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Books on the topic 'Interactive public space'

Author: Grafiati
Published: 10 March 2023

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1

Hausendorf, H., Lorenza Mondada, and Reinhold Schmitt. Raum als interaktive Ressource. Tübingen: Narr, 2012.

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2

Helmuth, Berking, ed. Negotiating urban conflicts: Interaction, space and control. Bielefeld: Transcript, 2006.

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3

Ubiquitous interaction. Frankfurt am Main: Trademark Publishing, 2013.

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4

1945-, Tagliagambe Silvano, ed. People and space: New forms of interaction in the city. [New York, N.Y.]: Springer, 2009.

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5

City of encounters: Public spaces and social interaction in Ancient Rome. Roma: Edizioni Quasar, 2020.

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6

Bautès, Nicolas, and Vincent Gouëset. L'espace en partage: Approche interdisciplinaire de la dimension spatiale des rapports sociaux. Rennes: Presses universitaires de Rennes, 2017.

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7

The Ludic city: Exploring the potential of public spaces. New York, NY: Routledge, 2007.

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8

Jr, Heitor Frúgoli. São Paulo: Espaços públicos e interação social. São Paulo, SP: Marco Zero, 1995.

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9

Ibero-Americana, Jornadas de História. Os espaços de sociabilidade na Ibero-América (sécs. XVI-XIX). Lisboa: Edições Colibri, 2004.

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10

Gong gong kong jian yu wen hua sheng huo: Ji zhong ping yuan N cun diao cha = Gonggong kongjian yu wenhua shenghuo : Jizhong pingyuan N cun diaocha. Beijing: Zhongguo she hui ke xue chu ban she, 2012.

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11

Griffiths, Alison. Shivers down your spine: Cinema, museums, and the immersive view. New York: Columbia University Press, 2008.

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12

Petrantoni, Giuseppe. Corpus of Nabataean Aramaic-Greek Inscriptions. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-507-0.

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The impact of the Hellenization in the Ancient Near East resulted in a notable presence of Greek koiné language and culture and in the interaction between Greek and Nabataean that conducted inhabitants to engrave inscriptions in public spaces using one of the two languages or both. In this questionably ‘diglossic’ situation, a significant number of Nabataean-Greek inscriptions emerged, showing that the koinŽ was employed by the Nabataeans as a sign of Hellenistic cultural affinity. This book offers a linguistic and philological analysis of fifty-one Nabataean-Greek epigraphic evidences existing in northern Arabia, Near East and Aegean Sea, dating from the first century BCE to the third-fourth century CE. This collection is an analysis of the linguistic contact between Nabataean and Greek in the light of the modalities of social, religious and linguistic exchanges. In addition, the investigation of onomastics (mainly the Nabataean names transcribed in Greek script) might allow us to know more about the Nabataean phonological system.
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13

Klamt, Martin. Verortete Normen: Öffentliche Räume, Normen, Kontrolle und Verhalten. Wiesbaden: VS, Verlag für Sozialwissenschaften, 2007.

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14

Mobile Media and the Change of Everyday Life. Frankfurt am Main: PETER LANG, 2010.

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15

The Moving City: Processions, Passages and Promenades in Ancient Rome. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2015.

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16

Kyu-t'aek, Pak, Han Sŭng-uk, Son Ŭn-ha, Kong Yun'-gyŏng, and Kim Sang-wŏn, eds. Ch'angjosŏng kwa tosi: Creativity and city. Sŏul-si: Somyŏng Ch'ulp'an, 2013.

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17

Breyer, Neil Beryl. Interactive video and public space: Motion perception and its impact on spatial awareness. 2011.

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18

Studdert, David, and Sophie Watson. Markets As Sites for Social Interaction: Spaces of Diversity (Public Spaces). Policy Pr, 2006.

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19

Berking, Helmuth, Sybille Frank, Martina Löw, Lars Meier, and Lars Frers. Negotiating Urban Conflicts: Interaction, Space and Control. Transcript Verlag, 2015.

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20

Jones, Alasdair J. H. On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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21

Jones, Alasdair J. H. On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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22

On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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23

On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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24

Public Spaces, Social Relations and Well-being in East London (Public Spaces). Policy Pr, 2006.

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25

Clark, Andrew, Sheila Peace, Caroline Holland, and Jeanne Katz. Social Interactions in Urban Public Places (Public Spaces Series). Policy Pr, 2007.

