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Journal articles on the topic 'Instrumental music'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Alperson, Philip. "Instrumental Music and Instrumental Value." Journal of Aesthetic Education 27, no. 1 (1993): 2. http://dx.doi.org/10.2307/3333335.

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2

Maxim, Christopher. "Buxtehude instrumental music." Early Music XXVII, no. 4 (November 1999): 677–78. http://dx.doi.org/10.1093/earlyj/xxvii.4.677.

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3

Webber, G. "Buxtehude instrumental music." Early Music 40, no. 1 (February 1, 2012): 145–47. http://dx.doi.org/10.1093/em/cas009.

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4

Pons, Elena. "Iberian instrumental music." Early Music 43, no. 4 (September 15, 2015): 699–701. http://dx.doi.org/10.1093/em/cav087.

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5

Banks, Jon. "Renaissance instrumental music." Early Music 45, no. 1 (February 2017): 144–46. http://dx.doi.org/10.1093/em/cax031.

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6

Arikhman, Nova. "Penurunan Intensitas Nyeri Persalinan Fase Aktif Kala I Melalui Terapi Musik Instrumental." Jurnal Keperawatan Indonesia 13, no. 1 (March 24, 2010): 32–36. http://dx.doi.org/10.7454/jki.v13i1.228.

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AbstrakIntensitas nyeri selama persalinan yang berlebihan dapat merugikan ibu dan janin. Terapi musik instrumental sebagai teknik nonfarmakologi, berguna menimbulkan efek distraksi dan relaksasi. Tujuan penelitian ini mengetahui pengaruh terapi music instrumental terhadap intensitas nyeri saat persalinan. Penelitian metode kuasi-eksperimen dengan pre post-test desain ini dilakukan pada 18 ibu multipara yang mengalami persalinan kala I di ruang bersalin kebidanan rumah sakit X. Pengambilan sampel melalui metode consecutive sampling. Data dianalisa melalui uji Paired t-test dan Wilcoxon sign rank test. Hasil penelitian menunjukkan bahwa perlakuan terapi musik instrumental berpengaruh signifikan terhadap penurunan intensitas nyeri (p= 0.017, α= 0,05). Penelitian ini merekomendasikan agar terapi musik instrumental sebagai salah satu terapi nonfarmakologis digunakan dalam menurunkan persepsi intensitas nyeri pada ibu multipara yang mengalami persalinan fisiologis kala I. AbsractSeverity of labor pain may damage mother and infant. Therefore, instrumental music therapy as non-pharmacology technique can be used for distraction and relaxation. This research aims to study about the effect of instrumental music therapy to severity of labor pain. Method of this research is quasi-experiment with pre post-test design, involving 18 multiparous mothers who experienced stage I labor in labor room of X hospital. Samples are selected through consecutive sampling. Data was analyzed by paired t-test and Wilcoxon sign rank test.The research shown that instrumental music therapy significantly relieved the severity of pain labor (p= 0.017, α= 0,05). The research recommended that instrumental music therapy can be used as non- pharmacological therapy to relieve the severity of labor pain for multiparous mothers who experience stage I labor.
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7

Yunizar, Vania R., Mita Juliawati, and Lia H. Andayani. "Pengaruh Musik Instrumental terhadap Kecemasan Pasien pada Tindakan Perawatan Gigi dan Mulut." e-GiGi 12, no. 2 (November 11, 2023): 192–98. http://dx.doi.org/10.35790/eg.v12i2.50562.

