Relevant bibliographies by topics / Interior

Academic literature on the topic 'Interior'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Interior"

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Hollis, Edward. "Unreliable Guides: Introducing, Mapping and Performing Interiors." Interiority 1, no. 1 (February 27, 2018): 21–35. http://dx.doi.org/10.7454/in.v1i1.6.

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Whether as teachers listening to students, as designers ‘pitching’ designs to clients, or critics writing about historical spaces, we use speech and gesture to describe interiors. We assume that the interior does not speak on it’s own, but must be spoken for. How do designers, curators, and guides talk interiors into existence? How, more generally should we speak of the interior? This paper will explore this issue through reflection on three encounters between space, speech and gesture in the form of guided tours of historic interiors. It will frame these questions with four contexts: firstly, the evolution of the historical concept of the guide; secondly, the idea of the interior as portraiture; thirdly, the evolution, particularly in the twentieth century, of performance (particularly theatrical performance) and finally, the distinction between the interior as image, and the interior as inhabitation.
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Fontaine, Andrea Sosa. "Seaming the Dialect of Space." SPACE International Journal of Conference Proceedings 1, no. 2 (December 26, 2021): 44–50. http://dx.doi.org/10.51596/sijocp.v1i2.26.

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Each discipline in the built environment has a unique dialect for thinking, designing, crafting, and inhabiting space. Words such as tectonics, materiality, and vernacular all hold a specific interpretation in architecture. Even common words have understated complexity, but only when offered under an architectural lens, words such as gesture, negotiate, and scale. Interiors also have their own language, words such as adjacency, identity, surface, and atmosphere. Language from interior design shares most origins with architecture, but arguably, as a discipline, interiors exist at a point of intersection between disciplines. To be classified as an interior, a space needs a boundary, a container, or an expression of an outside; however, the language of interiors does not need to be so contained. Interior design foundationally is interdisciplinary and exists as a point of entry into other disciplines. While interiors and architecture share a dialogue, for architecture to understand interiors means also to use interiors to connect with other disciplines, such as fashion. Interiors offer a means for architecture to speak to fashion and, even more so, to converse with the body. However, existing interior language based primarily on architecture does not acknowledge close ties to other disciplines. Instead of using interiors to translate, imagine what opportunities could unfold if design disciplines were bilingual, understanding their own language but also that of interiors. The paper proposes a method to encourage interdisciplinary dialogue when discussing Design, perhaps even changing how architecture and fashion see each other through a renewed interior dialect. Borrowing words from fashion, like seaming, fit, tailoring, and mending, interior space becomes more fluid, boundaries blur, and ideas are more curious. Making and understanding space starts with remaking the language of interiors.
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Turikova, E., O. Nedoshytko, and A. Akopova. "ARCHITECTURAL DESIGN METHODS OF RENOVATION OF INTERIORS OF HISTORICAL BUILDINGS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 272–80. http://dx.doi.org/10.31650/2519-4208-2020-20-272-280.

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In this article specific examples of historical interiors are identified and characterized, environment-forming factors determining the individuality of the historic interior and its renovation strategy are highlighted; shows the methods of renovation andreprofiling of historical interiors, their selection and testing in real environmental conditions.The historical buildings that make up the golden fund for the development of old cities often carry a bunch of contradictions: their interiors do not alwaysmeet today's requirements for the geometry of interior spaces, their hygiene, lighting, acoustics; the structural basis does not allow to increase the load; they are not designed for new functions, modes of operation, flows of people, etc.; the existing aesthetic system contradicts modern materials and stylistic priorities. Incorrect adaptation of historical interiors to a foreign function leads to irreplaceable cultural and artistic losses. Therefore, it is relevant to identify techniques for the renovation of historical interiors, architectural and design tools to ensure consistent interaction of the historical foundation and modern equipment.The study allowed to clarify the concept of “interior of a historic building”; to reveal the factors that determine the design approaches to the renovation of the interior: initial geometry, hue-color certainty and potential, artistic and stylistic integrity, scenographic potential, sanitary-hygienic and ergonomic, safety, human factor, compositional reality and potential. The identified factors made it possible to formulate the tasks and means of renovating aspecific historical interior. The methods of renovation are: the introduction of a contrasting accent; creation of alternative environmental and stylistic scenarios, points and perspectives of perception; use of environmentalinstallations from equipment; the formation of a single visual field of the interior and exterior through the use of font, elements of historical style.The article “Architectural and design techniques for renovating the interiors of historical buildings” clarifies the concept of “interior of a historical building”. The features of such interiors were identified and characterized, environment-forming factors determining the individuality of the historical interior and the strategy for its renovation, as well as design approaches to interior renovation: initial geometry, light-color certainty and potential, artistic and stylistic integrity, scenographic potential, sanitary-hygienic and ergonomic, were identified, security, human factor, compositional givenness and potential. The methods of renovation and reprofiling of historical interiors are shown, they are selected and tested in real environmental conditions. The identified factors made it possible to formulate the tasks and means of renovating aspecific historical interior. The methods of renovation are: the introduction of a contrasting accent; creation of alternative environmental and stylistic scenarios, points and perspectives of perception; use of environmental installations from equipment; the formation of a single visual field of the interior and exterior through the use of font, elements of historical style. The article is illustrated with graphic materials from the course student work (Art. Yulia Shtyrbu).
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Edwards, Sarah. "Sensorial Interior: Museum Diorama as Phenomenal Space." Interiority 1, no. 2 (July 30, 2018): 173–84. http://dx.doi.org/10.7454/in.v1i2.29.

