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Books on the topic 'Intaglio printing'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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1

Su, Peiquan. Fu zhi xing yu hui hua xing de ping heng: Zi wai xian gu hua you mo ao ban hua zhi zuo ji fa. [Aomen]: Aomen Tebie Xingzhengqu zheng fu wen hua ju, 2012.

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2

Banister, Manly Miles. Practical guide to etching and other intaglio printmaking techniques. New York: Dover, 1986.

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3

Siegfried, Gohr, ed. Per Kirkeby: Reisen in der Malerei und anderswo : Werke aus einer Privatsammlung = Journeys in painting and elsewhere : works from a private collection. Ostfildern: Hatje Cantz, 2008.

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4

Germany), Künstlerhaus (Göttingen, ed. Per Kirkeby: Malerei und Skulpturen : 11.4.-13.6.2010, Künstlerhaus Göttingen. Göttingen: Künstlerhaus mit Galerie, 2010.

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5

Walter, Grasskamp, and Michael Werner (Gallery), eds. Per Kirkeby: Recent paintings, 5 June - 27 July 2013. London: Michael Werner Gallery, 2013.

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6

1952-, Zacharopoulos Denys, and Arts Club of Chicago, eds. Per Kirkeby. Chicago: Arts Club of Chicago, 2007.

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7

Banister, Manly Miles. Practical guide to etching and other intaglio printmaking techniques. New York: Dover, 1986.

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8

translator, Biesalski Petra, Tøjner Poul Erik author, Wetzel Michael (Translator) translator, Paula Modersohn-Becker Museum, and Louisiana (Museum : Humlebæk, Denmark), eds. Per Kirkeby: Werke aus dem Louisiana Museum of Modern Art. Bremen: Museen Böttcherstrasse, Paula Modersohn-Becker Museum, 2016.

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9

Dohmen, Walter. Der Tiefdruck: Vom Kupferstich bis zur Fotoradierung : Geschichte, Kunst, Technik. Köln: DuMont, 1986.

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10

Gilles, Altieri, Abécassis Anne Catherine, Wat Pierre, and Hôtel des arts (Toulon, France), eds. Per Kirkeby. Toulon: Hôtel des arts, 2004.

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11

Haberkorn, Lucas. Per Kirkeby: Rejser i det høje nord = journeys to the far north. Silkeborg: Museum Jorn, 2017.

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12

Verclas, Till. Musterbuch: 40 tief- und hockdrucktafeln und einige contre épreuves. Hamburg: Un Anno Un Libro, 1995.

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13

Hunston, Donald L. Relationships between mechanical properties and performance of inks as the basis for quality control techniques. Gaithersburg, MD: U.S. Dept. of Commerce, National Bureau of Standards, 1985.

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14

Smith, Harry B. Modern gravure technology: A literature review. Leatherhead: Pira International, 1994.

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15

Reddy, Krishna. New ways of colour printmaking: Significance of materials and processes. New Delhi: Published jointly by Ajanta Offset & Packagings & Vadhera Art Gallery, 1997.

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16

Pupiro, Saslaya. La letra con sangre entra. Matagalpa, Nicaragua: Saslaya Pupiro, 2013.

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17

1925-2019, Morris Henry, and Heal Ambrose 1872-1959, eds. The art of intaglio produced on a letterpress with a collection of twelve prints of 18th century London tradesmen's cards: Schlocker & the fishes. Newtown, PA: Bird & Bull Press, 2010.

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18

Mostra biennale internazionale di calcografia (1st 2002 Venice, Italy). Il grande formato nell'incisione contemporanea: Mostra biennale internazionale di calcografia. Cinisello Balsamo, Milano: Silvana, 2002.

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19

Jendrucko, Richard J. Waste minimization assessment for manufacturer of gravure-coated metalized paper and metalized film. Cincinnati, OH: U.S. Environmental Protection Agency, Risk Reduction Engineering Laboratory, 1994.

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20

Anna, Grelle Iusco, Rossi, Lorenzo Filippo de', 17th/18th cent., and Istituto nazionale per la grafica (Italy), eds. Indice delle stampe intagliate in rame a bulino e in acqua forte esistenti nella stamperia di Lorenzo Filippo De' Rossi: Contributo alla storia di una stamperia romana. Roma: Artemide, 1996.

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21

Jendrucko, Richard J. Waste minimization assessment for manufacturer of gravure-coated metalized paper and metalized film. Cincinnati, OH: U.S. Environmental Protection Agency, Risk Reduction Engineering Laboratory, 1994.

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22

Peru) Bienal Internacional de Grabado ICPNA (5th 2016 Lima. 5 BIG ICPNA: Bienal Internacional de Grabado ICPNA 2016. Lima, Perú: Instituto Cultural Peruano Norteamericano, 2017.

