Journal articles on the topic 'Interior'
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1
Hollis, Edward. "Unreliable Guides: Introducing, Mapping and Performing Interiors." Interiority 1, no. 1 (February 27, 2018): 21–35. http://dx.doi.org/10.7454/in.v1i1.6.
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Whether as teachers listening to students, as designers ‘pitching’ designs to clients, or critics writing about historical spaces, we use speech and gesture to describe interiors. We assume that the interior does not speak on it’s own, but must be spoken for. How do designers, curators, and guides talk interiors into existence? How, more generally should we speak of the interior? This paper will explore this issue through reflection on three encounters between space, speech and gesture in the form of guided tours of historic interiors. It will frame these questions with four contexts: firstly, the evolution of the historical concept of the guide; secondly, the idea of the interior as portraiture; thirdly, the evolution, particularly in the twentieth century, of performance (particularly theatrical performance) and finally, the distinction between the interior as image, and the interior as inhabitation.
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Fontaine, Andrea Sosa. "Seaming the Dialect of Space." SPACE International Journal of Conference Proceedings 1, no. 2 (December 26, 2021): 44–50. http://dx.doi.org/10.51596/sijocp.v1i2.26.
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Each discipline in the built environment has a unique dialect for thinking, designing, crafting, and inhabiting space. Words such as tectonics, materiality, and vernacular all hold a specific interpretation in architecture. Even common words have understated complexity, but only when offered under an architectural lens, words such as gesture, negotiate, and scale. Interiors also have their own language, words such as adjacency, identity, surface, and atmosphere. Language from interior design shares most origins with architecture, but arguably, as a discipline, interiors exist at a point of intersection between disciplines. To be classified as an interior, a space needs a boundary, a container, or an expression of an outside; however, the language of interiors does not need to be so contained. Interior design foundationally is interdisciplinary and exists as a point of entry into other disciplines. While interiors and architecture share a dialogue, for architecture to understand interiors means also to use interiors to connect with other disciplines, such as fashion. Interiors offer a means for architecture to speak to fashion and, even more so, to converse with the body. However, existing interior language based primarily on architecture does not acknowledge close ties to other disciplines. Instead of using interiors to translate, imagine what opportunities could unfold if design disciplines were bilingual, understanding their own language but also that of interiors. The paper proposes a method to encourage interdisciplinary dialogue when discussing Design, perhaps even changing how architecture and fashion see each other through a renewed interior dialect. Borrowing words from fashion, like seaming, fit, tailoring, and mending, interior space becomes more fluid, boundaries blur, and ideas are more curious. Making and understanding space starts with remaking the language of interiors.
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Turikova, E., O. Nedoshytko, and A. Akopova. "ARCHITECTURAL DESIGN METHODS OF RENOVATION OF INTERIORS OF HISTORICAL BUILDINGS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 272–80. http://dx.doi.org/10.31650/2519-4208-2020-20-272-280.
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In this article specific examples of historical interiors are identified and characterized, environment-forming factors determining the individuality of the historic interior and its renovation strategy are highlighted; shows the methods of renovation andreprofiling of historical interiors, their selection and testing in real environmental conditions.The historical buildings that make up the golden fund for the development of old cities often carry a bunch of contradictions: their interiors do not alwaysmeet today's requirements for the geometry of interior spaces, their hygiene, lighting, acoustics; the structural basis does not allow to increase the load; they are not designed for new functions, modes of operation, flows of people, etc.; the existing aesthetic system contradicts modern materials and stylistic priorities. Incorrect adaptation of historical interiors to a foreign function leads to irreplaceable cultural and artistic losses. Therefore, it is relevant to identify techniques for the renovation of historical interiors, architectural and design tools to ensure consistent interaction of the historical foundation and modern equipment.The study allowed to clarify the concept of “interior of a historic building”; to reveal the factors that determine the design approaches to the renovation of the interior: initial geometry, hue-color certainty and potential, artistic and stylistic integrity, scenographic potential, sanitary-hygienic and ergonomic, safety, human factor, compositional reality and potential. The identified factors made it possible to formulate the tasks and means of renovating aspecific historical interior. The methods of renovation are: the introduction of a contrasting accent; creation of alternative environmental and stylistic scenarios, points and perspectives of perception; use of environmentalinstallations from equipment; the formation of a single visual field of the interior and exterior through the use of font, elements of historical style.The article “Architectural and design techniques for renovating the interiors of historical buildings” clarifies the concept of “interior of a historical building”. The features of such interiors were identified and characterized, environment-forming factors determining the individuality of the historical interior and the strategy for its renovation, as well as design approaches to interior renovation: initial geometry, light-color certainty and potential, artistic and stylistic integrity, scenographic potential, sanitary-hygienic and ergonomic, were identified, security, human factor, compositional givenness and potential. The methods of renovation and reprofiling of historical interiors are shown, they are selected and tested in real environmental conditions. The identified factors made it possible to formulate the tasks and means of renovating aspecific historical interior. The methods of renovation are: the introduction of a contrasting accent; creation of alternative environmental and stylistic scenarios, points and perspectives of perception; use of environmental installations from equipment; the formation of a single visual field of the interior and exterior through the use of font, elements of historical style. The article is illustrated with graphic materials from the course student work (Art. Yulia Shtyrbu).
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Edwards, Sarah. "Sensorial Interior: Museum Diorama as Phenomenal Space." Interiority 1, no. 2 (July 30, 2018): 173–84. http://dx.doi.org/10.7454/in.v1i2.29.
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Museum dioramas are widely recognised as historic visual tropes used to frame the grandeur of the outside world within an interior viewing space. With the development of digital technologies, data projection and soundscape have increasingly replaced diorama production as a means to transform these once static-animal-posed-in-painted- habitat with immersive interiors that engage the visual and aural senses alike. Andre Breton proposes that two modes of consciousness exist: an exterior world of facts and an interior world of emotions. These interiors and exteriors produce an interface and exchange. An invitation to respond to the interior of RMIT University’s First Site gallery provided an opportunity to experiment with the three traditional dioramic elements used to bring the exterior world into an interior employing taxidermy, model making and set painting. By engaging digital technologies in response to these three elements, I developed a sensorial interior, where the exterior world of facts was set into dialogue with the interior world of emotion. A physical encounter that expanded on ‘interior’ as an experiential, relational, phenomenal and emotive space.
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Березко, О. В., Р. Я. Галишич, and О. П. Черничук. "ОСОБЛИВОСТІ ЗАСТОСУВАННЯ ОПТИЧНИХ ІЛЮЗІЙ В ДИЗАЙНІ ІНТЕР’ЄРІВ." Art and Design, no. 1 (June 3, 2020): 57–69. http://dx.doi.org/10.30857/2617-0272.2020.1.4.