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Museum dioramas are widely recognised as historic visual tropes used to frame the grandeur of the outside world within an interior viewing space. With the development of digital technologies, data projection and soundscape have increasingly replaced diorama production as a means to transform these once static-animal-posed-in-painted- habitat with immersive interiors that engage the visual and aural senses alike. Andre Breton proposes that two modes of consciousness exist: an exterior world of facts and an interior world of emotions. These interiors and exteriors produce an interface and exchange. An invitation to respond to the interior of RMIT University’s First Site gallery provided an opportunity to experiment with the three traditional dioramic elements used to bring the exterior world into an interior employing taxidermy, model making and set painting. By engaging digital technologies in response to these three elements, I developed a sensorial interior, where the exterior world of facts was set into dialogue with the interior world of emotion. A physical encounter that expanded on ‘interior’ as an experiential, relational, phenomenal and emotive space.
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Березко, О. В., Р. Я. Галишич, and О. П. Черничук. "ОСОБЛИВОСТІ ЗАСТОСУВАННЯ ОПТИЧНИХ ІЛЮЗІЙ В ДИЗАЙНІ ІНТЕР’ЄРІВ." Art and Design, no. 1 (June 3, 2020): 57–69. http://dx.doi.org/10.30857/2617-0272.2020.1.4.

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The purpose is to determine the peculiarities of optical illusions usage in interior design. Methodology. The study uses the methods of analysis and systematization of the collected literary and illustrative material, as well as the method of comparative analysis. Results. The paper analyzes the optical illusions used in interior design, namely: art-mimicry, distortion, anamorphosis, art-pareidolia, pseudo gipnosis, ephemeralization, and anti-gravity. Based on the analysis, it is determined that the use of optical illusions in interiors can be conditionally divided into two types in terms of intensity: intense (pronounced illusion) and restrained (weak illusion). According to the types of intensity, the specifics of the use of optical illusions in public and residential interiors are identified. Here are some examples of how these types are used in interior design. It has been determined that art-mimicry, distortion, anamorphosis, ephemerisation and anti-gravity can be effectively used in public interiors. At the same time, in residential interiors there are examples of intensive use of only three optical illusions: distortion, anamorphosis and ephemerisation. Also, the analysis shows that the restrained use of all the considered optical illusions can be applied in the design of both residential and public interiors. The scientific novelty of the research is to analyze optical illusions and to determine the peculiarities of their use in interior design. Practical significance. The results of the study can be used to conduct interior design using optical illusions. The results may also form the basis for further scientific research, namely, to develop recommendations for the use of optical illusions in interior spaces
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Gou, Zhonghua. "Green building for office interiors: challenges and opportunities." Facilities 34, no. 11/12 (August 1, 2016): 614–29. http://dx.doi.org/10.1108/f-04-2015-0022.

