza” fundamentado a través de los autores Toro-Tobar, Grajales-Giraldo y Sarmineto-López (2016) para luego explicar desde la Psicología el funesto desenlace de Angelina, su protagonista. Las características simbólicas y la condición psicológica de los personajes davilianos, son figuras literarias recurrentes a lo largo de su narrativa.
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Jury, Rebecca, and Kathy Boxall. "Working with the enemy? Social work education and men who use intimate partner violence." Social Work Education 37, no. 4 (January 31, 2018): 507–18. http://dx.doi.org/10.1080/02615479.2018.1433157.

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Chao, Jenifer. "Portraits of the enemy: Visualizing the Taliban in a photography studio." Media, War & Conflict 12, no. 1 (June 23, 2017): 30–49. http://dx.doi.org/10.1177/1750635217714015.

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This article examines studio photographs of Taliban fighters that deviate from popular media images which often confine them within the visual coordinates of terrorism, insurgency and violence. Gathered in a photographic book known simply as Taliban, these 49 photographs represent the militants in Afghanistan through a studio photography aesthetic, transplanting them from the battlefields of the global war on terror to intimate scenes of pretence and posing. Besides troubling the Taliban’s expected militant identity, these images invite an opaque and oppositional form of viewing and initiate enigmatic visual and imaginative encounters. This article argues that these alternative visualizations consist of a compassionate way of seeing informed by Judith Butler’s notions of precarity and grievability, as well as a viewing inspired by Jacques Rancière’s aesthetic dissensus that obfuscates legibility and disrupts meaning. Consequently, these photographs counter a delimited post-9/11 process of enemy identification and introduce forms of seeing that reflect terrorism’s complexity.
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Dissertations / Theses on the topic "Intimate enemy"

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Pan, Chengxin, and chengxin pan@deakin edu au. "Discourses of 'China' in International Relations: A Study in Western Theory as (IR) Practice." The Australian National University. Faculty of Arts, 2004. http://thesis.anu.edu.au./public/adt-ANU20050528.132232.

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This thesis is concerned with both the dangers and opportunities of China’s relations with the contemporary world and with the U.S.-led West in particular. It takes an unconventional approach to these issues in critically examining mainstream Western studies of Chinese foreign policy as a particular kind of discourse. The thesis focuses, more specifically, on the two dominant Western perspectives on China, (neo)realism and (neo)-liberalism. In doing so, it engages the questions of how Western discursive practice has come to shape and dominate the ways we think of and deal with ‘China’ in international relations, and how, as a result, China has often come to formulate its foreign policy in line with the prescribed meaning given to it by Western-based China scholars. In this context, the thesis argues that to deconstruct the processes by which China is given particular ‘meanings’ by Western discourses—and by which those meanings are transformed into both Western and Chinese foreign policy—is the key to a more profound understanding of Sino-Western relations and, perhaps, a first step towards ameliorating its problems and realising its potential for long-term peace and mutual prosperity.
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Pan, Chengxin. "Discourses of 'China' in International Relations: A Study in Western Theory as (IR) Practice." Phd thesis, 2004. http://hdl.handle.net/1885/8035.

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This thesis is concerned with both the dangers and opportunities of China’s relations with the contemporary world and with the U.S.-led West in particular. It takes an unconventional approach to these issues in critically examining mainstream Western studies of Chinese foreign policy as a particular kind of discourse. The thesis focuses, more specifically, on the two dominant Western perspectives on China, (neo)realism and (neo)-liberalism. In doing so, it engages the questions of how Western discursive practice has come to shape and dominate the ways we think of and deal with ‘China’ in international relations, and how, as a result, China has often come to formulate its foreign policy in line with the prescribed meaning given to it by Western-based China scholars. In this context, the thesis argues that to deconstruct the processes by which China is given particular ‘meanings’ by Western discourses—and by which those meanings are transformed into both Western and Chinese foreign policy—is the key to a more profound understanding of Sino-Western relations and, perhaps, a first step towards ameliorating its problems and realising its potential for long-term peace and mutual prosperity.
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Books on the topic "Intimate enemy"

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Intimate enemy. Richmond: Silhouette, 2009.

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Pappano, Marilyn. Intimate Enemy. Toronto, Ontario: Silhouette, 2008.

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Copyright Paperback Collection (Library of Congress), ed. Intimate enemy. New York: Silhouette, 2008.

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Stainforth, Diana. Intimate enemy. London: Century, 1996.

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Intimate enemy. Leicester: Ulverscroft, 1998.

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1947-, Dickstein Ellen, ed. The intimate enemy: Winning the war within yourself. St. Paul, Minn: Llewellyn Publications, 1997.

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1970-, Straus Scott, ed. Intimate enemy : images and voices of the Rwandan geonocide. Brooklyn, NY: Zone Books, 2006.

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Nandy, Ashis. The intimate enemy: Loss and recovery of self under colonialism. Delhi: Oxford University Press, 1992.

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The intimate enemy: Loss and recovery of self under colonialism. Delhi: Oxford University Press, 1988.

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Bach, George Robert. The Intimate Enemy: How to fight fair in love and marriage. New York: William Morrow and Co., 1998.

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Book chapters on the topic "Intimate enemy"

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Couto, Maria. "The Intimate Enemy." In Graham Greene: On the Frontier, 30–61. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09562-9_3.

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Sahoo, Sarbeswar. "Dealing with the Intimate Enemy: Civil Society and Ethno-Religious Conflict in Contemporary India." In Expressions of Radicalization, 181–207. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65566-6_7.

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"An Intimate Enemy." In Black Arts West, 221–49. Duke University Press, 2010. http://dx.doi.org/10.1215/9780822392620-008.

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"AN INTIMATE ENEMY:." In Black Arts West, 221–49. Duke University Press, 2010. http://dx.doi.org/10.2307/j.ctv1134fs5.12.

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Boes, Tobias. "Hitler’s Most Intimate Enemy." In Thomas Mann's War, 122–54. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501744990.003.0007.

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This chapter illustrates how Thomas Mann created a novel role for the artist: fully engaged with the political events of the day through a variety of twentieth-century media and yet fiercely protective of an independent stance. The 1930s was a decade in which governments of various stripes throughout the world discovered the value of employing artists to drum up support within a populist base. And Mann was a patriotic resident of the United States who throughout the war years carefully refrained from criticizing his adoptive country. But his voice and his aims were always unmistakably his own, and he agitated for the United States because he equated the American cause with that of liberal democracy, not because of any government commission. The chapter further explains that Mann's relocation to California can serve as a symbolic marker of this transition. Indeed, it was during his residency in Pacific Palisades as well that he reached the apogee of his trajectory as an anti-Nazi celebrity in the eyes of the American public.
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Batchelor, Kathryn. ": Translation – Formidable Enemy or Needed Friend?" In Intimate Enemies, 1–14. Liverpool University Press, 2013. http://dx.doi.org/10.5949/liverpool/9781846318672.003.0001.

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"3. Healing to Kill the True Internal Enemy." In Intimate Communities, 91–119. University of California Press, 2019. http://dx.doi.org/10.1525/9780520971868-006.

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"3. Healing to Kill the True Internal Enemy." In Intimate Communities, 91–119. University of California Press, 2019. http://dx.doi.org/10.1515/9780520971868-006.

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"4. Hitler’s Most Intimate Enemy." In Thomas Mann's War, 122–54. Cornell University Press, 2019. http://dx.doi.org/10.1515/9781501745003-010.

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"4. Hitler’s Most Intimate Enemy." In Thomas Mann's War, 122–54. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501745003-010.

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