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1

Griss, Martin. Building object-oriented instrument kits. Palo Alto, CA: Hewlett-Packard Laboratories, Technical Publications Department, 1996.

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2

Ressler, John. Pickin' stick: Building a stringed instrument. Atglen, PA: Schiffer Publishing, 2010.

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3

H, Moore John. Building scientific apparatus. 4th ed. Cambridge, UK: Cambridge University Press, 2009.

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4

Jon, Scoville, ed. Sound designs: A handbook of musical instrument building. Berkeley, Calif: Ten Speed Press, 1995.

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5

H, Moore John. Building scientific apparatus. 4th ed. Cambridge, UK: Cambridge University Press, 2009.

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6

Cowan, Joan Bell. Gamelan range of light: The influence of instrument building on composition. Oakland, CA: Distributed by the American Gamelan Institute, 1985.

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7

Cowan, Joan Bell. Gamelan Range of Light: The influence of instrument building on composition. Oakland: American Gamelan Institute, 1985.

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8

1925-, Ochse Orpha Caroline, ed. Murray M. Harris and organ building in Los Angeles. [S.1.]: Organ Historical Society, 2005.

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9

Bergen, Seminar on Development (2nd 1999 Bergen Norway). Making South-North organisational cooperation an effective instrument for institution building: Full report. Bergen: Chr. Michelsen Institute, 1999.

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10

Tronshaug, Hans Jacob Høyem. With rare diligence and accuracy: The organ building of Peter Adolph Albrechtsen in the context of nineteenth-century Danish/Norwegian organ culture. Göteborg: Göteborg University, Dept. of Musicology and Göteborg Organ Art Center, 2001.

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11

Natorski, Michal. The European Union peacebuilding approach: Governance and practices of the instrument for stability. Frankfurt am Main: Peace Research Institute Frankfurt, 2011.

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12

Lewis, Walter. Modern organ building: Being a practical explanation and description of the whole art of organ construction, with especial regard to pneumatic action, including chapters on tuning, voicing, etc. Buren, Netherlands: F. Knuf, 1986.

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13

1944-, Davis Christopher C., and Coplan Michael A. 1938-, eds. Building scientific apparatus: A practical guide to design and construction. 4th ed. New York: Cambridge University Press, 2008.

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14

1944-, Davis Christopher C., and Coplan Michael A. 1938-, eds. Building scientific apparatus: A practical guide to design and construction. 3rd ed. Boulder, Colo: Westview Press, 2003.

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15

H, Moore John. Building scientific apparatus: A practical guide to design and construction. 2nd ed. Redwood City, Calif: Addison-Wesley, 1989.

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16

H, Moore John. Building scientific apparatus: A practical guide to design and construction. 3rd ed. Cambridge, MA: Perseus Books, 2002.

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17

Clicquot, François-Henri. Théorie-pratique de la facture de l'orgue =: Theorie und Praxis des Orgelbaues = Theory and practice of organ building. Schwarzach, Austria: C. Glatter-Götz, 1985.

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18

La musique et le geste. Paris: Beauchesne, 2012.

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19

Longhurst, John. Magnum opus: The building of the Schoenstein organ at the Conference Center of the Church of Jesus Christ of Latter-day Saints, Salt Lake City. Salt Lake City, UT: Mormon Tabernacle Choir, 2009.

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20

Longhurst, John. Magnum opus: The building of the Schoenstein organ at the Conference Center of the Church of Jesus Christ of Latter-day Saints, Salt Lake City. Salt Lake City, Utah: Mormon Tabernacle Choir, 2009.

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21

Longhurst, John. Magnum opus: The building of the Schoenstein organ at the Conference Center of the Church of Jesus Christ of Latter-day Saints, Salt Lake City. Salt Lake City, Utah: Mormon Tabernacle Choir, 2009.

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22

Institution, British Standards. Measuring instruments for building construction.: Theory. London: BSi, 1990.

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23

UNDP Symposium on Water Sector Capacity Building (2nd 1996 Delft). Water sector capacity building: concept and instruments. Rotterdam: A.A. Balkema, 1999.

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24

Oxley, T. A. Dampness in buildings: Diagnosis, treatment, instruments. London: Butterworths, 1989.

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25

Oxley, T. A. Dampness in buildings: Diagnosis, treatment, instruments. London: Butterworths, 1989.

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26

G, Gobert E., ed. Dampness in buildings: Diagnosis, treatment, instruments. 2nd ed. Oxford: Butterworth-Heinemann, 1994.