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Purpose This paper aims to examine the concept and practice of green building for office interiors: whether the green intent can be effectively implemented in an interior retrofitting project. Design/methodology/approach Reviewing green building rating systems for interiors, examining certified interior projects and interviewing occupants working in certified green offices. Findings The green building credits for interiors fall into three relational layers: the urban context, the host building and interior fit-outs. Most projects under study performed well on credits for interior fit-outs (e.g. low emitting materials, energy efficient equipment and appliances, etc.), while underperformed on credits for its host building (e.g. air-conditioning systems, ventilation, etc.). The latter might more significantly affect working experience. The other important green aspects, such as daylight availability, facilities accessibility, might be subject to its location and urban context. Research limitations/implications This article presents a multi-examination of green interiors. The data came from second-hand Leadership in Energy and Environmental Design scorecards and qualitative interviews. More quantitative surveys are expected to be conducted. Practical implications Green interior retrofitting should go beyond selecting environmental-friendly finishes and furniture or resource-efficient fixtures and appliances. It should proactively start from assessing the environmental performance of the host building and its urban context. Originality/value Most research looked at green building as a whole. Green interiors are actually more practical for tenants who intend to reduce their corporate environmental impacts, whereas they do not have control over whole building design and operations. This article highlights the importance of green interior retrofitting and provides guidance.
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Zhao, Yong, and Dongdong Ni. "Understanding the interior structure of gaseous giant exoplanets with machine learning techniques." Astronomy & Astrophysics 658 (February 2022): A201. http://dx.doi.org/10.1051/0004-6361/202142874.

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Context. Characterizing the interiors of gaseous giant exoplanets is currently one of the main objectives in exoplanetary sciences. In particular, the planetary heavy-element mass provides a critical constraint on planet formation from exoplanetary systems. However, gas giant exoplanets show large diversities in thermal states and their interior properties vary across a wide magnitude range. Forward modeling of their interiors exhibits a larger degeneracy with respect to rocky exoplanets. Aims. We applied machine learning techniques based on mixture density networks (MDNs) to investigate the interiors of gaseous giant exoplanets. We aim to provide a well-trained MDN for quick and efficient predictions. Methods. Based on our current knowledge of gas giants in the Solar System, we discussed an effect of model uncertainties on planetary interiors and presented a data set for gas giants with masses between 0.1 and 10 Jupiter masses using two-layer interior models. Then, MDNs were constructed to train the generated data set and their performance was evaluated in order to achieve a well-trained one. Results. The MDN using planetary mass and radius as inputs exhibits the well-known degeneracy of interior models. The surface temperature of a planet bears constraints on the thermal state of planetary interiors, and adding it as additional input considerably breaks the degeneracy of possible interior structures. The MDN with inputs of mass, radius, and surface temperature is found to show excellent performance in predicting the interior properties of gaseous giant exoplanets, although these interior properties span over a very wide range. We also applied the well-trained MDN to four gas giants in the Solar System and beyond. The MDN predictions are in good agreement with the interior model solutions within the observational and systematic uncertainties. Conclusions. We offer a convenient and powerful tool available online providing knowledge of the interiors of gaseous giant exoplanets in addition to rocky exoplanets, which could be helpful for our understanding of planet formation in diverse protoplanetary environments.
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Ceylan, Salih. "Healthy Workspaces: Strategies for Increasing the Indoor Environmental Quality at Call Centre Interiors for Employee Wellbeing and Productivity." BUILDER 284, no. 3 (February 24, 2021): 60–63. http://dx.doi.org/10.5604/01.3001.0014.7430.

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Indoor environmental quality is a requirement for good architectural and interior design. The definition of indoor environmental quality refers to the conditions of the interior space that provide health and wellbeing for its occupants. Elements of indoor environmental quality are thermal comfort, indoor air quality, ventilation, ergonomics, natural and artificial lighting, odor, and acoustic quality. Indoor environmental quality is required in every type of interior space including ones with residential, educational, and cultural functions and workspaces. It is also included as one of the factors of energy efficient and sustainable design in building energy certification and accreditation systems. This study focuses on call center interiors as a type of workspaces, where the employees spend a long time in the interior space communicating with customers on the phone. The aim is to provide theoretical information and practical application suggestions for higher quality design in call center interiors. The methodology of this paper consists firstly of a literature review to study and analyze the definition and elements of indoor environmental quality, and its implementation into call center interiors as workspaces. Analytical studies lead to strategy proposals for better designed call center interior spaces. The results of the study indicate that better designed interior spaces in call centers lead to better health and wellbeing of the employees, resulting with higher performance and service quality.
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Song, Wenfang, Xinze Xie, Wenyue Huang, and Qianqian Yu. "The Design of Automotive Interior for Chinese Young Consumers Based on Kansei Engineering and Eye-Tracking Technology." Applied Sciences 13, no. 19 (September 26, 2023): 10674. http://dx.doi.org/10.3390/app131910674.