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Abstract: Dental anxiety is feeling of fear when visiting a dentist for a dental procedures. Dental anxiety can be caused by many factors such as previous traumatic experience at the dentist, lack of understanding of the dental and oral care procedures, and unpleasant experiences of those around him/her about dental and oral care. Indicators of anxiety can be evaluate with the modified dental anxiety scale (MDAS) and the patient's systemic reaction, namely blood pressure. Reducing anxiety and blood pressure can be overcome with pharmacological and non-pharmacological techniques, one of which is instrumental music. This study aimed to determine the effect of instrumental music on patient anxiety in dental and oral care procedures. This was an experimental study conducted on 63 adult patients. Subjects filled out the MDAS questionnaire to evaluate their level of anxiety and were checked their blood pressure before and after treatment. Data were analyzed using the Wilcoxon test and one-way ANOVA to determine the effect of instrumental music on anxiety. The results showed significant differences in patient anxiety before and after being given instrumental music based on the MDAS questionnaire (p=0.000), systolic blood pressure (p=0.000), and diastolic blood pressure (p=0.000). In conclusion, instrumental music can reduce the patient's anxiety level. Keywords: dental anxiety; blood pressure; instrumental music; modified dental anxiety scale Abstrak: Kecemasan dental merupakan rasa takut ketika akan melakukan kunjungan ke dokter gigi untuk suatu tindakan kedokteran gigi. Kecemasan dental dapat disebabkan oleh berbagai faktor seperti pengalaman yang traumatik sebelumnya saat ke dokter gigi, kurangnya pemahaman tentang prosedur perawatan gigi dan mulut yang akan dilakukan, serta pengalaman orang di sekitarnya tentang perawatan gigi dan mulut yang tidak menyenangkan. Indikator kecemasan dapat dinilai dengan modified dental anxiety scale (MDAS) dan reaksi sistemik pasien yaitu tekanan darah. Untuk menurunkan kecemasan dan tekanan darah dapat diatasi dengan teknik farmakologi dan non-farmakologi, salah satunya dengan menggunakan musik instrumental. Penelitian ini bertujuan untuk mengetahui pengaruh musik instrumental terhadap kecemasan pasien pada tindakan perawatan gigi dan mulut. Jenis penelitian ialah eksperimental yang dilakukan pada 63 pasien dewasa dengan mengisi kuesioner MDAS untuk melihat tingkat kecemasan dan dilakukan pengecekan tekanan darah sebelum dan setelah perawatan. Data dianalisis menggunakan uji Wilcoxon dan one way ANOVA untuk mengetahui pengaruh musik instrumental terhadap kecemasan. Hasil penelitian mendapatkan perbedaan bermakna pada kecemasan pasien sebelum dan setelah diberi musik instrumental berdasarkan kuesioner MDAS (p=0,000), tekanan darah sistolik (p=0,000), dan tekanan darah diastolik (p=0,000). Simpulan penelitian ini aialah musik instrumental dapat menurunkan tingkat kecemasan. Kata kunci: kecemasan dental; tekanan darah; musik instrumental; modified dental anxiety scale
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8

Nurwansah, Ilham. "Penelusuran Jejak Musik Instrumental dalam Naskah Sunda Kuna." Manuskripta 10, no. 1 (August 25, 2020): 95. http://dx.doi.org/10.33656/manuskripta.v10i1.141.

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Abstract: Until the early 20th century, the Sundanese region was considered to have no musical history, even though such information contained, among others, the Old Sundanese script. Not many researches on the history of Sundanese music have used Old Sundanese textual sources. This paper discusses aspects of instrumental music found in Old Sundanese texts including terms used to refer to music and the types of musical instruments used. The sources used are Old Sundanese texts from the pre-Islamic period between the 15th and 17th centuries AD. Several Old Sundanese musical instruments are still known and used today with or without changes. Others are no longer known. Old Sundanese musical instruments are played alone or in groups, either on a stage or a parade. Its function is to accompany entertainment and also to accompany the ritual process. The basic material for the body of the musical instrument used is generally bronze metal and wood, including bamboo. --- Abstrak: Hingga awal abad ke-20 wilayah Sunda dianggap tidak memiliki sejarah musik, padahal informasi demikian antara lain terdapat dalam naskah Sunda Kuna. Penelitian sejarah musik Sunda pun tampaknya belum banyak yang menggunakan sumber tekstual Sunda Kuna. Tulisan ini membahas aspek-aspek musik instrumental yang terdapat pada teks-teks Sunda Kuna mencakup istilah yang digunakan untuk menyebut musik dan jenis-jenis alat musik yang digunakan. Sumber-sumber yang digunakan yaitu teks Sunda Kuna dari masa pra-Islam antara abad ke-15 sampai abad ke-17 M. Beberapa instrumen musik Sunda Kuna masih dikenal dan digunakan hingga sekarang dengan atau tanpa perubahan. Sebagian lainnya sudah tidak dikenal. Instrumen musik Sunda kuna ada yang dimainkan sendiri maupun berkelompok, baik pada sebuah panggung maupun parade. Fungsinya untuk mengiringi hiburan dan juga mengiringi proses ritual. Bahan dasar badan alat musik yang digunakan umumnya berupa logam perunggu dan kayu-kayuan, termasuk bambu. Keywords: Old Sundanese, music, instrumental. Kata Kunci: Sunda Kuna, musik, instrumental.
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9

Huband, J. Daniel. "Robert Ward's Instrumental Music." American Music 13, no. 3 (1995): 333. http://dx.doi.org/10.2307/3052619.