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The purpose is to determine the peculiarities of optical illusions usage in interior design. Methodology. The study uses the methods of analysis and systematization of the collected literary and illustrative material, as well as the method of comparative analysis. Results. The paper analyzes the optical illusions used in interior design, namely: art-mimicry, distortion, anamorphosis, art-pareidolia, pseudo gipnosis, ephemeralization, and anti-gravity. Based on the analysis, it is determined that the use of optical illusions in interiors can be conditionally divided into two types in terms of intensity: intense (pronounced illusion) and restrained (weak illusion). According to the types of intensity, the specifics of the use of optical illusions in public and residential interiors are identified. Here are some examples of how these types are used in interior design. It has been determined that art-mimicry, distortion, anamorphosis, ephemerisation and anti-gravity can be effectively used in public interiors. At the same time, in residential interiors there are examples of intensive use of only three optical illusions: distortion, anamorphosis and ephemerisation. Also, the analysis shows that the restrained use of all the considered optical illusions can be applied in the design of both residential and public interiors. The scientific novelty of the research is to analyze optical illusions and to determine the peculiarities of their use in interior design. Practical significance. The results of the study can be used to conduct interior design using optical illusions. The results may also form the basis for further scientific research, namely, to develop recommendations for the use of optical illusions in interior spaces
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Gou, Zhonghua. "Green building for office interiors: challenges and opportunities." Facilities 34, no. 11/12 (August 1, 2016): 614–29. http://dx.doi.org/10.1108/f-04-2015-0022.
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Purpose This paper aims to examine the concept and practice of green building for office interiors: whether the green intent can be effectively implemented in an interior retrofitting project. Design/methodology/approach Reviewing green building rating systems for interiors, examining certified interior projects and interviewing occupants working in certified green offices. Findings The green building credits for interiors fall into three relational layers: the urban context, the host building and interior fit-outs. Most projects under study performed well on credits for interior fit-outs (e.g. low emitting materials, energy efficient equipment and appliances, etc.), while underperformed on credits for its host building (e.g. air-conditioning systems, ventilation, etc.). The latter might more significantly affect working experience. The other important green aspects, such as daylight availability, facilities accessibility, might be subject to its location and urban context. Research limitations/implications This article presents a multi-examination of green interiors. The data came from second-hand Leadership in Energy and Environmental Design scorecards and qualitative interviews. More quantitative surveys are expected to be conducted. Practical implications Green interior retrofitting should go beyond selecting environmental-friendly finishes and furniture or resource-efficient fixtures and appliances. It should proactively start from assessing the environmental performance of the host building and its urban context. Originality/value Most research looked at green building as a whole. Green interiors are actually more practical for tenants who intend to reduce their corporate environmental impacts, whereas they do not have control over whole building design and operations. This article highlights the importance of green interior retrofitting and provides guidance.
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Zhao, Yong, and Dongdong Ni. "Understanding the interior structure of gaseous giant exoplanets with machine learning techniques." Astronomy & Astrophysics 658 (February 2022): A201. http://dx.doi.org/10.1051/0004-6361/202142874.
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Context. Characterizing the interiors of gaseous giant exoplanets is currently one of the main objectives in exoplanetary sciences. In particular, the planetary heavy-element mass provides a critical constraint on planet formation from exoplanetary systems. However, gas giant exoplanets show large diversities in thermal states and their interior properties vary across a wide magnitude range. Forward modeling of their interiors exhibits a larger degeneracy with respect to rocky exoplanets. Aims. We applied machine learning techniques based on mixture density networks (MDNs) to investigate the interiors of gaseous giant exoplanets. We aim to provide a well-trained MDN for quick and efficient predictions. Methods. Based on our current knowledge of gas giants in the Solar System, we discussed an effect of model uncertainties on planetary interiors and presented a data set for gas giants with masses between 0.1 and 10 Jupiter masses using two-layer interior models. Then, MDNs were constructed to train the generated data set and their performance was evaluated in order to achieve a well-trained one. Results. The MDN using planetary mass and radius as inputs exhibits the well-known degeneracy of interior models. The surface temperature of a planet bears constraints on the thermal state of planetary interiors, and adding it as additional input considerably breaks the degeneracy of possible interior structures. The MDN with inputs of mass, radius, and surface temperature is found to show excellent performance in predicting the interior properties of gaseous giant exoplanets, although these interior properties span over a very wide range. We also applied the well-trained MDN to four gas giants in the Solar System and beyond. The MDN predictions are in good agreement with the interior model solutions within the observational and systematic uncertainties. Conclusions. We offer a convenient and powerful tool available online providing knowledge of the interiors of gaseous giant exoplanets in addition to rocky exoplanets, which could be helpful for our understanding of planet formation in diverse protoplanetary environments.
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Ceylan, Salih. "Healthy Workspaces: Strategies for Increasing the Indoor Environmental Quality at Call Centre Interiors for Employee Wellbeing and Productivity." BUILDER 284, no. 3 (February 24, 2021): 60–63. http://dx.doi.org/10.5604/01.3001.0014.7430.
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Indoor environmental quality is a requirement for good architectural and interior design. The definition of indoor environmental quality refers to the conditions of the interior space that provide health and wellbeing for its occupants. Elements of indoor environmental quality are thermal comfort, indoor air quality, ventilation, ergonomics, natural and artificial lighting, odor, and acoustic quality. Indoor environmental quality is required in every type of interior space including ones with residential, educational, and cultural functions and workspaces. It is also included as one of the factors of energy efficient and sustainable design in building energy certification and accreditation systems. This study focuses on call center interiors as a type of workspaces, where the employees spend a long time in the interior space communicating with customers on the phone. The aim is to provide theoretical information and practical application suggestions for higher quality design in call center interiors. The methodology of this paper consists firstly of a literature review to study and analyze the definition and elements of indoor environmental quality, and its implementation into call center interiors as workspaces. Analytical studies lead to strategy proposals for better designed call center interior spaces. The results of the study indicate that better designed interior spaces in call centers lead to better health and wellbeing of the employees, resulting with higher performance and service quality.
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Song, Wenfang, Xinze Xie, Wenyue Huang, and Qianqian Yu. "The Design of Automotive Interior for Chinese Young Consumers Based on Kansei Engineering and Eye-Tracking Technology." Applied Sciences 13, no. 19 (September 26, 2023): 10674. http://dx.doi.org/10.3390/app131910674.