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The reasonable CMF (Color, Material and Finishing) design for automotive interiors could bring positive psychophysical and affective responses of customers, providing an important guideline for automobile enterprises making differentiated products. However, current studies mainly focus on an aspect of CMF design or a single style of the automotive interior, and examined the design mainly through human visual perception. There lack systematic studies on the design and evaluation of automobile interior CMF, and more scientific evaluation of the design through human visual and touching perception was required. Therefore, this study systematically designed the automobile interior CMF based on Kansei engineering and eye-tracking technology. The study consists of five steps: (1) Product positioning: the Chinese young consumers, the new energy vehicles, and bridge and seat are the target users, the automotive model and the key interior components. (2) Kansei physiological measurement: nine groups of Kansei words and thirty-three interior samples were selected, and the interior samples were scored by the Kansei words. (3) Kansei data analysis: three design types were determined, i.e., “hard and stately”, “concise and technological” and “comfortable and safe”. Meanwhile, the CMF design elements of the automotive interiors under the three styles were obtained through mathematical methods. (4) Design practice: four CMF samples under each design style (12 samples) were developed. (5) Kansei evaluation: the design themes were conducted using eye-tracking technology, and the optimal sample that mostly satisfy the user’s Kansei requirements under each style was obtained. The proposed design process of automotive interior CMF may have great implications in the design of automotive interiors.
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Tomina, Olha, and Leonid Gook. "TEXTILES IN THE RESIDENTIAL INTERIOR." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 178–82. http://dx.doi.org/10.32347/2519-8661.2021.22-23.178-182.

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The relevance of the study is due to new experience in architectural design, new technologies and types of materials and the need to generalize and systematize them to expand the formative possibilities of textiles in the design of residential interiors. Research in the field of interior textile design was carried out by: T.I. Isayeva, Khabibullina, E.V. Zmanovska and others. The purpose of the study is to identify areas, functions and compositional techniques of textiles in residential interiors. The historical reference of development of textile production is resulted. The structural analysis of textiles in the interior by types of textile materials, production technology, types of weave, types of ornaments; identified qualities of textile materials, which determine their widespread use and the main areas of application of textiles in modern residential interiors. According to the results of the research, the main functions of textiles in the interior are revealed: creation of a comfortable microclimate in the room; psychological comfort; space adjustment; visual isolation; protection of surfaces from damage and pollution; hygiene products; decorative; compositional component of interior space design. The description of types of textile wall-paper, curtains is resulted. The compositional function of textiles in the interior is revealed: accent, dominant, background, rhythm. The conclusion is made that at a choice of textiles and reception of placement it is necessary to consider regional natural and climatic conditions; the style decision of an interior is accepted; function, size, orientation on the sides of the horizon of the room; combination of textiles with finishing of surfaces of enclosing designs and subject filling of the room; combination of fabrics in texture, color and pattern; price segment.
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Dissertations / Theses on the topic "Interior"

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Havenhand, Lucinda K. "Ideas as Interiors: Interior Design in the United States 1930-1965." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1421.

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During the first decades of the twentieth century, Americans grappled with the idea of what it meant to be a modern society. As in other periods and places, arts, architecture and design played a significant role in expressing and exploring the issues and concerns of the day. In the period 1930 to 1965, and emerging practice called "interior design," in particular, became a potent medium for this purpose.Like modern art and modern architecture, the key to the practice of interior design was its basis in ideas. As curator Edgar Kaufmann, Jr., pointed out in his 1950 explanatory booklet "What is Modern Interior Design?" published by the Museum of Modern Art, interior design's foundation, in contrast to interior decorating, was in "principles rather than effects." To use the word "design" instead of "decoration," in relation to the creation of interiors implied the use of systematic and rational approach based in ideas not personal preferences. By the late 1930s both the discourse and practice of interior design as an alternative to interior decoration had begun to emerge in the United States.This study will explore how the emerging practice of interior design between 1930 and 1965, developed through the efforts of designers from various fields who all embraced this systematic and rational approach to creating interiors based in "principles and not effects." It will discuss how designers such as Ray and Charles Eames, George Nelson, Richard Neutra, Florence Knoll, and Russel and Mary Wright, whose work is highlighted in this study, used interior design as a way to explore and express theoretical considerations that could be learned, understood and disseminated by the designed interior. By doing so it exposes the ideas at work behind the interior designs of this period, which for the most part have not been fully considered by current histories, and presents a richer, more complete and more accurate account of this moment in design history and interior design's contribution to it.
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Andersson, Johan, and Marcus Kleihs. "Routing Interior." Thesis, Högskolan i Halmstad, Sektionen för Informationsvetenskap, Data– och Elektroteknik (IDE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21647.

