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Books on the topic 'Installations (Art) Australia'

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Author: Grafiati

Published: 10 December 2022

Last updated: 20 February 2023

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1

1950-, Desmond Michael, and National Gallery of Australia, eds. Islands: Contemporary installations from Australia, Asia, Europe and America. Canberra: National Gallery of Australia, 1996.

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2

Jubelin, Narelle. Narelle Jubelin: Soft shoulder : the Renaissance Society at the University of Chicago, May 4, 1994-June 26, 1994, Grey Art Gallery & Study Center, New York University, January 20, 1995-February 28, 1995. [Chicago]: Renaissance Society at the University of Chicago, 1994.

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3

Daniels, Dolly Nampijinpa. Ngurra (camp/home/country): Dolly Nampijinpa Daniels and Anne Mosey : University of South Australia Art Museum, 24 February-26 March 1994. Underdale, SA: The Museum, 1994.

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4

Cooke, Grayson. Live A/V in Australia. Broadway: UTS ePRESS, 2013.

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5

Daniel, Thomas. James Darling: Instinct, imagination, physical work. Kent Town, S. Aust: Wakefield Press, 2001.

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6

Lynn, Victoria. Double take: Anne Landa Award for video & new media arts 2009. Edited by Art Gallery of New South Wales. Sydney: Art Gallery of New South Wales, 2009.

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7

Desmond, Michael, and Kate Davidson. Islands Contemporary Installations from Australia, Asia, Europe and America: Contemporary Installations from Australia, Asia, Europe and America. National Gallery of Australia, 1996.

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8

Jackman, Hugh. Nomad: Two Worlds. teNeues Publishing Company, 2012.

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9

Desmond, Michael, and Kate Davidson. Islands: Contemporary Installations from Australia, Asia, Europe and America. Thames & Hudson, 1996.

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10

Counting Blackness: Recalibrating Knowledge in the Sandstone University. University of Queensland Press, 2016.

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11

Anarchy in the Organism. Black Dog Publishing London UK, 2013.

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12

Monash Steps / Stawell Steps. Monash University Publishing, 2016.

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13

Gormley, Antony. Antony Gormley: Inside Australia. Thames & Hudson, 2005.

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14

Adam, Geczy, and Genocchio Benjamin, eds. What is installation?: An anthology of writings on Australian installation art. Sydney, NSW, Australia: Power Publications, 2001.

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15

(Editor), Adam Geczy, and Benjamin Genocchio (Editor), eds. What is Installation?: An anthology of writings on Australian Installation art. University of Illinois Press, 2001.

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16

Storer, Russell. Bleed Bled Said: Adam Geczy and Mike Parr. Power Publications, 2011.

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17

Art Gallery of New South Wales., ed. Miti khō̜ng watthanatham Thai-ʻŌ̜tsatrēlīa =: Thai-Australian cultural space. Sydney: Art Gallery of New South Wales, 1994.

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18

Switzerland), Musée olympique (Lausanne, Art Exhibitions Australia Limited, National Gallery of Australia, and Olympic Arts Festival (2000 : Sydney, Australia), eds. Le Mémorial, un chef-d'oeuvre d'art aborigène : 1er juillet au 31 octobre 1999 =: The Memorial, a masterpiece of aboriginal art : 1st July to 31st October 1999. Lausanne: Musée Olympique, 1999.

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19

Janet Laurence: The Pharmacy of Plants. NewSouth Publishing, 2015.

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20

Maudie, Palmer, Palmer Alice, and Melbourne International Festival of the Arts (1998), eds. Remanence: Marina Abramoviʹc, Gordon Bennett, Daniel Buren ... [Melbourne]: Melbourne International Festival of the Arts Ltd., 1998.

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21

Environmental Art of Gerry Joe Weise. USA, Europe, Australia: Earthworks Australia, 2019.

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22

Earth Art, by Gerry Joe Weise. USA, Australia, Europe: Earthworks Australia, 2017.

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23

Earth Art, by Gerry Joe Weise: EBook. USA, Europe, Australia: Earthworks Australia, 2018.

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24

Hopkins, Graeme, and Christine Goodwin. Living Architecture. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643103078.

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Extensively illustrated with photographs and drawings, Living Architecture highlights the most exciting green roof and living wall projects in Australia and New Zealand within an international context. Cities around the world are becoming denser, with greater built form resulting in more hard surfaces and less green space, leaving little room for vegetation or habitat. One way of creating more natural environments within cities is to incorporate green roofs and walls in new buildings or to retrofit them in existing structures. This practice has long been established in Europe and elsewhere, and now Australia and New Zealand have begun to embrace it. The installation of green roofs and walls has many benefits, including the management of stormwater and improved water quality by retaining and filtering rainwater through the plants’ soil and root uptake zone; reducing the ‘urban heat island effect’ in cities; increasing real estate values around green roofs and reducing energy consumption within the interior space by shading, insulation and reducing noise level from outside; and providing biodiversity opportunities via a vertical link between the roof and the ground. This book will appeal to a wide range of readers, from students and practitioners of architecture, landscape architecture, urban planning and ecology, through to members of the community interested in how they can more effectively use the rooftops and walls of their homes or workplaces to increase green open space in the urban environment.

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25

Wright, Amalie. Future Park. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9780643106611.

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The first public parks were created on urban 'greenfields'. Once these designated sites had been used, cities looked towards post-industrial sites, and built parks in places that had suffered from environmental degradation, neglect, abandonment and conflict. With finite stocks of urban post-industrial land now also approaching exhaustion, more ways of making parks are required to create inclusive, accessible and resilient urban places. Future Park invites Australian built environment professionals and policymakers to consider the future of parks in our cities. Including spectacular images of public spaces throughout the world, the book describes the economic, social and environmental benefits of urban parks, and then outlines the threats and challenges facing cities and communities in an age when more than half the world's population are urban dwellers. Future Park introduces the need to embrace new public park thinking to ensure that benefits continue to be realised. Future Park illustrates imaginative and resourceful responses to real challenges by highlighting recent proposals and projects. These projects coalesce around four broad themes – linkages, obsolescences, co-locations and installations – responding to contemporary urban paradoxes, and ensuring parks continue to play a vital role in the lives of our cities.

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