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The reasonable CMF (Color, Material and Finishing) design for automotive interiors could bring positive psychophysical and affective responses of customers, providing an important guideline for automobile enterprises making differentiated products. However, current studies mainly focus on an aspect of CMF design or a single style of the automotive interior, and examined the design mainly through human visual perception. There lack systematic studies on the design and evaluation of automobile interior CMF, and more scientific evaluation of the design through human visual and touching perception was required. Therefore, this study systematically designed the automobile interior CMF based on Kansei engineering and eye-tracking technology. The study consists of five steps: (1) Product positioning: the Chinese young consumers, the new energy vehicles, and bridge and seat are the target users, the automotive model and the key interior components. (2) Kansei physiological measurement: nine groups of Kansei words and thirty-three interior samples were selected, and the interior samples were scored by the Kansei words. (3) Kansei data analysis: three design types were determined, i.e., “hard and stately”, “concise and technological” and “comfortable and safe”. Meanwhile, the CMF design elements of the automotive interiors under the three styles were obtained through mathematical methods. (4) Design practice: four CMF samples under each design style (12 samples) were developed. (5) Kansei evaluation: the design themes were conducted using eye-tracking technology, and the optimal sample that mostly satisfy the user’s Kansei requirements under each style was obtained. The proposed design process of automotive interior CMF may have great implications in the design of automotive interiors.
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Tomina, Olha, and Leonid Gook. "TEXTILES IN THE RESIDENTIAL INTERIOR." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 178–82. http://dx.doi.org/10.32347/2519-8661.2021.22-23.178-182.
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The relevance of the study is due to new experience in architectural design, new technologies and types of materials and the need to generalize and systematize them to expand the formative possibilities of textiles in the design of residential interiors. Research in the field of interior textile design was carried out by: T.I. Isayeva, Khabibullina, E.V. Zmanovska and others. The purpose of the study is to identify areas, functions and compositional techniques of textiles in residential interiors. The historical reference of development of textile production is resulted. The structural analysis of textiles in the interior by types of textile materials, production technology, types of weave, types of ornaments; identified qualities of textile materials, which determine their widespread use and the main areas of application of textiles in modern residential interiors. According to the results of the research, the main functions of textiles in the interior are revealed: creation of a comfortable microclimate in the room; psychological comfort; space adjustment; visual isolation; protection of surfaces from damage and pollution; hygiene products; decorative; compositional component of interior space design. The description of types of textile wall-paper, curtains is resulted. The compositional function of textiles in the interior is revealed: accent, dominant, background, rhythm.
The conclusion is made that at a choice of textiles and reception of placement it is necessary to consider regional natural and climatic conditions; the style decision of an interior is accepted; function, size, orientation on the sides of the horizon of the room; combination of textiles with finishing of surfaces of enclosing designs and subject filling of the room; combination of fabrics in texture, color and pattern; price segment.
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Gerasimova, D. L., M. Yu Sapunova, and G. L. Rakhubenko. "USE OF CONTRAST RELATIONS IN CREATION OF INTERIOR." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 144–49. http://dx.doi.org/10.31650/2707-403x-2020-14-144-149.
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Article addresses issues, constrained with the use of property colors allowing to use him, as psychological factor, for the achievement of aims, facilitating vital indexes or impedimental to the functional processes, showing up in contrasting relations in an interior. The use of the contrast effect is based on a person’s desire to compare everything. When studying the manifestation of contrast from a scientific point of view, two aspects of the problem are distinguished: psycho physiological and aesthetic. Both factors must be considered when creating an interior. Contrast in the interior, as in painting, is important, especially when choosing expressiveness. Depending on the intensity, the contrast can give the impression of diversity, strength, determination. To create a mood in the interior, convey emotions and set the right accents, you need to transform the walls into an interesting element of design. You need to create a complete composition of all the elements of the interior. Contrasting interiors are always expressive. Particular attention should be paid to the arrangement of a work of art in a contemporary interior and its integration into the architectural space. By creating a painting for the interior directly, we can change the architectural space and set the color palette, as well as choose the material to create the artwork. Choosing a work of art allows designers to create bold interiors to order. This article aims to explain and systematically characterize the selection of materials and principles in determining the type and purpose of the interior, as well as to formulate the criteria for creating a competent contemporary interior, using contrasting features when finding the main visual focus in the interior. Thus, the contrast used as a means of organizing the architectural environment also works to enhance the impact of the work of art on the created interior and multiply its significance.
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Dinwoodie, Alec. "Interior." Baffler 5 (November 1993): 110. http://dx.doi.org/10.1162/bflr.1993.5.110.
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Randolph, Sarah. "Interior." Iowa Review 22, no. 3 (October 1992): 114. http://dx.doi.org/10.17077/0021-065x.4198.
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WELISH, MARJORIE. "Interior." Critical Quarterly 51, no. 2 (July 2009): 15. http://dx.doi.org/10.1111/j.1467-8705.2009.01858.x.
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Leder, Jörg, Matthias Rucker, and Thomas Kabilka. "INTERIOR." ATZextra worldwide 16, no. 7 (July 2011): 68–75. http://dx.doi.org/10.1365/s40111-011-0298-z.
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DeMarco, Matthew. "Interior." McNeese Review 61, no. 1 (2024): 91. http://dx.doi.org/10.1353/mcn.2024.a924809.
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Tipene, Luke. "Representational Space in the Prince Asaka Residence." idea journal 16, no. 1 (January 28, 2018): 164–81. http://dx.doi.org/10.37113/ideaj.vi0.24.
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Jun’ichirô Tanizaki’s In Praise of Shadows (1933) describes a theory of aesthetics based on shadows. He suggests that contrary to Western ideas of highly visible space, ambiguity and darkness are distinct characteristics of Japanese interiors. Kazuo Nakajima describes this condition as the blending of social practices and interior elements in indeterminate spaces of the vernacular Japanese home, and suggests the decline of such interiors has threatened the psychological stability of Japan since Western engagement, from the Meiji restoration of 1868.
Almost as affirmation of Nakajima’s fears, the same year Tanizaki’s essay was originally published in Japan, the Art Deco Residence of Prince Akaka was completed in Minato-ku, Tokyo. Now a house museum, this assemblage of interiors is credited room-by-room to either the French interior designer Henri Rapin or the Japanese Construction Bureau of the Imperial Household, confirming for Nakajima a division between Western and Japanese concepts of space.
This paper questions Nakajima’s dualist reading of the Residence’s interiors by unpacking the complexities of Western engagement in the Japanese interior since the Meiji restoration until the 1930s. Additionally, this paper examines parallel concepts of interior space that directly influenced the Residences conception, from the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and the 1920s Culture Life movement in Japan. From these historic and contextual examinations, this paper demonstrates a fundamental shift from the concept of space in the Japanese interior described by Tanizaki and Nakajima. It suggests that Western engagement displaced how value was attributed in the interior, from things that were unseen to things that were seen.