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När datatrafik färdas genom ett nätverk så passerar det routrar och switcharsamtidigt som dessa enheter visar åt vilket håll paketet ska skickas. Detta kallas förrouting. För att paketen ska hitta rätt väg så använder man sig av routingprotokoll,som vägleder trafiken dit de ska, och olika protokoll har olika fördelar samtidigtsom de används vid olika tillfällen. Målet var att skapa ett stort enhetligt nätverksom tål höga belastningar, har en hög uppkopplingsprocent samtidigt som det skavara lätt att expandera i framtiden. Det största problemet var hur trafiken färdasmellan varje kontor, men problem som hur användarna ska vara uppkopplade tillInternet tas upp i rapporten. Nätverket använder sig av OSPF som routingprotokoll.Varje kontor delas in i områden, totallystubby area, vilket kortar nedroutingtabellen i Stockholm. Resultatet blir att snabba beslut tas när paket skaskickas inom ett kontor och när det ska utanför ett kontor så används en defaultroute. Samtidigt som kontoren är lätta att bygga ut då totallystubby area har endefault route till Stockholm.
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Вознюк, Руслана Мирославівна, and Н. М. Сиромля. "Interior design." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18235.

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Gurgel, Ana Paula Campos. "As metrópoles do interior e o interior das metrópoles." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/22370.

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Tese (doutorado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2016.
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O objetivo deste trabalho é compreender de que modo as propriedades configuracionais, em termos de acessibilidade da malha viária em perspectiva comparada, dão suporte à constituição do que se denominou neste estudo de Regiões Metropolitanas no Interior do Nordeste (RMINE’s). Na última década, a urbanização cresceu nas cidades médias (definidas pelo IBGE como aquelas que possuem entre 100.000 e 500.000 habitantes, embora, por vezesessa acepção populacional varie) e nas franjas perimetropolitanas, convertendo esses territórios em polos de atração de migrações internas e inter-regionais. Com isso, algumas dessas cidades de médio porte emergiram como subcentros metropolitanos de polarização do desenvolvimento regional, refletindo o dinamismo socioespacial do interior do País num amplo processo de estruturação urbana regional. Este estudo está vinculado ao embasamento teórico-metodológico da Sintaxe Espacial, estabelecendo relações entre a forma do espaço esuas práticas socioculturais. O universo da pesquisa abrange as RMINE’s com mais de500.000 habitantes (IBGE,2010) que apresentam indícios de conurbação física, a saber: (1)RM de Feira de Santana/BA; (2) RM do Cariri/CE; (3) RM do Sudoeste maranhense; (4) RMde Campina Grande/PB; (5) RAID de Petrolina/Juazeiro. Somam-se a estas, as metrópoles de Fortaleza, Recife e Salvador, além de outras cidades que não são legalmente RM’s mas têm a mesma hierarquia na rede urbana que as cidades-núcleo das RMINE’s destacadas. Portanto,este trabalho é focado em entender as bases socioespaciais que dão suporte à formação deRM’s, abrangendo cidades de médio porte do Nordeste, visando assim, contribuir para a análise dessas áreas frente à estruturação urbana regional, dando foco na estrutura interna dessas metrópoles, buscando a caracterização de um tipo metropolitano regional. A hipótese verificada neste estudo é que existem propriedades morfológicas que dão suporte ao processo de metropolização do interior do Nordeste, caracterizado em estágio intermediário em relação às grandes metrópoles nacionais e que congregam equipamentos, serviços e empregos que atendem a uma escala regional e que, portanto, representam uma dominância socioeconômica e funcional destas cidades-sede sobre suas hinterlândias.
The target of this thesis is to perceive how the configurational properties, regarding highway systems's accessibility in comparative perspective, support the creation of what is called in thestudy in original language of Metropolitan Areas in the Northeast Up-Country (RMINE's). In the last decade, urbanization grew in medium-sized cities (defined by IBGE as those that carry between 100,000 to 500,000 denizens) and the metropolitan edges, converting these territories into attraction poles of internal and inter-regional migration. Thus, some of these medium-sized cities have emerged as metropolitan subcenters of regional development bias,reflecting the socio-spatial dynamics of the up-country in a broad process of regional urbanstructure. This study is linked to the theoretical and methodological basis of Space Syntax,establishing relationships between the shape of the space and its socio-cultural practices. Theresearch covers RMINE's with more than 500,000 denizens (IBGE, 2010) which exhibit signsof physical conurbation, namely: (1) Feira de Santana's Metropolitan Area/BA; (2) Cariri'sMetropolitan Area/CE; (3) Maranhão's Southwest Metropolitan Area; (4) Campinas Grande's Metropolitan Area/PB; (5) Petrolina's/Juazeiro's RAID. In addition to those, the metropolises of Fortaleza, Recife and Salvador, and other cities that are not legally MA's but have the samehierarchy in the urban network as the core city of RMINE's highlighted are included. Thiswork is therefore focused on understanding the socio-spatial bases that support the formationof MA's, covering medium-sized cities in the Northeast up-country, thus aiming to contribute to the analysis of those areas across the regional urban structure, focusing on the internal structure of these cities, seeking the characterization of a metropolitan area type. Thehypothesis found in this study is that there are morphological properties that support the process of metropolises of the Northeast, characterized at an intermediate stage in relation tomajor national cities and which bring together equipment, services and jobs that serve aregional scale and represent a socio-economic and functional dominance of those cities on their hinterlands.
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Muirhead, Matthew. "Interior wave propagation." Thesis, University of Nottingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289312.

