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1

F, Plett Heinrich, ed. Intertextuality. Berlin: W. de Gruyter, 1991.

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2

Graham, Allen. Intertextuality. London: Routledge, 2000.

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Forstall, Christopher W., and Walter J. Scheirer. Quantitative Intertextuality. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23415-7.

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4

Holthuis, Susanne. Intertextualität: Aspekte einer rezeptionsorientierten Konzeption. Tübingen: Stauffenburg Verlag, 1993.

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5

Hanna, Meinhof Ulrike, and Smith Jonathan, eds. Intertextuality and the media: From genre to everyday life. Manchester: Manchester University Press, 2000.

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Carter, Sarah. Early Modern Intertextuality. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68908-7.

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7

Michel, Gresset, Polk Noel, and International Colloquium on Faulkner (2nd : 1982 : Paris, France), eds. Intertextuality in Faulkner. Jackson: University Press of Mississippi, 1985.

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8

Buchanan, George Wesley. Introduction to intertextuality. Lewiston [N.Y.]: Mellen Biblical Press, 1994.

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9

Richard, Fleming, and Payne Michael 1941-, eds. Criticism, history, and intertextuality. Lewisburg: Bucknell University Press, 1988.

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10

Mazierska, Ewa. European Cinema and Intertextuality. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230319547.

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Koch, Dieter, and Norbert Lennartz, eds. Texts, Contexts and Intertextuality. Göttingen: V&R unipress, 2014. http://dx.doi.org/10.14220/9783737002868.

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12

1951-, Worton Michael, and Still Judith 1958-, eds. Intertextuality: Theories and practices. Manchester: Manchester University Press, 1990.

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13

George, Aichele, and Phillips Gary A, eds. Intertextuality and the Bible. Atlanta: Scholars Press, 1995.

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14

Regina, Silvia La. Intertextos movediços: Gregório de Mattos, Rabelo e Pinto Brandão. Salvador, BA: EDUFBA, 2013.

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15

A, Evans Craig, and Zacharias H. Daniel, eds. Early Christian literature and intertextuality. London: T & T Clark, 2009.

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16

Janet, Adshead-Lansdale, ed. Dancing texts: Intertextuality in interpretation. London: Dance Books, 1999.

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17

Moor, Johannes Cornelis de, 1935-, Society for Old Testament Study., and Oudtestamentisch Werkgezelschap in Nederland en België., eds. Intertextuality in Ugarit and Israel. Leiden: Brill, 1998.

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18

1948-, O'Donnell Patrick, and Davis Robert Con 1948-, eds. Intertextuality and contemporary American fiction. Baltimore: Johns Hopkins University Press, 1989.

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19

Sophie, Rabau, ed. L' intertextualité. [Paris]: Flammarion, 2002.

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20

Boyd, David. After Hitchcock: Influence, imitation, and intertextuality. Austin, Tex: University of Texas Press, 2006.

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21

Hillman, Richard. Intertextuality and Romance in Renaissance Drama. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22149-3.

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22

Boyarin, Daniel. Intertextuality and the reading of Midrash. Bloomington: Indiana University Press, 1990.

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23

Boyarin, Daniel. Intertextuality and the reading of Midrash. Bloomington: Indiana University Press, 1990.

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24

Intertextuality. 2nd ed. Abingdon, Oxon: Routledge, 2011.

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25

Intertextuality. Routledge, 2000.

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26

INTERTEXTUALITY. [S.l.]: ROUTLEDGE, 2021.

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27

Intertextuality. Routledge, 2000.

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28

Intertextuality: Debates and contexts. Cambridge, UK: Polity, 2003.

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29

Allen, Graham. Intertextuality. Routledge, 2000. http://dx.doi.org/10.4324/9780203131039.

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30

Allen, Graham. Intertextuality. Routledge, 2011. http://dx.doi.org/10.4324/9780203829455.

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31

Intertextuality. S. l: Routledge, 2000.

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32

Intertextuality/Intertextualidad. [Alcalá de Henares]: Universidad de Alcalá, 1997.

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33

Moyise, Steve, and B. J. Oropeza. Exploring Intertextuality. Cascade Books, 2016.

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34

Lynch, Stephen. Shakespearean Intertextuality. Praeger, 1998. http://dx.doi.org/10.5040/9798216014089.

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Abstract:
In reshaping Lodge'sRosalyndeintoAs You Like It,Shakespeare not only undermines the Petrarchan and pastoral traditions of the romance, but also refutes the implicit gender structures upon which such Petrarchanisms are based. In refashioningThe True Chronicle Historie of King Leirinto the tragedy ofKing Lear,Shakespeare does not simply reject the explicit Christian setting and happy ending ofLeir,but engages and responds to the highly Reformational and Calvinistic assumptions that shape and inform the source play. In rewriting Greene'sPandostointoThe Winter's Tale,Shakespeare not only adapts the plot and characterization of the source, but consistently counters and refutes the rhetorical and linguistic structures of Greene's romance. And inPericles,Shakespeare adapts the Appolinus story from Gower'sConfessio Amantis,but also responds to suggestions in the source text about the authority of the role of the author.
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35

Baron, Scarlett. Birth of Intertextuality. Taylor & Francis Group, 2021.

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36

Carter, Sarah. Early Modern Intertextuality. Springer International Publishing AG, 2021.

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37

Mason, Jessica. Intertextuality in Practice. Benjamins Publishing Company, John, 2019.

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38

Intertextuality in Practice. Benjamins Publishing Company, John, 2019.

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39

Intertextuality in Music. Taylor & Francis Group, 2021.

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40

INTERTEXTUALITY AND INTERSEMIOSIS. Tartu Univ., 2004.

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41

Early Modern Intertextuality. Springer International Publishing AG, 2022.

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42

The conference of the tongues. Kinderhook, NY: St. Jerome Pub., 2007.

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43

Hermans, Theo. Conference of the Tongues. Taylor & Francis Group, 2014.

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44

Hermans, Theo. Conference of the Tongues. Taylor & Francis Group, 2016.

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45

Hermans, Theo. Conference of the Tongues. Taylor & Francis Group, 2014.

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46

Baron, Scarlett. Birth of Intertextuality: The Riddle of Creativity. Taylor & Francis Group, 2019.

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47

Baron, Scarlett. Birth of Intertextuality: The Riddle of Creativity. Taylor & Francis Group, 2019.

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48

Baron, Scarlett. Birth of Intertextuality: The Riddle of Creativity. Taylor & Francis Group, 2019.

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49

Baron, Scarlett. Birth of Intertextuality: The Riddle of Creativity. Taylor & Francis Group, 2019.

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50

Birth of Intertextuality: The Riddle of Creativity. Taylor & Francis Group, 2019.

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