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Books on the topic 'Interprétation (musique)'

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Author: Grafiati

Published: 18 May 2024

Last updated: 8 June 2024

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1

Petit, Laetitia. Musique: Phénoménologies, ontologies, interprétations. Montpellier: Université Paul Valéry-Montpellier III, 2005.

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2

Pâris, Alain. Lexikon der Interpreten klassischer Musik im 20. Jahrhundert. Kassel: Bãrenreiter, 1992.

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3

Dictionnaire des interprètes et de l'interprétation musicale aux XXe siècle. 2nd ed. Paris: Robert Laffont, 1989.

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4

Face à l'inconnu: Les pianistes et la musique de leurs temps : analyse, interprétation et créations. Paris: L'Harmattan, 2017.

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5

Théophile Gautier et la musique. Paris: H. Champion, 2006.

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6

... dass die Fuge keine Fuge mehr ist: Beethovens poetischer Kontrapunkt. München: ET+K, Edition Text + Kritik, 2019.

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7

Alexandra, Laederich, Beffa Karol, Académie musicale de Villecroze, and Fondation internationale Nadia et Lili Boulanger., eds. Nadia Boulanger et Lili Boulanger: Témoignages et études. Lyon: Symétrie, 2007.

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8

Philippe, Charru, ed. Le baroque luthérien de Jean-Sébastien Bach: Approches croisées de la genèse d'un style. Paris: Editions Facultés jésuites de Paris, 2007.

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9

Les Niveaux de langue ; Musique et litterature jusqu'au XVIII e siecle ; Baudelaire. Paris: Association internationale des etudes francaises, 1989.

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10

Dietrich Buxtehude et la musique en Allemagne du Nord dans la seconde moitié du XVIIe siècle. [Paris]: Fayard, 2006.

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11

The music of Jōji Yuasa. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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12

Ginet-Pochon, Bernie. Apprendre seul le chant de variété. Paris: J. Lyon, 1989.

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13

Les 4 variations de Philippe Hurel: Analyse de l'hétérogène. Paris: L'Itinéraire, 2004.

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14

1948-, Inglis Ian, ed. Performance and popular music: History, place and time. Aldershot, Hants, England: Ashgate, 2005.

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15

1959-, Cohen-Lévinas Danielle, ed. Le temps de l'écoute: Gérard Grisey, ou la beauté des ombres sonores. Paris: Harmattan, 2004.

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16

Maxime, Joos, ed. Claude Debussy: Jeux de formes. Paris: Rue d'Ulm Editions, 2004.

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17

Tom Jobim. São Paulo: Publifolha, 2008.

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18

1976-, Joos Maxime, ed. Claude Debussy, jeux de formes. Paris: Rue d'Ulm, 2004.

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19

Barry, Green. The inner game of music. Garden City, N.Y: Anchor Press/Doubleday, 1986.

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20

Herb, Snitzer, ed. Reprise: The extraordinary revival of early music. Boston: Little, Brown, 1985.

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21

Traité de rythme, de couleur, et d'ornithologie: (1949-1992). Paris: A. Leduc, 1994.

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22

Martina, Wachendorff, ed. Le roman du piano: Du XIXe au XXe siècle. Arles: Actes Sud, 2003.

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23

Traité de rythme, de couleur, et d'ornithologie: (1949-1992) : en sept tomes. Paris: A. Leduc, 1994.

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24

Sawa, George. Music performance practice in the early ʻAbbāsid era 132-320 A.H./750-932 A.D. Toronto: Pontifical Institute of Mediaeval Studies, 1989.

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25

Music performance practice in the early ʻAbbāsid era, 132-320 AH/750-932 AD. 2nd ed. Ottawa: Institute of Mediaeval Music, 2004.

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26

Sawa, George. Music performance practice in the early ʻAbbāsid era 132-320 AH/750-932 AD. Toronto, Ont., Canada: Pontifical Institute of Mediaeval Studies, 1989.

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27

1952-, Eisen Cliff, ed. Mozart studies. Oxford: Clarendon Press, 1991.

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28

Christine, Jolivet-Erlih, ed. Écrits. Sampzon [France]: Delatour, 2006.

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29

Letnanova, Elena. Piano interpretation in the seventeenth, eighteenth, and nineteenth centuries: A study of theory and practice using original documents. Jefferson, N.C: McFarland, 1991.

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30

Performance practices in classic piano music: Their principles and applications. Bloomington: Indiana University Press, 1988.

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31

Robert, Philippe. Joseph Gelineau, pionnier du chant liturgique en Français: La redécouverte des formes. Turnhout: Brepols, 2004.

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32

Reading Renaissance music theory: Hearing with the eyes. Cambridge, UK: Cambridge University Press, 2000.

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33

To Boulez and beyond: Music in Europe since The rite of spring. New York: Billboard Books, 1999.

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34

Peyser, Joan. To Boulez and beyond. Lanham, Md: Scarecrow Press, 2008.

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35

1942-, Musgrave Michael, and Sherman Bernard D, eds. Performing Brahms: Early evidence of performance style. Cambridge, U.K: Cambridge University Press, 2003.

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36

Schoenberg and his circle: A Viennese portrait. New York: Schirmer Books, 1986.

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37

The Lord's song: The basis, function, and significance of choral music in Chronicles. Sheffield, England: JSOT Press, 1993.

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38

Bach and Handel: Choral performance practice. Chapel Hill, N.C: Hinshaw Music, 1992.

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39

Allen, Strange, ed. The contemporary violin: Extended performance techniques. Berkeley: University of California Press, 2001.

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40

Hellaby, Julian. Reading musical interpretation: Case studies in solo piano performance. Burlington, VT: Ashgate, 2008.

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41

Analyses et interprétations de la musique: La mélodie du berger dans le Tristan et Isolde de Wagner. [Paris]: Vrin, 2013.

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42

Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. Paris: CNRS Editions, 2004.

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43

Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. Paris: CNRS Editions, 2004.

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44

French pianism: An historical perspective : including interviews with contemporary performers. White Plains, N.Y: Pro/Am Music Resources, 1992.

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45

French pianism: A historical perspective. 2nd ed. Portland, Or: Amadeus Press, 1999.

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46

1937-2014, Métellus Jean, and Depestre René, eds. Black-Label ou les déboires de Léon-Gontran Damas. Paris: Passage(s), 2016.

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47

1952-, Deschênes Donald, ed. Le bal des animaux, patrimoine créateur. Saint-Joachim, Qué: Corporation du Centre d'initiation au patrimoin La Grande Ferme, 1999.

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48

Hoffman, Katherine. Georgia O'Keeffe: A celebration of music and dance. New York: George Braziller, 1997.

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49

Schoenberg's error. Philadelphia: University of Pennsylvania Press, 1991.

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50

Dahlhaus, Carl. Schoenberg and the new music. Cambridge: Cambridge University Press, 1987.

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