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Serbent, Mariana. "Argentinos al interior." Bachelor's thesis, Universidad Nacional de Cuyo. Facultad de Artes y Diseño, 2010. http://bdigital.uncu.edu.ar/7398.

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El presente estudio pretende identificar las características de la formación académica, el coleccionismo y las asociaciones civiles en la provincia de Mendoza, entre 1942-1958. La readaptación de un marco teórico permeable a la interpretación y problematización de fuentes y corpus documentales diversos –testimonios orales, cartas, leyes y reglamentaciones, crónicas de arte, catálogos, fotografías han permitido completar el análisis de las producciones plásticas de la época y que circularon por los salones, muchas de ellas, por cierto, integrantes de acervos perdidos, olvidados o silenciados.
Fil: Serbent, Mariana. Universidad Nacional de Cuyo. Facultad de Artes y Diseño.
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Petersen, Tamar. "The Beat's Interior." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/78846.

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The Beat's Interior seeks to answer the simple question: What does the inside of a beat look like? This thesis provides a solution as an audiovisual projection-mapping project inspired by the song, "Pyramids" by Frank Ocean. It explores the relationship between music and architecture. Influenced by scientific theories of cosmic space and the philosophical ideas of space and rhythm, this installation becomes an immersive experience within a constructed form. Original video is mapped onto the skin of the dome using four projectors that are orchestrated through Madmapper. Eight individual parts of a single track are played separately on designated stereos located on the periphery of the room. Changes in the video and music are triggered by GyrOSC data filtered into Max/MSP/Jitter.
Master of Fine Arts
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Dupuy, Laetitia. "Neosurreal interior design." Connect to resource, 2009. http://hdl.handle.net/1811/37086.

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La, Roche Contreras Martín. "Jardín interior seco." Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/113660.

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Artista visual, mención pintor
Esta memoria de título desarrolla un territorio de reflexión denominado Jardín Interior Seco. A través de un recuento metodológico del paso por la carrera de Artes, centrado en las prácticas del Laboratorio de Arte y los sucesivos Brainwalkings, este proyecto se abre camino por una serie de paseos y viajes a la realización concreta de este Jardín. Éste tiene lugar en una sala del Museo de Artes Visuales, Santiago, Chile, 2013. Con una actitud antidisciplinaria, centrado en el quehacer cotidiano de un estudiante de arte, esta iniciativa busca ser una apropiación amateur, sencilla e imaginativa de la antigua tradición de jardinería japonesa a la cual tenemos acceso en la actualidad. Más que una actitud formal, desde el terreno del arte se exponen diferentes cuestionamientos en torno a qué hacer con el tiempo presente.
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Zemánková, Kateřina. "Návrh interiéru kavárny." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232435.

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The thesis deals with the reconstruction of the café in a historic building on Svoboda Square in Mohelnice. To the revitalized interior, dominated by brick vault was introduced a new and fresh design. The café has two basic spaces. In the first lighter room is located bar and a few tables with long benches and chairs. The back room features a private sitting area overlooking the atrium of the building. Simple shapes and natural materials create contrast with the historic vault. Use indirect lighting is achieved pleasant and intimate atmosphere. An essential element of the interior is a custom made chair that their morphology fit into the concept of the café.
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Books on the topic "Interior"

1

Christiansen, Tami. Christiania: Interiør = interior. 2nd ed. København: Nyt Nordisk Forlag Arnold Busck, 2004.

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Friedmann, Arnold. Interior design: An introduction toarchitectural interiors. 3rd ed. Englewood Cliffs, N.J: PTR Prentice Hall, 1992.