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Hassanein, Hala. "Utilization of “Multiple Kinetic Technology KT” in Interior Architecture Design as Concept of Futuristic Innovation." Academic Research Community publication 2, no. 4 (January 1, 2019): 331. http://dx.doi.org/10.21625/archive.v2i4.370.
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New trends of interior architectural design aim to maximize available spatial space
for flexible and futuristic interiors. Therefore, the design of a facility structure with
its fixed and moveable interior components can have a significant impact on
human performance leading to efficient interaction with surrounding spatial
spaces. Interactive design is constantly proves creating memorable connection and
empowering connection with beneficiaries’ participants that can come to life in
many forms, one of these many facility structures is implementing the interior
architectural design approach of "Kinetic Technology".
Interior architecture is the design of a space inside any building that can be fixing.
In addition, it can be the initial design and plan for use then later redesign to
accommodate a changed purpose, or a significantly revised design for adaptive
reuse of the building shell. Generally referred to as the spatial art of environmental
design, form and practice, interior architecture is the process through which the
interiors of buildings are designed concerned with all aspects of the human uses of
structural spatial spaces. Therefore putting simply, Interior Architecture is the
design of an interior in architectural terms.
The paper presents variety approaches of innovation trends, that utilizing multiple
kinetic applications for the scope, benefit of interior design elements. It will give
valid benefits to interior planners and designers for efficient enhancement into
their practical expertise. That experience will be achieved when implementing this
technology of kinetic approach to achieve effective utilization of interior spatial
spaces as dynamic quality of the spatial space’s changeable size, continuity and to
create a feeling of connectivity through the spatial space, which seems to virtual
enlarge the small floor area.
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Zhao, Yong, Dongdong Ni, and Zibo Liu. "Machine-learning Inferences of the Interior Structure of Rocky Exoplanets from Bulk Observational Constraints." Astrophysical Journal Supplement Series 269, no. 1 (October 16, 2023): 1. http://dx.doi.org/10.3847/1538-4365/acf31a.
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Abstract Characterizing the interiors of rocky exoplanets is important to understand planetary populations and further investigate planetary habitability. New observable constraints and inference techniques have been explored for this purpose. In this work, we design and train mixture density networks (MDNs) to predict the interior properties of rocky exoplanets with large compositional diversity. In addition to measurements of mass and radius, bulk refractory elemental abundance ratios and the static Love number k 2 are used to constrain the interior of rocky exoplanets. It is found that the MDNs are able to infer the interior properties of rocky exoplanets from the available measurements of exoplanets. Compared with powerful inversion methods based on Bayesian inference, the trained MDNs provide a more rapid characterization of planetary interiors for each individual planet. The MDN model offers a convenient and practical tool for probabilistic inferences of planetary interiors.
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Sari, Sriti Mayang, Poppy Firtatwentyna Nilasari, and Purnama Esa Dora Tedjokoesoemo. "Implementation of Interior Branding in Retail Interior Design." GATR Journal of Management and Marketing Review 7, no. 1 (March 30, 2022): 13–22. http://dx.doi.org/10.35609/jmmr.2022.7.1(2).
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Objective - The purpose of this research is to discover the ways to implement aspects of interior branding in the interior of commercial and retail spaces. It seeks to articulate how space as an interior branding medium can convey the message of retail owners to visitors through retail interior design. Methodology/Technique - This study uses the descriptive qualitative method with the Tiara Handycraft Store as a case study. Data collection was achieved by conducting interviews with retail managers and visitors, and field observations. The data were analyzed descriptively to elaborate on how to apply every aspect of interior branding in the interior design of the Tiara Handicraft Store. Data analysis in this study was performed based on Kim Kuthteubl's aspects of interior branding, namely: clear vision, unique story, and energy. Findings - The results of this study indicate that the interior design of the Tiara Handicraft Store has implemented the interior branding aspects of clear vision, unique story, and energy. The combination of these three aspects in the interior design of this store has supported the construction of the identity or brand of the store through the media of its interior space. This application can be seen in the selection of shapes, colors, materials for interior elements, organization of space, and arrangement of furniture and displays. An ambiance of cheerfulness, fun, and comfort has been formed with the play of bright color compositions, patterns, and materials of the interior spatial elements. In this design, space as an interior branding medium conveyed stories, messages from shop owners to visitors through the ambiance, logos, signage, and other interior elements such as the decorative Tiara Handicraft's wall of fame. Through this wall, visitors were entertained with the idea that every item created has its own story, that there is a creative process behind every artwork, and that there are job opportunities for people with disabilities, encouraging a call for social awareness. It is this story or message that uniquely distinguishes Tiara Handicraft Store from other stores in general. Novelty - This study provides insight and is expected to bring awareness to interior designers about the importance of implementing holistic interior branding in retail interior design to increase the value of their designs. Type of Paper - Review Keywords: Commercial interiors; Interior Branding; Retail space; Commercial Space, Clear Vision, Unique Story, Energy JEL Classification: D02, M31, M39.
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Sumorok, Aleksandra. "Socrealizm od środka. Design, sztuka wnętrza i modernizacja." Artium Quaestiones, no. 32 (December 15, 2021): 187–227. http://dx.doi.org/10.14746/aq.2021.32.8.
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The article focuses on interior design from the first half of the 1950s. The interior spaces realized at that time in Poland elude unambiguous classifications, both in terms of formal and ideological aspects. I propose to look at the interiors from this time not in terms of style (difficult, complex, hybrid), but in a broader sense, as a political, socio-cultural phenomenon. The interiors were supposed to favor social modernization (assumed in the communist project), especially the idea of promotion and changing class habitus. They precisely modeled new forms of social life (cultural spaces), as well as family life, as they defined the way of eating, “being” (gastronomic interiors), spending free time and holidays. The leap into modernity was particularly noticeable in the architecture and interiors with which everyone interacted on a daily basis. Indicating the participation of interiors in the multifaceted modernization process can make us realize the complexity of the post-war reality, including the interior design from the first half of the 1950s, which was related to many spheres of social and cultural life.
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Coutinho, Bárbara. "The Modern Gesamtkunstwerk and its Preservation." Global Design, no. 47 (2012): 10–11. http://dx.doi.org/10.52200/47.a.m5zpgg2v.
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Interior design had a major relevance for Modern Movement and Modern Living. Actually, for the fully understanding and experiencing of Modern spatiality, interior design is determinant. Furthermore, the study of interiors is now marked by an increasing interest, with recent literature that emphasizes interior spaces globally and summons architecture, design and fine arts in an interdisciplinary approach. Despite all this, interior design is still a subject that requests a more in–depth study and a more extended debate in order to improve appreciation, understanding and preservation. Questions like modernity, privacy, efficiency, economy, comfort, utility, beauty in daily life or consumption need to be discussed when talking about interior space design. Product design, new materials and techniques, equipment and devices also have to be considered.
