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Books on the topic 'Interprétation (musique)'

Author: Grafiati
Published: 18 May 2024
Last updated: 5 October 2024

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1

Petit, Laetitia. Musique: Phénoménologies, ontologies, interprétations. Montpellier: Université Paul Valéry-Montpellier III, 2005.

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2

Université de Paris VIII-Vincennes à Saint-Denis, ed. La perversion du signifiant: Éléments et constructions d'une interprétation psychanalytique de la musique. Lille: A.N.R.T. Université de Lille III, 1995.

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3

Pâris, Alain. Lexikon der Interpreten klassischer Musik im 20. Jahrhundert. Kassel: Bãrenreiter, 1992.

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4

Alexandra, Laederich, Beffa Karol, Académie musicale de Villecroze, and Fondation internationale Nadia et Lili Boulanger., eds. Nadia Boulanger et Lili Boulanger: Témoignages et études. Lyon: Symétrie, 2007.

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5

Philippe, Charru, ed. Le baroque luthérien de Jean-Sébastien Bach: Approches croisées de la genèse d'un style. Paris: Editions Facultés jésuites de Paris, 2007.

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6

1948-, Inglis Ian, ed. Performance and popular music: History, place and time. Aldershot, Hants, England: Ashgate, 2005.

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7

1959-, Cohen-Lévinas Danielle, ed. Le temps de l'écoute: Gérard Grisey, ou la beauté des ombres sonores. Paris: Harmattan, 2004.

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8

Maxime, Joos, ed. Claude Debussy: Jeux de formes. Paris: Rue d'Ulm Editions, 2004.

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9

1976-, Joos Maxime, ed. Claude Debussy, jeux de formes. Paris: Rue d'Ulm, 2004.

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10

Sawa, George. Music performance practice in the early ʻAbbāsid era 132-320 A.H./750-932 A.D. Toronto: Pontifical Institute of Mediaeval Studies, 1989.

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11

Sawa, George. Music performance practice in the early ʻAbbāsid era 132-320 AH/750-932 AD. Toronto, Ont., Canada: Pontifical Institute of Mediaeval Studies, 1989.

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12

Christine, Jolivet-Erlih, ed. Écrits. Sampzon [France]: Delatour, 2006.

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13

1952-, Eisen Cliff, ed. Mozart studies. Oxford: Clarendon Press, 1991.

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14

Letnanova, Elena. Piano interpretation in the seventeenth, eighteenth, and nineteenth centuries: A study of theory and practice using original documents. Jefferson, N.C: McFarland, 1991.

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15

Peyser, Joan. To Boulez and beyond. Lanham, Md: Scarecrow Press, 2008.

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16

Allen, Strange, ed. The contemporary violin: Extended performance techniques. Berkeley: University of California Press, 2001.

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17

Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. Paris: CNRS Editions, 2004.

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18

Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. Paris: CNRS Editions, 2004.

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19

1937-2014, Métellus Jean, and Depestre René, eds. Black-Label ou les déboires de Léon-Gontran Damas. Paris: Passage(s), 2016.

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20

1952-, Deschênes Donald, ed. Le bal des animaux, patrimoine créateur. Saint-Joachim, Qué: Corporation du Centre d'initiation au patrimoin La Grande Ferme, 1999.

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21

Hoffman, Katherine. Georgia O'Keeffe: A celebration of music and dance. New York: George Braziller, 1997.

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22

Paul, Badura-Skoda, ed. Interpreting Mozart: The performance of his piano pieces and other compositions. 2nd ed. New York: Routledge, 2008.

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23

Rumph, Stephen C. Beethoven after Napoleon: Political romanticism in the late works. Berkeley: University of California Press, 2004.

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24

Mazouer, Charles. Molière et ses comédies-ballets. Paris: H. Champion, 2006.

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25

Newman, William S. Beethoven on Beethoven: Playing his piano music his way. New York: W.W.Norton, 1991.

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26

Newman, William S. Beethoven on Beethoven: Playing his piano music his way. New York: Norton, 1988.

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27

Hatten, Robert S. Musical meaning in Beethoven: Markedness, correlation, and interpretation. Bloomington: Indiana University Press, 2004.

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28

Houle, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 1987.

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29

Houle, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 2000.

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30

Houle, George. Meter in music, 1600-1800. Bloomington, IN: Indiana University, 2000.

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31

Dictionnaire des interprètes et de l'interprétation musicale aux XXe siècle. 2nd ed. Paris: Robert Laffont, 1989.

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32

Théophile Gautier et la musique. Paris: H. Champion, 2006.

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33

Face à l'inconnu: Les pianistes et la musique de leurs temps : analyse, interprétation et créations. Paris: L'Harmattan, 2017.

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34

Kubrick et la Musique. Vrin, Librairie Philosophique J., 2014.

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35

... dass die Fuge keine Fuge mehr ist: Beethovens poetischer Kontrapunkt. München: ET+K, Edition Text + Kritik, 2019.

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36

Provokation und Tradition: Erfahrungen mit der Alten Musik. Stuttgart: J.B. Metzler, 2000.

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37

Les Niveaux de langue ; Musique et litterature jusqu'au XVIII e siecle ; Baudelaire. Paris: Association internationale des etudes francaises, 1989.

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38

Dietrich Buxtehude et la musique en Allemagne du Nord dans la seconde moitié du XVIIe siècle. [Paris]: Fayard, 2006.

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39

Les 4 variations de Philippe Hurel: Analyse de l'hétérogène. Paris: L'Itinéraire, 2004.

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40

Tom Jobim. São Paulo: Publifolha, 2008.

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41

Le Moyen Age en musique : Interprétations, transpositions, inventions. PU Rennes, 2014.

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42

Orchestral Performance: A Guide for Conductors and Players. Faber & Faber, Limited, 2009.

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43

Orchestral Performance: A Guide for Conductors and Players. Faber & Faber, 1998.

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44

Orchestral Performance: A Guide for Conductors and Players. Faber & Faber, Limited, 2012.

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45

Kwamdela, Odimumba. Mighty Sparrow, Calypso King of the World. Kibo Books, LLC, 2006.

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46

POETES MUSICIENS. CENDRARS MANDELSTAM PASTERNAK. PU RENNES, 2006.

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47

Ciabattoni, Francesco. Dante's Journey to Polyphony. University of Toronto Press, 2014.

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48

Peyser, Joan. To Boulez and Beyond. Scarecrow Press, Incorporated, 2007.

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49

(Editor), Michael Musgrave, and Bernard D. Sherman (Editor), eds. Performing Brahms: Early Evidence of Performance Style (Musical Performance and Reception). Cambridge University Press, 2003.

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50

Strange, Allen, and Patricia Strange. Contemporary Violin: Extended Performance Techniques. Scarecrow Press, Incorporated, 2003.

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