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1950-, Faletti Giorgio, ed. L'anima: Un paesaggio interiore = an interior landscape. Milano: 24 ore cultura, 2011.

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Winkler, Gail Caskey. Victorian interior decoration: American interiors, 1830-1900. New York: H. Holt, 1986.

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Winkler, Gail Caskey. Victorian interior decoration: American interiors, 1830-1900. New York: H. Holt, 1986.

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W, Moss Roger, ed. Victorian interior decoration: American interiors : 1830-1900. New York: Henry Holt, 1986.

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Fântâneru, Constantin. Interior. București: Polirom, 2006.

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Cartwright, Justin. Interior. London: H. Hamilton, 1988.

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Coldebella, Ivana. Interior. 2nd ed. Rio de Janeiro: Jotanesi, 1992.

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1969-, Puente Moisés, ed. Interior. Spain: Ministerio de Fomento, 2014.

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Book chapters on the topic "Interior"

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Hollis, Ed, and Sally Stone. "Interior." In Inside Information, 293–301. London: RIBA Publishing, 2022. http://dx.doi.org/10.4324/9781003277835-33.

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Shen, Zhongwei. "Interior Estimates." In Periodic Homogenization of Elliptic Systems, 65–97. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91214-1_4.

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Calabrese, Michael. "Interior Visions." In A Companion to British Literature, 180–201. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch12.

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Hix, Simon, and Bjørn Høyland. "Interior Policies." In The Political System of the European Union, 273–301. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34418-1_11.

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Wentling, James. "Interior Details." In Designing a Place Called Home, 179–200. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4684-1418-9_6.

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Okrusch, Martin, and Hartwig E. Frimmel. "Earth’s Interior." In Springer Textbooks in Earth Sciences, Geography and Environment, 549–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2020. http://dx.doi.org/10.1007/978-3-662-57316-7_29.

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Knoop, Martine. "Interior Lighting." In Encyclopedia of Color Science and Technology, 1–11. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-3-642-27851-8_129-10.

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Knoop, Martine. "Interior Lighting." In Encyclopedia of Color Science and Technology, 1–10. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-642-27851-8_129-11.

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Clark, Pamela Elizabeth. "Mercury’s Interior." In Mercury's Interior, Surface, and Surrounding Environment, 9–32. New York, NY: Springer New York, 2015. http://dx.doi.org/10.1007/978-1-4939-2244-4_2.

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Weinthal, Lois. "Interior Atmosphere." In A Companion to Contemporary Design since 1945, 157–72. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119112297.ch8.

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Conference papers on the topic "Interior"

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Aglieri Rinella, Tiziano. "Le Corbusier’s uncanny interiors." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.708.

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Abstract: The reception of Le Corbusier’s early buildings in Paris provoked an astonishing sensation of shock and estrangement in the public of the time. This troubling sensation of wonder is still alive today, after almost a century from their construction, and it is particularly vivid in some of the interiors, as we can notice from the photographic documentation of the time. Sigmund Freud, in his book “The interpretation of dreams”, underlined the direct relation existing between the interior of the human psyche and the interior of the house a subject lives in. He defined the interior of each man’s home as a sort of “diagnostic box” of the human mind, able to disclose the psyche of the individual, expressing his dreams, desires and obsessions. In his purist houses, Le Corbusier seems to have imposed his overwhelming personality on the clients, somehow expressing his own idealistic dream of the city of the future and foreseeing the visionary scenarios of a modernist utopia. This paper’s goal is to present a psychoanalytic reading of Le Corbusier’s buildings of the time, analyzing a number of significant examples in order to identify their uncanny effects, disclosing the hidden relations between cause and effect, and decoding the related composing technics used in the interior design. Resumen: La recepción de los primeros edificios de Le Corbusier en París provocó una sensación asombrosa de shock y extrañamiento en el público de la época. Esta sensación inquietante de asombro sigue vivo hasta hoy, después de casi un siglo de su construcción, y es particularmente viva en algunos interiores, como podemos observar en la documentación fotográfica de la época. Sigmund Freud, en su libro "La interpretación de los sueños", subrayó la relación directa existente entre el interior de la psique humana y el interior de la casa donde un sujeto vive. Él definió el interior de la casa de cada hombre como una especie de "caja diagnóstica"de la mente humana, capaz de revelar la psique del individuo, expresando sus sueños, deseos y obsesiones. En sus casas puristas, Le Corbusier parece haber impuesto su personalidad arrolladora en los clientes, expresando de alguna manera su propio sueño idealista de la ciudad del futuro y previendo los escenarios visionarios de una utopía modernista. El objetivo de este trabajo es de presentar una lectura psicoanalítica de los edificios de Le Corbusier de la época, analizando una serie de ejemplos significativos con el fin de identificar sus efectos extraños, revelar las relaciones ocultas entre causa y efecto, y decodificando las relativas técnicas compositivas utilizadas en el diseño de los interiores. Keywords: Le Corbusier; Interiors; Architecture; Uncanny; Freud; Surrealism. Palabras clave: Le Corbusier; Interiores; Arquitectura; Perturbador; Freud; Surrealismo DOI: http://dx.doi.org/10.4995/LC2015.2015.708
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Ajitha, R., and K. Lal Gipson. "Interior dominating sets and interior domination polynomials of paths." In PROCEEDINGS OF INTERNATIONAL CONFERENCE ON ADVANCES IN MATERIALS RESEARCH (ICAMR - 2019). AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0016838.