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Hendrassukma, Dila. "Perancangan Tata Cahaya pada Interior Rumah Tinggal." Humaniora 5, no. 1 (April 1, 2014): 258. http://dx.doi.org/10.21512/humaniora.v5i1.3017.
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Homestay is a place where each individual coming back after doing her/his routine and non-routine daily activities. A good residential interior design would enhance the quality of life of its inhabitants. The majority of Indonesian population, Jakarta in particular, has been aware of the importance of designing their home interior properly. However, home interior lighting, which is key to successful design of an interior space, is often under-emphasized. Research tried to collect lighting techniques often used in residential interiors. The result is a brief explanation and easy to apply regarding the types of information that can be used to illuminate any activity on the interior of the residence. Qualitative method by literature study is used in the making of this research.
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Hronský, Michal C., Dušan Kočlík, and Katarína Morávková. "Overlooked Heritage: Interiors in Slovakia." Architecture Papers of the Faculty of Architecture and Design STU 26, no. 2 (June 1, 2021): 30–37. http://dx.doi.org/10.2478/alfa-2021-0011.
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Abstract The creation of interior spaces is the main cognitive characteristic of architectural creation. Architecture creates a basic spatial framework for the interior. Interior design is a complex type of architectural activity that forms both the space (basically the interior) and the individual elements of the interior space. The professional interior design of architects or designers intentionally creates an environment specifically intended for human life. It is where people are in the most personal contact with the environment surrounding them. Just as an artificially created environment has a strong influence on a person’s life and feelings, it has also been proven that it works the other way round as well, i.e. that human needs and demands are a decisive factor in creating space for a person. The case studies demonstrate the development of the interior design in the second half of the 20th century, its current state and level of care given to these works. Architecture from this period has often lost its struggle for survival. As regards the style, these are works in international style, late modern and postmodern, and the local element makes them a unique and attractive testimony to the era. Despite the natural properties of interiors which seldom survive as long as the architecture itself, some contemporary statements about the interior design of the period under review have been preserved. The research focused on the public interiors of both well-known and less-known buildings by Slovak architects from various parts of Slovakia. The research calls attention to the fact that architects worked here even then and their works were of certain quality.
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Ariyanto, Ahmad Fajar, Indarto Indarto, and Indarto Indarto. "DESAIN INTERIOR RUMAH TINGGAL MIKRO SEBAGAI DAMPAK ADAPTASI KEBIASAAN BARU DI MASA NEW NORMAL." TEXTURE : Art and Culture Journal 4, no. 2 (December 2, 2021): 93–103. http://dx.doi.org/10.33153/texture.v4i2.4225.
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This research takes the title Reprogramming Interior of Micro Houses as the Impact of Adapting New Habits in the New Normal Era. This applied research as an effort to reprogram the interior of residential houses,especially homes with limited land (micro houses) is an urgent verb to be carried out immediately to savethe smallest environment in the community against the dangers of a pandemic and the possibility of further outbreak movements.The problem formulation in applied research is 1) Why is interior reprogramming as a result of changes in human behavior in the new normal era needed to prevent the transmission of Covid 19 in the community? 2) How is interior design thinking reprogramming to find the basic concepts of residential interiors that are in accordance with the adaptation of habits in the new normal era? and 3) How is the interior design of residential houses in the new normal era? The purpose of the research is to find the concept of interior programming as a basis for planning residential interiors that are in accordance with the adaptation of new habits and COVID 19 health protocols in the New Normal era. This applied research is a qualitative research with analytical descriptive with design thinking approach. The designsolving approach uses a functional, ergonomic, technical and Covid 19 health protocol approach that is centered on the user center or users. The results of the research that will be achieved in interior design are: identification of the causes and needs for Reprogramming Interior of Micro Residential Houses as the Impact of Adapting New Habits in the New Normal era.
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Nazhar, Ryanty Derwentyana. "Greenery Concepts in Cafe and Restaurant Interiors." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 3 (December 1, 2022): 536–41. http://dx.doi.org/10.34010/icobest.v3i.183.
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This study aims to examine the application of greenery and plants in the interior of a restaurant cafe. Today's cafes not only sell the taste of food but also have to attract the attention of customers with their unique interiors. Greenery and plants are now an essential element in the interior and influence its form and use. In this study, the method used is a descriptive method with a qualitative approach, with observation techniques, namely direct observation in the field. This research uses Jardin Cafe as a case study because Jardin Cafe is a Cafe Restaurant whose interior elements are dominated by plants and greenery. The results of this study indicate that the application of plants as a dominant interior treatment on the ceiling, walls and floor at Jardin Cafe Bandung can strengthen the concept of space carried by the cafe to create a comfortable, organized, and unique atmosphere. The application of green systems and plants also impacts the forms and materials of existing interiors and buildings. Green systems and plants are essential elements in interiors and buildings. They need to be evaluated from the beginning of the design to minimize side effects on the plant, such as consideration and maintenance will reduce adverse side effects to the plant. The existence of a system of greenery and plants has a significant impact on the interior and form of existing buildings and the use of materials.
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Afrina, Cut, Saifuddin Rasyid, Hanifa Nazira, Annisa Oktaviani, Aqli Mazikra Yoelanda, Syukrinur Syukrinur, and Elvi Elvi. "Pentingnya Desain Interior terhadap Kenyamanan Pengunjung Perpustakaan." Jurnal Pustaka Ilmiah 9, no. 1 (June 27, 2023): 35. http://dx.doi.org/10.20961/jpi.v9i1.67849.
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<p>Interior design is very important and needs to be considered when building a library. Efforts to present a library interior design that meets the needs and comfort of library visitors requires good understanding and planning. Library interiors that combine aesthetic values will affect the use of library services for users. This study uses the method of literature study or literature review through scientific concepts that discuss library science from several library journals and interior design. The research develops the main issues on how interior design can affect the comfort of library visitors and how to develop a good library interior design. The aim of the research is to find out how interior design affects the comfort of library visitors. This research is expected to be useful for library development and facilitate planning in the library.<em></em></p>
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Zhao, Yong, and Dongdong Ni. "Machine learning techniques in studies of the interior structure of rocky exoplanets." Astronomy & Astrophysics 650 (June 2021): A177. http://dx.doi.org/10.1051/0004-6361/202140375.