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26

Aelbrecht, Patricia. Fourth Places: Informal Social Life and Interaction in New Designed Public Spaces. Springer International Publishing AG, 2022.

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27

(Editor), Lance Strate, Ronald Jacobson (Editor), and Stephanie B. Gibson (Editor), eds. Communication and Cyberspace: Social Interaction in an Electronic Environment (Communication and Public Space Series). Hampton Press, 1996.

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28

Kickert, Conrad, and Hans Karssenberg. Street-Level Architecture: The Past, Present and Future of Interactive Frontages. Taylor & Francis Group, 2022.

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29

Street-Level Architecture: The Past, Present and Future of Interactive Frontages. Taylor & Francis Group, 2022.

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30

Kickert, Conrad, and Hans Karssenberg. Street-Level Architecture: The Past, Present and Future of Interactive Frontages. Taylor & Francis Group, 2022.

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31

May, Reuben A. Buford. Urban Nightlife: Entertaining Race, Class, and Culture in Public Space. Rutgers University Press, 2014.

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32

Urban Nightlife: Entertaining Race, Class, and Culture in Public Space. Rutgers University Press, 2014.

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33

May, Reuben A. Buford. Urban Nightlife: Entertaining Race, Class, and Culture in Public Space. Rutgers University Press, 2014.

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34

May, Reuben A. Buford. Urban Nightlife: Entertaining Race, Class, and Culture in Public Space. Rutgers University Press, 2014.

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35

Cooper, Rachel, and Naomi Jacobs. Living in Digital Worlds: Designing the Digital Public Space. Taylor & Francis Group, 2018.

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36

Living in Digital Worlds: Designing the Digital Public Space. Taylor & Francis Group, 2018.

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37

Orte des Geschehens: Interaktionsräume als konstitutive Elemente der antiken Stadt. Berlin: Lit, 2012.

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38

(Editor), Lance Strate, Ronald L. Jacobson (Editor), and Stephanie B. Gibson (Editor), eds. Communication and Cyberspace: Social Interaction in an Electronic Environment (The Hampton Press Communication Series. Communication and Public Space). 2nd ed. Hampton Press, 2002.

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39

(Editor), Lance Strate, Ron Jacobson (Editor), Stephanie Gibson (Editor), Gary Gumpert (Editor), and Ronald L. Jacobson (Editor), eds. Communication and Cyberspace: Social Interaction in an Electronic Environment (The Hampton Press Communication Series. Communication and Public Space). Hampton Press, 1996.

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40

(Editor), Lance Strate, Ronald L. Jacobson (Editor), and Stephanie B. Gibson (Editor), eds. Communication and Cyberspace: Social Interaction in an Electronic Environment (The Hampton Press Communication Series. Communication and Public Space). 2nd ed. Hampton Press, 2002.

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41

Ng, Wing Chung. Theater and the Immigrant Public. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039119.003.0009.

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This chapter delineates the history of Chinatown theater as a public space for social interaction and community building in migrant societies. With Chinese migrants living under highly circumscribed conditions without much access to resources and amenities in mainstream society, the theater acquired extra significance within the enclave. Especially noteworthy is the active involvement of traditional organizations in promoting Cantonese opera and cultivating patronage with the touring companies and itinerant actors. On the one hand, the close-knit personal and social networks, and the group affiliations and loyalties associated with these organizations, were critical ingredients for the success of the theater business. On the other hand, the theater personnel and the spectacle of the stage became available to aid the organizations and the leaders in furthering their agendas by gaining visibility and public support. On the overseas stage, the enthusiastic reception afforded to actresses unleashed interesting dynamics of gender in an overwhelmingly male population. Aside from an entertainment venue enjoyed by many, the immigrant theater was acted upon by those concerned as an important site for the negotiation and inscription of power relations, normative behaviors, and community politics in exclusion-era Chinatown.
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42

Novaković, Nevena, Janez Peter Grom, and Alenka Fikfak, eds. REALMS OF URBAN DESIGN: mapping sustainability. TU Delft Bouwkunde, 2018. http://dx.doi.org/10.47982/bookrxiv.22.