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27

Çelebi, Mehmet. Seismic instrumentation of buildings. Menlo Park, CA: U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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28

Die Planverwirklichungsgebote als Instrumente des Städtebaurechts. Göttingen: O. Schwartz, 1985.

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29

Gaston Z. Ortigas Peace Institute (Quezon City, Philippines) and Asia Foundation, eds. Peace zones in the Philippines: Concept, policy, and instruments. Quezon City: Gaston Z. Ortigas Peace Institute in cooperation with the Asia Foundation, 2005.

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30

Çelebi, Mehmet. Seismic instrumentation of federal buildings: A strawman draft document for consideration by federal agencies, presented at the NEP meeting, July 8, 1997, FEMA building, Washington, D.C. [Menlo Park, CA]: U.S. Geological Survey, 1997.

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31

Çelebi, Mehmet. Seismic instrumentation of federal buildings: A strawman draft document for consideration by federal agencies, presented at the NEP meeting, July 8, 1997, FEMA building, Washington, D.C. [Menlo Park, CA]: U.S. Geological Survey, 1997.

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32

Energy policy instruments and technical change in the residential building sector. Amsterdam, Netherlands: IOS Press, 2007.

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33

United States. Administration on Aging, ed. Prototype system building measurement instrument. [Washington, D.C.?: Administration on Aging, 1988.

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34

Casson, Thomas. Reform In Organ Building. Reprint Services Corp, 1999.

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35

Casson, Thomas. Reform in Organ Building. Bardon Enterprises, 1998.

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36

Wicks, Mark. Organ Building for Amateurs. Bardon Enterprises, 2004.

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37

The Art of Organ-Building. Library Reprints, 2001.

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38

Fock, Gustav, Lynn Edwards, Edward C. Pepe, and Harald Vogel. Hamburg's Role in Northern European Organ Building. Westfield Center, 1995.

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39

European Parliamentarians for Southern Africa., ed. Parliament as an instrument for peace. Amsterdam: AWEPA, 2001.

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40

Autere, Annemari. The feeling balletbody: Building the dancer's instrument according to BalletBodyLogic. 2013.

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41

The Building Regulations (Amendment) Regulations 1989 (Statutory Instrument: 1989: 1119.). Stationery Office Books, 1989.

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42

Lewis, Walter. Modern Organ Building: A Practical Explanation and Description of Organ Construction. Library Reprints, 2001.

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43

Moore, John H., Michael A. Coplan, and Christopher C. Davis. Building Scientific Apparatus. 3rd ed. Westview Press, 2002.

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44

Moore, John H., Michael A. Coplan, Sandra Greer, Christopher C. Davis, Sandra C. Greer, and Christopher Davis. Building Scientific Apparatus. 3rd ed. Westview Press, 2002.

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45

Jean-Paul, Lehners, and Kieffer Monique, eds. L' ONU: Un instrument de paix au service de qui? Luxembourg: Centre Universitaire de Luxembourg, 1996.

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46

The Building Societies (Provision of Services) Order 1989 (Statutory Instrument: 1989: 839). Stationery Office Books, 1989.

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47

The Building Societies (Commercial Assets and Services) Order 198 (Statutory Instrument: 1988: 1141). Stationery Office Books, 1988.

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48

The Building Societies (Limits on Commercial Assets) Order 1988 (Statutory Instrument: 1988: 1142). Stationery Office Books, 1988.

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49

Andrea, Ricci, and European Commission. DG External Relations., eds. Funding in action: Reportage on the EU's instrument for stability. Luxembourg: Office for Official Publications of the European Communities, 2008.

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50

Fair, Alistair. ‘An Instrument of Policy and Something Socially Desirable’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0002.

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This chapter sets the post-war theatre-building boom in a national context by outlining the emergence of a system of public support for the arts. Though only ever one source of income for theatres (and one which was limited in its extent), the advent of subsidy had important consequences. The creation of the Arts Council of Great Britain in 1946 and the Local Government Act of 1948 transformed certain kinds of theatre from an essentially commercial activity into something that could be considered a public amenity, a cultural arm of the welfare state. The ways in which this development was justified are considered, looking particularly at the extent to which the arts were seen to be transformative. Particular attention is given to the effect of subsidy on regional repertory companies. It formed an important stabilizing factor for them, allowed higher standards, and prompted many to think about building.
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