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Context. Earth-sized exoplanets have been discovered and characterized thanks to new developments in observational techniques, particularly those planets that may have a rocky composition that is comparable to terrestrial planets of the Solar System. Characterizing the interiors of rocky exoplanets is one of the main objectives in investigations of their habitability. Theoretical mass-radius relations are often used as a tool to constrain the internal structure of rocky exoplanets. But one mass-radius curve only represents a single interior structure and a great deal of computation time is required to obtain all possible interior structures that comply with the given mass and radius of a planet. Aims. We apply a machine-learning approach based on mixture density networks (MDNs) to investigate the interiors of rocky exoplanets. We aim to provide a well-trained MDN model to quickly and efficiently predict the interior structure of rocky exoplanets. Methods. We presented a training data set of rocky exoplanets with masses between 0.1 and 10 Earth masses based on three-layer interior models by assuming Earth-like compositions. This data set was then used to train the MDN model to predict the layer thicknesses and core properties of rocky exoplanets, where planetary mass, radius, and water content are inputs to the MDN. The performance of the trained MDN model was investigated in order to discern its predictive ability. Results. The MDN model is found to show good performance in predicting the layer thicknesses and core properties of rocky exoplanets through a comparison with the real solutions obtained by solving the interior models. We also applied the MDN model to the Earth and the super-Earth exoplanet LHS 1140b. The MDN predictions are in good agreement with the interior model solutions within the uncertainties of planetary mass and radius. More importantly, the MDN model takes a much shorter computational time compared to the cost of the interior model calculations, offering a convenient and powerful tool for quickly obtaining information on planetary interiors.
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Karlsson, Ulrika, Cecilia Lundbäck, Daniel Norell, Einar Rodhe, and Veronica Skeppe. "A Live Interior: Environments, Assemblies, Materialities." ATHENS JOURNAL OF ARCHITECTURE 7, no. 4 (September 3, 2021): 463–82. http://dx.doi.org/10.30958/aja.7-4-3.
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This paper examines the interior as a condition that is continuously in production through the arrangement of objects and furniture. This is done along two lines of inquiry. First by examining a few different historical and contemporary conceptions of the domestic interior through the lens of architectural representation. Second by using the technique of laser scanning to document a number of inhabited interiors in two apartment buildings. Through a series of representations, or cloud drawings, produced from the scans, the paper presents three ways of reading the interior: as environments, as assemblies, and as materialities. Departing from Robin Evans’ writing on drawing techniques for representing the interior and their correlation to ways of inhabitation, the paper poses questions around how the understanding of the interior may shift when using emerging techniques for architectural representation. Through readings of Walter Benjamin as well as Sylvia Lavin, the paper discusses such shifts in relation to changes in the conception of the interior and the objects that it contains.
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Wirahadikusumah, Ivelin Marva, Freddy Handoko Istanto, and Rani Prihatmanti. "INTEGRASI ANTARA INTERIOR DESAIN DAN GRAFIS INTERIOR PADA INTERIOR KANTOR POLYTRON DI SURABAYA." KREASI 2, no. 1 (April 11, 2017): 93–122. http://dx.doi.org/10.37715/kreasi.v2i1.266.
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Nowadays, the growth of human population and economy is increasing more rapidly than in the previous years. Those factors have given positive impact on the increasing of property development such as residential and commercial projects. Because of the increasing of property development, interior designers are required to make a good interior design so it can function well and solve space or interior problems correctly and also give a good esthetic look to each and every project given. By this case, iVEL_ Qing Interior Design Consultant is presenting an interior design firm with interior graphic application as the added value. The interior graphic design application service is used to strengthen the design character/ design by implicating graphic design on walls, ceiling and floor or even interior products. Referring to the added value of iVEL_Qing Interior Design Consultant, Polytron office interior project is selected to be the study case because the existing condition that has not reflected the character or signature of the company’s brand. To solve the design problem, iVEL_Qing Interior Design Consultant is giving the right solution by designing the interior focused on space planning, circulation, air quality and both interior design style especially, that it is supported by the interior graphic design application service from iVEL_Qing Interior Design Consultant itself.
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Jain, Karan. "Sustainable Design Practices for Eco-Interiors." International Journal for Research in Applied Science and Engineering Technology 11, no. 1 (January 31, 2023): 1053–55. http://dx.doi.org/10.22214/ijraset.2023.48732.
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Abstract: This research paper aims to explore sustainable design practices for eco-interiors. The increasing environmental impact of the built environment has led to a growing interest in the use of sustainable design principles in the construction of interior spaces. The focus of this study is on the application of sustainable design strategies for eco-interiors, with the goal of reducing the environmental impact of these spaces while also promoting energy efficiency and comfort for the occupants. The paper begins by reviewing the current state of sustainable design in the construction industry, including the various approaches and principles that are used to create eco-friendly interiors. The literature review also examines the key challenges and barriers to the implementation of sustainable design practices in the interior design industry. The research methods used in this study include a combination of qualitative and quantitative data collection techniques, including online surveys, case studies, and interviews with industry experts. The results of the study provide insight into the most effective sustainable design practices for eco-interiors, as well as the key considerations that must be taken into account when designing these spaces. The discussion section of the paper explores the findings in greater detail and highlights the key takeaways for practitioners in the interior design industry. The conclusions of the study suggest that sustainable design practices for eco-interiors can have a significant impact on the environmental performance of interior spaces, and that these practices should be more widely adopted in the industry.
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Popov, Lubomir. "The Flexibility Imperative, the Transformation of the Building, and the “Unbecoming” of the Traditional Interior." Journal of Arts and Humanities 5, no. 12 (December 13, 2016): 01. http://dx.doi.org/10.18533/journal.v5i12.1057.
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A shift toward the post-modern in the humanities has fostered novel discourses on spatial phenomena including the production of space, the spatialization of society and culture, and the becoming of interiors. A recent debate on the unbecoming of interior had both puzzled me and encouraged me to explore further and to reinterpret emerging ideas in the interior design academic community. These new developments generate opportunities for investigating spatial phenomena in unconventional and novel ways, construing them as products of changing social practices rather than technical action or artistic serendipity. The problem of this study is the unbecoming of interior as a result of the new sociocultural realities. These realities have led to the unbecoming of the conventional building and in effect, the unbecoming of the interior the way society construes it today. The methodology utilizes a Symbolic Interactionist perspective and a case study approach. The paper interprets the becoming and unbecoming of interior as a dialectical processes of developing and changing relationships between types of spatialities and human agency with respect to particular sociocultural context. The findings highlight how the concerns with social indeterminacy and unpredictability translate into a requirement for building flexibility and then into the unbecoming of conventional spatial paradigms and the interior the way we know it today. These ideas spur questions about the nature and purpose of buildings and interiors, the relationships between them, and the role of impending cultures in the production of new kinds of spatialities.