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10

Goolsby, Thomas W. "Assesment in Instrumental Music." Music Educators Journal 86, no. 2 (September 1999): 31–50. http://dx.doi.org/10.2307/3399587.

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11

Davies, S. "Profundity in Instrumental Music." British Journal of Aesthetics 42, no. 4 (October 1, 2002): 343–56. http://dx.doi.org/10.1093/bjaesthetics/42.4.343.

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12

RIMMER, JOAN. "MEDIEVAL INSTRUMENTAL DANCE MUSIC." Music and Letters 72, no. 1 (1991): 61–68. http://dx.doi.org/10.1093/ml/72.1.61.

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13

Jones, Richard D. P. "German Baroque instrumental music." Early Music XXIII, no. 2 (May 1995): 335–37. http://dx.doi.org/10.1093/earlyj/xxiii.2.335.

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14

Pratt, George. "Music for instrumental ensembles." British Journal of Music Education 5, no. 3 (November 1988): 320–22. http://dx.doi.org/10.1017/s0265051700006732.

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15

Behague, Gerard, Alcides Lanza, and Meg Sheppard. "Instrumental & Electronic Music." Latin American Music Review / Revista de Música Latinoamericana 18, no. 2 (1997): 337. http://dx.doi.org/10.2307/780404.

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16

Roche, E. "Rare Italian instrumental music." Early Music 35, no. 3 (June 4, 2007): 477–80. http://dx.doi.org/10.1093/em/cam036.

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17

Maunder, R. "Italian Baroque instrumental music." Early Music 37, no. 4 (November 1, 2009): 689–91. http://dx.doi.org/10.1093/em/cap099.

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18

Brainard, Ingrid. "Medieval instrumental dance music." Dance Chronicle 15, no. 2 (January 1992): 237–43. http://dx.doi.org/10.1080/01472529208569096.

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19

Putri, Okta Dwistyana, and Dayan Hisni. "Intervensi Terapi Musik Instrumental terhadap Kualitas Tidur pada Klien dengan Diagnosa Medischronic Kidney Disease Stage V yang Menjalani Hemodialisis di Rs Universitas Kristen Indonesia." Jurnal Kreativitas Pengabdian Kepada Masyarakat (PKM) 6, no. 3 (March 1, 2023): 1238–46. http://dx.doi.org/10.33024/jkpm.v6i3.8930.

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ABSTRAK Pada pasien dengan chronic kidney disease (CKD), produksi eritropoeitin menurun sehingga mengakibatkan terjadinya anemia, nafas pendek, insomnia dan kelelahan. Salah satu komplikasi yang terjadi pada pasien hemodialisis yaitu insomnia dan penurunan kualitas tidur. Oleh karena itu, komplikasi ini perlu diantisipasi, dikendalikan, serta diatasi agar kualitas hidup pasien tetap optimal dan kondisi yang lebih buruk tidak terjadi. Salah satu tindakan non farmakologis untuk mengantisipasi adalah dengan memberikan terapi musik instrumental. Tujuan untuk menganalisis asuhan keperawatan melalui intervensi terapi musik instrumental terhadap kualitas tidur pada klien dengan diagnosa medis chronic kidney disease stage V yang menjalani hemidialisis. Metode menggunakan case study, sampel yang digunakan adalah 2 klien dengan menggunakan Instrumen berupa kuesioner The Pittsburgh Sleep Quality Index (PSQI). Hasil penelitian ini adalah terapi musik instrumental efektif digunakan untuk meningkatkan kualitas tidur. Kesimpulan terdapat adanya pengaruh terapi musik instrumental terhadap kualitas tidur pada klien chronic kidney disease (CKD). Analisis terapi menunjukkan adanya peningkatan pada kualitas tidur terhadap kedua klien tersebut. Bagi penelitian keperawatan, hasil penelitian ini dapat digunakan sebagai dasar penelitian selanjutnya dalam mengembangkan penelitian kuantitatif dengan desain lain yang terkait dengan kualitas tidur. Kata Kunci : Chronic Kidney Disease (CKD), Terapi Musik Instrumental, Kualitas Tidur ABSTRACT In patients with chronic kidney disease (CKD), erythropoietin production decreases resulting in anemia, shortness of breath, insomnia and fatigue. One of the complications that occurs in hemodialysis patients is insomnia and decreased sleep quality. Therefore, these complications need to be anticipated, controlled, and addressed so that the patient's quality of life remains optimal and worse conditions do not occur. One of the non-pharmacological measures to anticipate is to provide instrumental music therapy. Objective to analyze nursing care through instrumental music therapy intervention on sleep quality in clients with a medical diagnosis of chronic kidney disease stage V undergoing hemodialysis. The method uses a case study, the sample used is 2 clients using an instrument in the form of the Pittsburgh Sleep Quality Index (PSQI) questionnaire. The results of this study are that instrumental music therapy is effectively used to improve sleep quality. The results of this study are that instrumental music therapy is effectively used to improve sleep quality. The conclusion is that there is an effect of instrumental music therapy on sleep quality in chronic kidney disease (CKD) clients. Therapy analysis showed an increase in sleep quality for both clients. For nursing research, the results of this study can be used as a basis for further research in developing quantitative research with other designs related to sleep quality. Keywords : Chronic Kidney Disease (CKD), Instrumental Music Therapy, Sleep Quality.
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Seprian, Dwin, Nurul Hidayah, and Masmuri Masmuri. "Penurunan Stres Akademik dengan Terapi Musik Instrumental Frekuensi 432 Hertz pada Mahasiswa Keperawatan Kota Pontianak: Studi Quasy Experimental." Malahayati Nursing Journal 5, no. 10 (October 1, 2023): 3462–71. http://dx.doi.org/10.33024/mnj.v5i10.11122.