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23

Deutscher Akademischer Austauschdienst. Berliner Künstlerprogramm, ed. Jennifer Bornstein. Köln: Verlag der Buchhandlung Walther König, 2016.

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24

Pazzi, Sandro, and Riccardo Piccardoni. Il segno nel tempo. [Ascoli Piceno?]: Provinciale di Ascoli Piceno, 2002.

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25

Rutgers Archives for Printmaking Studios. Intaglio printing in the 1980s: Prints, plates, and proofs from the Rutgers Archives for Printmaking Studios. [New Brunswick, N.J.]: Rutgers, the State University of New Jersey, 1990.

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26

María, Cruz de Carlos, Matilla José Manuel, and Biblioteca Nacional (Spain), eds. Grabadores extranjeros en la Corte española del Barroco. Madrid: Biblioteca Nacional de España, 2011.

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27

Intaglio. A&C; Black, 2008.

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28

Jan Koblasa: Intaglio Prints. University of Chicago Press, 2011.

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29

Leaf, Ruth. Etching, Engraving and Other Intaglio Printmaking Techniques. Dover Publications, Incorporated, 2012.

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30

Leaf, Ruth. Etching, Engraving and Other Intaglio Printmaking Techniques. Dover Publications, Incorporated, 2012.

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31

My Life in Football. Headline Book Publishing, 2009.

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32

Etching And Photopolymer Intaglio Techniques. A&C; Black, 2006.

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33

Howard, Keith. The Contemporary Printmaker: Intaglio-Type & Acrylic Resist Etching. Write-Cross Press, 2003.

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34

Per Kirkeby. Fruitmarket Gallery, 1985.

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35

Gravure specifications and tolerances. [Naples, FL]: PLGA Global, 2010.

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36

Stijnman, Ad. Engraving and Etching 1400-2000: A History of the Development of Manual Intaglio Printmaking Processes. Archetype Books, 2012.

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37

Hayes, Walter L. The Three Groups of Printing - Relief, Planographic and Intaglio. Read Books, 2012.

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38

Diao ke shi guang: Zhongguo you piao diao ke ao ban kou shu shi = Engravers through time : a history of Chinese intaglio postage stamps. Beijing: Beijing da xue chu ban she, 2018.

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39

Staff, SendPoints. Art of Printing. Sendpoints Publishing Company Limited, 2018.

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40

Lowry, McKenzie. Good, bad, and humorous. 1987.

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41

Denison, Herbert. A Treatise on Photogravure in Intaglio by the Talbot-Klic Process. Franklin Classics Trade Press, 2018.

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42

Denison, Herbert. A Treatise on Photogravure in Intaglio by the Talbot-Klic Process. Franklin Classics, 2018.

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43

GRABADO NO TÓXICO: NUEVOS PROCEDIMIENTOS Y MATERIALES. Universidad de Barcelona, Publicacions, 2007.

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44

Adam, Robert, and Carol Robertson. Intaglio: Acrylic-Resist Etching, Collagraphy, Engraving, Drypoint, Mezzotint. Thames & Hudson, 2007.

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45

La estampa de devoción en la Espanña de los siglos XVIII y XIX: Trescientos cincuenta y siete grabados abiertos a talla dulce por burilistas españoles. Granada: Editorial Universidad de Granada, 2015.

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46

Elson, Alfred Walter. Reproductive Processes of the Graphic Arts: A Brief Description of Relief, Intaglio, and Planographic Printing Processes, Issue 29. Creative Media Partners, LLC, 2023.

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47

The Well at Morning: Selected Poems, 1925-1971. Karolinum Press, Charles University, 2018.

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48

Barnes, Scott. Making Photogravures With Polymer Plates: A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with ... by hand with traditional intaglio processes. ARTandWATER editions, 2013.

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49

Gale, Colin. Practical Printmaking. A&C Black Publishers Limited, 2009. http://dx.doi.org/10.5040/9781789942859.

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Abstract:
This book presents an overview of the core printmaking areas: intaglio, lithography, collagraph, monoprinting, relief printing and screenprinting. There are also sections on Health & Safety, Workshop and Studio Space, and Displaying and Storing Prints, as well as a comprehensive glossary and list of suppliers. Separate chapters covering digital printmaking and the use of photography in printmaking ensure that the book is up to date with contemporary practice. Each chapter rounds off with a small gallery section showcasing the work of contemporary printmakers working with the relevant techniques. In each instance, the cheapest and easiest methods for each technique is explained and wherever possible the author covers methods for making prints at home, without the need for expensive equipment and presses. The whole book is filled with step-by-step sequences and clear instructions. The result is an excellent guide for the beginner and useful reference for the intermediate printmaker on all the printmaking techniques and how to use them.
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