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Pratama, Jimmy, Stephanie, and Bayu Syahputra. "3D MODEL BEDROOM CONCEPT USING MULTIMEDIA DEVELOPMENT LIFE CYCLE (MDLC)." JURNAL TEKNOLOGI INFORMASI DAN KOMUNIKASI 15, no. 1 (March 1, 2024): 14–27. http://dx.doi.org/10.51903/jtikp.v15i1.769.
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Interior is the arrangement of the inner room with the aim of meet the needs of the facility, namely the element of functionality and the aesthetic element of beauty. However, not all rooms can implement both elements because of a lack of knowledge about rooms and interiors. Interior design also can’t be done carelessly, especially the bedroom. This is because the bedroom can give an impression which is an important principle for users, namely the level of comfort and type of activity. Therefore, the aim of this research is to provide the visualization of bedroom interior in 3D animation to be a source of reference for users. This research use R&D (Research and Development) method, which use a qualitative approach by interviewing 30 respondents as a research method and by Multimedia Development Life Cycle (MDLC) method as a development method. The result of this research is the visualization of bedroom interior in 3D animation that can be used as a reference source for users to design bedroom interiors.
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Polyukhovich, Alina, and Ruslan Halyshych. "THE ROLE OF LIGHT AND SHADOW IN CREATING A MODERN MONOCHROME INTERIOR." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 2 (December 22, 2022): 132–39. http://dx.doi.org/10.23939/sa2022.02.132.
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Nowadays, the monochrome interior is gaining great popularity due to its simplicity and conciseness, which is a sign of new artistic approaches to designing interiors and equipment in the postmodern era. Light and shadow in the artistic design of residential interiors, namely in their monochrome solution, forms an artistic image that has a pronounced emotional character. The basic principles of using light and shadow in creating a modern monochrome residential interior were researched and formulated. Light shade is one of the most important factors in the formation of an interior space, especially a monochromatic one. It is he who complements, unites, changes all aspects that form such an interior, thanks to which the space acquires different scenarios and sounds and ceases to be boring and monotonous. From the results of the study, it follows that in the design of a modern monochrome interior it is worth: 1. Use and combine materials with different texture and texture, which when illuminated, thanks to nuanced shades, set the appropriate emotional mood of the space (calm, coziness, concentration, etc.). 2. Apply bright accents. A monochrome solution serves as a background that allows you to form active color accents on its background, which, when interacting with the environment, enhance the formation of individual interior elements. 3. Combine shades of the same color to achieve contrast and nuance. 4. Combine different types of lighting – natural and artificial: general, local, accent and decorative. 5. Traditional interior decoration is replaced by the use of various types of lighting, which saves materials and forms a stylized artistic image characterized by laconicism and aesthetic sophistication.
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Miguel, Yamila, and Allona Vazan. "Interior and Evolution of the Giant Planets." Remote Sensing 15, no. 3 (January 23, 2023): 681. http://dx.doi.org/10.3390/rs15030681.
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The giant planets were the first to form and hold the key to unveiling the solar system’s formation history in their interiors and atmospheres. Furthermore, the unique conditions present in the interiors of the giant planets make them natural laboratories for exploring different elements under extreme conditions. We are at a unique time to study these planets. The missions Juno to Jupiter and Cassini to Saturn have provided invaluable information to reveal their interiors like never before, including extremely accurate gravity data, atmospheric abundances and magnetic field measurements that revolutionised our knowledge of their interior structures. At the same time, new laboratory experiments and modelling efforts also improved, and statistical analysis of these planets is now possible to explore all the different conditions that shape their interiors. We review the interior structure of Jupiter, Saturn, Uranus and Neptune, including the need for inhomogeneous structures to explain the data, the problems unsolved and the effect that advances in our understanding of their internal structure have on their formation and evolution.
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Barsukova, Natalia Ivanovna, and Oksana Alekseevna Zhemchuzhnova. "Fireplaces in public interiors: typological and stylistic features." Человек и культура, no. 1 (January 2023): 46–58. http://dx.doi.org/10.25136/2409-8744.2023.1.38382.
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The article raises the problem of the need to study fireplaces as artistic and applied objects in modern interiors from the point of view of design design. A range of issues related to the design projects of original fireplace objects in public interiors is outlined. The subject of the study is the development of a typological approach to the study and classification of these interior objects. The object of the study is fireplaces in public interiors. Particular attention is paid in the article to the analysis of the stylistic unity of interiors and fireplaces, in connection with which the location of fireplaces in the interiors of executive class, sanatorium facilities, museum environment, libraries, hotels, restaurants and gaming establishments is shown. The main conclusions of the study are the following: the dominant functions of fireplaces in public interiors are revealed. These are primarily those that serve interior decoration as a means of aestheticization and as a means of creating solemnity and grandeur. The creation of fireplace halls in modern public interiors are designed for receptions, recreation or cultural leisure as they create a relaxed and comfortable area. The main stylistic preferences include styles that have signs of grandeur, solemnity, such as Baroque, classicism, Petrovsky style. But in any case, the stylistic characteristics are determined by the features of the interior and are interconnected with it.
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Petrovska, Yu, and V. Zubanova. "PHYTODESIGN IN THE INTERIOR OF PUBLIC CATERING ESTABLISHMENTS: DOMESTIC AND INTERNATIONAL PRACTICES." Scientific Bulletin of Building 1, no. 109 (December 5, 2023): 6–11. http://dx.doi.org/10.33042/2311-7257.2023.109.1.1.
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The article highlights the topic of the use of phytodesign methods in the interior of public catering establishments, analyzes the modern world experience in the interior design, as well as the development of phytodesign in our country, identifies its common and distinctive features, and characterizes advantages and disadvantages of the vertical gardening in the interior design of restaurants. Functions of phytodesign in the interior of public catering establishments are identified and the specifics of selection of plants for the vertical gardening in this type of the interior are outlined. Design of the restaurant interior is one of the most important aspects of the catering industry that greatly impacts the success of an establishment. Restaurant owners should make sure that their customers feel comfortable and want to come back to their establishments. This desire depends on many factors, such as tasty cuisine, friendly staff, ingenious and cozy interior, special atmosphere, and a unique company style. The professional use of the greenery in the restaurant interior design encompasses implementation of the author’s concept in the interior decoration with the careful selection of plants based on the planned idea. It is important to ensure the proper and timely care of the greenery and its high-quality maintenance. Phytowalls or vertical gardening are gaining more and more popularity nowadays, since such vertical garden looks very stylish and effective. The use of the greenery is a complex tool and design method that allows to solve a number of tasks in various types of interiors. Public catering is one of the most dynamically developing branches of the economy. In the process of planning and design of the interior, the main focus should be placed on leveraging of the latest achievements of science, technology and equipping with the progressive devices. Having analyzed the analogues of restaurant interior design with the use of phytodesign tools, we should note that domestic analogues of interiors do not fully use the entire range of greenery constructions in public catering establishments. The use of such elements is currently gaining popularity. Moreover, most of the mentioned establishments use the container gardening, while vertical constructions are formed only as an addition. Foreign analogues are an excellent example of well-selected greening practices. Design studios are resorting to more complex greenery methods, such as living plant walls and the use of ampelous hanging plants in ceiling constructions. An increased use of phytodesign tools in the interior of public catering establishments will allow them to gain priority and be more competitive as compared to establishments with a different design concept. Keywords: interior design, phytodesign, vertical gardening, container gardening, living walls, plants, public catering establishments
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TEMNIKOVA, Elena A. "METHODOLOGICAL ASPECTS OF INTERIOR DESIGN PROJECT WITHIN THE DISCIPLINE OF “INTERIOR DESIGN”." Urban construction and architecture 6, no. 2 (June 15, 2016): 75–78. http://dx.doi.org/10.17673/vestnik.2016.02.14.