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ABSTRACT In Indonesia, the incidence of academic stress among students reaches a prevalence of 55% and the risk increases every year. Academic stress in nursing students is related to the demands of fulfilling their competency achievements from the lecture process and field practice. Music therapy, sound frequencies from instruments have an important role in influencing brain waves. The frequency of 432 Hertz is a frequency that is close to the natural frequency in humans and is most widely used in sound healing. Music with a frequency of 432 Hertz with slow tempo rhythms and melodies has a physical and mood relaxing effect. This study aims to determine the effectiveness of 432 Hertz frequency instrumental music therapy in reducing academic stress for Pontianak city nursing students. This research method is a quasi experiment with a pre-test post-test approach without control group with a total of 60 respondents. The sampling method uses Accidental Sampling. Marginal Homogeneity statistical test to see changes in academic stress variables before and after being given instrumental music therapy with a frequency of 432 Hertz. Based on the results of the Marginal Homogeneity test analysis, it shows a p-value: 0.000 (p>0.05), which means that there is effectiveness of 432 Hertz frequency instrumental music therapy in reducing academic stress in Pontianak city nursing students. This research shows that instrumental music therapy with a frequency of 432 Hertz is effective in reducing the academic stress of Pontianak city nursing students. Keywords: Music Therapy, Frequency 432 Hertz, Academic Stress ABSTRAK Di Indonesia, angka kejadian stres akademik pada mahasiswa mencapai prevalensi 55% dan mempunyai resiko semakin bertambah setiap tahunnya. Stres akademik pada mahasiswa keperawatan berkaitan dengan tuntutan pemenuhan capaian kompetensinya dari proses perkuliahan dan praktik lapangan. Terapi musik frekuensi suara dari instrumen memiliki peranan penting dalam mempengaruhi gelombang otak. Frekuensi 432 Hertz adalah frekuensi yang mendekati frekuensi alami pada manusia dan paling banyak digunakan di dalam sound healing. Musik dengan frekuensi 432 Hertz dengan irama dan melodi tempo pelan memiliki efek relaksasi fisik dan mood. Penelitian ini bertujuan untuk mengetahui efektivitas terapi musik instrumental frekuensi 432 Hertz terhadap penurunan stres akademik mahasiswa keperawatan kota Pontianak. Metode penelitian ini adalah quasy experiment dengan pendekatan pre-test post-test without control group dengan jumlah 60 responden. Metode pengambilan sampel menggunakan Accidental Sampling. Uji statistik Marginal Homogeneity untuk melihat perubahan variabel stres akademik sebelum dan sesudah diberikan terapi musik instrumental dengan frekuensi 432 Hertz. Berdasarkan hasil analisis uji Marginal Homogeneity menunjukkan nilai p-value: 0,000 (p>0,05) yang dapat diartikan bahwa ada efektivitas terapi musik instrumental frekuensi 432 Hertz terhadap penurunan stres akademik mahasiswa keperawatan kota Pontianak. Penelitian ini menunjukkan terapi musik instrumental frekuensi 432 Hertz efektif dalam penurunan stres akademik mahasiswa keperawatan kota Pontianak. Kata Kunci: Terapi Musik, Frekuensi 432 Hertz, Stres Akademik
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21

Galingging, Kamaluddin, Junita Batubara, Tulus Marbun, and Juliaster Marbun. "Komposisi Musik Alam Menyapa sebagai Media Terapi Pasien Narkoba di Yayasan Mutiara Abadi Binjai (MAB) Sumatera Utara." Resital:Jurnal Seni Pertunjukan 24, no. 2 (August 3, 2023): 157–66. http://dx.doi.org/10.24821/resital.v24i2.7864.

