Books on the topic 'Instruments de musique – Facture (instruments de musique) – Histoire'

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1

Vibert-Guigue, Françoise, and Brigitte Bouhet. La musique. Paris: Larousse, 1999.

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2

Colloque "Recherche scientifique & facture d'instruments de musique" (1985 Paris, France). Actes du Colloque "Recherche scientifique & facture d'instruments de musique": Paris, 19-20 avril 1985. Paris: CENAM, 1986.

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3

Collins, Nicolas. Handmade electronic music: The art of hardware hacking. 2nd ed. New York: Routledge, 2009.

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4

Collins, Nicolas. Handmade Electronic Music. London: Taylor and Francis, 2006.

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5

Thibault, Nathalie. La musique. Montréal, Québec: Éditions Les Malins, 2015.

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6

Laurens, Claire. Trop facile, la musique! Arles [France]: Actes Sud, 2013.

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7

civilisations, Musée canadien des. Opus: La facture instrumentale au Canada. Hull, Québec: Musée canadien des civilisations, 1992.

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8

Bec, Pierre. Les instruments de musique d'origine arabe: Sens et histoire de leurs désignations. [Toulouse]: Conservatoire occitan centre des musiques et danses traditionnelles en Midi-Pyrénées, 2004.

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9

Maioli, Walter. Son et musique: Leurs origines. [Paris]: Flammarion, 1991.

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10

Kreusch-Jacob, Dorothée. Das Musikbuch für Kinder. Ravensburg: Otto Maier, 1992.

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11

Kolneder, Walter. The Amadeus book of the violin: Construction, history, and music. Portland, Or: Amadeus Press, 1998.

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12

Blaxland, Wendy. Guitars. South Yarra, Vic: Macmillan Education Australia, 2010.

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13

Haine, Malou. Les facteurs d'instruments de musique à Paris au XIXe siècle: Des artisans face à l'industrialisation. Bruxelles, Belgique: Editions de l'Université de Bruxelles, 1985.

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14

Naxos. À la découverte du classique: Introduction à la musique classique: genres, instruments, histoire, compositeurs et discographie. Scarborough, Ont: Naxos of Canada, 1996.

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15

Subramaniam, L. Classical music of India: A practical guide. Chennai: Tranquebar Press, 2018.

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16

Hoheisel, Ina, and Beatrix Darmstädter. Unisonus: Musikinstrumente erforschen, bewahren, sammeln. Wien: Praesens Verlag, 2014.

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17

Frédéric, Chauvaud, ed. Le sanglot judiciaire: La désacralisation de la justice, VIIIe-XXe siècles : séminaire de Royaumont, [1993-1994]. Grâne: Ed. Créaphis, 1999.

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18

Royaumont, Fondation, ed. Instruments à cordes du Moyen Age: Actes du colloque de Royaumont, 1994. Grâne: Centre européen pour la recherche et l'interprétation des musiques médiévales, 1999.

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19

Dampierre, Eric de. L' humanité des harpes. Nanterre: Société d'ethnologie, 1998.

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20

Remnant, Mary. Historia de los instrumentos musicales. Teià, Barcelona: Ma Non Troppo, 2002.

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21

Remnant, Mary. Musical instruments: An illustrated history : from antiquity to the present. Portland, Or: Amadeus Press, 1989.

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22

Lewis, Marshall Robert, ed. Eighteenth-century keyboard music. New York: Schirmer Books, 1994.

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23

Stephen, Jones. Folk music of China: Living instrumental traditions. Oxford: Clarendon Press, 1995.

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24

Stephen, Jones. Folk music of China: Living instrumental traditions. Oxford: Clarendon Press, 1998.

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25

Letnanova, Elena. Piano interpretation in the seventeenth, eighteenth, and nineteenth centuries: A study of theory and practice using original documents. Jefferson, N.C: McFarland, 1991.

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26

1936-, McGee Timothy J., ed. Instruments and their music in the Middle Ages. Farnham Surrey ; Burlington, VT: Ashgate, 2009.

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27

1936-, McGee Timothy J., ed. Instruments and their music in the Middle Ages. Farnham Surrey ; Burlington, VT: Ashgate, 2009.

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28

1936-, McGee Timothy J., ed. Instruments and their music in the Middle Ages. Farnham Surrey ; Burlington, VT: Ashgate, 2009.

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29

Cyr, Mary. Style and performance for bowed string instruments in French baroque music. Farnham, Surrey, England: Ashgate Pub., 2012.

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30

Lewis, Marshall Robert, ed. Eighteenth-century keyboard music. 2nd ed. New York: Routledge, 2003.

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31

Siepmann, Jeremy. The piano. New YorK: Knopf, 1997.

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32

Siepmann, Jeremy. The piano. London: Carlton, 2001.

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33

Siepmann, Jeremy. The piano. London: Carlton, 1996.

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34

Kuttner, Fritz A. The archaeology of music in ancient China: 2000 years of acoustical experimentation, 1400 B.C.-A.D. 750. New York: Paragon House, 1990.

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35

Roger, Heaton, ed. The versatile clarinet. New York: Routledge, 2006.

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36

Matière et musique: The Cluny encounter : proceedings of the European encounter on instrument making and restoration = actes de la rencontre européenne autour de la facture instrumentale = Akten van het Europees Congres over instrumentenbouw en -restauratie (Cluny, 1999). Antwerpen: Labo 19, 2000.

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37

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2009.

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38

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2009.

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39

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2014.

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40

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2020.

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41

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2020.

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42

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2020.

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43

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2009.

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44

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2014.

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45

Collins, Nicolas. Handmade Electronic Music. Taylor & Francis Group, 2020.

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46

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Taylor & Francis Group, 2009.

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47

Collins, Nicolas. Handmade Electronic Music: The Art of Hardware Hacking. Routledge, 2014.

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48

Hopkin, Bart, and Sudhu Tewari. Sound Inventions: Selected Articles from Experimental Musical Instruments. Taylor & Francis Group, 2021.

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49

Hopkin, Bart, and Sudhu Tewari. Sound Inventions: Selected Articles from Experimental Musical Instruments. Taylor & Francis Group, 2021.

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50

Hopkin, Bart, and Sudhu Tewari. Sound Inventions: Selected Articles from Experimental Musical Instruments. Taylor & Francis Group, 2021.

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