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van der Pluijm, Ben, and Stephen Marshak. "VERTICAL TECTONICS AND PLATE INTERIORS: EVIDENCE FROM THE US CONTINENTAL INTERIOR." In GSA Connects 2021 in Portland, Oregon. Geological Society of America, 2021. http://dx.doi.org/10.1130/abs/2021am-365413.

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Urbanik, Jadwiga. "REVOLUTION OF INTERIOR DESIGN - AVANT GUARD DWELLINGS IN INTERWAR PERIOD." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s17.061.

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Fujihata, Masaki. "Global interior project." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253626.

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Fujihata, Masaki. "Global interior project." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253672.

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Sforza, Peter, Thomas Dickerson, and Jason Shelton. "Interior space GIS." In the 2nd International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1999320.1999360.

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Trinh, Viet, and Roberto Manduchi. "Semantic Interior Mapology." In Web3D '19: The 24th International Conference on 3D Web Technology. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3329714.3338141.

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Xu, Qiong, Hengyong Yu, Xuanqin Mou, and Ge Wang. "Statistical interior tomography." In SPIE Optical Engineering + Applications, edited by Stuart R. Stock. SPIE, 2010. http://dx.doi.org/10.1117/12.860362.

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Sobey, Daniel L., Marcus K. Chao, and David L. Garrett. "Interior Composite Materials." In Passenger Car Meeting & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1985. http://dx.doi.org/10.4271/851632.

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Reports on the topic "Interior"

1

Rodriguez, J. R., J. C. Matter, and B. Dry. Interior intrusion detection systems. Office of Scientific and Technical Information (OSTI), October 1991. http://dx.doi.org/10.2172/5977693.

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Chau, R., M. Bastea, A. C. Mitchell, R. W. Minich, and W. J. Nellis. Planetary Interior in the Laboratory. Office of Scientific and Technical Information (OSTI), January 2003. http://dx.doi.org/10.2172/15003347.

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Robertson, Marvin D. Ported-Coax Interior Sensor (PINTS). Fort Belvoir, VA: Defense Technical Information Center, June 1988. http://dx.doi.org/10.21236/ada198248.

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Arnold, K. F. Prevention of Reservoir Interior Discoloration. Office of Scientific and Technical Information (OSTI), April 2001. http://dx.doi.org/10.2172/776967.

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Jones, D. E. G. Interior ballistics of fireworks mortars. Natural Resources Canada/CMSS/Information Management, 1992. http://dx.doi.org/10.4095/328855.

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Stott, D. F., and J. D. Aitken. Geological exploration of the Interior Plains [Chapter 2: Interior Platform, western basins, and eastern Cordillera]. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/192355.

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CARLSON, A. B. Design analysis report for the 244-AR vault Interim Stabilization interior transfer system. Office of Scientific and Technical Information (OSTI), December 2002. http://dx.doi.org/10.2172/808836.

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Skidmore, T. E. SDU6 Interior Liner Testing & Evaluation. Office of Scientific and Technical Information (OSTI), October 2016. http://dx.doi.org/10.2172/1329214.

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Skidmore, Eric E., and Robert C. Hawsey. SDU7 Interior Liner Testing & Evaluation. Office of Scientific and Technical Information (OSTI), June 2020. http://dx.doi.org/10.2172/1637913.

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Skone, Timothy J. Surface Mine, East Interior Lignite, Operations. Office of Scientific and Technical Information (OSTI), July 2011. http://dx.doi.org/10.2172/1509189.

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