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The objective of this research is to provide an alternative treatment for people affected by drugs at Mutiara Abadi Binjai Foundation (MAB). Currently, music therapy has been promoted as one of the treatments for various patient conditions. This treatment can be conducted through auditory system in which the audio is then connected to the nerves of the brain. These nerves have relationship with the emotional behavior system. The composition of the instrumental music of Alam Menyapa was used by the author as a therapeutic media for drug patients at Mutiara Abadi Binjai Foundation. The choice of the composition of the instrumental music of Alam Menyapa was based on the strains of the music which are more calming since it combines natural sounds and musical instruments in the form of digital music. The author applied mixed method or both qualitative and quantitative. In this research, the author implemented passive music therapy as it is an easy and highly effective therapy. The patients were instructed to sit down, then listened to the instrumental music through BmT (Music Box Therapy). The results of this research show that patients who take part in music therapy of Alam Menyapa feel they can decrease their stress levels while staying in rehabilitation at Mutiara Abadi Binjai Foundation (MAB). Moreover, they are also able to increase their self-esteem to return for living in society when they release.Terapi musik adalah sebagai salah satu alternatif sistem pengobatan bagi orang-orang yang terdampak narkoba di Yayasan Mutiara Abadi Binjai (MAB). Saat ini sedang mulai digalakkan terapi musik dapat menjadi salah satu pengobatan dengan berbagai kondisi pasien. Perlakuan ini bisa dilakukan dengan cara melalui sistem pendengaran. Melalui pendengaran yang kemudian dihubungkaitkan dengan saraf otak dimana memiliki hubungan dengan sistem perilaku emosional. Karya komposisi musik instrumental Alam Menyapa digunakan sebagai alat pengobatan terapi kepada pasien narkoba di Yayasan Mutiara Abadi Binjai. Pemilihan komposisi musik instrumental Alam Menyapa ini berdasarkan alunan musiknya lebih bersifat menenangkan dengan adanya penggabungan suara-suara alam dan instrumen musik digital. Metode penelitian yang yang digunakan adalah metode penelitian campuran yaitu kualitatif dan kuantitatif Pemilihan terapi musik secara pasif merupakan terapi yang lebih mudah dilakukan dan sangat efektif, dimana pasien duduk, kemudian mendengarkan musik isntrumental melalui Box musik Terapi (BmT). Hasil dari penelitian ini adalah pasien-pasien yang mengikuti terapi musik Alam Menyapa merasakan dapat menurunkan tingkat stress mereka selama dalam rehabilitasi di Yayasan Mutiara Abadi Binjai (MAB) dan memiliki kepercayaan diri untuk kembali melakukan kehidupan ditengah-tengah masyarakat.
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22

Thornton, Linda, and Mara E. Culp. "Instrumental Opportunities: Music for All." Update: Applications of Research in Music Education 38, no. 3 (February 27, 2020): 48–57. http://dx.doi.org/10.1177/8755123320907140.

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Although resources exist to help instrumental music teachers assist learners in inclusive settings, students’ voices may be absent from those resources. As such, music teachers may struggle to honor the needs and experiences of students with physical differences. Students with physical differences may be steered away from instrumental music or toward an instrument that may not be the student’s preference. The purpose of this study was to understand the stories of students with physical differences and their teacher to examine how participation in instrumental music was enabled in this setting. Data were generated through examining artifacts and completing interviews with the instrumental music teacher, students, and students’ parents. Interview data were analyzed using process/action coding. Main themes that emerged were (a) previous experiences and prior knowledge, (b) recognizing strengths and challenges, (c) perseverance toward desires in the face of uncertainty, (d) help and support from others, and (e) materials. Implications for future research and possible applications to music teaching and music teacher education are discussed.
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Voigt, Boris. "Musikästhetik für den Homo oeconomicus." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 58, no. 1 (2013): 97–120. http://dx.doi.org/10.28937/1000106213.

