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Published: 25 July 2024
Last updated: 26 July 2024

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1

Autour, du CIAM 9. d'Aix-en-Provence 1953 (2003 Aix-en-Provence France). La modernité critique: Autour du CIAM 9 d'Aix-en-Provence, 1953. Marseille: Editions Imbernon, 2006.

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2

Biagi, Paola Di. La Carta d'Atene: Manifesto e frammento dell'urbanistica moderna. Roma: Officina, 1998.

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3

Domhardt, Konstanze Sylva. The heart of the city: Die Stadt in den transatlantischen Debatten der CIAM, 1933-1951. Zürich: gta Verlag, 2012.

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4

Mumford, Eric Paul. Defining urban design: CIAM architects and the formation of a discipline, 1937-69. New Haven: Yale University Press, 2009.

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5

Domhardt, Konstanze Sylva. Die CIAM-Debatten zum Stadtzentrum und die amerikanische Nachbarschaftstheorie: Ein transatlantisher Ideenaustausch, 1937-1951. Zurich: ETH, 2008.

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6

Kees, Somer. The functional city: CIAM and the legacy of Van Eesteren. Rotterdam: NAi Publishers, 2007.

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7

Kees, Somer. The functional city: The CIAM and Cornelis van Eesteren, 1928-1960. Edited by Taverne Ed, Van Eesteren-Fluck & Van Lohuizen Stichting., and Amsterdam (Netherlands) Stedelijk Museum. Rotterdam: NAi Publishers, 2007.

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8

Kees, Somer. The functional city: The CIAM and Cornelis van Eesteren, 1928-1960. Rotterdam: NAi Publishers, 2007.

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9

Ballent, Anahí. El diálogo de los antípodas: Los CIAM y América latina : refundacíon de lo moderno y nuevo internacionalismo en la posguerra. Buenos Aires: Secretaría de Investigaciones en Ciencia y Técnica, Facultad de Arquitectura, Diseño y Urbanismo, UBA, 1995.

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10

IEE International Conference on Artificial Neural Networks (3rd 1993 Brighton Conference Centre, Brighton, England). Third International Conference on Artificial Neural Networks: 25-27 May 1993. London: Institution of Electrical Engineers, 1993.

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11

Ed, Taverne, Van Eesteren-Fluck & Van Lohuizen Stichting., and Amsterdam (Netherlands) Stedelijk Museum, eds. The functional city: The CIAM and Cornelis van Eesteren, 1928-1960. Rotterdam: NAi Publishers, 2007.

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12

Mumford, Eric Paul. The CIAM discourse on urbanism, 1928-1960. Cambridge, Mass: MIT Press, 2000.

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13

Italy) ICAM Congress (12th 2004 Venice. ICAM 12, conference of the International Confederation of Architectural Museums: Proceedings of ICAM 12, Venice, Sept 18-23, 2004, Universita di Venezi, Archivio Progetti. Venice]: [ICAM], 2004.

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14

Eesteren, Cornelis van. Cornelis van Eesteren, architect-urbanist. Rotterdam: NAi Uitgevers, 2001.

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15

Manfred, Bock. Cornelis van Eesteren, architect-urbanist ; Deel I : Bouwkunst, stijl, stedebouw: Van Eesteren en de avant-garde. Rotterdam: NAi Uitgevers, 2001.

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16

Cuba) Congreso Internacional Patrimonio Cultural: Contexto y Conservación (5th 2001 Havana. 5to Congreso Internacional Patrimonio Cultural: Contexto y Conservación: 9-13 de abril, 2001 : resúmens, ponencias y posters = 5th International Congress Cultural Heritage: Context & Conservation : April 9-13th, 2001 : abstracts, papers & posters. La Habana, Cuba: Centro Nacional de Conservación, Restauración y Museologia, 2001.

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17

Internationales Symposium "Global Village"--Architektur und Stadtplanung im Zeitalter der Telekommunikation (1st 1993 Technische Universität Wien). Wohnen und Arbeiten im Global Village: Durch Telematik zu neuen Lebensräumen? : Proceedings des ersten Internationalen Symposions "Global Village"--Architektur und Stadtplanung im Zeitalter der Telekommunkation an der Technischen Universität Wien 1993. Wien: Falter, 1994.

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18

1944-, Bollerey Franziska, ed. Cornelis van Eesteren: Urbanismus zwischen "de Stijl" und C.I.A.M. Braunschweig: Vieweg, 1999.

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19

Baudin, Antoine. Hélène de Mandrot et la Maison des artistes de La Sarraz. Lausanne: Ed. Payot, 1998.

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20

1945-, Mora Gilles, ed. Walker Evans: Havana 1933. New York: Pantheon Books, 1989.

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21

Kees, Somer. The Functional City: CIAM and the Legacy of Van Eesteren. NAi Publishers, 2007.

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22

Adolf Loos: The art of architecture. London: I.B. Tauris, 2013.

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23

Eesteren, Cornelis van. Cornelis van Eesteren, architect-urbanist. EFL Stichting, 1994.

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24

Fair, Alistair. Towards a New Theatre Architecture, 1945–60. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0004.

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This chapter considers the evolution of a new image of theatre architecture in the 1940s and 1950s. Beginning with a brief discussion of the international sources on which theatre architects might draw, the chapter continues by examining a selection of built and unbuilt projects from the 1940s and 1950s. It shows how modern architecture was thought to connote the new status of theatre as a subsidized amenity, and to embody the growing confidence of the country’s subsidized repertory companies. Key examples discussed include: the Congress Theatre, Eastbourne; early designs for the National Theatre in London; and the Belgrade Theatre, Coventry.
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