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The traditional thematic realms of urban design, such as liveability, social interaction, and quality of urban life, considered to be closely related to urban form and specifically to public space, have long since been recognised as important, and have given the discipline a certain identity. The book Realms of Urban Design: Mapping Sustainability is certainly rooted in this fundamental urban design thinking, but its main contribution belongs to the second part of the book’s title – discourse on sustainability. Its chapters, considered as a whole, put forward the importance of the discipline and the designerly way of thinking in the context of the discussion about unprecedented environmental transformation. The eleven chapters of the book represent the major sustainability concerns that the authors have seen as being related to the urban design discipline in their specific professional and environmental contexts. Therefore, the chapters as an entity could be seen as an act of mapping the sustainability issues that are coming “from the front” of urban design research and practice at the universities involved in the project Creating the Network of Knowledge Labs for Sustainable and Resilient Environments (KLABS). They show disciplinary, mostly methodological, concerns with the larger scales in comparison to those of the neighbourhoods and public space that are traditionally connected to urban design; with the collective or common nature of urban space; and with the distinctive, underused spaces coming not only as a legacy of the 20th century, but also as an important by-product of contemporary economic trends.
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43

Rueb, Teri Susan. Wandering lines, wilderness and the way out: A common landscape approach to embodied interaction. 2011.

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44

Hussmann, Heinrich, and Alexander Wiethoff. Media Architecture: Using Information and Media As Construction Material. de Gruyter GmbH, Walter, 2017.

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45

Media Architecture: Using Information and Media As Construction Material. de Gruyter GmbH, Walter, 2017.

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46

Hussmann, Heinrich, and Alexander Wiethoff. Media Architecture: Using Information and Media As Construction Material. de Gruyter GmbH, Walter, 2017.

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47

Balakhovskaya, Alexandra S., Maria R. Nenarokova, and Natalya V. Zakharova, eds. Meeting of East and West. Interaction of Literatures and Traditions. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0602-4.

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The collective work included articles covering a wide range of issues, but united by one problem: the study of cultural transfer in the works of art in the countries of the East and West, where the East means a region that includes the countries of Africa, the Middle East, Far East and Southeast Asia, and The whole of Europe is included in the West, including Russia. Such a wide geographical scope is determined by the desire to study the mutual influences and ideological image of the phenomena of European, Russian and Oriental literature and cultures; the authors of the articles examine the transformation of the ideological and aesthetic views of European writers in the course of their perception by Eastern writers; analyze the mechanism of adaptation of the phenomena of foreign cultures by Europeans. It is important to study the mechanism for changing the Eurocentric view of the world, the dynamics of the literary process, the definition of the place and role of European literature in the complex process of interaction between the traditional and innovative views of progressive writers who were at the source of the contemporary literature of Eastern countries, including the African continent. The authors of the articles of collective work set as their task the study of the degree of mutual penetration of traditional views and literary and aesthetic concepts of European writers, which gave rise to new literary genres both in the East, and in Russia and Europe. Another task is to understand the internal mechanisms that led to the new status of the eastern region in the global space, the understanding of processes in public and literary thought in these countries and the mutual influence of European and non-European literatures and cultures.
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48

Huffaker, Ray, Marco Bittelli, and Rodolfo Rosa. Phenomenological Modelling. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198782933.003.0009.

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Detecting causal interactions among climatic, environmental, and human forces in complex biophysical systems is essential for understanding how these systems function and how public policies can be devised that protect the flow of essential services to biological diversity, agriculture, and other core economic activities. Convergent Cross Mapping (CCM) detects causal networks in real-world systems diagnosed with deterministic, low-dimension, and nonlinear dynamics. If CCM detects correspondence between phase spaces reconstructed from observed time series variables, then the variables are determined to causally interact in the same dynamic system. CCM can give false positives by misconstruing synchronized variables as causally interactive. Extended (delayed) CCM screens for false positives among synchronized variables.
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49

Urban Rhythms Sociological Review Monographs. John Wiley & Sons Inc, 2013.

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50

Rosenberg, Douglas, ed. The Oxford Handbook of Screendance Studies. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199981601.001.0001.

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The Oxford Handbook of Screendance Studies is the first publication to offer a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed include politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; dance and interactive and digital technology; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines, such as kinesthetic explorations. The Oxford Handbook of Screendance Studies features newly commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and videomakers, choreographers and dancers, screendance and videodance artists, academics and writers, producers, composers, as well as the wider public. It will become an invaluable resource for researchers and professionals in the field and is intended as the first classroom text for screendance courses.
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