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Autonome Musik ist nur als Ware denkbar. Diese treffende Einsicht liegt bereits der Musikästhetik Adam Smiths zugrunde, darf jedoch nicht missverstanden werden als ein auf die Musik gerichteter ökonomischer Determinismus. Vielmehr unterliegt Smiths ökonomische Theorie selbst in hohem Maße einer Ästhetisierung. Beide Ebenen, Ästhetik und Ökonomie, sind strukturell aneinander gekoppelt. Besonders deutlich wird dies an Smiths musikästhetischen Überlegungen. Er unterscheidet strikt zwischen Vokal- und Instrumentalmusik, wobei die Vokalmusik durch die Kommunikation von Sympathierelationen charakterisiert ist, während die Instrumentalmusik lediglich sich selbst kommuniziert, also autonom ist und damit der Denkfigur der unsichtbaren Hand entspricht, die in der Instrumentalmusik tatsächlich ihren präzisesten Ausdruck findet.<br><br>Autonomous music is conceivable only as a commodity. This striking insight is already underlying Adam Smith’s aesthetics of music, but it should not be misunderstood as an economic determinism on music. Rather, Smith’s economic theory itself is subject of aestheticisation. Both levels, aesthetics and economics, are structurally coupled. This is particularly evident in Smith’s musical-aesthetic considerations. He distinguishes clearly between vocal and instrumental music. While vocal music is characterised by the communication of relations of sympathy, instrumental music communicates only itself and is therefore autonomous. Thus it corresponds to the figure of the invisible hand, which actually has its most precise expression in instrumental music.
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Auliya', Eldiana Putri, and Ananta Yudiarso. "Medium Effect Size Terapi Musik untuk Menurunkan Kecemasan melalui Musik Klasik, Tradisional dan Relaksasi/Instrumental." Jurnal Psikologi Perseptual 8, no. 2 (December 1, 2023): 124–37. http://dx.doi.org/10.24176/perseptual.v8i2.7468.

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This research was aimed to determine the effectiveness of music therapy to reduce anxiety by using a meta-analytic method through a literature review of 13 international research journals between 2010 until 2021. Some studies have shown that the types of music used to reduce anxiety are relaxing, classical and traditional music. That researchers are interested in take a research with three types of music. There were 1288 participants of 649 experimental groups and 639 control groups. Based on data management M, SD, and N the value of effect size hedge’s g=0,201 (CI-0,255-0,657) with I2 (inconsistency)=88,95% and Egger Bias P= 0,521. The result that classical music is also effective to reducing anxiety with d=1,85. Concluded, that music therapy with music using three types was significantly less effective in reducing anxiety. Penelitian ini bertujuan untuk mengetahui efektivitas terapi musik untuk menurunkan kecemasan dengan menggunakan metode meta-analisis melalui review literatur 13 jurnal dengan penelitian internasional antara tahun 2010 hingga 2021. Beberapa penelitian dapat diketahui jenis musik yang digunakan untuk menurunkan kecemasan adalah musik relaksasi, klasik dan tradisional. Sehingga, peneliti tertarik untuk melakukan penelitian dengan tigas jenis musik tersebut. Pastisipan sebanyak 1288 yang terdiri dari 649 kelompok eksperimen dan 639 kelompok kontrol. Berdasarkan pengelolaan data M, SD dan N dihasilkan nilai effect size hedge’s g = 0,201 (CI-0,255-0,657) dengan I2 (inconsistency) = 88,95% dan Egger Bias P= 0,521. Terapi musik yang efektif untuk menurunkan kecemasan adalah musik relaksasi dengan nilai d sebesar 2,79 dari penelitian Chirico et al. (2020). Hasil lainnya menunjukkan bahwa musik klasik juga efektif dalam menurunkan kecemasan dengan nilai d sebesar 1,85. Demikian hasil menunjukkan effect size medium dan tidak bias publikasi. Hal ini dapat dikatakan bahwa terapi musik dengan melalui tiga jenis musik secara signifikan kurang efektif untuk menurunkan kecemasan
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Nittono, Hiroshi. "Background Instrumental Music and Serial Recall." Perceptual and Motor Skills 84, no. 3_suppl (June 1997): 1307–13. http://dx.doi.org/10.2466/pms.1997.84.3c.1307.

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Although speech and vocal music are consistently shown to impair serial recall for visually presented items, instrumental music does not always produce a significant disruption. This study investigated the features of instrumental music that would modulate the disruption in serial recall. 24 students were presented sequences of nine digits and required to recall the digits in order of presentation. Instrumental music was played either forward or backward during the task. Forward music caused significantly more disruption than did silence, whereas the reversed music did not. Some higher-order factor may be at work in the effect of background music on serial recall.
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Venišnik, Vesna. "Instrumental Music and Franciscan Liturgy." Musicological Annual 50, no. 2 (April 3, 2015): 93–99. http://dx.doi.org/10.4312/mz.50.2.93-99.