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Development of discipline Design of interior is a key aspect of learning interior design students and forms the fundamental theoretical knowledge about basic laws and characteristics of the project activities of the interior designer of the practical skills needed for the presentation and implementation of project ideas. The main stages of the project are considered such as: drawing up terms of reference, the composition of the customers portrait, holding of measurements, perform preliminary design, with the possible variability of the images, the performance of working drawings, possession handmade graphics and computer modeling. On the basis of the given information the following conclusion is made:in the process of learning the design of interiors for various purposes should be considered primarily psycho-emotional aspects of the proposed project in the perception of subjects, the quality of the analytical immersion and detailed baseline data collection.
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Müezzinoğlu, Menşure Kübra. "Analysis of the Components Affecting the Interior Styling of Franchising Cafes." Journal of Art and Architecture Studies 10, no. 2 (December 15, 2021): 42–49. http://dx.doi.org/10.54203/jaas.2021.6.
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Changes in the supply-demand relationship depending on eating and drinking, one of the basic needs of human beings, have also induced some transformations in the spatial formation of cafes operating in the food sector. Therefore, it is critical to ensure spatial quality by considering the functional, aesthetic and psychological conditions in the formation of cafe interiors. In this study, which was discussed to contribute to the design approach by supporting the theoretical and practical unity in the discipline of interior architecture, the changes and innovations that the franchising system contributed to the interior design understanding of cafes were analysed. Besides the determination of the components in the interior design for cafes, the study also aims to question the relationship between theoretical knowledge and practice. While the study includes literature analysis and evaluation as a method, it also reveals the analysis of the components that affect the interior shaping for each cafe space. The interior design application projects used to support the theoretical dimension in the research are the cafes of the David People brand that serve with the franchise system in the provinces of Isparta, Konya, Mardin and Eskişehir. The spatial components determined through these cafe interiors, which have similar and different dynamics, were analysed and the findings were discussed. As a result, it is assumed that this study contributes to the designer in the design process to develop a new method and create a design proposal that includes the interior components of the cafes set as the sample area.
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Adams, Rod, Andy Milligan, and Nigel Simpkins. "Interior Resistance." Journal of Interior Design 46, no. 1 (February 10, 2021): 11–25. http://dx.doi.org/10.1111/joid.12193.
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Lees, Justin G., Cuc T. T. Bach, and Geraldine M. O'Neill. "Interior decoration." Cell Adhesion & Migration 5, no. 2 (March 2011): 181–86. http://dx.doi.org/10.4161/cam.5.2.14438.
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Horak, Jan-Christopher. "Interior Ministries." Afterimage 19, no. 6 (January 1, 1992): 17. http://dx.doi.org/10.1525/aft.1992.19.6.17.
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Burrell, Sarah. "Extra-interior." idea journal 18, no. 01 (August 31, 2021): 151–72. http://dx.doi.org/10.37113/ij.v18i01.435.
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This article responds to the challenges facing creative practitioners whose work engages with aspects of ‘public’ provoked by the ongoing COVID-19 pandemic. The temporary physical closures of established creative infrastructures such as galleries, museums and festivals have disrupted the traditional dynamics of production and reception. This presents both challenges and opportunities for artists and designers to develop new forms of creative engagement with public audiences and spaces. The confinement of people to a 5-kilometre radius during extended lockdowns in Melbourne, Australia in 2020 prompted a reflection on the opportunities of the ‘local’ as a particular context for creative practice. This restriction imposed a perimeter that brought people’s day- to-day lives into an enclosed loop and produced what could be thought of as a form of interior. In this period, ordinary domestic and local spaces — for example the home office or studio gained manifold functions for many creative practitioners, including as a space for self- initiated public presentations of their work. In several cases, windows, balconies, and doorways became thresholds for interaction with passers-by. This self-broadcasting situation provided an opportunity for practitioners to play an active role in cultivating new relations and forms of publicity from a localised setting. In this article, these shifts in practice are investigated through a critical reflection on a series of spatial interventions within a street-facing window of a studio space in Brunswick, Melbourne, an inner-city suburb where residential streets mix with spaces of industrial and creative production. The liminal space of the window became a way to speculate on the concept of thresholds between diverse conditions, including public and private, art and the everyday, urban and local, and interior and exterior. These investigations engaged with a ‘makeshift’ mode of practice, leading to the production of extra-ordinary interior conditions.
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Candido, Juliano Klevanskis. "Paz interior." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 12, no. 22 (May 31, 2018): 251–54. http://dx.doi.org/10.17851/1982-3053.12.22.251-254.
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Sadio-Ramos, Fernando José, and María Angustias Ortiz-Molina. "Capa interior." DEDiCA Revista de Educação e Humanidades (dreh), no. 8 (July 1, 2015): 1–2. http://dx.doi.org/10.30827/dreh.v0i8.6902.
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Sadio-Ramos, Fernando José, and María Angustias Ortiz-Molina. "Portada interior." DEDiCA Revista de Educação e Humanidades (dreh), no. 1 (March 1, 2011): 1–2. http://dx.doi.org/10.30827/dreh.v0i1.7146.
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Tolliver, Joseph Thomas. "Interior Colors." Philosophical Topics 22, no. 1 (1994): 411–41. http://dx.doi.org/10.5840/philtopics1994221/24.
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Chen, Lisa. "Interior Monologue." Iowa Review 28, no. 1 (April 1998): 78–79. http://dx.doi.org/10.17077/0021-065x.4956.
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Lambeth, Laurie Clements. "The Interior." Iowa Review 35, no. 3 (December 2005): 68–80. http://dx.doi.org/10.17077/0021-065x.6044.
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Claro, Luana Dos Santos. "Cena interior." Opiniães, no. 12 (July 29, 2018): 300. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2018.144381.
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