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The Franciscan Library in Novo mesto holds a rather large collection of 18th century sacred and secular music. Among the preserved music there are also several symphonies. The article deals with their characteristics and the possibilities of their performance during the church liturgy.
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27

Boyd, Malcolm. "Instrumental Bach." Musical Times 126, no. 1705 (March 1985): 161. http://dx.doi.org/10.2307/961671.

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KIRNBAUER, MARTIN. "Instrumental iconography." Early Music XXIII, no. 4 (November 1995): 734—a—735. http://dx.doi.org/10.1093/earlyj/xxiii.4.734-a.

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KIRNBAUER, MARTIN. "Instrumental iconography." Early Music XXIII, no. 4 (November 1995): 734—b—735. http://dx.doi.org/10.1093/earlyj/xxiii.4.734-b.

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HOEPRICH, ERIC. "Instrumental iconography." Early Music XXIII, no. 4 (November 1995): 735–36. http://dx.doi.org/10.1093/earlyj/xxiii.4.735.

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Kitchen, J. "Instrumental Bach." Early Music 39, no. 2 (April 12, 2011): 283–86. http://dx.doi.org/10.1093/em/car032.

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Knights, F. "Instrumental Bach." Early Music 41, no. 2 (May 1, 2013): 355–58. http://dx.doi.org/10.1093/em/cat049.

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Lockey, Nicholas. "Instrumental Vivaldi." Early Music 47, no. 3 (July 24, 2019): 434–37. http://dx.doi.org/10.1093/em/caz050.

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Almanda, Hafi Hilmiah, Setya Yuwana, and Setyo Yanuartuti. "Kajian pertunjukan musik “Thungka” dalam masyarakat Bawean Gresik (Tinjauan etnomusikologi)." Imaji 21, no. 1 (April 24, 2023): 30–37. http://dx.doi.org/10.21831/imaji.v21i1.49233.

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Penelitian ini menemukan kajian etnomusikologi pada alat musik thungka, karena peneliti ingin mengetahui segala sesuatu yang terdapat dalam alat musik thangka, baik itu berupa aspek fungsi, musikal, instrumental dan sosial budaya musik tradisional thungka. Dalam penelitian ini metode yang digunakan yaitu metode kualitatif. Fungsi musik Thungka pada dasarnya sebagai alat untuk penumbuk padi dalam acara musim panen disetiap tahun akan tetapi sekarang menjadi sebagai media pertunjukan seni tradisional, acara pernikahan sampai keacara penyambutan tamu turis ke Bawean. Alat musik Thungka ini merupakan alat musik tradisional yang tergolong bertangga nada tetratonik yaitu memiliki empat tangganada. Thungka, bahan dasarnya dari ronjengan sampai Alu’ terdiri dari kayu berjenis Jati. Lirik yang dimainkan dalam pertunjukan Thungka memaparkan tentang kehidupan masyarakat Bawean. Kata kunci: Etnomusikolgi, Musik Thungka, Bawean Study of "Thungka" music performance in Bawean Gresik community(An ethnomusicology review) AbstractThis study found an ethnomusicological study on the thungka musical instrument, because the researcher wanted to know everything contained in the thangka musical instrument, whether it was in the form of functional, musical, instrumental and socio-cultural aspects of thungka traditional music. In this study the method used is a qualitative method. The function of Thungka music is basically as a tool for pounding rice in the harvest season every year but now it has become a medium for traditional art performances, weddings to welcoming tourist guests to Bawean. This Thungka musical instrument is a traditional musical instrument that is classified as a tetratonic scale, which has four scales. Thungka, the basic ingredients from ronjengan to pestle are teak wood. The lyrics played in the Thungka show describe the life of the Bawean people.Keywords: Ethnomusicology, Thungka Music, Bawean
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35

Rupert, Robert E. "System for converting oral music to instrumental music." Journal of the Acoustical Society of America 79, no. 4 (April 1986): 1200. http://dx.doi.org/10.1121/1.393330.

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Jōji, Yuasa. "The shadow of tape music on instrumental music." Contemporary Music Review 1, no. 2 (January 1987): 53–74. http://dx.doi.org/10.1080/07494468400640251.

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Dunnigan, Patrick. "The Computer in Instrumental Music." Music Educators Journal 80, no. 1 (July 1993): 32–38. http://dx.doi.org/10.2307/3398652.

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Zdzinski, Stephen F. "Instrumental Music for Special Learners." Music Educators Journal 87, no. 4 (January 2001): 27–63. http://dx.doi.org/10.2307/3399721.

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Komurdzhi, Rustem Zevrievich. "PROBLEM OF INSTRUMENTAL MUSIC PERCEPTION." Manuscript, no. 7 (July 2018): 132–35. http://dx.doi.org/10.30853/manuscript.2018-7.27.

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40

Millican, J. Si. "Describing Instrumental Music Teachers’ Thinking." Update: Applications of Research in Music Education 31, no. 2 (January 29, 2013): 45–53. http://dx.doi.org/10.1177/8755123312473761.

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Gehring, Philip. "Instrumental Music in the Liturgy." Liturgy 6, no. 3 (January 1987): 40–45. http://dx.doi.org/10.1080/04580638709409061.

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Syrus, Peter. "Italian instrumental music from Garland." Early Music XXVIII, no. 1 (February 2000): 121–22. http://dx.doi.org/10.1093/earlyj/xxviii.1.121.

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Willson, Rachel Beckles. "Kurtág's Instrumental Music, 1988–1998." Tempo, no. 207 (December 1998): 15–21. http://dx.doi.org/10.1017/s0040298200006811.

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During the 20 years that followed the completion of his first vocal work, The sayings of Páter Boniemisza op.7 (1963–68), György Kurtág established himself as a composer with an exceptional aptitude for vocal writing. His compositions for voice outweigh those for instruments alone in both quantity and substance throughout this period, during which his second string quartet, Hommage à Mihály András (12 Microludes) op. 13 (1977), is a ravishingly beautiful anomaly.
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Frisch, W. "Memory and Schubert's Instrumental Music." Musical Quarterly 84, no. 4 (January 1, 2000): 581. http://dx.doi.org/10.1093/mq/84.4.581.

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Lychner, John A. "Instrumental Music Experiences from Mexico." Music Educators Journal 94, no. 4 (March 2008): 40–45. http://dx.doi.org/10.1177/00274321080940040105.

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Monelle, Raymond. "Structural Semantics and Instrumental Music." Music Analysis 10, no. 1/2 (March 1991): 73. http://dx.doi.org/10.2307/853999.

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Holman, P. "English and Scottish instrumental music." Early Music 42, no. 2 (April 29, 2014): 307–9. http://dx.doi.org/10.1093/em/cau047.

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Moore, Janet L. S., and Thomas J. Schwirtz. "Instrumental Improvisation in General Music." Soundings (Reston, VA) 6, no. 2 (January 1993): 35–38. http://dx.doi.org/10.1177/104837139300600210.

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Sanjaya, Singgih. "New Composition Concept for Keroncong Music in the Oboe Concerto with Keroncong and Orchestra." International Journal of Creative and Arts Studies 5, no. 2 (December 26, 2018): 75–85. http://dx.doi.org/10.24821/ijcas.v5i2.2413.

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this research aims to design a new concept in keroncong music creation with an explorative method. Keroncong is one kind of entertainment musics in indonesia that has a long existece and evolved up to today. Keroncong music is a musical mixture of a western diatonic music with Javanese gamelan music. the term of keroncong comes from the sound “...crong crong crong...” on the ukulele instrument that played rasquardo. an instrumentation music consists of: vocals, violin, flute, cak, cuk, cello, guitar, and bass. during this moment, keroncong is basically just served as a vocal accompaniment music. this becomes a driving force for the author to compose a special composition for keroncong music solo instrument. there is a new concept used in the arranging of this composition, as follows. this composition is designing a concerto, which is a type of the instrumental musics with a western diatonic instrument on the part-one of the solo oboe and an English horn in part-two, with keroncong music and orchestra. the conclusion of these designs are as follows. Keroncong music will be able to stand on its own as an instrumental music.
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Dong, Xinyi. "Research on Ancient Instrumental Music Performance." Journal of Education and Educational Research 6, no. 1 (November 21, 2023): 106–9. http://dx.doi.org/10.54097/jeer.v6i1.14169.

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As we all know, primitive society is a long historical period. The main expression of primitive music is presented in the rich historical records of mankind, including documentary records, various legends, prehistoric remains and archaeological artifacts, etc. According to various studies, it is not difficult to find out that in the ancient society, poetry, music, and dance are integrated and inseparable from each other, and music occupies a dominant position in them. There are many famous figures about instrumental music performance in ancient times, who had a very positive and far-reaching influence on the development of instrumental music performance in ancient times. This paper discusses the issues related to instrumental music performances in the ancient times.
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